Recorder. Flashcards

Similar documents
The lines and spaces of the staff are given certain letter names when the treble clef is used.

Lesson 5 Contents Overview of Lesson 5 Rhythm Change 1a Rhythm Watch Time Signature Test Time Dotted Half Notes Flower Waltz Three Step Waltz

Line 5 Line 4 Line 3 Line 2 Line 1

AP Theory Overview:

Note Reading Worksheet Bass Clef Exercise #1

Math in Motion SAMPLE FIRST STEPS IN MUSIC THEORY. Caleb Skogen

& w w w w w w # w w. Example A: notes of a scale are identified with Scale Degree numbers or Solfege Syllables

TABLE OF CONTENTS. Foreword 2. Keyboard Basics 3. The Music Alphabet 11. The Staff 18. Steps in Bass Clef 26. Steps in Treble Clef 36

The Staff Date. Name. The musical staff is made up of five lines and four spaces. Lines and spaces are both numbered from low to high.

SOS A resource for directors of beginning sight readers. Written and Composed by Laura Farnell and Mary Jane Phillips

June C. Montgomery. Copyright MCMXCVIII by Alfred Publishing Co., Inc. All rights reserved. Printed in USA.

Starter Packet for Flute

Name Class Hour. Fill in the chart below. Worksheet - 1. What does the top number of any time signature tell you?

Rests & 4 4 Œ Œ Œ Œ. 5. Write the count below the notes and rests, then clap and count the rhythm out loud.

Easy Music Theory. for Middle School. Index

TABLE OF CONTENTS. Foreword 2. Review 3. The C 5-Finger Pattern 4. Dynamics and Tempo 10. Tonic and Dominant in C 14.

The Comeback Trumpet Player

Palmer - Hughes Book 1

Starter Packet for Trumpet

Cadences. There are four different types of harmonic cadences: perfect (or authentic) imperfect (or half), plagal and interrupted (or deceptive).

The Staff Date. Name. The musical staff is made up of five lines and four spaces. Lines and spaces are both numbered from low to high.

Level 1 Music, Demonstrate knowledge of conventions used in music scores p.m. Friday 10 November 2017 Credits: Four

Staff and Symbol Games by Denise Gagné

Folksongs from Around the World

VERSIONS OF MINOR SCALES. Below are examples of the three forms of minor scales in the keys of a minor and g # minor. a minor. Sol Mi.

Middle School Band Rehearsal Lab Douglas Akey, clinician. McCracken Middle School Symphonic Band Chip De Stefano, conductor

Contents FOREWORD... 5

Sample. January - Week 1: Song #44 Clock Round CD2:30

œ œ œ œ œ œ œ œ œ œ Playing on the 3 Black Keys Dr. Kathy Rabago Right Hand Left Hand A quarter note ( q ) = 1 beat

Step 1: With your mobile device, open your app marketplace (App Store, Google Marketplace, etc.).

2018 White Sabers Brass Warm-up Packet

Piano Proficiency Examination Requirements Effective Fall 2006

Song chapter packet for: Have You Met Miss Jones

TITLE : DIGITAL STRIP CUTTER MODEL: SEC-100HS (HOT KNIFE) ASSEMBLING DRAWING PARTS LIST. 1 Page : BED I SLIDER PARTS. 2 Page : ROLLER PARTS

THE LANGUAGE OF MUSIC REVEALED

Indigenous Singers of Canada

Getting into The Blues Lesson 2

Tuba Clinic. by Sergeant First Class Scott Cameron Field Band Drive Fort Meade, Maryland

LESSON #2. Music Theory Fundamentals

Preparatory Rudiments. The Royal Conservatory Edition. accelerando. martellato. tacet. polyphonic. langsam. grazioso. rubato. vivace.

