COMPONENT 1 SECTION A: SHAKESPEARE

Similar documents
COMPONENT 1 - MARK SCHEME

COMPONENT 1 SECTION B: POETRY FROM 1789 TO THE PRESENT DAY

Shenley Brook End School English Department

Directing Romeo and Juliet

GCSE ENGLISH LITERATURE FOR TEACHING FROM 2015 SHAKESPEARE EXEMPLAR - ANNOTATED

EXAM QUESTION WALK THROUGH

St John s Senior School

GCSE (9-1) English Literature EXEMPLARS

Year 10 Final Exam Portion JUNE 2017 ENGLISH LITERATURE

SECTION A. 1. Romeo and Juliet Macbeth Othello Much Ado About Nothing Henry V The Merchant of Venice 16-17

English Literature Revision paper 1. Romeo and Juliet. Homework Expectations: It is expected that you will complete this booklet for homework.

- Act 3, Scene 1. - Act 3, Scene 2

Autumn SPECIFICATIONS GCSE ENGLISH LITERATURE

MARK SCHEME for the May/June 2008 question paper 0411 DRAMA. 0411/01 Paper 1 (Written Examination), maximum raw mark 80

Analyse the language, form and structure used by a writer to create meanings and effects, using relevant subject terminology where appropriate.

COMPONENT 1 Varieties of film and filmmaking

Romeo and Juliet. Small group performance of a scene Value 20 (presentation date to be determined later)

1. Romeo and Juliet quiz Acts 1-2 Plot and patriarchy.

GCSE MUSIC. The GCSE is 60% Coursework and 40% Examination.

GCSE English Literature/Specimen Assessment Material/version1.1/For Teaching General Certificate of Secondary Education

GCE AS. WJEC Eduqas GCE AS in FILM STUDIES ACCREDITED BY OFQUAL DESIGNATED BY QUALIFICATIONS WALES SAMPLE ASSESSMENT MATERIALS

Thursday, th Grade Literature & Composition B.

Cardinal Newman Catholic High School English Department: Year 7 Programme of Study 2015/2016

English Literature Romeo and Juliet

Romeo and Juliet Act Three (study guide) Choices and Consequences

Mark Scheme (Results) November 2007

General Certificate of Secondary Education. English Controlled Assessment Tasks

Friday, th Grade Literature & Composition B.

ASPIRE. HEANOR GATE SCIENCE COLLEGE Develop all learners to achieve their full potential Create a culture of aspiration

WJEC Eduqas GCSE English Literature: Romeo And Juliet READ ONLINE

Mock Exam: Paper 1 English Language

Sample essays. AQA examination (higher tier) Grade-C answer

AQA GCSE English Language

GCSE ENGLISH LANGUAGE Charlie and the Chocolate Factory

The purpose of this pack is to provide centres with a set of exemplars with commentaries.

A-LEVEL DANCE. DANC3 Dance Appreciation: Content and Context Mark scheme June Version/Stage: 1.0 Final

Romeo & Juliet Act Questions. 2. What is Paris argument? Quote the line that supports your answer.

Year Area Grade 1/2 Grade 3/4 Grade 5/6 Grade 7+

The purpose of this pack is to provide centres with marked exemplars of responses to the June 2015 examination.

9.1.3 Lesson 19 D R A F T. Introduction. Standards. Assessment

Mark Scheme (Results) January International GCSE English Language (4EA0) Paper 2

HOW TO WRITE A LITERARY COMMENTARY

2001 HSC Music Extension Marking Guidelines

Romeo & Juliet Study Guide Questions

MUSIC. Listening and Appraising component. GCSE (9 1) Candidate style answers. For first teaching in 2016.

English Language Paper 1 Sample

New English Curriculum taught as of Sept 2014 by A Purcell Key Stage 3 Years 7-9

Getting ready to teach

NAME Romeo & Juliet 1 PER DATE Romeo and Juliet Reading Response Questions

Mark Scheme (Results) Summer 2010

Autumn GCSE English Language GCSE English Literature Preparing for Mock and actual GCSEs.

This assignment will be counted as your first major TEST GRADE!

Explorations in Creative Reading and Writing

January Mark Scheme. English Literature 47104F. General Certificate of Secondary Education

GCE A LEVEL. WJEC Eduqas GCE A LEVEL in FILM STUDIES ACCREDITED BY OFQUAL DESIGNATED BY QUALIFICATIONS WALES SAMPLE ASSESSMENT MATERIALS

English Literature 4710

Romeo and Juliet Chapter Questions

Assessments: Multiple Choice-Shakespeare s Romeo and Juliet. Restricted Response Performance- Romeo and Juliet Alternate Ending & Scene Creation

Literary Analysis. READ 180 rbook Flex II Paragraph Writing. Writing Genre. Introduction. Detail Sentences. Language Use. Concluding Sentence.

