OTTO HAAS LE RETOUR DU PRINTEMS FEBRUARY 2011 1) ARNE, Thomas Augustine (1710-1778): Vocal Melody. Book I [and II]. An Entire New Collection of English Songs and a Cantata Compos d by M R. Arne, Sung by M r. Beard, M r. Lowe, and Miss Falkner, at Vaux-Hall, Ranelagh, and Marybon-Gardens. London: Printed for I. Walsh, [1746, ca. 1750]. Vocal score: 1 f. (title), 20 pp., 1 f. (title), pp. 21-42, folio, engraved. Modern quarter vellum with marbled boards. 420 RISM A 2008. BUC p. 47. Together with Samuel Howard s (1710-1782): The Musical Companion. A Collection of English Songs, Compos d by M r. Howard. Book IV. London: Printed for I. Walsh, [1754]. Vocal score: 1 f. (title), 21 pp. RISM H 7482. BUC p. 510.
2) BACH, Johann Sebastian (1685-1750): Exercices pour le Clavecin par J.S. Bach, Oeuvre III [BWV 552, 669-689]. à Vienne: chez Hoffmeister & Comp. / à Leipsic: au Bureau de Musique, [ca. 1815]. Score: 63 pp., oblong folio, engraved, plate number 307. Marbled boards, a little light browning. 350 Second edition of book 3 of Bach s Clavier-Übung. RISM B 490. 3) BEETHOVEN, Ludwig van (1770-1827): Deux Grandes Sonates pour le Clavecin ou Piano Forte avec un Violon Obligé ou Violoncelle, composes et dediées A la Majesté Frederic Guillaume II, Roi de Prusse etc. par Louis van Beethoven, Oeuv. 5. à Leipsic: au Bureau de Musique de C.F. Peters, [1803]. Parts: 43, 9, 9 pp., oblong folio, engraved, plate number 225. Stitched as issued, outer fold of piano part worn, light water-stain to lower outer corners of piano part, some light spotting. 725 Kinsky-Halm p. 14. Nachdruck, the first edition having appeared in 1797 under Artaria s imprint.
4) BRAHMS, Johannes (1833-1897): Fantasien für Pianoforte von Johannes Brahms, Op. 116. Erstes [and Zweites] Heft. Berlin: N. Simrock, 1892. Two volumes: folio, lithographed, plate numbers 9874 and 9875. Folded as issued in publisher s decorative wrappers, the edges worn and chipped, the second set also separated. 220 First edition. McCorkle p. 467. Hofmann pp. 244-245. Deutsch p. 263. 5) BREVAL, Jean Baptiste (1753-1823): Six Progressive Duets, for Violin & Violoncello, Composed by J.B. Breval, Op. 21. London: Printed by R. Cocks & Co., [ca. 1850]. Parts: 13, 13 pp., folio, engraved, plate number 830. Folded as issued, outer fold a little worn. Paper with the publisher s own watermark and with blind-stamp of 4th March 1884. Publisher s catalogue of Standard Violin and Pianoforte Music on verso of p. 13. 45 6) BROGIALDI, Tito (1833-1892): Solo concertante per Corno da esseguire avanti l Incarnatus, di Tito Brogialdi. [Italy: ca. 1875]. Full score: 26 ff., autograph manuscript, written in black ink on 20-stave paper, over 20 ff., comprising an extended and highly complex concerto for horn with orchestral accompaniment. Plain makeshift pink front wrapper a little worn. 450
7) BRUNI, Antonio Bartolomeo (1757-1821): Six Grands Duos Concertans Pour deux Violons, Composés et Dédiés à Mons r.dalinges par B. Bruni, Chef d Orchestre de l Opéra Buffa. 20 me. Livre de Duos. A Paris: chez Sieber fils, [1803]. Parts: 1 f. (title), 25, 25 pp., folio, engraved, plate number 269. Stitched as issued. With seller s label of P. Porro pasted over the imprint. 175 RISM B 4791 none in UK. 8) CHOPIN, Fryderyk Franciszek (1810-1849): Polonaise brillante, précédée d une Introduction pour Piano et Violoncelle ou Violon, F. Chopin, Oeuv: 3. à Mr Joseph Merk. Nta. La Partie de Violoncelle est arrangée par Mr. Franchomme. Paris: S. Richault, [ca. 1860]. Score and part: pp. 54-71, 3, 5 pp., folio, engraved, plate number 4360.R.(No.2). Folded as issued, edges dusty and worn and chipped in places, some foxing. 100 Brown no. 41. Not in Grabowski & Rink. Platzman p. 35. From the plates of Chopin s collected works edited by Tellefsen.
