PIANO OR BUTTON ACCORDION

Similar documents
PIANO OR BUTTON ACCORDION

2014 Royal Conservatoire of Scotland FIDDLE

SFSF TUNES OF THE MONTH FOR 2004 by Cherry Clark (Jan - May ) and Kim Hughes ( June - Dec)

INVERNESS MUSIC FESTIVAL

INVERNESS MUSIC FESTIVAL 2019 SYLLABUS

Sir James MacDonald of the Isles' Salute

War or Peace. Donald MacDonald sets the tune like this:

Lady Doyle's Salute: and a David Glen centenary

The Earl of Seaforth's Salute

Inventory. Acc The Editorial Records of Gairm Publications

National Qualifications in Music: Performing

of the West Highlands

PIOBAIREACHD SCOTLAND S GREAT ART. Brett Tidswell, National Principal of Piping

32 Tunes Collection. A sample of the 190 tunes from the Australian Traditional Dance Tunes.

A Bibliography of Bagpipe Music

SENIOR SYLLABUS 2018

There are settings of this tune in the following manuscript sources: MacArthur/MacGregor MS, ff.35-37; David Glen MS, ff ;

A Bibliography of Bagpipe Music

Piping in South Uist and Benbecula

The Piobaireachd Legacy of PM Donald Macleod.

Corrienessan's Salute

------Est Glasgow city centre's oldest bagpipe shop click on the banner for our home page

For display only. VxÄà v Y wwäx gâàéü BOOK 3: BARB S FIRST CELTIC FIDDLE TUNE SECTION. Index to Songs 2. Index to Tunes 3. Celtic Songs 5.

Tin Whistle. A Complete Guide to Playing Irish Traditional Music on the Whistle. Stephen Ducke

JIM SUTHERLAND. Festival (2005) -

Scottish Partnership for Arts and Education (SPAE) Presents new Artists in Residence

Clan Chattan s Gathering

Paul Hardy s Annex Tunebook 2014

Blank Page (Inside Cover)

of Grant, unfortunately did not live to see publication in 1780 of his Collection of

My King has landed in Moidart

The Lament for the Earl of Antrim

Campbell of Kilberry the most prolific editor of piobaireachd music in the 20 th century - expressed the view that the true guide is the music itself.

Battle of the Bridge of Perth

Lament for Mary MacLeod

Lament for the Dead. Peter Reid sets the tune as follows:

2018 Programme Didòmhnaich 1 gu Dihaoine 6 an t-iuchar Sunday 1 July - Friday 6 July a week-long festival celebrating Tiree s traditional culture

PIPING AND PIPE BAND DRUMMING EXAMINATION SYLLABUS January 2007

Links Between Malcolm Arnold s, Allegretto, from Four Scottish Dances to Traditional Hebridean Waulking Folksongs. Personal Code: gcb228

There are settings of this tune in the following manuscript sources: Nether Lorn, i, 166-8; MacArthur/MacGregor, ff.43-5;

RATTLIN ROARIN WILLIE BAGPIPE SETTINGS HIGHLAND PIPE SETTINGS

MUSIC COMPETITION SYLLABUS

Terry Tully St Laurence O Toole Pipe Band

Edinburgh s Usher Hall puts Jazz and Folk music centre stage

The MacDonalds' Salute

TEN&TWO THE MUSIC. NOVA SCOTIA Concert at the Barn 188 The Fiddle Tree of Otis Thomas 188 PHOTO: WALTER HODGES PHOTO: OTIS TONAS

Artists on Tour. Celtic Music. Cindy Matyi, Celtic Designs & Music. Study Guide Written by Cindy Matyi Edited & Designed by Kathleen Riemenschneider

MacGregor's Gathering/Salute

JUNIOR SYLLABUS 2018

Canadian Cadet Organizations Pipe Band Bass Drum and Tenor Drum Reference Manual

Traditional Irish Music

THE HERITAGE OF THE SCOTTISH FIDDLE CHRIS DUNCAN CATHERINE STRUTT JULIAN THOMPSON

Inverness Music Festival Scottish Charity No. SC Timetable

SCOTTISH MUSIC. Radio Show Project Research

Music Extra Spring 2013

2008 Newsletter, Issue 4

NATIONAL 4 Revision Booklet

Observations of Communication between Dancer and Musician in the Cape Breton Community

A Bibliography of Bagpipe Music

Mòd Ionadail Dhùn Èideann Edinburgh Local Mod 2016 SYLLABUS. Dihaoine 22 & Disathairne 23 Giblean Friday 22 & Saturday 23 April 2016

Percussion Explore the possibilities of rhythm, beat, syncopation, and percussive sounds. Bring drums, claves, and shakers, if you have them.

