Acrostic - a short verse composition, so constructed that the initial letters of the lines, taken consecutively, form words.

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FORM Acrostic - a short verse composition, so constructed that the initial letters of the lines, taken consecutively, form words. Ballad song hits, folk music, and folktales or any song that tells a story are loosely called ballads. In more exact literary terminology, a ballad is a narrative poem consisting of quatrains of iambic tetrameter alternating with iambic trimeter. Common traits of the ballad are that (a) the beginning is often abrupt, (b) the story is told through dialogue and action (c) the language is simple or "folksy," (d) the theme is often tragic--though comic ballads do exist, and (e) the ballad contains a refrain repeated several times. Ballad rhyme often uses four-line stanzas, with common rhyming patterns being AABB or ABAB. Stanzas can have four, six, eight or even a dozen lines, depending on the intent of the writer, how he/she wishes to express him/herself, and where the expressive emphasis lies. Biopoem - a collection of vivid details about a character s life, personality traits, aspirations; a portrait in words; it does have a specific structure*** Blank verse (also called unrhymed iambic pentameter) unrhymed lines of ten syllables each with the even-numbered syllables bearing the accents. Blank verse has been called the most "natural" verse form for dramatic works, since it supposedly is the verse form most close to natural rhythms of English speech, and it has been the primary verse form of English drama and narrative poetry since the mid-sixteenth Century. Such verse is blank in rhyme only; it usually has a definite meter. (Variations in this meter may appear occasionally). Cinquain a five line poem containing a total of 22 syllables on five lines. Line 1 has two syllables, line 2 has four syllables, line 3 has six syllables, line 4 has eight syllables, and line 5 has two syllables. Concrete the words are arranged to create a physical shape (picture poetry) or the lines are arranged to create a clue to the subject/content of the poem. Couplet is a stanza of two lines, usually rhyming. Example: When Macbeth decides to participate in the murder, he responds in a couplet, "Away, and mock the time with fairest show: False face must hide what the false heart doth know." Dramatic monologue takes the form of speaker addressing an unseen, silent audience of one or more people. The speaker reveals his or her innermost thoughts about a dramatic moment or personal ordeal. Found a poem created from words selected from public communications (newspapers, magazines, menus, signs) and then rearranged into lines and stanzas. Free verse poetry based on the natural rhythms of phrases and normal pauses rather than the artificial constraints of metrical feet. It often involved the counterpoint of stressed and unstressed Stephenville High School

syllables in unpredictable but clever ways. Its origins are obscure. Free verse poetry does not have any rhyme and it sounds like someone is talking with you; it is very conversational. Haiku a Japanese poem consisting of three lines. Line 1 has five syllables, line 2 has seven syllables, and line 3 has five syllables. Iambic Pentameter a metrical pattern in poetry which consists of five iambic feet per line. An iamb, or iambic foot, consists of one unstressed syllable followed by a stressed syllable. Example: Most of Shakespeare s plays and his sonnets were in iambic pentameter Limerick - a simple, funny five-line nonsense tale told with a special beat and rhyming pattern. Lines 1, 2, & 5 have eight or nine syllables and rhyme; lines 3 & 4 have six or seven syllables and rhyme. Rhyme Scheme: A A B B A Monologue - a composition by a single individual, more specifically a speech given by a single individual in a drama; it has no set length, although it is usually longer than 4 or 5 lines Sonnet a fourteen line poem, usually written in iambic pentameter with a rhyme scheme that varies depending on the type. 1. Elizabethan Sonnet also known as the Shakespearean Sonnet. It uses three quatrains; each rhymed differently, with a final, independently rhymed couplet that makes an effective, unifying climax to the whole. Its rhyme scheme is abab, cdcd, efef, gg. Typically, the final two lines follow a "turn" or a "volta," (sometimes spelled volte, like volte-face) because they reverse, undercut, or turn from the original line of thought to take the idea in a new direction. 2. Italian Sonnet also known as the Petrarchan Sonnet. It has an eight line stanza (called an octave) followed by a six line stanza (called a sestet). The octave has two quatrains rhyming abba, abba, the first of which presents the theme, the second further develops it. In the sestet, the first three lines reflect on or exemplify the theme, while the last three bring the poem to a unified end. Usually, the octave presents a problem and the sestet presents a solution. The sestet may be arranged cdecde (most common), cdcdcd, or cdedce. Villanelle poetry consisting of nineteen lines--five tercets and a concluding quatrain. The form requires that whole lines be repeated in a specific order, and that only two rhyming sounds occur in the course of the poem. Rhyme Scheme: ABA ABA ABA ABA ABA ABAA Near rhyme an imperfect rhyme, not an exact rhyme Stephenville High School

