Narratives NEW YORK NEW YORK. Project Assignment 09 NYC Big Apps Final Presentation. SVA IxD Fundamentals Studio. New York Narratives app

Similar documents
Running head: PAPER TITLE 1

Chicago Manual of Style

Imaginary Product User s Guide

Chicago Manual of Style

Chicago Manual of Style

Chicago Manual of Style

Long Post With Pagination

PREZI. Online Companies. Pick an online company and discuss the following DUE. Requirements:

Nam accumsan elit in leo. Donec ornare. Suspendisse ut dolor.

A Capstone Project Report on Analytics Work Carried Out at IBM

Introductory Narrative

TITLE OF DOCUMENT GOES HERE: BE SURE TO SINGLE SPACE

Learning By Design. By Design Workshops. What is Learning By Design? What are some Learning By Design projects? Look for Learning

Bannockburn Primary School. KS1 News Letter

IYNA Format Guidelines

Author s Full Name. Undergraduate degree, institution, year. Master degree, if applicable, institution, year. Submitted to the Graduate Faculty of

November Visual Identity Guidelines Ministry of Education

World Solar Challenge Branding Guidelines

Title of Your Thesis. Student s Full Name. This thesis is presented as part of the requirements for the conferral of the degree: Your Degree

Co-Map Modeling. February 14, 2010

CES Working Papers Author guidlines

Brand identity guidelines September 2009

Instructions for Authors

There is also a less obvious reason why some people, I believe, might be inclined to make fun of this song. A quote from Natalie:

ICEL ND IR. Next stop, Iceland. Corporate Identity Manual for Graphic Standards

visual indentity guidelines

BRAND IDENTITY GUIDELINES

BRAND GUIDELINES. For any questions regarding branding, please contact

APPENDIX TO THE INTERNATIONAL COMPETITION

Foreward Soils as records of Past and Present: the geoarchaeological approach. Focus on: is there time for fieldwork today?

Steppenwolf Graphic Standards STEPPENWOLF

THE EDGE - BRAND THE EDGE - BRAND STRATEGY THE MARK PMS 7473 PMS 7473 (70%) PMS 7473 (40%) PMS 7473 (70%) PMS 7470 THE LOGOTYPE THE TAGLINE

Connecting for Life Brand Book _CFL_Brand_Guidelines_Booklet_v5.indd 1 14/02/ :30

Module one Elements and usage. Brand identity guidelines

EDUCATE. SUPPORT. INSPIRE.

GEOGRAPHY HONOURS THESIS HANDBOOK

Branding Guidelines NORTH SAINT PAUL SAINT PAUL

CASE LGBT. Diversity. Show Me The BUSINESS Launch edition. LGBT Diversity: Show Me The Business Case

1st national bank Branding guidelines

GEOGRAPHY HONOURS THESIS HANDBOOK

Communication and Visibility Manual

THE UMALAYATHESIS L A T E X DOCUMENT CLASS LIM LIAN TZE INSTITUTE OF POSTGRADUATE STUDIES UNIVERSITY OF MALAYA KUALA LUMPUR

THE UMALAYATHESIS L A T E X DOCUMENT CLASS LIM LIAN TZE INSTITUTE OF POSTGRADUATE STUDIES UNIVERSITY OF MALAYA KUALA LUMPUR

Vision Source. Signage and Brand Collateral GRAPHIC DESIGN CONTROL DOCUMENTS (DCDs) 19 February Updated - 04 March Updated - 01 April 2011

GRAPHIC STANDARDS THE UNIVERSITY OF SOUTHERN MISSISSIPPI UPDATED AUGUST 2018

THE UMALAYATHESIS L A T E X DOCUMENT CLASS LIM LIAN TZE INSTITUTE OF POSTGRADUATE STUDIES UNIVERSITY OF MALAYA KUALA LUMPUR

MULTIMEDIA UNIVERSITY THESIS TEMPLATE

Visual Identity Program

BRAND STANDARDS GUIDE. How to use the KMA brand to maintain a cohesive identity in all mediums of visual communication.