9) CLEMENTI, Muzio (1752-1832). Six Fugues pour le Clavecin, dédié a Madame de Sayn et Wittgenstein, Composé Par M. Clementi, Oeuvre V. A Paris: Chez M lles. Erard, [ca. 1801]. Score: 1 f. (title), 25 pp., engraved, oblong folio, publisher s number 18. As issued, outer fold reinforced with old cloth tape. 180 RISM C 2775 citing just one copy (in Switzerland). Not in BUC. Comprising six the fugues from Opp. 5 and 6. 10) CLEMENTI, Muzio (1752-1832): The following two oblong folio, engraved items, disbound, sewn together: Trois Sonates Pour le Forte-Piano ou le Clavecin, Avec Accompagnement d un Violon et Trois Fugues Pour le Clavecin, Dediées à Mlle. Melanie de Rochechouart, Composées Par MR. Clementi, Oeuvre V. À Paris: Chez Mr. Bailleux, [1781]. Score: 35 pp. With seller s label of Mlle. Castagnery pasted at the foot. First edition. RISM C 2760 6 copies (of which four also lack the non-essential violin part). BUC p. 198. Tyson p. 40. Trois Sonates pour Clavecin ou Piano-Forte, Composées par Muzio Clementi, Oeuvre 14e [i.e. Op. 13/4-6. Paris: Chez Imbault, [1787?]. Score: 1 f. (title/publisher s catalogue), 33 pp. Signed by Imbault. RISM C 2840 3 copies only, none in the UK. Not in BUC or BLIC. A later printing with additions of Johansson s facsimile no. 35 (French Music Publishers Catalogues). 350
11) CORELLI, Arcangelo (1653-1713): Correlli s [sic] Twelve Solos, for the Violin with an Accompaniment for the Violoncello, To which is added A Thorough Bass, for the Piano Forte or Harpsichord, Op. 5. London: Published by G. Walker, [inter 1812-1820]. Score: 1 f. (title), 66 pp., folio, engraved. Stitched as issued. Opening margins water-stained, final leaf torn and worn at lower inner corner. 45 RISM C 3838a citing one copy. 12) CORELLI, Arcangelo (1653-1713): New Edition of Corelli s Twelve Solos, for the Violin & Violoncello, with a Thorough Bass for the Piano Forte or Harpsichord, in which A simple method is adopted for facilitating the reading of the Tenor Clef by Muzio Clementi, Op. 5. London: Printed by Muzio Clementi & Co., [ca. 1815]. Score: 1 f. (title), 66 pp., folio, engraved. Disbound, sewn. With seller s label of Hume of Dublin pasted over the imprint. 75 Later issue of RISM C 3840. 13) CRAMER, Johann Baptist (1771-1858): Hibernian Air, Arranged as a Rondo for the Piano Forte with an Introductions, Composed & Dedicated to Miss Dalton by J.B. Cramer [Milligan 9.25]. London: Publish d by Goulding, D Almaine, Potter & Co., [1817]. Score: 1 f. (title), 6 pp., folio, engraved. Disbound, sewn. 50 First edition. Milligan p. 149. With a watermark date of 1816. 14) CRAMER, Johann Baptist (1771-1858): Cramer's Grand March, For the Piano Forte, with or Without the Additional Keys [Milligan 12.01]. London: Printed & Sold by Rt. Birchall, [1800]. Score: 7 pp., folio, engraved. Disbound, sewn, light brown stains at corners of the title-page. 50 First edition. Milligan p. 173. With a watermark date of 1800. Not in RISM or BUC. 15) CRAMER, Johann Baptist (1771-1858): Notturno Pour Le Piano-Forte avec accompt. d un Violon et Violoncello, Composé par J.B. Cramer [Milligan 8.01]. à Viene [sic]: chez Artaria et Comp., [1807]. Parts: 11, 2, 2 pp., oblong folio, engraved, plate number 1919. Folded as issued. 140 Parallel first edition. Milligan p. 123.
