Study Guide. The Serious Truth of Comedy. Taught by: Frank Licari. Presented by the Palm Beach Shakespeare Festival

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Study Guide The Serious Truth of Comedy Taught by: Frank Licari Presented by the Palm Beach Shakespeare Festival Monday, October 17, 2016 at 10:30 AM Grades 6-12 Eissey Campus Theatre Palm Beach State College 11051 Campus Drive, Palm Beach Gardens 561-207-5910 OVERVIEW Subtitle: A Look at The Elements of Comedic Storytelling and Character Creation As It Relates To Tragedy - Addressing The Similarities Between Comedy and Drama - Identifying the 9 Ways To Create Comedy - The Circle Of Truth Playing To The Height Of A Character s Knowledge - Examining Shakespearean Fools in Drama (The Clowns and The Courtly Jester)

WHY DO WE STILL PERFORM SHAKESPEARE? 1) Illumination of the Human Experience Shakespeare s ability to summarize the range of human emotions in simple yet profoundly eloquent verse is perhaps the greatest reason for his enduring popularity. If you cannot find words to express how you feel about love or music or growing older, Shakespeare can speak for you. No author in the Western world has penned more beloved passages. 2) Ability to Turn a Phrase Many of the common expressions now thought to be clichés were Shakespeare's creations. Chances are you use Shakespeare's expressions all the time even though you may not know it is the Bard you are quoting. You may think that fact is "neither here nor there", but that's "the short and the long of it." 3) It Was Meant to Be See, Not Only Heard Students sometimes struggle with the language of Shakespeare in a classroom setting. The language is English but of a form we do not use today. However, once the words are used in a proper performance, all ages are able to get a better grasp of what is happening within the play. While Shakespeare is worthy of study, he wrote to entertain the masses, using common expressions from that time, but with the same emotions and thoughts within us all. When the words are broken down, described simply, then performed passionately, what may have at first seemed like another language comes to life for them and they can move forward knowing that with a little thought, Shakespeare is not only easy to understand, but incredibly moving and relevant. THE ARTISTS Frank Licari is the host of the new WPBT2 Show Around The Corner with Frank Licari which premiered in September on PBS. He began his acting career in NYC performing in over 40 theatrical productions including the Obie and Drama Desk Award Winning Blue Man Group. His television appearances include guest stars/co-star roles in: NBC s Law & Order, CBS s Dellaventura, ABC s Nashville, USA s Burn Notice, Netflix s Bloodline and a recurring role on USA s Graceland. His recent film work includes supporting roles in American Made (2017) opposite Tom Cruise, Papa Ernest Hemingway In Cuba opposite Giovanni Ribisi, Walt Before Mickey opposite Jon Heder (currently on Netflix) as well as

Boyfriend Killer opposite Patrick Muldoon and Kate Mansi. He has worked with famed directors Woody Allen, Sydney Lumet and Doug Liman. As a writer/producer he has won numerous awards including The Sears Drama Award for Playwriting (Canada), The Village Gate Play Festival (NY) and The ADDY Advertising Award (the OSCAR of the Advertising World) for commercial writing. He was also the producer/director and backup singer for 9 Time Grammy Winner Jose Feliciano on his 2013 World Tour. His two latest TV Pilots are in development with Untitled Entertainment and Kvibe Productions respectively. He is a co-founder and producer of The Jove Comedy Experience, South Florida s premiere Improv, Sketch and Musical Comedy troupe. He the former founder and director of Atlantic Arts Academy (now Performing Arts Academy of Jupiter) in Jupiter, FL and has been the host of The Palm Beach International Film Festival Student Showcase Awards Show for the past 10 years. He has been a proud member of SAG/AFTRA and AEA since 1996. From 1988-1990, the Palm Beach Shakespeare Festival founders produced events in association with the Chamber Theatre of the Palm Beaches and Young Audiences of Palm Beach County. Their success lead to the formation of the Shakespeare Festival in January 1990. Their premiere production was in March, featuring Shakespeare s MACBETH at the Duncan Theatre, Palm Beach Community College, West Palm Beach campus, with Burt Reynolds as Honorary Chairman. In September 1990, PBSF moved to Carlin Park, Jupiter, and premiered Shakespeare by the Sea:A Renaissance Festival and PIay-in-the-Park, featuring Shakespeare s comedy, TWELFTH NIGHT. The event attracted over 10,000 people in one weekend. Shakespeare By The Sea has continued as an annual event, featuring THE TEMPEST ( 91), MIDSUMMER NIGHT S DREAM ( 91), RICHARD III ( 92), AS YOU LIKE IT ( 93), ROMEO AND JULIET ( 94), TWELFTH NIGHT ( 96 amphitheatre premiere), MACBETH ( 97), THE WINTER S TALE ( 98), MUCH ADO ABOUT NOTHING ( 99), HAMLET ( 00 Tenth Anniversary feature), THE COMEDY OF ERRORS ( 01), TAMING OF THE SHREW ( 02), and ROMEO AND JULIET ( 03). Since its inception, PBSF has toured to numerous South Florida schools, as well prominent theatres, community centers and festivals in Palm Beach and Martin County.