PRICES/SIZES: BLACK & WHITE

[pp ] Metamorphosis. Detail Lightjet print on diasec cm aluminium box edge. 160 x 160 cm. [pp ]

BRANDING GUIDELINES Enterprise Nation

Name & Branding. Design Goals. The Logo

How We Strengthen Our Logo Identity. University Guidelines for Brand Usage

BRAND IDENTITY GUIDELINES

Stewards of planet Earth

CORPORATE IDENTITY. Visual guidelines

Article Title: Subtitle or Supplementary Information. Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Maecenas porttitor congue

ENGL2200 Guidelines & Instructions for Essay 3: Abstract and Annotated Bibliography

Earth Collective Magazine August

Visual Identity Standards

Znips London 75 Wilton Road, London SW1V 1DE Telephone: +44 (0) Znips London Identity Manual

IDENTITY GUIDELINES. An overview of logo useage, brand colors and fonts

The use of Rail Baltica logo Visual Guidelines

PLATINUM PROFILE INFORMATION & POLICIES

SUNDAY, OCTOBER 15, 2010

2018 VERSION BRAND GUIDELINES VERSION 01.18

Brand Guidelines. Berkshire Hathaway HomeServices Brand Guidelines. Updated: September 2016

LATEST UPDATE 4 OF MAY Brand materials Guidelines

GUIDE FOR WRITING RESEARCH PAPERS

BRAND IDENTITY GUIDELINES

OVERVIEW. Here is how the book is organized...

GUIDELINES FOR THE PREPARATION OF DISSERTATION AND THESIS

Brand and Logo Styleguide. Marketing & Communications. The Lone Star College Brand Identity System Updated December 2017

GUIDELINES FOR THE PREPARATION OF DISSERTATION AND THESIS

MORECAMBE BAY PARTNERSHIP. Brand guidelines October 2013

BRAND GUIDELINES. a visual identity guide for the Malta EU2017 brand

THE LOOK OF OUR BRAND

BRAND GUIDELINES EDDY PUMP

THE EIGHTH INTERNATIONAL CONFERENCE ON CREATIONISM

APA ESSENTIALS Style and format. Carol H. Mack, RN, PhD, JD

EKSIG 2015 Submission of Full Papers

Introduction 1.1 Why a New Visual Identity System? Visual Identity Policy What is branding, and why is it important? 4 1.

Stylesheet Typeface & emphasis Use italics for: words, phrases, and sentences treated as linguistic examples; foreign-language expressions;

Lake Ridge High School-Pre AP English I

The University Brand GUIDELINES

This guide is designed to define the USA Roller Sports brand and to help you create communications that bring it to life.

4 Advertising. Advertising

WELCOME TO the Canterbury. CONSISTENT. IT IS SO IMPORTAnt, and this is why we have brand guidelines. They are here to help us all get the

Innovative. Global. Personalized.

GUIDE FOR PREPARATION AND SUBMISSION OF ELECTRONIC THESES AND DISSERTATIONS

Brand Support Guide

HSE Video Branding and Style Guidelines

OMNIPOD DASH SYSTEM STYLEGUIDE

BRAND GUIDELINES 06/02/17

KOINON STYLE AND SUBMISSION GUIDE

Turabian Packet. Footnotes and Endnotes. This Turabian packet will help students format a Turabian paper, including the bibliography and footnotes.

Corporate identity fundamental elements

The Missing Genre: Creating Quality Non-fiction Books for the Early Grades Christabel Pinto Global Literacy Director CIES 2018

HÄFELE NEW YORK SHOWROOM

Transcription:

SVA IxD Fundamentals Studio NEW YORK NEW YORK Narratives Project Assignment 09 NYC Big Apps Final Presentation New York Narratives app Christopher Cannon November 15, 2010