16) CRAMER, Johann Baptist (1771-1858): Le Retour du Printems. A New Divertimento for the Piano Forte, in which is Introduced a 2 D. Grand March: Composed & Dedicated to the Hon ble. Miss Vernon by J.B. Cramer [Milligan 7.06]. London: Printed for the Author, [1805, wm 1801]. Score: 1 f. (title), 12 pp., oblong folio, engraved. Disbound, sewn. 90 First edition. Milligan p. 107. 17) DONIZETTI, Gaetano (1797-1840): Linda di Chamounix. Opéra Italien, Musique de Donizetti. Paris: Schonenberger, [ca. 1840]. Vocal score: 2 ff. (title, index), 249 pp., engraved, octavo, quarter cloth with plain boards, original front pink wrapper trimmed decoratively and laid down. 750 First performed in Vienna on 19 May 1824 and in London on 1 June 1843. With the ownership signature of John Ella and with his performance markings including two sheets of manuscript of vocal parts loosely inserted in places where crossings out have been made to the text, possibly in adaptation for a performance in London. 18) DUSSEK, Jan Ladislav (1760-1812): Three Sonatas, for the Piano-Forte. With an Accompaniment for a Violin, Composed & Dedicated to M rs. Cosway, By M R. Dussek, Op. 12. London: Printed & Sold by G. Walker, [wm 1821]. Piano part: 1 f. (title), 37 pp., folio, engraved. Disbound, sewn. Decoratively rectangular bordered title-page. 75 RISM D 4180. 19) [FLUTE]: Six volumes in one, oblong 8vo, engraved, half leather, lacking front board, some upper edges shaved close to text with occasional loss of heading or pagination. 800 SHIELD, William (1748-1829): Marian. A favorite Opera Performed at the Theatre Royal Covent Garden. Adapted for the German Flute. The Music Composed and Selected by Mr. Shield. London: printed by Longman and Broderip, [1788]. 1 f. (title), 46 pp., lacking pp. 47/48, engraved. Seller s label of Hawthorn s Music Shop. RISM S 3056 2 copies only. BUC p. 946 1 copy only (BL). STORACE, Stephen (1762-1796): The Pirates, an Opera, Performed at the theatre Royal Drury Lane, Adapted for the German Flute, Composed by Stephen Storace. London: Printed for & Sold by J. Dale, [1792]. 1 f. (title), 43 pp., engraved. RISM S 6815 and BUC p. 984 1 copy only (BL). GRETRY, André-Ernest-Modeste (1741-1813): Richard Coeur de Lion for the Violin or German-Flute, as performed at the Theatre Royal in Drury Lane, The Music by Mons r. Gretry, adapted to the English Words by M R. Linley. London: Printed for S.A. & P.
Thompson, [1786?]. 1 f. (title), 24 pp., engraved. Not in RISM. BUC p. 404 1 copy only (BL). SHIELD, William (1748-1829): Hartford bridge or the Skirts of a Camp, an Operatic Farce Performed at the Theatre Royal Covent Garden. Adapted for the German Flute. Selected and Composed by William Shield. London: Printed by Longman and Broderip, [1792]. 1 f. (title), 40 pp., engraved. RISM S 2998 4 copies only. BUC p. 945 1 copy only (D). JACKSON, William (1748-1829): The Lord of the Manor, a Comic Opera as Performed at the Theatre Royal Drury Lane; Composed by William Jackson of Exeter. Adapted for the German-Flute. London: Printed & sold by John Preston, [1781?]. 2 f. (title, contents), 30 pp., engraved. Not in RISM, BUC or BLIC. SHIELD, William (1748-1829): The Woodman. A Comic Opera, Adapted for the German Flute. The Music Composed chiefly by W m. Shield. London: Printed by Longman and Broderip, [1791?]. 83, [i] pp., engraved. Not in RISM, BUC or BLIC. 20) GEMINIANI, Francesco (1687-1762): Concerti Grossi Con Due Violini, Viola e Violoncello di Concertini, e Due altri Violini e Basso di Concerto Grosso da Francesco Geminiani, Opera Terza. London: Printed for I. Walsh, [ca. 1735]. Set of parts lacking the cello of the concertino. Disbound, sewn individually, engraved. 550 RISM GG1467. BUC p. 367. 21) GEMINIANI, Francesco (1687-1762): Concerti Grossi Con due Violini, Viola e Violoncello di Concertini Obligati e due altri Violini e Basso di Concerto Grosso. Quali Contengono Preludii, Allemande, Correnti, Gigue, Sarabande, Gavotte e Follia, Composti della Seconda Parte del Opera Quinta d Arcangelo Corelli per Francesco Geminiani. London: Printed for John Johnson, [ca. 1770]. Set of parts lacking the second violin of the concertino. Disbound, sewn individually, engraved. 650 RISM GG1526a (one copy only (in Russia), being a set of just six of the parts). Not in BUC. 22) GIORNOVICHI, Giovanni Mane (1747-1804): III. Concerto a Violon Principal, Premier et Second Violons Alto et Basse, deux haubois deux Cors adlibitum [sic], Composés par M r Giornovichi. A Paris: Chez le S r Sieber, [1776]. Set of parts without solo violin: 5, 5, 3, 3, 3, 3, 1, 1 pp., engraved. Stitched in original makeshift wrappers, lower margins a little water-stained. With early ownership signature dated 1776 from the year of composition. 250 RISM G 2345 a few copies several of which being the solo part only. Not in BUC or BLIC.