MacLeod of MacLeod's Lament

The Stewarts' White Banner

Paul Hardy s Annex Tunebook 2017

NEW ENGLAND PIPE & DRUM ACADEMY PIPING EXAM SYLLABUS

J oime la musique mé, et bian ma fé! Sark Folk Festival is presented by Bailiwick Folk and Roots LBG

The Unjust Incarceration (2)

Lament for Captain MacDougall

Pre-Season Retreat Sept 14, Agenda

Paul Hardy s Annex Tunebook 2017

at least one work different to those offered in the preliminary audition. Scales, arpeggios and sight-reading may be tested.

SCHOOL OF MUSIC. Page 1 of 7

Jig 1 1 Carraroe, The (Dmaj) Jig 1 2 Out On The Ocean (Gmaj)

THE ONLINE TRADITIONAL IRISH MUSIC PERFORMANCE SYLLABUS THE LEINSTER SCHOOL OF MUSIC & DRAMA. Est. 1904

Curriculum Map for Intermediate Orchestra Grades 8.1

The Fiddler's Fakebook: The Ultimate Sourcebook For The Traditional Fiddler PDF

'~ ~ ~a ~~ ~~ ~ ~ ~. ""g ::: .., . (') ,,~ ... FOLKWAYS FG c;: ~~~ :V" folkways FG au; ... ~~ ~r,;2. ? m

Scottish Bagpipe Solo Performance: Bagpipes. SCQF level 5. Unit Code: F7P hour Unit

Paul Hardy s Annex Tunebook 2017

Lament for King George III

Lament for Viscount Dundee

Geneva CUSD 304 Content-Area Curriculum Frameworks Grades 6-12 Orchestra Quarter 1

Piano Teacher Program

Mòd Ionadail Dhùn Èideann Edinburgh Local Mod 2015 SYLLABUS. Dihaoine 24 & Disathairne 25 Giblean Friday 24 & Saturday 25 April 2015

A Bibliography of Bagpipe Music

That John Wilson would end up

THECQADLE OfHAQMONY William 6idney Mounts Violin (6 fiddle,music Gilbert Qoss,Violinist

Next meeting: March 11, 2017

\ww Q0 THE THISTLE (1971/2)

Inventory. Acc Dionysia Press

NOTING THE TRADITION. An Oral History Project from the National Piping Centre. Finlay MacDonald, Iain MacDonald

English, Scotch, and Irish Dance and Song: Supplement

FLORIDA ORCHESTRA ASSOCIATION, INC.

A Bibliography of Bagpipe Music

EDINBURGH WORKSHOPS CONCERTS STALLS SESSIONS RECITALS CEILIDHS TALKS. the QUEEN'S HALL & SUMMERHALL 17 th -19 th NOVEMBER.

The tune also appears in the following manuscript sources:

2007 Tuition Series Medley Construction Presented by Greg Wilson - Principal of the College of Piping

THE EDINBURGH HISTORY OF THE BOOK IN SCOTLAND

Bibliographical Sources for Mortifications

Alleghany County Schools Curriculum Guide

Transcription:

PIANO OR BUTTON ACCORDION GRADE 1 1. PERFORMANCE: you have a maximum of 4 ½ minutes to play: One air: A1 Ye Banks and Braes Traditional 3/4 Waltz Ref 6 A2 The Auld Hoose Lady Nairne 3/4 Waltz Ref 1 (traditional) A3 The Rowan Tree Lady Nairne (traditional) 4/4 Air Ref 1 A4 Sìne Bhàn Traditional 6/8 Air / Waltz Ref 10 A5 My Brown-haired Maid Traditional 3/4 Waltz Ref 8 A6 Am Falbh Thu Leam, a Ribhinn Òg? (Tiree Traditional 3/4 Waltz Ref 1 Bridal Song) One dance tune: B1 Aitken Drum Traditional 4/4 Reel Ref 1 B2 Mairi's Wedding Traditional 2/4 Reel Ref 1 B3 Seice Ruaridh (Roddy's Drum) Traditional 4/4 Strathspey Ref 11 B4 Cailin Mo Run-Sa D. Ross 3/4 Waltz Ref 7 B5 Barnyards O' Dalgetty Traditional 2/4 March / Reel Ref 1 B6 Reel of Tullochgorum Traditional 4/4 Reel Ref 1 One recently-composed tune: C1 Keppoch Point Iain MacPhail 6/8 Jig Ref 44 C2 West Loch Tarbert Iain MacPhail 4/4 March Ref 44 C3 The Standing Stones of Kilberry Iain MacPhail 2/4 Strathspey Ref 44 C4 Ballure Cottage Iain MacPhail 2/4 Reel Ref 44 C5 Ardpatrick Bay Iain MacPhail 4/4 Reel Ref 44 C6 Paps of Jura Iain MacPhail 2/4 Reel Ref 44 2. TECHNICAL WORK: played from memory in the following keys and ranges: C, D, G majors (one octave) Scales: right hand, legato or staccato at the choice of the candidate, as in: 1