PRE-PERFORMANCE DISCUSSIONS 1. Who was Shakespeare? William Shakespeare was a British playwright and poet during the Renaissance in the late 1500s and early 1600s. He wrote during a time when theatre was the main form of entertainment. People would crowd into open air theatres even though the plague was running rampant through their city. Considered by many to be the greatest writer of the English language, Shakespeare wrote plays that are still performed all over the world year after year. He wrote about themes that never seem to lose their importance and his great characters continue to be the most sought after roles for actors. 2. What do we hope to learn at the presentation? Do any students have specific questions they would like answered during our discussion? We will ask the audience at the presentation, but if teachers have already screened the questions to be asked we can allow them to point us to the student with the question as a way of keeping silly questions to a minimum. (Not that we don't like silly questions! 3. Extra thoughts Tell the students to imagine no electronics of any kind including TV, radio or even pen or pencils for the majority of the population. What would they do for entertainment? Would they risk disease and crowds for a break from everyday life? 4. Theatre etiquette Prior to attending the performance, students should discuss audience etiquette. We will be opening up questions to the audience and asking some of them to participate. Students should avoid talking out of turn, using their cell phones and should keep applause respectful.

CLASSROOM ACTIVITIES The following activities are designed to meet several state standards. 1. Watch Coyote and Road Runner Cartoons In Class. https://www.youtube.com/watch?v=3ptfybl96zy Discussion: Have students see if they can identify what types of humor are included in these episodes. How do they make you laugh? Why do they make you laugh? In general, what makes you laugh? 2. Sonnets Activity: Shakespeare s sonnets are some of the easier of his works to understand. Have the students select a sonnet and try to translate the sonnet using 21 st Century language and idioms (#getcreative). Then, have the students write their own sonnet in Elizabeth style (emulating Shakespeare). Twists 1. Give extra credit if the poem is written in iambic pentameter. 2. Have each student draw two vocabulary words from a hat. 3. Give extra credit for a pun or wordplay. 4. Have each student read his/her sonnet for the class. 5. Have each student write his/her sonnet to a classroom mascot and read the sonnet before the class to the mascot. 6. Do this exercise in conjunction with analysis of an actual Shakespearean sonnet. 3. Plays Activity: Select a passage from one of Shakespeare s plays. Select two or more students to read the scene. Once that scene is read, have the students explain what Shakespeare was saying. Once that scene is broken down, have them perform it again with the newly-understood intent behind the lines. Activity: Have the students write a scene for their own play. It can be an exchange between characters or a monologue. Once that scene is created, have the students go back and write it in Elizabethan style. If time allows, have a selected scene performed for the class.

POST-PERFORMANCE DISCUSSIONS 1. Did the performance meet your expectations? If not, did it exceed or not meet and why? 2. Did the actors performances help you to understand what Shakespeare wrote? How or why not? 3. After seeing this performance, perhaps students will view Shakespeare in a new light. Discuss what has changed about their perception of Shakespeare and his works. 4. Have students analyze three of their favorite film or tv comedies. See if they can address the type of comedy they are watching and identify how many of the 9 elements are used in the show/film. 5. Watch Merchant Of Venice and analyze the Clown "Launcelot Gobbo" and what he brings to the story. 6. Watch Midsummer Night s Dream and analyze the character of Bottom. FLORIDA STANDARDS LAFS.6.RI.3.7, LAFS.6.RL.3.7, LAFS.SL.1.2, LAFS.7.RI.3.7, LAFS.7.RL.1.3, LAFS.7.RL.3.7, LAFS.7.SL.1.2, LAFS.8.RL.3.7, LAFS.8.SL.2.5, LAFS.910.RI.3.7, LAFS.910.RL.3.9, LAFS.K12.R.3.7, LAFS.K12.SL.1.2, TH.68.C.1.3, TH.68.C.1.5, TH.68.H.1.1, TH.68.H.1.2, TH.68.O.3.1, TH.912.C.1.3, TH.912.C.1.6, TH.912.C.1.8, TH.912.C.3.1, TH.912.C.3.3 INTERNET LINKS Palm Beach Shakespeare Festival http://www.pbshakespeare.org Adapted Shakespeare plays for kids http://kidsloveshakespeare.com/ Shakespeare Resource for Teachers http://www.nosweatshakespeare.com/teachers/