George Avakian. Notes to Benny Goodman in Moscow. RCA Victor LOC-6008/LOC 6008, 1962.

Similar documents
Jazz music is truly an American treasure, performed and enjoyed all over the world. It is

University of Kansas American Studies Fall 2006 JAZZ, ROOTS TO 1955

DISCOGRAPHY OF COURSE SELECTIONS AND ADDITIONAL PF FAVORITES. Count Basie -- The Definitive Count Basie (Ken Burns Jazz) -- Verve

Tuesday and Friday 12:30-1:50 Slosberg Room TBA Textbook: Jazz 101(a complete guide to learning and loving jazz) Author: John F. Szwed Hachette Books

Tuesday and Friday 12:30-1:50 Slosberg Room TBA Textbook: Jazz 101(a complete guide to learning and loving jazz) Author: John F. Szwed Hachette Books

New Jazz/Prestige Records

1 Quiz 4% Blues Form Poem 4% Maple Leaf Rag Comparison 4% 2 One page written responses 4% each (about 250 words)

Jazz Port Townsend 2019 Vocal Application Guidelines for New and Returning Applicants

Columbia University English and Comparative Literature Fall 2001 SEMINAR: THE WORLD OF THELONIOUS MONK

Required text: Scott Deveaux & Gary Giddens, Jazz: Essential Listening (New York: W.W. Norton & Company, Inc., 2011). ISBN:

X RECORDS. 1. Album label styles 2. Clips from Trade Magazines 3. Album listings (LX-3000 to LVA-3040 and other LPs) Produced by Frank Daniels

Jazz in America The National Jazz Curriculum

Jazz Artist Project Directions:

MILES DAVIS & JOHN COLTRANE. History of Jazz A m e r i c a s C l a s s i c a l Music. Miles Davis: Trumpet Style. Lecture Seven

Jazz at Lincoln Center Radio McCoy Tyner and Ravi Coltrane Season 17 Program 1; Airdate: 10/1/09

New Orleans. Storyville, French Opera House, 1900

Classic Rock: Popular Music of the Sixties and Seventies MUSC 423 Fall R Mondays, 6pm 7:50 pm, THH 202

Special thanks to Profs. Clay Jenkins, Jeff Campbell, and the faculty of the Jazz Studies and Contemporary Media Department.

How Bebop Came to Be: The Early History of Modern Jazz

SYLLABUS EN BLUE NOTES: THE LITERATURES OF JAZZ

Origins of Jazz in America

Jazz Ensemble Bob Lark, director

Jazz (Wikipedia)! Louis Armstrong

A LIFE IN JAZZ DANNY BARKER. Edited by Alyn Shipton MACMILLAN PRESS LONDON

Instructor: Noah Baerman. Thelonious Monk and Charles Mingus: The Cutting Edge of Jazz SYLLABUS

Preview Only. Legal Use Requires Purchase. Mid-Riff. BILLY STRAYHORN Edited and Transcribed by JEFF LINDBERG INSTRUMENTATION

trinkle tinkle full score

THE AUSTRALIAN. Adelaide s Errol Buddle scaled heights of American jazz

The bottom line of any country is, what did we contribute to the world? We contributed Louis Armstrong. singer Tony Bennett

The VOCAL OVERTON ALSTON OVIE

BUD POWELL. Earl Rudolph (Bud) Powell was one of the most influential pianists in the history of jazz. Along with Charlie Parker

Jazz is a music genre that started in the early 1900's or earlier, within the African-American communities of the Southern United States.

Jazz in America The National Jazz Curriculum

MUS Music of the Modern Era. Free Jazz / Experimental Music Apr. 11, 2013

PHIL WOODS AND CHEROKEE

Jazz Ensemble Mike Titlebaum, director

Instructor: Noah Baerman. Wesleyan University Graduate Liberal Studies Program (860)

You may not own many jazz CDs now, and you may not think you know anything

Jazz In America: The National Jazz Curriculum

How to Celebrate Jazz Appreciation Month CELEBRATE JAZZ SPONTANEOUS. NEVER ORDINARY. COMPLETELY GENUINE. MADE IN AMERICA. ENJOYED WORLDWIDE.

Contents 2 SITTING IN: JAZZ PIANO. Songs by Category BLUES. About the Authors Acknowledgments How to Use This Book...

Checklist for Beginning through Intermediate jazz students

October 29, 2015 A Closer Look at Harmonic Prolongation in Jazz Performance Special Session: What is Jazz Harmony?