Macro Analysis of Robert Schumann s Abschied, from Waldscenen, Op. 82

Chapter 1. Pitch and Pitch Class BASIC ELEMENTS

Music Notation and Theory for Intelligent Beginners

Centers in the Music Class

Keyboard Percussion by Eric Chandler and Chris Norton

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ w œ œ

diptych Paul Schuette Fall 2008 a DUET for harpsichord, electric piano and live electronics

Proficiency Examinations for:

Grade 2. Improve your theory! Paul Harris. Model answers

C O N C E R T I N O C O L L E C T I O N.

Lesson Title Author(s) Grade Concepts Page Levels. Little Johnny Brown...Phyllis Thomas... K 2... Call and Response...3

Music Technology Advanced Subsidiary Unit 1: Music Technology Portfolio 1

Announcing... 2nd Edition. Primer Level. and Level 1

Musicplay for Kindergarten

Well temperament revisited: two tunings for two keyboards a quartertone apart in extended JI

A Questionable Alliance Of Warm, Tasty Baked Goods

Mezzo: An Adaptive, Real-Time Composition Program for Game Soundtracks

Mellophone. Technique Packet

Summary of the Transcription Process

The Transcriber s Art - #48 Alfredo Catalani, In Sogno By Richard Yates

TEACHERS CHOICE. music GRADE 6A

The Recorder Resource Kit 2

Fundamental Music Instruction

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

Jazz Piano Left Hand Techniques

Bb Soprano and Bb Bass

Mars - God of War. David Marlatt. Instrumentation:

FREE music lessons from Berklee College of Music

Jazz Band Catalog EMERGING JAZZ SERIES

published by ARDROSS HOUSE 48 Fairview Way, Stafford ST17 0AX and Percussion! - percussion join recorders and violins in the school assembly

FOR PREVIEW ONLY REPRODUCTION PROHIBITED. KendorMusic.com

Jim Bryson Shaffer. To contact us: All That Is Within Me. or call (800) Rhythm section: The.

Shuksan Story: An Original Soundtrack Composition

THE TRILL, APPOGGIATURA, MORDENT & GRACE NOTE

AP Music Theory Westhampton Beach High School Summer 2017 Review Sheet and Exercises

the lawyers know the parameters, the limits of questions that can and can't be asked. All right? But

SAMPLE. Neil A. Kjos Music Company Publisher

The Uprising. David Marlatt (b.1973) Instrumentation: Flute - 8 Oboe - 2 PREVIEW ONLY

New video ball game. Ten games, on screen scoring, sound effects. by DAVID EDWARDS

Chapter 8 'Triads in First Inversion'

Dante s Prayer From the Quinlan Road CD The Book Of Secrets

SAMPLE. Jazz In Concert. Correlated with the STANDARD OF EXCELLENCE JAZZ ENSEMBLE METHOD JAZZ ENSEMBLE GRADE 2 DIRECTOR SCORE JZB412F $8.

Junkyard Jam For Drums, Trash Cans, Buckets and Band. Preview Only KEVIN MIXON (ASCAP) INSTRUMENTATION

Title Grade Level Page

The Miracle and Majesty of Christmas

requiem for B b clarinet and computer kerry hagan

Contents. About the Author Introduction... 5

Grade 1. Improve your theory! Paul Harris. Model answers

FLUTE 101: MASTERING THE BASICS. A Method for the Beginning Flutist PHYLLIS AVIDAN LOUKE PATRICIA GEORGE PRESSER. with Teaching and Phrasing Guides

As a choral director, improvisation is probably not the first word that comes

Please note that copying music from this PDF file is illegal.

œ œ œ œ œ œ œ œ œ œ œ

Community of Christ. Ó Œ œ Com - (Com) - (Com) - œ œ œ œ. œ œ. œ œ. œ œ. œ œ. will be done, live and cry. own, door sound done,

He Is Lord. Words & music by Ben Fielding Arranged and orchestrated by Joel Mott. the popular recording from the Hillsong album This Is Our God

Preview Only. I n s t r u m e n tat i o n

TABLE OF CONTENTS. Lesson 1: Major and Minor Key Signatures...1. Lesson 2: Scales Lesson 3: Intervals...21

Please note that not all pages are included. This is purposely done in order to protect our property and the work of our esteemed composers.