Arpeggios: right hand, legato or staccato at the choice of the candidate, as in: The examiner will request only as many of the above items as needed to form a firm opinion of your ability. 3. QUICK STUDY: Perform EITHER at sight or by ear, at your choice, a short passage in air or waltz time. Right hand only. For example: Air / Accordion / G1 The piece will be in one of the keys covered by the scale requirements at this grade. 4. PRACTICAL AND AURAL MUSICIANSHIP FOR THE GRADE 2

GRADE 2 1. PERFORMANCE: you have a maximum of 6 minutes to play two stand-alone tunes and one set of two tunes chosen from the following categories. At least one tune from each category must be played. Airs: A1 An Caiora Traditional 4/4 Air Ref 9 A2 Cradle Song (Arrangement 1) or J. Scott Skinner 4/4 Air Ref 2 Cradle Song (Arrangement 2) J. Scott Skinner 4/4 Air Ref 28 A3 Chuir Iad Mise Dh'Eilean Leam Fhìn. Traditional 6/8 Air Ref 11 A4 The Hills of Lorne Charles Hunter 4/4 Air Ref 1 A5 Soraidh Slàn Le Fionnairidh or Traditional 3/4 Waltz Ref 10 Farewell to Fuinary Traditional 4/4 Air Ref 30 A6 Mist Covered Mountains Traditional 3/4 Air Ref 5 Dance tunes: B1 Scotland the Brave Traditional 4/4 March Ref 12 B2 Barren Rocks of Aden (Arrangement 1) Traditional 2/4 March Ref 30 or Barren Rocks of Aden Traditional 2/4 March Ref 31 (Arrangement 2) B3 Terribus Traditional 2/4 March / Reel Ref 7 B4 The Cumberland Reel Traditional 6/8 Jig Ref 7 B5 Davy Nick Nack Traditional 2/4 Reel Ref 1 B6 Katie Bairdie Traditional 4/4 Strathspey Ref 1 B7 I Bhi Ada or Traditional 4/4 Schottische Ref 2 I Bhi Ada Traditional 4/4 Schottische Ref 9 B8 Killiecrankie Traditional 4/4 March Ref 4 B9 Fac'Thu Na Fèidh? Traditional 6/8 Jig Ref 10 B10 Peat Fire Flame Traditional 2/4 March / Reel Ref 5 Recently-composed tunes: C1 Angus MacLeod Andrew Rankine 4/4 Reel Ref 22 C2 Highland Lassie Jim Johnstone 4/4 Reel Ref 24 C3 Roses of Prince Charlie R.G.Browne 2/4 March Ref 1 C4 Mistress Janet MacMillan Neil MacMillan 3/4 Waltz Ref 35 3

C5 Ordale Waltz Frank Jamieson 3/4 Waltz Ref 34 C6 Gluss Ayre Frank Jamieson 3/4 Waltz Ref 34 2. TECHNICAL WORK: played from memory in the following keys and ranges: D, G majors (two octaves) A, F majors; A, D, E minors (one octave) Scales: right hand, legato or staccato at the choice of the examiner, as in: Arpeggios: right hand, legato or staccato at the choice of the examiner, as in: Scales and/or arpeggios in a minor key may be played in the natural, melodic or harmonic minor, at the candidate s choice. The examiner will request only as many of the above items as needed to form a firm opinion of your ability. 3. QUICK STUDY: Perform EITHER at sight or by ear, at your choice, a short passage requiring both hands in air, waltz or march time. For example: D March / Accordion / G2 - G D D G D A7 The piece will be in one of the keys covered by the scale requirements up to and including this grade. 4. PRACTICAL AND AURAL MUSICIANSHIP FOR THE GRADE 4