Octave is a poem or stanza composed of eight lines. The term octave most often represents the first eight lines of a Petrarchan sonnet. Quatrain is a four-line stanza which may be rhymed or unrhymed. A common quatrain is a heroic quatrain is a four line stanza rhymed abab. Refrain is a phrase repeated at intervals throughout a poem. A refrain may appear at the end of each stanza or at less regular intervals. It may be altered slightly at each appearance. Some refrains are nonsense expressions that seem to take on a different significance with each use. Example: In Lady of Shalott, the refrain is the "Lady of Shalott". Repetition - when words or key phrases (such as a chorus/refrain) are repeated for emphasis and meaning Rhyme - words sound alike because they share the same ending vowel and consonant sounds Rhyme Scheme is the pattern of rhyme used in a poem, generally indicated by matching lowercase letters to show which lines rhyme. The letter "a" notes the first line, and all other lines rhyming with the first line. The first line that does not rhyme with the first, or "a" line, and all others that rhyme with this line, is noted by the letter "b", and so on. The rhyme scheme may follow a fixed pattern (as in a sonnet) or may be arranged freely according to the poet's requirements. The use of a scheme, or pattern, came about before poems were written down; when they were passed along in song or oral poetry. Since many of these poems were long, telling of great heroes, battles, and other important cultural events, the rhyme scheme helped with memorization. A rhyme scheme also helps give a verse movement, providing a break before changing thoughts. Rhythm are recurrences of stressed and unstressed syllables at equal intervals, similar to meter. However, though two lines may be of the same meter, the rhythms of the lines may be different. This is because while the meter of a line is identified by the pattern within each foot, the rhythm is accounted for by larger units than individual feet. The beat created by the sounds of the words in a poem and can be created by meter, rhyme, alliteration, and refrain. Sestet is any six-line poem or stanza. Stanza is a major subdivision in a poem. A stanza of two lines is called a couplet; a stanza of three lines is called a tercet; a stanza of four lines is called a quatrain. Triplet a three line stanza Stephenville High School

TYPE Elegy (in classical Greco-Roman literature) refers to any poem written in elegiac meter (alternating hexameter and pentameter lines). More broadly, elegy came to mean any poem dealing with the subject-matter common to the early Greco-Roman elegies--complaints about love, sustained formal lamentation, or somber meditations. The poem tends to be longer than a lyric but not as long as an epic and is not plot-driven. Epic a poem that is (a) a long narrative about a serious subject, (b) told in an elevated style of language, (c) focused on the exploits of a hero or demi-god who represents the cultural values of a race, nation, or religious group (d) in which the hero's success or failure will determine the fate of that people or nation. Usually, the epic has (e) a vast setting, and covers a wide geographic area, (f) it contains superhuman feats of strength or military prowess, and gods or supernatural beings frequently take part in the action. The poem begins with (g) the invocation of a muse to inspire the poet and, (h) the narrative starts in medias res (starting a story at midway through and then recapping (i) The epic contains long catalogs of heroes or important characters, focusing on highborn kings and great warriors rather than peasants and commoners. Lyric short poem (usually no more than 50-60 lines, and often only a dozen lines long) written in a repeating stanzaic form, often designed to be set to music. Unlike a ballad, the lyric usually does not have a plot (i.e., it might not tell a complete story), but it rather expresses the feelings, perceptions, and thoughts of a single poetic speaker (not necessarily the poet) in an intensely personal, emotional, or subjective manner. Often, there is no chronology of events in the lyrics, but rather objects, situations, or the subject is written about in a "lyric moment." Sometimes, the reader can infer an implicit narrative element in lyrics, but it is rare for the lyric to proceed in the straightforward, chronological "telling" common in fictional prose. However, this chain of events is not explicitly a center of plot or extended struggle between protagonist and antagonist. Instead it triggers a moment of contemplation and appreciation. Narrative are told from a defined point of view, often the poet s, so there is feeling as well as specific and often sensory details provided to get the reader involved in the elements of the poem. They are generally longer than the lyric styles of poetry because the poet needs to establish characters and a plot. Ode a poem in praise of something divine or expressing some noble idea. Parody is a literary work that imitates the style of another literary work. A parody can be simply amusing or it can be mocking in tone. It is usually humorous and exaggerated. Example: Lancelot On A Bicycle is a parody of Lady of Shalott. Pastoral Poems which give an idealized picture of country life, showing it to be peaceful, simple, pure and happy. Stephenville High School

