REINTERPRETING SHAKESPEARE with JACKIE FRENCH Education Resources: Grade 9-12

Similar documents
Curriculum Map: Comprehensive I English Cochranton Junior-Senior High School English

Curriculum Map: Academic English 10 Meadville Area Senior High School

Standard 2: Listening The student shall demonstrate effective listening skills in formal and informal situations to facilitate communication

1. I can identify, analyze, and evaluate the characteristics of short stories and novels.

ADVENTURE WRITING with WENDY ORR Education Resources: Grade 6-10

ELA, GRADE 8 Sixth Six Weeks. Introduction to the patterns in William Shakespeare s plays and sonnets as well as identifying Archetypes in his works

Stage 5 unit starter Novel: Miss Peregrine s home for peculiar children

CURRICULUM MAP. Standards Content Skills Assessment Anchor text:

Language Arts Literary Terms

Curriculum Map: Accelerated English 9 Meadville Area Senior High School English Department

Curriculum Map: Academic English 11 Meadville Area Senior High School English Department

Arkansas Learning Standards (Grade 12)

DEPARTMENT: ENGLISH COURSE TITLE: WRITING AND LITERATURE B COURSE NUMBER: 003 PRE-REQUISITES (IF ANY): FRAMEWORK

12th Grade Language Arts Pacing Guide SLEs in red are the 2007 ELA Framework Revisions.

Shelley McNamara.

Grade 7: RL Standards

Arkansas Learning Standards (Grade 10)

CASAS Content Standards for Reading by Instructional Level

Jefferson School District Literature Standards Kindergarten

Allegory. Convention. Soliloquy. Parody. Tone. A work that functions on a symbolic level

Ninth Grade Language Arts

List A from Figurative Language (Figures of Speech) (front side of page) Paradox -- a self-contradictory statement that actually presents a truth

English 2019 v1.3. General Senior Syllabus. This syllabus is for implementation with Year 11 students in 2019.

Adjust oral language to audience and appropriately apply the rules of standard English

2011 Tennessee Section VI Adoption - Literature

Key Assessment Criteria Being a musician

Literature 2019 v1.2. General Senior Syllabus. This syllabus is for implementation with Year 11 students in 2019.

Guide. Standard 8 - Literature Grade Level Expectations GLE Read and comprehend a variety of works from various forms of literature.

With prompting and support, ask and answer questions about key details in a text. Grade 1 Ask and answer questions about key details in a text.

Campus Academic Resource Program How to Read and Annotate Poetry

Poetry & Romeo and Juliet. Objective: Engage with the themes and conflicts that drive the play into Act III.

Drama Targets are record sheets for R-7 drama students. Use them to keep records of students drama vocabulary, performances and achievement of SACSA

Outcome EN4-1A A student: responds to and composes texts for understanding, interpretation, critical analysis, imaginative expression and pleasure

UNSEEN POETRY. Secondary 3 Literature 2016

Preparing for GCSE English!

Correlated to: Massachusetts English Language Arts Curriculum Framework with May 2004 Supplement (Grades 5-8)

NORMANTON STATE SCHOOL CURRICULUM OVERVIEW. THE ARTS (Including Visual Arts, Dance, Drama, Media Arts)

coach The students or teacher can give advice, instruct or model ways of responding while the activity takes place. Sometimes called side coaching.

CHAPTER I INTRODUCTION

San Francisco Opera s Verdi s AIDA

Grade 7. Paper MCA: items. Grade 7 Standard 1

ENGLISH LANGUAGE ARTS & LITERACY RECOMMENDATIONS

Years 10 band plan Australian Curriculum: Music

Chapter. Arts Education

BPS Interim Assessments SY Grade 2 ELA

COURSE TITLE: WRITING AND LITERATURE A COURSE NUMBER: 002 PRE-REQUISITES (IF ANY): NONE DEPARTMENT: ENGLISH FRAMEWORK

HOW TO WRITE A LITERARY COMMENTARY

English Language Arts Grade 9 Scope and Sequence Student Outcomes (Objectives Skills/Verbs)

GCPS Freshman Language Arts Instructional Calendar

Lake Elsinore Unified School District Curriculum Guide & Benchmark Assessment Schedule English 10

College and Career Readiness Anchor Standards K-12 Montana Common Core Reading Standards (CCRA.R)

Latino Impressions: Portraits of a Culture Poetas y Pintores: Artists Conversing with Verse

Student Outcomes. The Element of Style; Strunk and White The Purdue Writing Lab

RL6 Explain how an author develops the point of view of the narrator or speaker in a text.

