biv In Theory and Chopin: Analytical Examples

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biv In Theory and Chopin: Analytical Examples Timothy L. Jackson timothy.jackson@unt.edu Justin Lavacek justin.lavacek@unt.edu University of North Texas National Meeting of the Society for Music Theory, Arlington, 2017 1

Figure 1: Model Progressions 2

Figure 2a: Schenker s Analysis of Schubert, Impromptu, in Gb major transposed to G major: Approach I 3

Figure 2b: Score of Schubert Impromptu transposed to G major 4

5

Ex. 1b: Chopin, Prelude in F sharp Minor, Overview of the biv in the Expanded Consequent, and Aligned Foreground and Middleground Graphs, mm. 1-11: Approach IV, Departure A 6

Ex. 1c: Chopin, Prelude in F sharp Minor, Foreground and Middleground Graphs, mm. 11-27: Approach IV; Departure A 7

Ex. 2a: Chopin, Mazurka in B minor, mm. 1-63 (A and B sections), Middleground: Approach IV, Departure A 8

Ex. 2b: Chopin, Mazurka in B minor, Op. 33, No. 4, A Section, Annotated Score, mm. 1-13: Approach IV 9

Ex. 2c: Chopin, Mazurka, Op. 33, No. 4, A Section, Annotated Score, mm. 14-27: Approach IV 10

Ex. 2d: Chopin, Mazurka, Op. 33, No. 4, End of the A Section and Beginning of the B Section, Annotated Score, mm. 41-53: Approach IV 11

Ex. 2e: Chopin, Mazurka, Op. 33, No. 4, B Section Conclusion and Return of the A, Annotated Score, mm. 54-68: Departure A 12

Ex. 3a: Chopin, Song, Melodia, Overview and Foreground Graph, mm. 1-13: Approach IV 13

Ex. 3b: Chopin, Song, Melodia, Foreground Graph, mm. 13-41 14

Ex. 3c: Chopin, Song, Melodia, Overview and Foreground Graph, mm. 42-47 15

Ex. 4a: Chopin, Third Piano Sonata, First Movement, Exposition and Development, Overview Graph. Approach IV: Shows approach to biv through its dominant, i.e., Eb approached through Bb. Departure E: biv then becomes bii of III, i.e., Eb moves to D. 16

Ex. 4b: Chopin, Third Piano Sonata, First Movement, Exposition, First Subject, Aligned Foreground and Middleground Graphs, mm. 1-12: Approach IV 17

Ex. 4c: Chopin, Third Piano Sonata, First Movement, Exposition, First Subject, Aligned Foreground and Middleground Graphs, mm. 12-20: Approach IV 18

Ex. 4d: Chopin, Third Piano Sonata, First Movement, Exposition, First Subject, Aligned Foreground and Middleground Graphs, mm. 21-29 19

Ex. 5: Chopin, Third Piano Sonata, Third Movement: Largo, B section, Overview Graphs: Departure A 20

Chopin, Third Piano Sonata, Third Movement, Manuscript, mm. 94-98, Notated Enharmonic Transformation of Ab (b4) Back into 3. 21

Supplemental Ex. 6a: Chopin, Third Piano Sonata, First Movement, Development, Overview: Approach III 22

Supplemental Ex. 6b: Chopin, First Piano Sonata, First Movement, Development, Foreground Graph, mm. 92-101: Approach III 23

Supplemental Ex. 6c: Chopin, Third Piano Sonata, First Movement, Development, Aligned Foreground and Middleground Graphs, mm. 101-108 24

Supplemental Example 6d: Chopin, Third Piano Sonata, First Movement, Development, Aligned Foreground and Middleground Graphs, mm. 109-114 25

Supplemental Ex. 6e: Chopin, Third Piano Sonata, First Movement, Development, Aligned Foreground and Middleground Graphs, mm. 114-122 26

Supplemental Example 6f: Chopin, Third Piano Sonata, First Movement, Development, Aligned Foreground and Middleground Graphs, mm. 123-133 27

Supplemental Example 6g: Chopin, Third Piano Sonata, First Movement, Development, Aligned Foreground and Middleground Graphs, mm. 133-140 28

Supplemental Example 6h: Chopin, Third Piano Sonata, First Movement, Development, Aligned Foreground and Middleground Graphs, mm. 140-146 29

biv in Theory and Chopin: Score Examples Timothy L. Jackson timothy.jackson@unt.edu Justin Lavacek justin.lavacek@unt.edu University of North Texas National Meeting of the Society for Music Theory, Arlington, 2017 30

Score for Ex. 1: Chopin, Prelude in F sharp Minor, Annotated Score, mm. 1-8 31

Score for Ex. 1, continued: Chopin, Prelude in F sharp Minor, Annotated Score, mm. 5-8 32

Score for Ex. 1, continued: Chopin, Prelude in F sharp Minor, Annotated Score, mm. 15-22 33

Score for Ex. 1, continued: Chopin, Prelude in F sharp Minor, Annotated Score, mm. 23-30 34

Score for Ex. 1, conclusion: Chopin, Prelude in F sharp Minor, Annotated Score, mm. 31-34 35

Score for Ex. 3: Chopin, Song, Melodia, Annotated Score, mm. 1-11 36

Score for Ex. 3, continued: Chopin, Song, Melodia, Annotated Score, mm. 12-22 37

Score for Ex. 3, continued: Chopin, Song, Melodia, Annotated Score, mm. 23-36 38

Score for Ex. 3, conclusion: Chopin, Song, Melodia, Annotate Score, mm. 38-47 39

Score for Ex. 5: Chopin, Piano Sonata No. 3, Third Movement, Largo, Annotated Score, A section, mm. 1-11 40

Score for Ex. 5, continued: Chopin, Piano Sonata No. 3, Third Movement, Largo, Annotated Score, A section, mm. 12-21 41

Score for Ex. 5, continued: Chopin, Piano Sonata No. 3, Third Movement, Largo, Annotated Score, End of the A section and Beginning of the B section, mm. 22-35 42

Score for Ex. 5, continued: Chopin, Piano Sonata No. 3, Third Movement, Largo, Annotated Score, B section, mm. 69-80 43

Score for Ex. 5, continued: Chopin, Piano Sonata No. 3, Third Movement, Largo, Annotated Score, End of the B section, mm. 81-94 44

Score for Ex. 5, conclusion: Chopin, Piano Sonata No. 3, Third Movement, Largo, Annotated Score, End of the B section and Return to the A, mm. 95-99 45

Score for Supplemental Ex. 6: Chopin, Piano Sonata No. 3, First Movement, Annotated Score, Development section, mm. 92-99 46

Score for Supplemental Ex. 6, continued: Piano Sonata No. 3, First Movement, Annotated Score, Development section, mm. 100-107 47

Score for Supplemental Ex. 6, continued: Piano Sonata No. 3, First Movement, Annotated Score, Development section, mm. 108-113 48

Score for Supplemental Ex. 6, continued: Piano Sonata No. 3, First Movement, Annotated Score, Development section, mm. 114-117 49

Score for Supplemental Ex. 6, continued: Piano Sonata No. 3, First Movement, Annotated Score, Development section, mm. 118-122 50

Score for Supplemental Ex. 6, continued: Piano Sonata No. 3, First Movement, Annotated Score, Development section, mm. 123-129 51

Score for Supplemental Ex. 6, continued: Piano Sonata No. 3, First Movement, Annotated Score, Development section, mm. 130-136 52

Score for Supplemental Ex. 6, continued: Piano Sonata No. 3, First Movement, Annotated Score, Development section, mm. 137-143 53