Jazz Fundamentals Academy for Lifelong Learning Cape Cod Community College Greg Polanik Spring Chapter 2 Early Jazz Music Links

SPRINGSVILLE. Celebrating the Birth of the Cool... and Beyond. May 27-30, 2004 THE FOUR POINTS SHERATON-LAX PAID. presents PERMIT NO.

John Coltrane His Life And Music The Michigan American Music

Drummer s Guide to Big Band

Curated Primary Source Guide: Essay #2, Music Option

Jazz Clinic Wallace Roney August 3, 2012

CLAUDE WILLIAMS Uve at J's, Vol. 2

All That Jazz: History

Jelly Roll Morton Music

ARTS 617: MUSIC AND DOWNTOWN NEW YORK, Wesleyan University GLS, Spring 2016 Syllabus (Draft 12/16/2015)

Portraits In Jazz: A Piano Album

REVIEW SESSION, EXAM 1

Miles Davis ( )

Music in Film. Module Outline Leeds International Summer School

1 von :21

Topic Page: Gershwin, George ( )

Ithaca College Jazz Ensemble

MaryLau FOLKWAYS RECORDS FJ Side 1. Side 2 MUSICAND NARRATION BY MARY LOU WILLIAMS EDITED AND COMPILED BY PETER F. O'BRIEN. S.J.

Jazz Port Townsend 2018 Drum Application Guidelines for New or Returning Applicants

Practice. A new look at CAMBRIDGE SAXOPHONE

BEBOP 1940 S - MID 1950 S

Symphonies in the Romantic Era. The symphony was the creation of the second half of the eighteenth century and reached its

PI!ONOGJLJlPI!S ca MANUFACTURERS AND DISTRIBUTORS OF P!IONOGRAP!lS AND RECORDS, ca

The Extension Technique and Interpretation of George Crumb s Solo Piano Works

AASP 298Z. JAZZ AS A CULTURAL ART FORM (African American Classical Music)

Sunday, March 4, :00 p.m. Bob Lark, director. DePaul Student Center 2250 North Sheffield Avenue Chicago

THE EUROPEAN TOUR OF LIONEL HAMPTON AND HIS ORCHESTRA, 1953 The Recorded Concerts

JAZZ & BLUES. Joan Cartwright. Author Musician Composer Historian

jingle Bells full score

Fletcher Henderson Sugarfoot Stomp (1925)

Evolution of Bebop Drumming

REVIEW III MUSIC 331: History of Jazz, Summer 2012

CMEA High School Audition Repertoire Jazz 4-Year Rotation (revised June 14, 2017)

The Foot Tappers News

Ursuline College Accelerated Program

American Music Review

GEORGE DORMAN CARRY SCOOPS CAREY

Miles Davis 4. So What (1959)

CHRIS POTTER ON STANDARDS TEN NOTE-FOR-NOTE TRANSCRIPTIONS OF IMPROVISATIONS OVER STANDARDS AND STANDARD STYLE TUNES 2ND EDITION

Melbourne. "Donna Lee" (Charlie Parker) performed by the Groovematics, published by EMI Music Publishing Pty Ltd

Titles as Metaphors for Structures in the Music of John Coltrane 1 Kenneth William Cook Russell Thomas Alfonso

If you were going to write your own entry into the Encyclopedia of Jazz what would you write?

Senior jazz recital : the music of Cannonball Adderley

ECHOLS, E. WENDELL (EDWARD WENDELL GLENN), E. Wendell Echols papers,

the jeffrey sultanof master edition they can t take that away from me As recorded by charlie parker Arranged by joe lippman

Taylor & Francis Standard Reference Style: Chicago endnotes and bibliography

Section 3: Written section (fill-in-the-chart)--worth 50 possible points (see specifics, below)

The TRUMPET PAUL KING

Jazz Music 231/331 Autumn :30 2:50 p.m. Monday and Wednesday Goodspeed Hall 402

battered cornet which dates back to the time of the Civil War. ARCHIE SHEPP (born May 24, 1937 in Philadelphia) worked with Cecil Taylor in 1960 and

Scat Like That. Museum Connection: Art and Enlightenment

Source: Donated by Roy J. Bernstein, Executor, Estate of Ethel Burns, 2011.

UT.8.01x Audio Attributions

What a Good Month for Collectors!