Euphonium Topics. by Master Sergeant Carlyle Weber Master Sergeant Donald Burleson Field Band Drive Fort Meade, Maryland

APPALACHIA RE-IMAGINED: JAZZ SEXTET ARRANGEMENTS OF TRADITIONAL APPALACHIAN FOLK SONGS. Caleb Henry McMahon. Honors Project

Dynamic Lane Assignment Using Fiber-Optic Signs

Transcription:

Recorder Fingering and Note Flashcards Vented M PL ES 24 LARGE Fingering Charts and 20 Note Name Flashcards for soprano and tenor recorders ith Baroque and German Fingerings. Includes activities, games and orksheets. e Baroqu F# 20 SA (High) (Lo) # G 10 # F# # # C # b Germ an F#/Gb (Lo) 1 9 By Veronica Harper Themes Variations G

Recorder Fingering and Note Flashcards This kit includes 24 LARGE (8.5 x 11) Fingering Charts and 20 Note Name Flashcards (4.25 x 5.5) that can be used ith any classroom recorder program. The flashcards feature Baroque and German fingerings for soprano or tenor recorders. The Fingering Charts and Note Name Flashcards are printed on cardstock and can displayed on a bulletin board or used as flashcards. Activities, games, reproducible orksheets and a student reproducible fingering chart are included. The Fingering Charts are in ascending order beginning on middle C and continue to G. Each Fingering Chart has the note name and the note placed on a staff. The Note Name Flashcards have to sides. On one side of the flashcard there is a note on the treble staff and on the reverse side there is the same note ith its letter name. Cut the Note Name Flashcards in half ith a paper cutter - there are to notes on each page. Themes Variations Box 25109 Deer Park PO, Red Deer Alberta T4R 2M2 Email: info@musicplay.ca Web Site:.musicplay.ca Toll Free Phone or Fax: 1-888-562-4647 Printed in Canada 2006 Cover Design by Craig Cassils ISBN: 1-897099-83-5

D (Lo) # 3

# b (Lo) D#/Eb 4

E (Lo) # 5

German F# (Lo) 7

G # 10

B # 14

C # 15

# b C#/Db 16

#G Vented (High) 24

E F

#

# A# B

Suggestions for Use 1. Name that Note! This activity allos students to practice naming notes that are commonly played on the recorder. Divide the class into to teams. Alternate asking a student from each team to name a note and see hich team can name the most notes during the game. 2. Note Name Race Choose one student from each team to be racers. Have the racers line up about ten feet from the hiteboard or chalkboard. Each racer should be given a hiteboard pen or a piece of chalk. Hold up a note name flashcard. The first student to rite the note name on the board ins the race. Later in the year, play this game again using the fingering flashcards. 3. Sho Me the Note! Hold up a flashcard ith one of the recorder fingerings on it. Give the students time to sho ho they ould play the note on their recorder, ithout bloing any air. Ask a student to name the note. Allo a fe students to play the note on their recorder hen they can name the note and sho the correct fingering. 4. Make a Match Place the recorder fingering flashcards that the students have already learned (at least four or five) at the front of the room and the note flashcards that go along ith each of the fingerings. Display all of these in a place here they are visible to all students. You could use magnets to attach them to a magnetic hite board, place them in a pocket chart or place them on a hite board ledge. Ask a student to choose one of the note flashcards and then the recorder fingering that correctly matches ith it. * A variation of this activity is to sho the side of the flashcard ith the note letter name and allo students to match the letter name ith the recorder fingering. 3