TERM ONE WEEKS 1-4 WEEKS 5-6

DesCartes Reading Vocabulary RIT

Romeo. Juliet. and. William Shakespeare. Materials for: Language and Literature Valley Southwoods High School

ENGLISH LANGUAGE ARTS

In Grade 8 Module One, Section 2 candidates are asked to be prepared to discuss:

Romeo And Juliet Act 1 Scene 5 Shared Sonnet Analysis

Poetry Unit. Part One: Louder Than a Bomb, Greg Jacobs and John Siskel, 2010

Correlation --- The Manitoba English Language Arts: A Foundation for Implementation to Scholastic Stepping Up with Literacy Place

EDUCATION DEPARTMENT CURRICULUM GUIDE TO THE COMEDY OF ERRORS. About the Folger Shakespeare Library

Section 1: Reading/Literature

Comprehension. Level 1: Curiosity. Foundational Activity 1: Eight-Eyed. Activity 2: Back in Time. Activity 4: Althea Gibson. Activity 3: Pandora

A central message or insight into life revealed by a literary work. MAIN IDEA

Wolmer s Boys School First Form English Literature Course Outline Easter Term 2019 Genre of Focus: Poetry Main Text A World of Poetry, Third Edition

Expressive arts Experiences and outcomes

Course Packet Introduction to Literature

Elements of Poetry and Drama

The Tragedy of Macbeth, Act 1. Shakespeare, 10 th English p

Processing Skills Connections English Language Arts - Social Studies

THE POET S DICTIONARY. of Poetic Devices

HOW TO DEFINE AND READ POETRY. Professor Caroline S. Brooks English 1102

CURRICULUM CATALOG. English Language Arts 9 (4009) WV

Friends, Romans, countrymen, lend me. Introduction to Shakespeare and Julius Caesar

FORM AND TYPES the three most common types of poems Lyric- strong thoughts and feelings Narrative- tells a story Descriptive- describes the world

Sixth Grade 101 LA Facts to Know

5. Aside a dramatic device in which a character makes a short speech intended for the audience but not heard by the other characters on stage

Language & Literature Comparative Commentary

Curriculum Mapping, Alignment and Analysis Cardinal Mooney Catholic HS 12th grade English/Composition British

THE QUESTION IS THE KEY

CURRICULUM CATALOG ENGLISH I (01001) NY

Grade 7 Fine Arts Guidelines: Dance

THEATRE 313 AND 813 RESEARCH PROJECT GUIDELINES Instructors: Jodi Ozimek and Kirk Domer

2015 Arizona Arts Standards. Theatre Standards K - High School

Romeo and Juliet Vocabulary

IMMACULATE CONCEPTION HIGH SCHOOL ENGLISH DEPARTMENT

Content. Learning Outcomes

Years 5 and 6 standard elaborations Australian Curriculum: Drama

International School of Kenya Creative Arts High School Theatre Arts (Drama)

BOOK TABLE OF CONTENTS

Literary Genre Poster Set

My Grandmother s Love Letters

SpringBoard Academic Vocabulary for Grades 10-11

Year 7 Poetry. Word Sentence Reading Writing Speaking and listening. TR4 Make brief clearly organised notes of key points for later use.