Overview Platform Initially, the New York Narratives app will be available only for the iphone (who we feel is the innovation leader of the smart phone market) and the ipad (which for now will not have the features that utilize the camera). If this app proves popular on that platform, it will eventually be available for most major phones, including Blackberry, Android, HTC, etc. User Scenarios The target audience for this app can be a New York local, a visiting tourist, a history enthusiast, or a photography buff. There are enough interesting facts and stories about NYC that will surprise or entertain life-long residents as well as curious visitors. The following are two possible scenarios in which different people interact with the app in different ways. A tourist visiting NYC heard about the Flatiron Building, and how it was one of the first skyscrapers built in the city. So he enters the search page of the app to try to find it. Since he doesn t know offhand who built it, or what tour it is a part of, he simply enters the name in the search field. The tourist sees that the Flatiron Building is part of the Turn of the Century tour. Another tap reveals the other sites included in this tour narrated by Charlie Rose. He arrives at the Flatiron building and starts to walk around it to get different vantage points. As he does so, a vibration from the phone notifies him of his proximity to the same vantage point that the 1903 photo was taken. He then can switch to his phone s camera mode and use the augmented reality of the Then + Now feature, which allows him to overlay and compare the historic scene with the current one. He can take his own photo of the building and upload it to the app s database of user photos. Another user scenario can be the New York resident who has lived here for 14 years. She has seen a lot of changes in the city just in the time that she s lived here. Often she walks down the street looking at newly-constructed buildings and cannot remember what stood there just a few brief years ago. She often goes to the East Village to shop at boutiques and have dinner or drinks with friends and is fascinated to learn what a marginal and dicey place the neighborhood was in the 1970s and 1980s. While searching for guided tours by categories, she came across an early 1980s Art Scene tour. Since she loves the work of Keith Haring, Jean-Michel Basquiat, Cindy Sherman and the whole post-punk scene of that time, she found this tour a must-see. Instead of showing historic buildings and monuments in the traditional sense, this tour highlights where certain artists and musicians lived and worked and the (now defunct) cafés, bars and clubs that they frequented. The tour also has an optional audio narrative to it, as told by Debby Harry. At any time, she can rate this tour and share it with her friends. Social Aspects The user can share tours or individual buildings with their friends as well as rate them for the app s other users to see (which affects the popularity listings). For the first version of this app, users do not directly communicate with each other, although that option can be reviewed and explored for future versions. The user s presence can be displayed on the map, but this feature is optional and the user s privacy is still upheld. Tangibility In addition to the standard tapping and pinching features found in iphone apps, panoramic photos can be swiped to pan the view. Vibrations alert the user to their proximity of historic photo vantage points (or optional sound alerts through the earbuds). The augmented reality of the Then + Now feature uses the iphone s camera mode and takes advantage of its built-in accelerometer to show pictures in different orientations, as well as tilting to overlay historic photos with the current scene. Ubiquity The user can choose to simply find building or monuments and browse tours to see photos and information (and not even be in NYC). But for a more rich interactive experience, they would use the locator function on the map to find where they are and see what areas of interest are in their vicinity. Vibration alerts, using GPS calculations, notify the user when they are standing in the same spot that a particular historic photo was taken so they can then compare the past and the present. Christopher Cannon / Fundamentals Studio / NYC BigApps Project Final / November 15, 2010 Page 2

concept map NYC DataMine data Street name dictionary Library exhibitions MTA data ESRI street base maps Areas of interest GIS Neighborhood names GIS Building Perimeter Outlines Historic district maps NYC Landmarks / LPC Landmark Districts LPC Landmark Interiors / LPC Landmark Points Heritage Trail markers of monuments New York Narratives app users User photo uploads Popularity ratings for buildings/sites/monuments Miscellaneous data New York Public Library photo archives New York Historic Society City of the Museum of New York New York Times Community Service Society of New York NEW YORK NEW YORK Narratives New York Narratives features Locator map (with info filters) MTA info Historic buildings/monuments Guided tours by alphabet, category, address, etc. by popularity Miscellaneous data Historic/vintage photos User photo downloads Then + Now augmented reality Misc. history/description text Christopher Cannon / Fundamentals Studio / NYC BigApps Project Final / November 15, 2010 Page 3

sitemap Version two WELCOME (Logo, random photo) Homescreen (Location aware) (within various tours) (Directions; how to use) Then + Now function alerts user when they are in proximity to a historic photo s vantage point Then + Now (augmented reality) Choose tours: Categories Popularity Alphabetically Name/Address Popularity Categories Neighborhoods External link to App s website App Preferences Individual Tour Place Photo Text Audio* Directions Then + Now* Rate Share Architects Time Period Key: Primary level Seconday level Tertiary level Quaternary level * Not available for every item Global footer icons:,,, Christopher Cannon / Fundamentals Studio / NYC BigApps Project Final / November 15, 2010 Page 4

Wireframes Tour Categories Arts Welcome to New York Narratives Find a guided tour Buildings & Landmarks NYC Find a Tour: Alphabetical Popularity Literary Crime & Punishment Gilded Age Politics Vanishing Streetscapes How to use Category Christopher Cannon / Fundamentals Studio / NYC BigApps Project Final / November 15, 2010 Page 5

Wireframes (continued) 7 6 3 1 2 Crime & Punishment Tour Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut ullamcorper feugiat sem in est a faucibus. Suspendisse elementum urna sed turpis aliquam porttitor. Aenean arcu est, convallis quis mattis utem, imperdiet nec ante. Donec pellentesque, diam et faucibus viverra, diam nunc ultrices libero vitae inter. 5 Start Tour 4 Joey Gallo gunned down at Umberto s Clam House in Little Italy on April 7, 1972 Joey Gallo gunned down at Umberto s Clam House in Little Italy on April 7, 1972 Praesent rutrum tristique nulla a est vehicula. Maecenas nec gravida atum odio. Integer adipiscing consequat nunc auctor porttitor. Cras elit massa, consectetur a facilisis quis, gravida sit amet arcu. Nulla facilisi. Praesent ullamcorper velit eu elit lacinia fermentum. Mauris semper risus quis massa dignissim sollicitudin. Sed tristique dignissim dui, vitae molestie eros a gravida id. Vivamus faucibus risus vel velit ultricies sit amet pellentesque. Find it Rate Share Audio Christopher Cannon / Fundamentals Studio / NYC BigApps Project Final / November 15, 2010 Page 6