LITERARY DEVICE Alliteration is the repetition of consonant sounds at the beginning of a word, to intensify the beat. Example: sweet smell of success, do or die, safe and sound Assonance is the repetition of vowel sounds but not consonant sounds as in consonance in a literary work. Example: "As asses are." From Iago in Othello is an example of assonance Cacophony is the term in poetry refers to the use of words that combine sharp, harsh, hissing, or unmelodious sounds. They are often difficult to speak aloud. It is the opposite of euphony. Example: finger of birth-strangled babe. Consonance is the repetition of consonant sounds, but not vowels, as in assonance. It is similar to alliteration except that the repeated sounds can appear anywhere in the words. Example: lady lounges lazily; dark deep dread crept in; silken, sad, uncertain, rustling End rhyme a word at the end of one line rhymes with a word at the end of another line Euphemism the substitution of a mild or less negative word or phrase for a harsh or blunt one. The basic psychology of euphemistic language is the desire to put something bad or embarrassing in a positive (or at least neutral light). Thus many terms referring to death, sex, crime, and excremental functions are euphemisms. Since the euphemism is often chosen to disguise something horrifying, it can be exploited. Example: saying pass away instead of die Euphony is attempting to group words together harmoniously, so that the consonants permit an easy and pleasing flow of sound when spoken, as opposed to cacophony. Example: "O star (the fairest one in sight)" Imagery is a word or group of words in a literary work which appeal to one or more of the senses: sight (visual imagery), taste, touch, hearing (auditory imagery), and smell (olfactory imagery). The use of images serves to intensify the impact of the work. Example: Throughout the play of Macbeth, Shakespeare effectively uses blood imagery to create suspense and horror. Blood imagery is also used to describe murder, treason, and death. Internal rhyme - a word inside a line rhymes with another word on the same line Meter is when a rhythmic pattern of stresses recurs in a poem. Metrical patterns are determined by the type and number of feet in a line of verse by combining the name of a line Stephenville High School

length with the name of a foot concisely describes the meter of the line. Rising meter refers to metrical feet which move from unstressed to stressed sounds, such as the iambic foot and the anapestic foot. Falling meter refers to metrical feet which move from stressed to unstressed sounds, such as the trochaic foot and the dactylic foot. Onomatopoeia is a literary device wherein the sound of a word echoes the sound it represents. Example: crunch, drip, boom Stephenville High School