23) HAYDN, Franz Joseph (1732-1809): Three Quartettos, For Two Violins, Viola, & Violoncello, with a Thorough Bass, Composed by Joseph Haydn, Chapel Master to his Highness the Prince of Esterhazy, Op. XXXIII [Hob.XIII/41, 38, 37]. London: Printed and sold by Will m. Foster, [wm 1811]. Set of parts: 13, 13, 9, 9 pp., folio, engraved, plate number 47. Stitched in makeshift wrappers, the insides containing elevations and cross sections for the building of a railway line in London. Decorative roundel title-pages, the one to the viola part coloured in. 175 RISM H 3480. [Hirsch III.284.] BUC p. 465. 24) HELY-HUTCHINSON, Victor (1901-1947): More Ruthless Rhymes for Heartless Homes. Words by Harry Graham. Music by Victor Hely-Hutchinson. [London]: autograph manuscript, [ca. 1945]. Full score: [39] ff. Cloth, upper and lower edges bumped and worn, gilt lettering to front cover. With the stamp of the publisher Elkin & Co. at the foot of the title-page who published the work in 1945. 2,000 Autograph manuscript, written in black ink, of 20 rhymes, set for flute, oboe, clarinet, bassoon and strings. In 1922 he was appointed lecturer in music at the South African College of Music, which later became incorporated into the University of Cape Town. He returned to England in 1926 to join the staff of the BBC, first in London and then, from 1933, in Birmingham as Midland Regional Director of Music. In the following year he succeeded
Bantock as professor of music at Birmingham University. In 1940 he was given special dispensation to take the degree of DMus at Oxford without first taking a BA; the favourable circumstance of his first appointment had prompted him to leave the university without completing the music course. He returned to London in 1944 to become director of music at the BBC, in which post he remained until his death He was perhaps best known for his adroit and amusing settings of nonsense verse by Edward Lear and Lewis Carroll. (Grove Online). 25) HERZ, Henri (1803-1888): Herz s Brilliant Variations on Weber s last Waltz, for Two Performers on the Piano Forte [Op. 51]. London: Printed & Sold by Paine & Hopkins, [ca. 1830]. Score: 1 f. (title), 23 pp., folio, engraved. Folded as issued, nice copy. Ownership signature of Miss Cornewall. 40 Not in BLIC. 26) KAMMELL, Antonin (1730-ca. 1787): Six Divertimentos for the Harpsichord or Piano-Forte, Most humbly Dedicated to Lady Banks by Antonio Kammell. [Op. 17]. London: Printed & sold by J. Preston, [1793?]. Score: 1 f. (title), 13 pp., oblong folio, engraved. Disbound, sewn. P. 1 with a catalogue of New Music published by John Preston. 240 RISM K 162 citing just one copy. BUC p. 564. 27) KOZELUCH, Leopold (1747-1818): Three Favorite Sonatas, for the Harpsichord, With an accompaniment for the Violin, Compos d by SigR. Kozeluch, Opera 2nd [Poštolka XII/8-10]. London: Printed & Sold by J. Cooper, [inter 1787-1795]. Piano part: 37 pp., folio, engraved. Disbound, sewn. With the ownership signature of L.J. Walpole. 280 RISM K 1633 citing just one copy (in the US) although the title given includes Piano Forte as well as harpsichord. Not in BUC or BLIC. An arrangement of the keyboard sonatas (Poštolka XII/8-10).