GRADE 3 1. PERFORMANCE: you have a maximum of 6 minutes to play two stand-alone tunes and one set of two tunes chosen from the following categories. At least one tune from each category must be played. Airs: A1 Hector the Hero (Arrangement 1) J.Scott Skinner 4/4 Air Ref 11 Hector the Hero (Arrangement 2) J.Scott Skinner 4/4 Air Ref 27 A2 Iain Ruaridh's Lament (Arrangement 1) Traditional 6/8 Air Ref 6 Iain Ruaridh's Lament (Arrangement 2) Traditional 6/8 Air Ref 10 A3 Dream Angus (Arrangement 1) Traditional 6/8 Air Ref 11 Dream Angus (Arrangement 2) Traditional 3/4 Waltz Ref 11 The Dark Island Iain MacLachlan 3/4 Waltz Ref 6 A5 Flower of the Quern (Arrangement 1) J. Scott Skinner 4/4 Air Ref 27 Flower of the Quern (Arrangement 2) J. Scott Skinner 4/4 Air Ref 6 A6 Miss Rowan Davies Phil Cunningham 3/4 Air Ref 37 A7 From Swordle to Sanna Iain Peterson 3/4 Air Ref 38 A8 Aald Noost Ronnie Jamieson 4/4 Air Ref 39 Dance tunes: B1 Cock o' the North (Arrangement 1) or Traditional 6/8 Jig Ref 30 Cock o' the North (Arrangement 2) Traditional 6/8 Jig Ref 2 B2 Duke of Perth (Arrangement 1) or Traditional 4/4 Reel Ref 30 Duke of Perth (Arrangement 2) Traditional 4/4 Reel Ref 4 B3 Louden's Bonny Woods and Braes Traditional 4/4 Strathspey Ref 6 B4 Wee Murdie Traditional 6/8 Jig Ref 7 B5 Captain Horn Traditional 4/4 Strathspey Ref 7 B6 Caddam Woods Rennie / Cameron 4/4 Reel Ref 7 B7 Milton Bridge Jim Johnstone 4/4 Reel Ref 4 B8 Mo chuachag laghach (My Gentle Milkmaid) Traditional 4/4 Reel Ref 9 5

B9 Brochan Iom (Orange and Blue) Traditional 4/4 Schottische Ref 1 B10 Da Merry Boys of Greenland Traditional 4/4 Reel Ref 12 Recently-composed tunes: C1 Iain Powrie's Compliments to Sir Thomas Wardle Ian Powrie 2/4 March Ref 17 C2 Iain MacPhail's Compliments to the Late Chrissie Leatham Iain MacPhail 2/4 March Ref 18 C3 Da Sooth End Willie Hunter 6/8 Jig Ref 19 C4 New High Level Whinham /Rankine 4/4 Reel Ref 22 C5 Mrs Mary Printy Iain MacPhail 2/4 Reel Ref 23 C6 Christie MacLeod Jim Johnstone 6/8 Jig Ref 24 C7 Edmond MacKenzie of Plockton Andrew Rankine 6/8 Jig Ref 22 C8 Dave Provan's Fancy John Renton 6/8 Jig Ref 40 C9 Inveresk March Jim Johnstone 4/4 March Ref 24 C10 The Weaver and His Wife (Arrangement 1) or Andrew Rankine 6/8 Jig Ref 22 The Weaver and His Wife (Arrangement 2) Andrew Rankine 6/8 Jig Ref 9 2. TECHNICAL WORK: played from memory in the following keys and ranges: A, C, D, F, G majors; A, D, E minors (two octaves) B minor (one octave) Scales: right hand, legato or staccato at the choice of the examiner; see example in Grade 2. Arpeggios: right hand, legato or staccato at the choice of the examiner; see example in Grade 2. Scales and/or arpeggios in a minor key may be played in the natural, melodic or harmonic minor, at the candidate s choice. The examiner will request only as many of the above items as needed to form a firm opinion of your ability. 3. QUICK STUDY: Perform EITHER at sight or by ear, at your choice, a short passage requiring both hands in waltz, march or jig time. For example: Jig / Accordion / G3 Bm - A - D A Bm F#7 The piece will be in one of the keys covered by the scale requirements up to and including this grade. 6