FIGURATIVE LANGUAGE Allegory describes any writing in verse or prose that has a double meaning. This narrative acts as an extended metaphor in which persons, abstract ideas, or events represent not only themselves on the literal level, but they also stand for something else on the symbolic level. An allegorical reading usually involves moral or spiritual concepts that may be more significant than the actual, literal events described in a narrative. Typically, an allegory involves the interaction of multiple symbols, which together create a moral, spiritual, or even political meaning. Authors often use allegories to present a moral to the reader, or discuss issues that would normally be hard to write about because of its content. Example: An allegory for Huckleberry Finn (Twain) could be anti-slavery. Allusion is a reference to another work of literature within writing. An allusion will not always be recognized unless the reader is familiar with the referenced piece. Allusions imply reading and cultural experiences shared by the writer and reader, functioning as a kind of shorthand whereby the recalling of something outside the work supplies an emotional or intellectual context. Example: In Othello, Othello's allusion to Prometheus explains his wish to put out Desdemona's light in order to restore her former innocence. Anachronism something out of its place in time or history. Example: Creon riding a motorcycle. Analogy is the comparison of two pairs which have the same relationship. The key is to ascertain the relationship between the first so you can choose the correct second pair. Part to whole, opposites, results of are types of relationships you should find. Example: In Huckleberry Finn, when Jim doesn t understand why in France people don t speak English, Huck compares it to the fact that cows cats don t talk the same. Apostrophe not to be confused with the punctuation mark, apostrophe is the act of addressing some abstraction or personification that is not physically present. Example: Death be not proud. Archetype a term used to describe universal symbols that evoke deep and sometimes unconscious responses in a reader. In literature, characters, images, and themes that symbolically embody universal meanings and basic human experiences, regardless of when or where they live, are considered archetypes. Common literary archetypes include stories of quests, initiations, scapegoats, descents to the underworld, and ascents to heaven. There are also two other meanings: 1) the original pattern, or model, from which all other things of the same thing are made; prototype and 2) a perfect example of a type or group. Example: In Othello, many have said Iago is the archetype of evil. Stephenville High School

Extended Metaphor occurs when the same metaphor is continued over several lines or through the entire piece. Example: In Othello, Iago and Roderigo s interaction has an extended metaphor of money (meaning patience and strength) over several lines. Extended Simile occurs when the same simile is continued over several lines or through the entire piece. Example: In Lawrence Ferlinghetti s poem Constantly Risking Absurdity and Death, he begins his comparison with the simile the poet like an acrobat. Hyperbole is an exaggeration or overstatement. Example: I ve told you a million times. Implied metaphor - the comparison is hinted at but not clearly stated Ex: the poison sacs of the town began to manufacture venom, and the town swelled and puffed with the pressure of it Juxtaposition placing things side by side for the purposes of comparison. Comparison of things or ideas. Authors often use juxtaposition of ideas or examples in order to make a point. Example: An author might juxtapose the average day of a typical Canadian with that of someone in the third world in order to make a point of social commentary. Litotes - understatement; basically the opposite of hyperbole and it is often ironic Example: calling a slow moving person Speedy Metaphor invokes a comparison between two things: one is usually the subject at hand, and the other is something associated with it. The comparison is not stated directly but implied (no use of like or as. The purpose of the association is to use some qualities of the distant 'something' to illuminate and unsuspected quality of the subject at hand. There are several varieties of metaphor like: noun metaphor, verb metaphor, implied metaphor, extended metaphor, and prepositional metaphor. Example: He is a pig or Love is a roller coaster. Metonomy The use of one thing to refer to what it stands for. Example: The pen is mightier than the sword. Oxymoron is a combination of contradictory terms. Example: In Romeo and Juliet, "O brawling love! O loving hate!" are examples of oxymorons. Stephenville High School

Paradox is a situation or a statement that seems to contradict itself, but on closer inspection, does not. Example: Paradoxes are often given by the witches in Macbeth in their fortunes and speeches. The witches say that, "fair is foul and foul is fair." This is obviously a paradox but proves to be true by the end of the play as many of the fair predictions of the witches turn foul for Macbeth. Personification is a figure of speech in which something nonhuman is given human characteristics. Example: The wind sang in the eaves. Pun is a play on words wherein a word is used to convey two meanings at the same time. Example: It was a terrible summer for Humpty Dumpty, but he had a great fall. Simile is a figure of speech that takes the form of a comparison between two unlike quantities for which a basis for comparison can be found, and which uses the words "like" or "as". Example: Shakespeare s "My love is like a red, red rose " Symbol - an object, person, or event that functions as itself, but also stands for something else Symbolism is a device in literature where an object represents an idea. Example: In Macbeth, blood represents guilt. Synecdoche The use of part of a thing to refer to represent the whole thing. Example: All hands on deck or Ten dollars a head. Title (significance) is how the title relates to the work and what new insights can be gained into the work when one considers the title. Example: If a work is named "Shadows", then you would search for use of light and dark in the piece because they would help you gain insight.