1.The Heroic Couplet: consists of. two iambic pentameters ( lines of ten. 2. The Terza Rima: is a tercet (a. 3.The Chaucerian Stanza or Rhyme

Grade 10 Fine Arts Guidelines: Dance

MIDSUMMER S NIGHT DREAM. William Shakespeare English 1201

ENTRY PATHWAYS - SUMMER 2012 ADDITIONAL ENGLISH. Unit Code/Level Total no. centres Total number of centres that

Transcription:

REINTERPRETING SHAKESPEARE with JACKIE FRENCH Education Resources: Grade 9-12 The following resources have been developed to take your Word Play experience from festival to classroom. Written and compiled by qualified teacher, Ella Peile, UPLIT s Children & Young Adult Coordinator, the suggested classroom exercises and activities below are designed to reflect key learning content outlined in the QCAA Senior English Syllabus and ACARA National Curriculum. For more information contact UPLIT. T +61 7 3255 0254 E info@uplit.com.au UPLIT.COM.AU Curriculum Links The following activities are designed to complement the Australian Curriculum in English and History, and the QCAA Senior English Syllabus. Specific curriculum links have been noted at the end of each activity. About the Author Jackie French AM is an award-winning writer, wombat negotiator and was the Australian Children's Laureate for 2014-2015 and the 2015 Senior Australian of the Year. In 2016 Jackie became a Member of the Order of Australia for her contribution to children's literature and her advocacy for youth literacy. She is regarded as one of Australia's most popular children's authors, and writes across all genres - from picture books, history, fantasy, ecology and sci-fi to her much loved historical fiction. 'Share a Story' was the primary philosophy behind Jackie's two-year term as Laureate. About the Book The Diary Of William Shakespeare, Gentleman is part comedy, part love story, the threads of Shakespeare's life drawn from his plays. Could the world's greatest writer truly put down his pen forever to become a gentleman? He was a boy who escaped small town life to be the most acclaimed playwright of the land. A lover whose sonnets still sing 400 years later; a glover's apprentice who became a gentleman. But was he happy with his new riches? Who was the woman he truly loved? The world knows the name of William Shakespeare. This book reveals the man - lover, son and poet.

Based on new documentary evidence, as well as textual examination of his plays, this fascinating book gives a tantalising glimpse at what might have been: the other hands that helped craft those plays, the secrets that must ever be hidden but - just possibly - may now be told. Preparatory Activity Elizabethan England Divide the class into five groups. Assign each group one of the following aspects of the Elizabethan period: - Class, status, and identity - Daily life - Relationships, family, gender roles - The theatre, writing, poetry - Religion and cultural beliefs Provide students with access to research materials, and note cards. They are to write a title and brief description, on sparate cards, of the topic as relevant to each of the following characters: - A farm labourer - A craftsperson - The daughter of a merchant - A gentlewoman - An earl (nobleman) Collect the cards and group each character s cards together. Assign each group a character and hand them their cards. The group collates the information to develop a profile of their character. They then devise a short story or play describing a day in the life of their character. While the specific events will be imaginary, students should ensure that the situations and relationships presented in their story or performance are plausible given their character and the setting. Read or present each group s work. Discussion points: - How was your research evident in the story? - Describe the status of the character in relation to the other characters in the story - Overall, which character had the highest status? What factors influenced this? - What are the biggest differences in the lives of people of the Elizabethan era compared to our lives? - How would the values and attitudes of the time have informed Shakespeare s work? - What did it mean to be a gentleman in Elizabethan times? Refer to the author s note on page 272. Improvise with the elements of drama and narrative structure to develop ideas, and explore subtext to shape devised and scripted drama (ACADRM047) Manipulate combinations of the elements of drama to develop and convey the physical and psychological aspects of roles and characters consistent with intentions in dramatic forms and performance styles (ACADRM048) Explore and reflect on personal understanding of the world and significant human experience gained from interpreting various representations of life matters in texts (ACELT1635) Create imaginative texts that make relevant thematic and intertextual connections with other texts (ACELT1644)