4. PRACTICAL AND AURAL MUSICIANSHIP FOR THE GRADE 7

GRADE 4 1. PERFORMANCE: you have a maximum of 9 minutes to play two stand-alone tunes and one set of three tunes chosen from the following categories. At least one tune from each category must be played. Airs: A1 Leaving Lerwick Harbour Willie Hunter 4/4 Air Ref 19 A2 Margaret Ann Robertson Frank Jamieson 3/4 Air Ref 14 (Arrangement 1) Margaret Ann Robertson (Arrangement 2) Frank Jamieson 3/4 Air Ref 34 A3 Leaving Stoer (Arrangement 1) Ivan Drever 4/4 Air Ref 11 Leaving Stoer (Arrangement 2) Ivan Drever 4/4 Air Ref 14 A4 The Music O' Spey J. Scott Skinner 4/4 Air Ref 27 A5 Lament For Lockerbie Angus Fitchet 4/4 Air Ref 36 A6 Lochanside Pipe Major Angus MacDonald pipe 3/4 Air Ref 6 A7 Lament for the Death of the Reverend John Mason 4/4 Air Ref 7 Archie Beaton A8 Mrs Jamieson's Favourite Charles Grant 6/8 Air Ref 2 Dance tunes: B1 The Auld Grey Cat Traditional 4/4 Reel Ref 21 B2 The Devil in the Kitchen Traditional 4/4 Strathspey Ref 6 B3 The Conundrum Peter MacLeod Jr 2/4 March Ref 6 B4 The Headlands Ronnie Cooper 2/4 March Ref 7 B5 The Banjo Breakdown Traditional 6/8 Jig Ref 7 B6 Donald Iain Rankine (Arrangement 1) Andrew Rankine 6/8 Jig Ref 22 Donald Iain Rankine (Arrangement 2) Andrew Rankine 6/8 Jig Ref 8 B7 The Iron Man J. Scott Skinner 4/4 Strathspey Ref 9 B8 Dei'l among the Tailors Traditional 4/4 Reel Ref 5 B9 Filoro (Waltz) Traditional 34 Waltz Ref 4 B10 Da Guisers March Gideon Stove 4/4 March Ref 14 B11 John Stephen of "Chance Inn" Angus Fitchet 4/4 Strathspey Ref 42 B12 Am Muileann Dubh Traditional 4/4 Reel Ref 9 8

Recently-composed tunes: C1 Crackens Graeme Mitchell 4/4 Reel Ref 15 C2 Jig for Judy Graeme Mitchell 6/8 Jig Ref 15 C3 Hurlock's Reel Tom Anderson 4/4 Reel Ref 16 C4 The Jig Runrig Fergie MacDonald 6/8 Jig Ref 18 C5 Scarce o' Tatties Norman MacLean 6/8 Jig Ref 21 C6 Isabel Davidson Two-Step Iain MacPhail 6/8 Jig Ref 23 C7 Mr & Mrs Bobby Jamieson Iain MacPhail 2/4 Reel / March Ref 23 C8 Miss Kirsty Batchelor Lindsay Ross 2/4 March Ref 26 2. TECHNICAL WORK: played from memory in the following keys and ranges, subject to the capability of the candidate s instrument: A, C, D, F, G majors; A, B, D, E minors (two octaves) Bb, E, Eb majors; C, F#, G minors (one octave) Scales: right hand or both hands in similar motion at the examiner s discretion, as in: Arpeggios: right hand or both hands in similar motion at the choice of the examiner, as in: Scales and/or arpeggios in a minor key may be played in the natural, melodic or harmonic minor, at the candidate s choice. The examiner will request only as many of the above items as needed to form a firm opinion of your ability. 3. QUICK STUDY: Perform EITHER at sight or by ear, at your choice, a short passage requiring both hands in march, jig or strathspey time. For example: G Strathspey / Accordion / G4 D7 G G7 C.. - G Am. Em. A7 D7 The piece will be in one of the keys covered by the scale requirements up to and including this grade. 4. PRACTICAL AND AURAL MUSICIANSHIP FOR THE GRADE 9