Screenshots Home Find a tour Find a guided tour New York punk 1970s 1980s Debby Harry 5 CBGBs 3 4 2 1 NEW YORK NEW YORK Narratives Find a guided tour Where am I? buildings, people, etc. How to use N.Y. Narratives East Village art scene 1980s Julian Schnabel The Mob s greatest hits 1920s 1980s New York Punk, 1970s 1980s New York City had the earliest documented punk rock scene in the United States. Drawing on local influences such bands as The Velvet Underground, Richard Hell and the New York Dolls, punk music developed at clubs such as... Start tour Christopher Cannon / Fundamentals Studio / NYC BigApps Project Final / November 15, 2010 Page 7

Screenshots (continued) Start tour Cro-Mags, CBGBs 1987 Founded by Hilly Kristal in 1973, it was originally intended to feature its namesake musical styles, but became a forum for American punk and New Wave bands like Ramones, Misfits, Television, the Patti Smith Group, Mink DeVille, The Dead Boys, The Dictators, The Fleshtones, The Voidoids, The Cramps, Blondie, The Shirts, and Talking Heads. In later years, it would mainly become known for Hardcore punk with bands such as Agnostic Front, Bad Brains, Murphy's Law, Cro-Mags, Warzone, Sick of It All, and Youth of Today performing there. 4 Some Records 3 CBGBs Some Records 4 You are near the vantage t point of a historic CBGBs photo Cancel l 3 See it Founded by Hilly Kristal in 1973, CBGBs was originally intended to feature its namesake musical styles, but became a forum for American punk and New Wave bands like Ramones, Misfits, Television, the Patti Smith Find it Rate Share Christopher Cannon / Fundamentals Studio / NYC BigApps Project Final / November 15, 2010 Page 8

Screenshots (continued) Christopher Cannon / Fundamentals Studio / NYC BigApps Project Final / November 15, 2010 Page 9

Screenshots (continued) Christopher Cannon / Fundamentals Studio / NYC BigApps Project Final / November 15, 2010 Page 10

Design Process Original process I started this app idea from my love of New York City, its history and my interest in its ever-changing streetscapes. As stated before, it hopefully would be of interest to both locals and tourists alike. An iphone/ipad app such as the Museum of London s StreetMuseum shows an early start, but I feel lacks the interactivity and technological innovation that could make it more interesting. While planning this app, I was very conscious of feature creep and tried to find a balance between relevant functions and simplicity. I was also wary of augmented reality, fearing it might be too much of a gimmick and not very useful. Leland Rechis made the observation that in this context, augmented reality might find a useful purpose in juxtaposing the old and the new. For now, I feel the app s features justify its goal of giving people a rich, detailed history of New York in words, photos and narration. As I worked on this in more detail, I realize there is a lot of questions that still need to be answered: the exact flow from screen to screen, navigation issues, the context in which certain features or icons appear, etc. Other considerations I need to develop further are how much would this app s features be user-driven: are users given a platform to design their own tours to present to the public? As the app s creator, how much control do I want over its content? Revised process Since meeting with Allison and Carrie, my NYC Big Apps idea became an exercise in editing out extraneous and redundant features. There was some expression in our group that it might be veering towards scope creep. Originally, I intended New York Narratives to showcase individual buildings and monuments throughout the city. Then I added the feature of narrated guided tours to add a voice (literally and figuratively) to the rich history and forgotten stories of NYC. Now I was faced with the choice of leaving both features or editing one of them out. After dwelling on it for a while, it became an easy decision to delete the first part. Compared to the tours, the individual buildings and monuments seemed a bit dry and academic. The strength of New York Narratives is the offbeat and individualistic choice of tours: from the East Village art scene of the 1980s to the punk scene of CBGB s heyday to the bloody history of organized crime. Each tour is narrated by someone famous who is an expert on or has experienced the tour s history (Debby Harry on the 1970s punk scene, Martin Scorsese on the Mafia s rise and fall, etc.) The main point I learned from this exercise of paring down functions and features is that an app can do a lot of things moderately well, or it could do one thing excellently. I hope I chose the latter. Christopher Cannon / Fundamentals Studio / NYC BigApps Project Final / November 15, 2010 Page 11