Nica s Dream Small Jazz Groups of the 50s and early 60s New World NW 242

autumn nocturne full score

Mercury 78 RPM Albums Before LP and 45 Produced by Frank Daniels

Transcription:

WEB ONLY 141 Bibliography George Avakian. Notes to Benny Goodman in Moscow. RCA Victor LOC-6008/LOC 6008, 1962. Bob Bach. Babs Three Bips and a Bop. Metronome May 1947. Danny Barker and Alyn Shipton, eds. A Life in Jazz New York: Oxford University Press, 1986. Count Basie, as told to Albert Murray. Good Morning Blues. New York: Random House, 1985. Mike Butcher. Tadd The Forgotten/ Jazz News, April 12, 1961. Mark Cantor. Rhythm in a Riff. (IAJRC Journal 34, no. 1 (Winter 2001). Nick Catalano, Clifford Brown: The Life and Art of the Legendary Jazz Trumpeter, New York: Oxford University Press, 2000 John Chilton. Who s Who of Jazz: Storyville to Swing Street. Philadelphia: Chilton Book Co., Time-Life Records Special Edition, 1978. Donald Clarke. Wishing on the Moon: The Life and Times of Billie Holiday, London: Penguin Books, 1994. The Dave Cliff/Geoff Simkins 5, Play the Music of Tadd Dameron. Herfordshire, UK: Spotlite Records, SPJ-(CD) 560, 1997. Noal Cohen and Michael Fitzgerald. Rat Race Blues: The Musical Life of Gigi Gryce. Berkeley, CA: Berkeley Hills Books, 2002. Bill Cole. Miles Davis: -The Early Years. New York: William Morrow & Co., Inc., 1974. Reprint. Da Capo Press, 1994. Jack Cooke/ Tadd Dameron: An Introduction. Jazz Monthly, March 1960. Bill Coss. Tadd s Back. Down Beat, February 15, 1962. Michael Cuscuna and Michel Ruppli. The Blue Note Label: A Discography, Revised and Expanded. Westport: Greenwood Press, 2001. Linda Dahl. Morning Glory/ Berkley and Los Angeles: University of California Press, 1999. Leon Dallin. Techniques of Twentieth Century Composition. Dubuque, IA: Wm. C. Brown Co., 1974. Tadd Dameron (ghost written by Orin Keepnews). The Case for Modern Music. Record Changer, February 1948.

WEB ONLY 142 Stanley Dance. The World of Count Basie. New York: Charles Scribner s Sons, 1980. Stanley Dance. The World of Earl Hines. New York: Scribner, 1977. Miles Davis, with Quincy Troupe. Miles. New York: Simon & Schuster. 1990. Eddie Determeyer. Rhythm Is Our Business. Ann Arbor: University of Michigan Press, 2006. Frank Driggs and Chuck Haddix. Kansas City Jazz. Oxford and New York: Oxford University Press, 2005. Esquire s 1946 Jazz Book. New York: Smith & Durrell, Inc., 1946. Leonard Feather. The Encyclopedia of Jazz. New York: Horizon Press, 1960. Leonard Feather. Inside Jazz (originally Inside Bebop). New York: J. J. Robbins, 1949. Reprint, Da Capo Press, 1977, 1980. Leonard Feather. Notes to phonodisc Harlan Leonard and His Rockets/ RCA Victior LPV-531, Radio Corporation of America, 1966. Leonard Feather. A Blue Time. Notes to Blue Mitchell retrospective LP set. Milestone, 47055, 1983. John Fordham, Let s Join Hands and Contact the Living: Ronnie Scott and His Club. London: Elm Tree Books, 1986. James Gavin. Deep in a Dream: The Long Night of Chet Baker. New York: Alfred A. Knopf, 2002. Dizzy Gillespie, with Al Frazier. To Be or Not To Bop. New York: Doubleday, 1979. Ira Gitler. Jazz Masters of the 40s. New York: Da Capo Press, Inc., 1983. Ira Gitler. Swing to Bop. Oxford, New York, and Toronto: Oxford University Press, 1985. Babs Gonzales. Be-Bop Dictionary, and History of Its Famous Stars. New York: Arlain Publishing Co., 1948 or 1949. Babs Gonzales. I Paid My Dues, Good Times No Bread. East Orange, NJ: Expubidence Publishing Corp., 1967. Mike Hennessey. Klook: The Story of Kenny Clarke. London: Quartet Books, Ltd., 1990. Reprint, 1993 Pittsburgh: University of Pittsburgh Press. André Hodier. Le Festival 1949. La Musique de Jazz Hot, njune, 1949. George Hoefer. Hoefer s Hot Box. Down Beat, October 12, 1961. Raymond Horricks. These Jazzmen of Our Time. London: Gollancz, 1959.