28) LANNER, Joseph (1801-1843): Aeskulap-Walzer, für das Piano-Forte zu vier Händen von Joseph lanner, 113tes. Werk. Wien: bei Pietro Mechetti qm Carlo, [1837]. Score: 15 pp., oblong folio, engraved, plate number 2810. Disbound, sewn, title a little dusty. 60 First edition of this arrangement. This arrangement not in BLIC. 29 ) LATOUR, Francis Tatton (1766?-1837): Polly put the kettle on. A Favorite Air, Arranged as a Rondo for the Piano Forte By T. Latour. London: Printed & sold at Bland & Wellers Music Warehouse, [wm1806]. Score: 3 pp., folio, engraved, drop title. Disbound. 50 Not in RISM. 30) LEAR, Edward (1812-1888): Poems and Songs, by Alfred Tennyson, Set to Music, and Inscribed to M rs. Alfred Tennyson by Edward Lear. No. 1, Edward Gray; No. 2, A Farewell; No. 3, Tears, idle tears ; No. 4, Sweet and low, sweet and low. London: Published for the Composer, by Cramer, Beale & Co., [1859]. Scores for voice and piano: each 1 f. (title, 5 pp., folio, engraved, plate numbers A.1102-1105. Sewn as issued, some worn around the sewing and outer fold, edges of title of no. 1 dusty. 180 31) MENDELSSOHN-BARTHOLDY, Felix (1809-1847): Concert für das Piano-Forte mit Begleitung des Orchesters, componirt und Fraülein Delphine von Shauroth zugeeignet von Felix Mendelssohn-Bartholdy, 25 tes Werk. Für Pianoforte allein. Leipzig: bei Breitkopf & Härtel, [ca. 1845]. Piano part: 31 pp., folio, engraved, plate number 5425. Folded as issued, title a little dusty otherwise an unused copy. 90 Later issue form the first edition plates. 32) MOSCHELES, Ignaz (1794-1870): Deux Etudes pour le Piano par J. Moscheles. Paris: chez M. Schlesinger, [1841]. Score: 11 pp., folio, engraved, plate number P.M.No.3606. Disbound, sewn. Decoratively bordered title-page. 65 The plates from Mechetti s Album-Beethoven. 33) MOULDS, John: Three Favorite Sonatas for the Harpsichord or Piano Forte, with an Accompanyment for a Violin, Composed by John Moulds, Op. X. London: Printed for G. Goulding, [1788]. Score: 1 f. (title), 10 pp., folio, engraved. Disbound, sewn, title dusty. 150 RISM M 3930 and BUC p. 698 citing the same single copy.
34) MOZART, Wolfgang Amadeus (1756-1791): Trois Quatuors concertants Pour Deux Violons Alto et Basse, Composés Par W.A. Mozart, Oeuvre XVIII. 1 partie [KV 590, 589, 575] [and] 1 partie. A Paris: Chéz le S r Sieber Musicien, [1793?]. Set of parts: 1 f. (title), 15, 15, 15, 13, [i] (title), 17, 17, 15, 11 pp., folio, engraved, plate number 1228. Disbound. Signed by Sieber; a good clean set, seemingly unused. 750 RISM M 6186. BUC p. 79. Part 2 unidentified and not listed in RISM. 35) MOZART, Wolfgang Amadeus (1756-1791): A Favorite Sonata, Composed by A. Mozart, adapted for the Piano Forte, with an Accompaniment for a Violin, By P.A. Kreusser, Op. V [KV 19d]. London: Published & Sold by the Editor, [wm 1800]. Score: 6 pp., folio, engraved. Disbound. Early ownership signature dated February 28 th 1801. 45 Not in RISM which records Op. IV of Kreüsser s arrangements. Comprising the first movement only of KV 19d although the British Library records a copy of this work dated wm1801 with 15 pp. Signed by Peter Anton Kreüsser (b. 1772) at the foot of the title. 36) MOZART, Wolfgang Amadeus (1756-1791): Due Duetti per Violino e Viola del Sigr. W.A. Mozart, 3 me. Livraison, Opera 25 [KV 423, 424]. à Vienne: chèz Artaria et Comp., [1792?]. Parts: 12, 11 pp., folio, engraved, plate number 394. Disbound, outer fold with paper reinforcement. 800 Later issue of the first edition with the addition of lower corner paginations of 180-190 and 148-157. RISM M 6267. BUC p. 710. Köchel pp. 461-462.