GRADE 5 1. PERFORMANCE: you have a maximum of 9 minutes to play two stand-alone tunes and one set of three tunes chosen from the following categories. At least one tune from each category must be played. Airs: A1 J O Forbes, Esq, of Corse (Arrangement 1) Peter Milne (Traditional) 4/4 Air Ref 27 J O Forbes, Esq, of Corse (Arrangement 2) Peter Milne (Traditional) 4/4 Air Ref 28 A2 Kate Martin's Waltz (Arrangement 1) Blair Douglas 3/4 Waltz Ref 10 Kate Martin's Waltz (Arrangement 2) Blair Douglas 3/4 Waltz Ref 9 A3 Lament for Big Dougal Finlay Powrie 4/4 Air Ref 17 A4 Willie Fernie Alasdair Fraser 4/4 Air Ref 18 A5 Auld Robin Gray Rev William Leaves (Traditional) 4/4 Air Ref 29 A6 Niel Gow's Lament for the Death of his Second Wife Niel Gow (Traditional) 4/4 Air Ref 6 A7 Lament for Will Starr Angus Fitchet 4/4 Air Ref 36 A8 Bovaglies' Plaid J. Scott Skinner 4/4 Air Ref 27 Dance tunes: B1 Captain Cameron's Volunteer March Traditional 4/4 March Ref 13 B2 Calliope House Dave Richardson 6/8 Jig Ref 21 B3 The Rights of Man Traditional 4/4 Hornpipe Ref 21 B4 Murdo MacKenzie of Torridon Bobby MacLeod 6/8 March Ref 11 B5 The Six-Twenty Two-Step Jimmy Shand 6/8 Jig Ref 33 B6 Leaving Glenurquhart W MacDonald 2/4 March Ref 6 B7 The Laird o' Thrums J Scott Skinner 4/4 Strathspey Ref 9 B8 Miss Lyall Traditional 4/4 Strathspey Ref 21 B9 Archie Menzies Traditional 4/4 Reel Ref 20 B10 Donald, Willie and his Dog (Arrangement 1) D Morrison 9/8 Jig Ref 31 Donald, Willie and his Dog (Arrangement 2) D Morrison 9/8 Jig Ref 8 B11 John Morrison, Assynt House P/M Peter MacLeod 4/4 Reel Ref 9 B12 Dunaskin Glen Ian Muir 4/4 Reel Ref 32 Recently-composed tunes: 10

C1 Andy Renwick's Ferret Gordon Duncan 4/4 Reel Ref 16 C2 Maureen's Jig Fergie MacDonald 6/8 Jig Ref 18 C3 Calum Donaldson Ronnie Cooper 4/4 Reel Ref 21 C4 Da (The) Tushkar Ronnie Cooper 4/4 Reel Ref 20 C5 The Jiggernaut Jig P/M R Mathieson 6/8 Jig Ref 25 C6 Randall s Reel Graeme Mitchell 4/4 Reel Ref 15 C7 Miss C M Barbour Iain MacPhail 2/4 Reel Ref 23 C8 Beinn Ghuilean (Bengullion) Ron Fleming 6/8 Jig Ref 11 2. TECHNICAL WORK: played from memory in the following keys and ranges, subject to the capability of the candidate s instrument: A, Bb, C, D, E, Eb, F, G majors; A, B, C, D, E, F#, G minors (two octaves) B major; C# minor; G Mixolydian (one octave) Scales: right hand or both hands in similar motion at the examiner s discretion; see example in Grade 4. Arpeggios: right hand or both hands in similar motion at the examiner s discretion; see example in Grade 4. Scales and/or arpeggios in a minor key may be played in the natural, melodic or harmonic minor, at the candidate s choice. The examiner will request only as many of the above items as needed to form a firm opinion of your ability. 3. QUICK STUDY: Perform EITHER at sight or by ear, at your choice, a short passage requiring both hands in jig, strathspey or reel time. For example: Reel / Accordion / G5 Bm - A - Bm - A Bm The piece will be in one of the keys covered by the scale requirements up to and including this grade. 4. PRACTICAL AND AURAL MUSICIANSHIP FOR THE GRADE 11