WEB ONLY 143 Langston Hughes. The Big Sea. New York: Hill and Wang, 1964. Max Jones. And Next We Come to Soulphony. Melody Maker, May 14, 1949. Max Jones, Jazz Talking: Profiles, Interviews and Other Riffs on Jazz Musicians. New York: Macmillan Press, 1987. Reprint, New York: Da Capo Press, 2000. Max Jones. Post-Festival Paris. Melody Maker, July 30, 1949. Quincy Jones. Q: The Autobiography of Quincy Jones. New York: Doubleday, 2001. Orrin Keepnews. Notes to Smooth as the Wind: Blue Mitchell with Wtrings and Brass. Berkeley: Riverside Records, 1996, OJCCD -871 2. (Re-release of Riverside LP RLP-9367.) Robin D. G. Kelley. Thelonious Monk: The Life and Times of an American Original. New York: Free Press, 2009/ Burt Korall. Drummin Men: The Bebop Years. New York: Oxford University Press, 2002. Barbara J. Kukla. Swing City: Newark Nightlife, 1925 50. Philadelphia: Temple University Press, 1991. Will Lee. Artistry in Rhythm, Los Angeles: Creative Press of Los Angeles, 1980. Gene Lees. Cats of Any Color. New York: Oxford University Press, 1995. Ian MacDonald. Tadd: The Life and Legacy of Tadley Ewing Dameron. Sheffield, UK: Jahbero Press, 1998. Albert McCarthy. Big Band Jazz. New York, G. P. Putnam s Sons, 1974. Jack McKinney. Notes to Boyd Raeburn Jewells. Arista Records, Inc., Savoy SJL 2250, 1980. Doug Meriwether, with discography by Clarence C. Hintze. Mister, I Am The Band! Buddy Rich His Life and Travels. No. Bellmore, NY: National Drum Assoc., 1998. Bill Milkowski. Swing It! An Annotated History of Jive New York: Billboard Books, 2001. Gerun Moore. Unlucky? Maybe Your Name Is Spelled Wrong. Down Beat, October 15, 1939. Joe Mossbrook. Cleveland Jazz History Cleveland: Northeastern Ohio Jazz Society, 1993. Joe Mossbrook. Cleveland Jazz History. Cleveland : Northeast Ohio Jazz Society, 2003. Joe Mossbrook. Jazzed in Cleveland. www.cleveland.oh.us Robert G. O Meally. The Jazz Cadence of American Culture. New York: Columbia University Press, 1998. Lewis Porter. John Coltrane, His Life and Music. Ann Arbor: University of Michigan Press, 1998.

WEB ONLY 144 Lewis Porter, ed., The John Coltrane Referance, (New York, Routledge [Taylor & Francis Group], 2008) Roy Porter. There and Back. Baton Rouge: Louisiana State University Press, 1991. St. Denis Preston. Backstage with Bechet and Bop. Melody Maker, August 27, 1949. Brian Priestley. Mingus: A Critical Biography. New York: Quartet Books, 1982. Reprint, New York: Da Capo Press, 1983. Steve Race. Paris Jazz Festival, a review of the opening concert. Musical Express, May 13, 1949. Bruce Raeburn. Notes to CD Boyd Raeburn and His Orchestra More 1944 1945. Circle Records, CCD- 113, 1994. Robert Reisner, ed. Bird: The Legend of Charlie Parker. New York, Citadel Press, Inc., 1962. Reprint, New York: DaCapo Press, Inc., 1977. Michel Ruppli and Ed Novitsky. Mercury Labels, a Discography. Westport: Greenwood Press,1993. Bob Rusch. Interview with Charles Parham. Cadence, December 1987. Claude Schlouch. The Unforgetteble Kenny Dorham: A Discography. Self-published. Gunther Schuller. The Swing Era. New York: Oxford University Press, 1989. Richard S. Sears. V-Discs: A History and Discography. Westport and London: Greenwood Press, 1980. Arnold Shaw. 52 nd St.: The Street of Jazz. New York: Coward, McCann & Geoghegan, 1971. Reprint, New York: Da Capo, 1977. Barry Ulanov. History of Jazz in America. New York: Viking Press, 1952. Barry Ulanov, Tad Dameron, Second in a Series on the Leading Beboppers. Metronome, August 1947. Billy Vera. Notes to Carmen McRae, Blue Moon. Verve 314 543 829 2, 2000. Martin Williams. Jazz in Its Time. New York: Oxford University Press, 1989. Martin Williams. Mostly Modernists: Included in the Supporting Cast. Saturday Review, September 15, 1962. Valerie Wilmer. Jazz People. London: Allison & Busby, 1977. Valerie Wilmer. Mama Said There d Be Days Like This: My Life in the Jazz World. London: The Women s Press, 1989. Valerie Wilmer. Tadd Dameron. Jazz News, July 4, 1962.

WEB ONLY 145 George Ziskind. I Remember Tadd. Jazz Institute of Chicago, 1999. www.jazzinstituteofchicago.org/educates/journal/i-remember-tadd