5. Race Around the Class To play this game, have the class sit ith their recorders in a circle. Have one student begin by standing behind another student. Sho the to students a recorder fingering flashcard or note name flashcard. The student that can play the note the fastest gets to continue around the circle, playing against other students. The student that loses ill sit in the circle here they lost the match and the inner from the match ill go and stand behind the next student in the circle and try to play the note the teacher shos. The student that makes it all the ay around the circle and back to the starting position is declared the inner. 6. Partner Practice To to three students ould be able to use these flashcards in a drill and practice activity. Student one ill sho the flashcard and student to ill name it. If a student is having difficulty ith a flashcard, place it aside and return to it after all of the other flashcards have been correctly identified. This activity can be done ith the note flashcards and the recorder fingering flashcards. 7. Play Me a Tune Place a group of flashcards, either note or fingering, all in a ro at the front of the classroom. Give students some time to think and then ask one or to to name the flashcards from left to right. Have one or to students play the flashcards on their recorders. After the students have become comfortable at playing the flashcards, mix them up and allo students to play the ne melody. Another idea is to take some or all of the flashcards aay and see if students can still play the original melody. This activity ould ork ith the note name flashcards or the fingering flashcards. 8. Worksheet Practice Students may complete the orksheets provided in this kit. The orksheets can be used for individual student practice or to assess learning. The orksheets complement the activities and songs found in The Complete Recorder Resource Kit, but can be used successfully ith any recorder program. 4

2 2 3 Practice Naming Notes Name: Class: Notes on a line: Notes on a line: F E Notes in a space: 3 E G B D F F A C E Notes in a space: Write the note name on the line belo it. The first to notes are done for you. Use capital letters. Write the notes on the treble staff using a hole note: Write the notes on a line: 3 4 Write the notes in a space: B E G F E D G F 4 E A C F E C A F 5

Just B A G d j Name: Class: Write the note name of the recorder fingerings shon belo: hole j hole q hole g Write the note name on the line belo it. Use capital letters. 2 2 Write the notes on the treble staff using a hole note: 3 3 g B A G A G B A a s 4 G A B G B A G 7

Recorder Revie Name: Class: Write the name of each note on the line underneath and color in the blank recorder fingering charts. Use a black circle to sho that the hole ould be covered by your fingers and leave the circle hite if the hole is not covered. 1. 4. 3 Write each note on the treble staff belo. Use hole notes. If the notes can be ritten in to places, rite one note above the other. 4 3 # # hole hole j g j g 2. 5. # # A E F B D G F 9 hole hole j g j g 3. # # C D G A B F D 6. hole hole j g j g

Soprano Recorder Fingerings œ # œ œ # œ œ œ # œ œ # œ œ 2 C C# D D# E F F# G G# A # œ œ œ # œ œ # œ œ œ # œ œ œ # œ œ # œ œ œ # œ œ # œ œ Baroque German Baroque German 2 # œ œ œ # œ œ # œ œ œ # œ œ A# B C C# D D# E F F# G 3 Baroque German Baroque German thumb hold, it is a Baroque recorder. Your left hand goes at the top of the recorder, and is used to cover the thumb hole at the back of the recorder, and the first three holes on the front of the recorder. Your right hand goes at the bottom of the recorder. You use your right hand to cover the four holes at the bottom of the recorder. The circles on the fingering chart represent the holes on the recorder. When the circle is filled in, cover that hole. When only half the circle is filled in, cover half the hole. To Kinds of recorders: German fingering recorders use a simple F fingering. English, or Baroque recorders use a forked F. Ho can you tell hich recorder you have? Play an F on the piano. If your recorder sounds the same as the piano hen you play the simple fingering for F, you have a German fingering recorder. If your recorder sounds higher in pitch than the piano, you need to use the Baroque fingering - the forked F to make your pitch match. On the fingering chart, the German and Baroque fingerings are labelled. Many recorder manufacturers print the letter G or a B under the thumb hole on the back of the recorder. If your recorder has the letter G under the thumb hole, it is a German fingering recorder. If your recorder has the letter B under the 10