References for the Accordion Repertoire Reference Title Publisher/Edition/Year Ref 1 First Ceilidh Collection for Fiddlers Harpstring House: 1993 Ref 2 Second Ceilidh Collection for Fiddlers Harpstring House: 1990 Ref 3 Third Ceilidh Collection for Fiddlers Harpstring House: 1993 Ref 4 Fourth Ceilidh Collection for Fiddlers Harpstring House: 1998 Ref 5 Second Ceilidh Collection: For Harpstring House: 1992 Piano/Keyboards Ref 6 Ceol Na Fidhle: Highland Tunes for the Harpstring House: 1985/1988 Volume Fiddle One Ref 7 Ceol Na Fidhle: Highland Tunes for the Harpstring House: 1988/1993 Volume Fiddle Two Ref 8 Ceol Na Fidhle: Highland Tunes for the Harpstring House: 1988/1995 Volume Fiddle Three Ref 9 Ceol Na Fidhle: Highland Tunes for the Harpstring House: 1991 Volume Four Fiddle Ref 10 Ceòl Nam Feìs Feìsean Nan Gaìdheal: 1996 Volume One Ref 11 Ceòl Nam Feìs Feìsean Nan Gaìdheal: 2000 Volume Two Ref 12 The Celtic Collection. Deirdre Adamson Deeay Music: 1999 Volume One Ref 13 The Celtic Collection. Deirdre Adamson Deeay Music: 203 Volume Two Ref 14 Ref 15 Ref 16 Ref 17 Ceol Na Fidhle: The Fiddle Music of the Scottish Highlands Graeme Mitchell's collection. Forty Original Compositions for Accordion, Fiddle and Bagpipes Cruinn Comhla: The Well-Travelled Fiddler's Collection Original Compositions by Ian Powrie for Fiddle and Accordion Harpstring House: 2000 Volume Five and Six Marquis Music: 1998 Harpstring House: 1995 Deeay Music: 1986 Ref 18 Ref 19 Ref 20 The Nineties Collection: New Scottish Tunes in Traditional Style Saltire Music: 1995 Tunes Composed by William A Hunter, Anvil Publishing, (Shetland) Ltd Shetland Scottish Fiddlers' Session Tune Book. Ho-Ro Harpstring House: 1999 Volumes 1 and 2 Gheallaidh Ref 21 Ho-Ro-Gheallaidh: Volume 1. Session Tunes for Scottish Fiddlers Harpstring House: 1990 12

Ref 22 The Complete Andrew Rankine Collection of RSCDS: Newcastle Branch Scottish Country Dance Tunes Ref 23 Ref 24 The MacPhail Collection of Scottish Dance Music: Volume 1 The Jim Johnstone Collection of Original Compositions for Accordion and Fiddle Stebelin Music: 1982 Deeay Music: 1996 Ref 25 P/M Robert Mathieson: "Marking Time" Isa Music: 1990 Ref 26 The Dance Music of Lindsay Ross Inchcape Music: 1989 Ref 27 The Scottish Violinist: J Scott Skinner Bayley & Ferguson Ref 28 The Harp and Claymore Bayley & Ferguson: 1981 Ref 29 The Scots Fiddle: Tunes, Tales and Lochar Publishing: Moffat 1991 Traditions Ref 30 Kerr's Caledonian Collection James S Kerr Ref 31 Scots Guards Volume 2 Paterson's Publications Ref 32 The Dalriada Collection Deeay Music: 1995 Ref 33 Ref 34 Ref 35 44 Original Compositions by Sir Jimmy Shand: Volume 1 Leveneep Head: Shetland Music by Frank Jamieson & Ronald Jamieson The Seventh Collection of Tunes Compiled by Iain Peterson for Scottish Dance Music Muchty Music: 2002 Jamieson & Jamieson: 1989 Shian Music: 1989 Ref 36 The Music of Angus Fitchet: Volume One National Association of Accordion & Fiddle Clubs: 2001 Ref 37 The Cunningham Collection: Original Phil Cunningham / Bracken music Compositions by Phil Cunningham: Volume Services: 1995 1 Ref 38 The Ultimate Collection of Tunes Compiled by Iain Peterson for Scottish Dance Music Shian Music: 2003 Ref 39 Ref 40 Vidlin Voe: Shetland music by Frank Ronald Jamieson & Ronald Gilbert Jamieson The Eighth Collection of Tunes Compiled by Iain Peterson for Scottish Dance Music Jamieson & Jamieson: 1992 Shian Music: 1991 Ref 41 Angus Fitchet Scottish Dance Album James S Kerr Ref 42 Angus Fitchet Scottish Dance Collection Mozart Allan: 1958 Ref 43 Bothwell Boy: John McCusker Kinmor Music: 1998 Ref 44 Available to order from Taigh na Teud publications; please see www.scotlandsmusic.com. N/a 13