37) OSWALD, Henrique (1852-1931): Concerto per pianoforte, Riduzione per 2 Pianoforti, [Op. 10]. [Florence]: autograph manuscript, 7 aprile 1892. Piano part with accompaniment of orchestral reduction for second piano: 34 ff.. Autograph manuscript, in black ink with pencilled rehearsal letterings, on 12-stave paper, in plain wrappers with autograph titling, cloth backstrip. 450 Grove suggests the dating of this work to be c.1888. Dedicated to his teacher and friend Giuseppe Buonamici. Oswald was a Brazilian composer of Swiss descent who lived in Florence for many years and studied piano with Buonamici and compositions with Maglioni; he was made vice-consul by the government for over fifteen years at le Havre and Genoa. 38) RIES, Ferdinand (1784-1838): Variations pour le Piano Forte sur une ballade Ecossoise favourite composées par Ferd. Ries, Op. 101, No. 2. Bonn et Cologne: chez N. Simrock, [1822]. Score: 1 f. (title), 9 pp., folio, engraved, plate number 2093. Disbound, sewn. Small piece of card attached to outer margin of title, some ink manuscript annotations. 75 This imprint not in BLIC. 39) ROSSINI, Gioachino (1792-1868): Oysters Sir, Written expressly for & sung by Miss Graddon, also sung by Miss Poole, Composed by Signor Rossini. [ Many a knight and lady gay ]. London: Printed by W. Wybrow, [wm 1827]. Score: 1 f. (title), 5 pp., folio, engraved. Disbound, pages separated. Pictorial title-page of a young lady opening oysters, lithographed and set in an oval. 45 Fourth edition. The words by S. Wilkinson. Designed by Sidney Waller. The Symphonies and Accompaniment by L. Jansen. The tune being Scendi nel piccolo legno from Rossini s La Donna del Lago.
40) SPOHR, Louis (1784-1859): Grand Nonetto pour Violon, Alto, Violoncelle, Contrabasse, Flûte, Hautbois, Clarinette, Bassoon et Cor, par L. Spohr, Oeuvre 31. À Vienne: chez S.A. Steiner et Comp., [1818]. Parts: 10, 8, 8, 8, 8, 8, 8, 8, 5 pp., folio, engraved, plate number S.etC.2700. Individual parts with old green paper backstrips, violin part in plain green wrapper with label, all preserved in a folder with three ties. Ownership stamp of W. Speyer. 325 First edition. Göthel p. 53. Hirsch M. 1214. 41) STEIBELT, Daniel Gottlieb (1765-1823): Three Sonatas for the Piano Forte with an Accompaniment for a Violin ad libitum. Composed & Dedicated to Miss Maria Read by D. Steibelt, Op. 37. London: Printed by Goulding Phipps & D Almaine, [1799]. Piano part only: 31 pp., folio, engraved. Disbound, sewn. Early ownership inscription dated 1802. Decoratively bordered title-page with foliage, instruments, basket of flowers and a fountain. 150 RISM S 5014. BUC p. 976. With Domenico Corri s variations, 4 pp., on My ain kind dearie bound at the end. 42) STRAUSS, Johann (1804-1849): Der unzusammenhängende Zuammenhang. Potpourri für das Piano-Forte von Johann Strauss, 25 tes Werk. Wien: bei Tobias Haslinger, [1830?]. Score: 1 f. (title), 17 pp., oblong folio, engraved, plate number T.H.5441. Disbound, sewn, some light marginal browning. 65 First edition. 43) STRAUSS, Johann (1804-1849): Zampa-Walzer für das Piano Forte von Johann Strauss, 57 tes Werk. Wien: bei Tobias Haslinger, [1832]. Score: 11 pp., oblong folio, engraved, plate number T.H.6063. Disbound, sewn, some foxing. Tunes selected from Hérold s opera of Zampa. 55 First edition. Hirsch M.564.(18.).
