A Short PWMS overview. DKE WG "Professional Wireless Microphone Systems of DIN and VDE (Germany)

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Transcription:

A Short PWMS overview DKE WG 731.0.8 "Professional Wireless Microphone Systems of DIN and VDE (Germany)

Abbreviations PMSE Program Making Special Events (includes PWMS + wireless video / cameras + talk backs +...) PWMS Professional Wireless Microphone Systems (SAB / SAP: wireless microphones, In Ear Monitoring,...)

Professional Wireless Microphone Systems Services Ancillary to Programme making Services Ancillary to Broadcasting Broadcast applications TV production Radio production Sport production (i.e. Olympia) News gathering National events (i.e. elections) And more PWMS Non broadcast applications Actors on tour Audio distribution systems (e.g. in sport stations) Business installations Church installations Conference installations Industry trade shows Movie production Music groups on tour Studio production Theatre installations Theatres on tour And much more

Facts on PWMS (1) Wireless microphones have been in production since 1957 (50 years). Sharing operation respectively secondary usage with broadcast service on VHF and UHF was defined Stockholm and Chester agreements (1961, 1997) The market entry of UHF PWMS by 1982 gave the break-through in audio quality (25 years ago). Live Events, conferences, Musicals and sport events are based on wireless technology.

Facts on PWMS (2) From 2005 to 2006 there was an increase of approximately 20% in PWMS units in the European market. It is estimated that about 4-5 million PWMS are in operation in Europe (Source: PAMA 2006). PWMS operate in broadcast and non-broadcast applications (SAB/SAP). Non-broadcast applications have actually a larger number of units in operation. Re-mastered audio productions earn revenue for decades.

How do we share spectrum for 50 years? PWMS operation is secondary use No exclusive UHF frequency ranges for PWMS exist PWMS is allocated achieving the requested audio quality Between TV transmitters Interference free operation, no degradation of audio quality Example: Two wireless microphones working between DVB-T channels

Spectrum is reducing WRC2007 New allocation for IMT 790 862 MHz (TV Channels 61 69) Different new wireless services are requesting UHF spectrum. Cognitive Devices, Wireless Broadband DVB distribution might need more spectrum as currently plant DVB-T2; DVB-H PPS Public safety and Security is asking for 2 x 16 MHz PWMS User are requesting more wireless channels and HD-Sound

Spectrum is reducing

Is there spectrum to share with others? White spaces? Some think that the urban spectrum is mostly empty all the time. We often see the spectrum at events as completely overloaded. Indoor spectrum without microphones seen at preparation for European Song Contest, Athens 2006.

Example (1): World bicycle championship_1 240 wireless units including PWMS were licensed

Example (1): World bicycle championship_2 Spectrum occupancy recorded during world bicycle championship in Stuttgart 2007

Examples (2): Musical London West End

Examples (3) Disneyland Paris

Examples (4) Universities, Schools,...

Examples (5) Olympics

Examples (6) Musical outdoor

Examples (7) Eurovision

Examples (8) Tour de France

Examples (9) Eurovision

DD Market research OFCOM UK (1)

DD Market research OFCOM UK (2) What material will fill up the services? TV productions? Live events? Sport, music, theatre, musical, conferences, elections, Whatever will be distributed PWMS is the first part of the production chain

Summary and Conclusion Not just an application in isolation PWMS are at the start (front-end) of the production chain Any mistakes can effect the entire future media production PWMS means cost effective multimedia productions flexible multimedia services world wide ultra-flexible Electronic News Gathering big event productions (Olympiads, world sport games, song contests, elections) The main question: How can multimedia productions be made with no wireless microphone systems?

A little bit more technical A few general statements High quality audio signal in real time Accepted level Interference: no degradation of audio sgnal is tolerated RF reliability: range 100 m or more No degradation of audio signal is tolerated Battery life: minimum 4-5 hours, usually expected 8 hours and more.

Why UHF? We are performing compatibility studies within CETP SE24 in L-Band (1.5 GHz). These proposed frequency bands might be able to compensate DD loss, however this is only a DD substitution for indoor fixed installations. Current status: no final decision VHF cannot provide needed quality, too much man-made noise. UHF is the only frequency band which fulfils essential RF requirements for PWMS: working range, needed RF power, antenna length,... We can not just move.

Go digital this is better? Digital is always better? Digital modulation schemes do not change RF physics - IM products keep the same. Spectrum efficiency is not better. Actually it is requested to transmit Audio in HD-Quality, i.e. technology requires wider RF bandwidth. Critical issue in audio world is real time audio. Current technology is not able to provide needed data compression to fit in 200 khz RF Bandwidth in real time. Moreover current technology has a very high power consumption.

PWMS technical ETSI TR 102 546, SRDoc PWMS System Reference Document ETSI; EN 300 422 Harmonised measurement standard CEPT SE24 SE group working on compatibility scenarios

A Short PWMS overview Bilz_Wolfgang@shure.de