Reading Reflection The World of the Book This activity helps students develop their understanding of the historical time and of William Shakespeare s life. Suggested pages have been included for each topic, though there are many possibilities. In English, the quotes could be used to build a character profile. In History, students could test the accuracy of the historical information by cross-checking against historical sources, considering the narrator s position in society. Topic Quote or event What it tells us about the time and the character Class/ Status (p.18) (p.149) (p.154) Work Writing and Theatre Daily Life Love and Relationships Gender Roles Family (p.79) (p.162) (p.207) (p.24) (p.46) (p.132) (p.149) (p.41) (p.99) (p.271) (p.29) (p.78) (p.105) (p.169) (p.60) (p.137) (p.204) (p.168) (p.204) Religion (p.11) (p.183) (p.208) Interpret and compare how representations of people and culture in literary texts are drawn from different historical, social and cultural contexts (ACELT1633) Use comprehension strategies to interpret and analyse texts, comparing and evaluating representations of an event, issue, situation or character in different texts (ACELY1744) Evaluate the reliability and usefulness of primary and secondary sources (ACHHS171) Analyse and evaluate how people, cultures, places, events, objects and concepts are represented in texts, including media texts, through language, structural and/or visual choices (ACELY1749) Identify and analyse the perspectives of people from the past (ACHHS190) Identify and analyse different historical interpretations (including their own) (ACHHS191)

Research Activity Shakespeare in History and Story Provide students with a timeline of Shakespeare s life, or ask them to create their own using historical information. Suggested resources: Pictorial timeline: http://www.nosweatshakespeare.com/resources/shakespeares-life/timeline/ Simple text timeline: http://absoluteshakespeare.com/trivia/timeline/timeline.htm. Multimedia resource: http://www.pbs.org/wnet/shakespeare-uncovered/timeline/ Ask students to identify the key events of Shakespeare s life as presented in The Diary of William Shakespeare, Gentleman. Plot on the timeline using a visual code to differentiate between historical information and the fictional text. Discussion points: - What events are contentious? How could we confirm or disprove them? - What historical sources support the claims made by the story? Are they reliable? - How does the book support or challenge commonly held beliefs about Shakespeare? - Were any of your own beliefs or assumptions supported or challenged by the book? Analyse and evaluate how people, cultures, places, events, objects and concepts are represented in texts, including media texts, through language, structural and/or visual choices (ACELY1749) Identify and select different kinds of questions about the past to inform historical inquiry (ACHHS184) Identify and locate relevant sources, using ICT and other methods (ACHHS186) Group Activity Character Analysis Discuss the format of a diary and the way it impacts characterisation. Discussion points: - What does a diary allow an author to communicate about a character? - Does a diary necessarily tell every detail of someone s life? What parts would be omitted? - Who is a diary for? How would this impact its tone and content? - What is the typical narrative format of a diary? How does the book reflect this, and in what ways does it deviate from it? Consider the use of memory as narrative device. Divide students into groups and hand each group a sheet of A3 paper. Ask students to draw a basic silhouette of Shakespeare s portrait. Fill the sheet with the following: - Inside the silhouette, include private thoughts written only in the diary and not shared publicly - Outside the silhouette, include his behaviours that indicate his outward persona. Compare the inside and the outside of the silhouette. Which aspects are consistent? Which suggest inner conflict or secrecy? Ask each group to select the three most important or dominant aspects of Shakespeare s personality, based on The Diary of William Shakespeare, Gentleman. For each aspect, find an example in his work (a quote, character, or storyline) that reflects this. Students could then present this to the class and justify their selections with reference to the book and Shakespeare s work. Their evaluations could also be compared to historical information about Shakespeare, such as https://www.rsc.org.uk/shakespeares-life-and-times