44) STRAUSS, Johann (1804-1849): Krönungs-Walzer für das Piano-Forte von Johann Strauss, 91 tes Werk. Wien: bei Tobias Haslinger, [1837]. Score: 10 pp., oblong folio, engraved, plate number T.H.7061. Disbound, sewn. Charming title vignette of a crown surrounded by clouds. 75 First edition. Hirsch M.563.(1.). 45) STRAVINSKY, Igor (1882-1971): Histoire du Soldat, lue, jouée et dansée, en deux parties. Texte de C.F. Ramuz. London: J. & W. Chester, [1924]. Keyboard score: 4 ff., 61 pp., quarto, plate number J.&W.C.9712, publisher s printed wrappers, front hinge and backstrip worn. First edition. 350 46) STRAVINSKY, Igor (1882-1971): Elegy for J.F.K., Baritone Solo. [London]: Boosey & Hawkes, [1964]. Score: 4 pp., folio, plate number B.&H.19267, sewn in publisher s printed wrappers. Text by W.H. Auden. First edition, first issue. 50 47) STRAVINSKY, Igor (1882-1971): Trois Poésies de la Lyrique Japonaise, pour Chant (soprano), deux flutes (la 2de pet. fl.), deux clarinettes (la 2de cl. bas.), piano, deux violins, alto et violoncello. Transcription pour chant et piano par l auteur. Texte français de Maurice Delage. English Text by Robert Burness. Berlin, Moscou, etc.: Edition Russe de Musique, [1913]. Score: 10 pp., folio, plate number R.M.V.199.356, folded as issued in publisher s printed wrappers. Russian, French and English text. White 17 (p. 180). 150 48) STRAVINSKY, Igor (1882-1971): L Oiseau de Feu. Conte dansé en 2 tableaux. Composé d après le conte national russe par M. Fokine. Musique de Igor Strawinsky. Piano à 2 mains. Moscou, Leipzig: P. Jurgenson, [1910]. Score: 1 f. (title), 70 pp., folio, plate numbers 34903-34919, brown cloth with publisher s printed wrappers bound in, a gathering detached. Pencilled bar numberings throughout in the hand of Granville Bantock, a previous owner. First edition, second issue. Fuld p. 142. 1,100
49) STRAVINSKY, Igor (1882-1971): Eight autograph musical sketches and fragments, including from: 1) Danses Concertantes, comprising seven bars notated in pencil for bass and violin, on two staves, on two staves, on a bifolium of music written by Sol Babitz (including from Beethoven s quartet Op. 18 no. 2), 3 pp., folio 2) Threni, comprising two bars notated in pencil on three staves marked [quaver] = 180, annotated by Babitz in ink ( Threni id est lam[e]ntation[e]s Jeremiae Prophet[ae], 1 p., quarto. 3) two autograph tone rows, signed ( IStr ), notated in blue and black ink, with alterations, on printed note-paper, 2 pp., 16mo, cut from larger leaves, with an explanatory note by Babitz (... original & inversion of 12-tone Row. In conjunction with discussion of Kennedy Ode & Abraham March 23 1965 Sol Babitz ). 4) autograph manuscript of 3 chords notated in pencil on hand-drawn staves, illustrating harmonic progressions, 1 p., octavo, with another pencil sketch apparently inked over by Babitz. 2,950 50) THALBERG, Sigismond (1812-1871): Grande Fantaisie pour le Piano sur la Sérénade et le Menuet de Don Juan arrange à quatre mains par Ch. Czerny, composée par S. Thalberg, Op. 42. Mayence: chez les fils de B. Schott, [1842]. Score: 1 f. (title), 31 pp., folio, engraved, plate number 6732. Stitched in printed yellow decorative wrappers, outer edges a trifle bumped. Annotated with an ownership marking Bought at Vienna July 1842. 80 First edition. 51) [WILLIAMS, Benjamin]. Williams s Scrap Book, being a selection of the most popular airs, marches, waltzes, &c., Including Airs from the last New Operas, Arranged in an easy and pleasing style for the flute, violin or key [i.e. Kent] bugle. No. 45. London: Published by B. Williams, [ca. 1835]. Score: [12] pp., engraved, oblong 12mo. Sewn in printed yellow wrappers with index to vol. VII, being nos 860-869 of an ongoing publication. 40 List compiled by Colin Coleman