KENDOR PLAYGROUND STRING ORCHESTRA SERIES. INSTRUMENTATION Nancy Felberbaum, Director FOR. 5-Viola PREVIEW

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KENDOR LAYGROUND STRING ORCHESTRA SERIES ULL SCORE Written or the 2016-17 inewood Elementary -5th Grade Orchestra, Mohonasen School District, Rotterdam NY, INSTRUMENTATION Nancy elberbaum, Director Accent On OR 1-ull Score 8-1st Violin 8-2nd Violin 3-3rd Violin (Viola TC) The Classics 5-Viola REVIEW 5-Cello GRADE 1+ DURATION 2:55 5-ass 1-iano (ot) arranged by Lorie Gruneisen EXTRA SCORES ARTS AVAILALE To The Director Although they could not see each other requently, Haydn and Mozart were riends and areciated each other s music Mozart dedicated six o his string quartets to Haydn Haydn, in a conversation with Mozart s ather, called Wolgang the greatest comoser known to him and to a musicologist o the day, reerred to his riend as a jewel Knowing that Haydn and Mozart were insired by each other s music makes this arrangement, including both o their music, meaningul to the layers A re-requisite or laying this iece should be listening to excerts o Haydn s Surrise Symhony (Mvt II), Eine Kleine Nachtmusik (Mvt I), Mozart s 0th Symhony (Mvt I), and Haydn s String Quartet (HobIII/7, Mvt ) Knowing how the original music sounds will be a helul tool in learning how to lay this arrangement RERODUCTION Introduce this iece at the irst reading by having the students lay a C-major scale in unison: - irst in hal notes with attention to itch on -naturals/c-naturals - then in quarter notes at a orte dynamic with accents on each - then reeated quarter notes on each tone o the scale at a iano dynamic with staccatos on each note This will reare them or the tonality and articulations rom measures 1-22 The o-beat assage or the cellos at measure 5 can be thought ROHIITED o as rest-lay, rest-lay, etc eore laying the section rom measure 23-2, I suggest having the students lay a G-major scale, laying reeated quarter notes on each tone o the scale, accenting only the 1st and th quarters, which will hel them bring out the melody o Eine Kleine Nachtmusik It should be ointed out that at measure 3, the key signature changes to A minor, bringing back the use o and C-naturals In acknowledging the return o G major or Haydn s Allegro Scherzando (measure 60), you can ask the layers What haens to the key signature at measure 60, and Why would the comoser not want to end in A Minor (Answer: It wouldn t sound like a hay ending ) LORIE GRUNEISEN With KendorMusiccom a M in Education rom the Crane School o at SUNY otsdam and a MM degree in Violin erormance rom the University o Connecticut, she has been a music educator or over 30 years Mrs Gruneisen has studied comosition with Dr Robert Washburn and Dr aul Steinberg, and has written music throughout most o her career She is a member o numerous erorming grous, a string adjudicator or NYSSMA, and currently teaches violin and iano lessons at the Holy Name o Jesus Academy, a boarding school or girls in Massena, NY Kendor Music, Inc M U S I C U L I S H E R 21 Grove Street O ox 278 Delevan, New York 102-0278 USA wwwkendormusiccom

Grade 1+ duration 2:55 ULL SCORE 1st Violin 2nd Violin Viola (Same art rovided or 3rd Violin) Cello ass 5 5 9 lay amously! q = 120 1 2 2 Ot iano art also included Surrise Symhony (Haydn) KENDOR RESENTS Accent On The Classics arranged by Lorie Gruneisen REVIEW 2 3 10 OR RERODUCTION 2 2 2 ROHIITED 6 7 8 H2 H2 KendorMusiccom 11 12 COYRIGHT 2017 Y ALMITRA MUSIC CO, INC (ASCA) - USED Y ERMISSION ALL RIGHTS RESERVED - INTERNATIONAL COYRIGHT SECURED - MADE IN USA SOLE SELLING AGENT: KENDOR MUSIC, INC, DELEVAN NY 102 USA

Accent On The Classics - 2 13 15 OR 15 REVIEW 1 16 17 21 RERODUCTION 2 2 ROHIITED 18 19 20 23 Eine Kleine Nachtmusik (Mozart) KendorMusiccom 22 23 2

Accent On The Classics - 3 OR 25 REVIEW 26 27 28 31 RERODUCTION 29 30 31 ROHIITED 32 KendorMusiccom 33 3 35 36

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62 Allegro (Haydn) - - Accent On The Classics - 6 OR - REVIEW - 63 6 65 - - - - 70 - - - RERODUCTION - 66 67 68 69 ROHIITED - - - - 70 71 KendorMusiccom - 72 73 -

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