Reflect on ideas and opinions about characters, settings and events in literary texts, identifying areas of agreement and difference with others and justifying a point of view (ACELT1620) Compare the ways that language and images are used to create character, and to influence emotions and opinions in different types of texts (ACELT1621) Group Activity Literary Devices Although The Diary of William Shakespeare, Gentleman is a different format to Shakespeare s work, it nonetheless references some of his works and his use of language generally. Break the class into groups and provide each group with a sheet, each labelled with a literary device: - Simile - Metaphor - Imagery - Sound Devices (rhyme, rhythm, repetition) - Juxtaposition Have each group find as many examples of the device as they can in five minutes. Rotate the sheets between the groups and repeat, this time giving the groups four minutes. Continue until students have one minute to try to find examples not yet listed. Rotate the sheets a final time and ask each group to choose their favourite examples. Present to the class and explain why these examples were considered the strongest or most interesting. Discuss how these reflect the author s personal style and/or Shakespeare s writing style. Explain how authors creatively use the structures of sentences and clauses for particular effects (ACELA1557) Identify how vocabulary choices contribute to specificity, abstraction and stylistic effectiveness (ACELA1561) Compare and evaluate how voice as a literary device can be used in a range of different types of texts such as poetry to evoke particular emotional responses (ACELT1643) Independent Activity Shakespearean References The following handout can be used to identify some of the references to Shakespeare s works. Some may be found by direct quotation; for others, students will need to research the theme or idea presented. The author builds a picture of Shakespeare the man through references to Shakespeare the poet. Note how each reference contributes to the characterisation, considering: - What inspired the quote (in the story). - The difference between the idea in the story and the published work of Shakespeare. - What the thought says about the character s values and personality. Quote: The Diary of William Shakespeare, Gentleman Friends, Romans, everyone! Listen to me! I ve come to bury Caesar (p.23) about a tempest and a shipwreck (p.36) My eyes, I fear, are nothing like the sun; (p.60) Work referenced Contribution to characterisation

Hamnet, his son Tomorrow and tomorrow and tomorrow (p.112) My Anne was no shrew to tame. (p.124) What must be done is best done quickly. (p.119) Compare and evaluate how voice as a literary device can be used in a range of different types of texts such as poetry to evoke particular emotional responses (ACELT1643) Analyse and evaluate text structures and language features of literary texts and make relevant thematic and intertextual connections with other texts (ACELT1774) Group Activity Understanding Shakespearean Language Discuss how English has changed over time and explore common words in Shakespeare s text and their contemporary equivalents. A searchable glossary is available at http://absoluteshakespeare.com/glossary/a.htm Shakespearean insults: Mix and match insults inspired by Shakespeare. This is a fun way to get students using Shakespearean language out loud. Text and suggested structure available at: https://www.theatrefolk.com/freebies/shakespearean-insults.pdf Using http://nfs.sparknotes.com/, provide each group with an excerpt of a Shakespearean text and its modernday translation. In pairs or groups, students prepare a section to perform, with one half presenting the original text (with actions), and the other half reading the subtitles. Encourage the use of comic delivery. Understand that Standard Australian English in its spoken and written forms has a history of evolution and change and continues to evolve (ACELA1563) Use comprehension strategies to interpret and analyse texts, comparing and evaluating representations of an event, issue, situation or character in different texts (ACELY1744) Class Activity Rhythm and Form in Shakespeare s Language Discuss how Shakespeare s use of punctuation helps the reader/actor to follow the rhythm. Put the following instructions on the board:, click ; -. :? clap breath

Provide students with a monologue or soliloquy. Allow them a few minutes to practise using the above instructions. Remind them not to pause between lines, only at punctuation. Read the text aloud as a group, using the appropriate actions. This activity is useful to break the natural habit of pausing at the end of a line. Shakespeare used different language forms depending on the mood and character. Find examples of iambic pentameter, trochaic tetrameter, and rhyming couplets. Read the texts aloud, emphasizing the rhythmic pattern, and then again using a more natural speech pattern. Note the effect of the meter and use of rhyme on the tone of the speech. Explain how authors creatively use the structures of sentences and clauses for particular effects (ACELA1557) Identify how vocabulary choices contribute to specificity, abstraction and stylistic effectiveness (ACELA1561) Apply an expanding vocabulary to read increasingly complex texts with fluency and comprehension (ACELY1743)