Writing Skills. How can I effectively help my child prepare for challenging writing tasks?

ROMEO AND JULIET PARTNER ASSIGNMENT NAMES

Cecil Jones Academy English Fundamentals Map

FACULTY OF ENGLISH AND MEDIA. GCSE English Literature Revision Tips

Outcome EN4-1A A student: responds to and composes texts for understanding, interpretation, critical analysis, imaginative expression and pleasure

FINAL. Mark Scheme. English Literature 47104F. (Specification 4710) Unit 4: Approaching Shakespeare and the. English Literary Heritage Tier F

Romeo And Juliet Act 3 Scene 1 And 2 Questions And Answers

English Literature By William J Long Download

Year 8 Travel Writing 4 weeks: Reading: Non-fiction Texts AO1 & AO2 (language & structure), Writing: Travel Writing AO5 & AO6

In which Romeo loves Juliet.

Romeo and Juliet Reading Questions

Persuasive Writing. This unit develops students skills in writing persuasively using topical issues as a stimulus

MEDIA STUDIES SAMPLE ASSESSMENT MATERIALS GCE AS. WJEC Eduqas GCE AS in. Teaching from 2017 ACCREDITED BY OFQUAL

Romeo And Juliet Literature Guide Answers Europr

Exploring the soliloquies of Romeo and Juliet

9695 LITERATURE IN ENGLISH

Romeo and Juliet - Comprehension Questions

Cambridge International Examinations Cambridge International Advanced Subsidiary Level and Advanced Level

Name: YOU WILL NOT BE GIVEN AN EXTRA IF LOST Period:

- Act 2, Scene 1. Romeo was feeling depressed because he had to leave Juliet at the end of Act 1.

Romeo and Juliet Week 1 William Shakespeare

A-Level DANCE 7237 COMPONENT 2: CRITICAL ENGAGEMENT SPECIMEN MATERIAL. Mark scheme. Specimen Version 1.0. aqa.org.uk

NYS Common Core ELA & Literacy Curriculum Grade 9 Module 1 Unit 3 Lesson 13

This project and its actions were made possible due to co-financing by the European Fund for the Integration of Third-Country Nationals

GCSE English/English Language/Specimen Assessment Material/version1.1/For Teaching General Certificate of Secondary Education

Mrs. Staab English 135 Lesson Plans Week of 05/17/10-05/21/10

Page 2 of 20 Stage 2 English Studies Student Response

Component 2: Performing music assessment guide

Exam: Romeo & Juliet

GCSE English/English Language/Specimen Assessment Material/version1.1/For Teaching General Certificate of Secondary Education

Romeo & Juliet ACT 4. Revision Recap

Name Period Table Group. Act II Study Guide. WORD DEFINITION SENTENCE IMAGE My neighbor s house is Adjacent. adjacent to ours.

AQA Literature Exam Guidance. Securing top grades made easy

Mark Scheme (Results) January GCSE English Literature (5ET2H) Paper 01

Self-directed Clarifying Activity

Kansas Standards for English Language Arts Grade 9

Pearson Edexcel International GCSE English Literature - 4ET0/01R. Paper 1: Drama and Prose

Mark Scheme (Results) January GCE English Literature Unit 3 (6ET03)

GCSE FILM STUDIES PAPER 1 EXPLORING FILM SUPERHERO GENRE. 1 hour 30 minutes (20 minutes for DVD screening) 1.4 minutes per mark

ENGLISH LANGUAGE AND LITERATURE (EMC)

Romeo And Juliet Revision Guide

Transcription:

GCSE WJEC Eduqas GCSE in ENGLISH LITERATURE ACCREDITED BY OFQUAL COMPONENT 1 SECTION A: SHAKESPEARE The Shakespeare Extract Question

KEY ASPECTS OF THE SPECIFICATION FROM 2015 AREA OF STUDY Shakespeare Extract Question Example Shakespeare Extract Question Example Shakespeare Extract Question Mark Scheme Example Shakespeare Extract Question COMPONENT 1, SECTION A: SHAKESPEARE DESCRIPTION Factors to consider, and guidelines for approaching, the Shakespeare extract question. An example Shakespeare question based on an extract from Romeo and Juliet. The specific Assessment Objectives, Mark Scheme and Indicative Content for the Shakespeare question based on an extract from Romeo and Juliet. Example responses to the Shakespeare extract question. 2

COMPONENT 1: SECTION A AREA OF STUDY The Shakespeare Extract Question EXAM LEVEL: GCSE Key Points: It should be made clear that as long as learners can back up their argument with evidence from the play they cannot provide a wrong answer. There tend to be very few, if any, stage directions to analyse in Shakespeare's plays. Learners should remember that most of the information is in his words. Some learners do not do themselves justice in their answer to the Shakespeare extract question, because they do not analyse the words and their implications closely enough. Context (AO3) is not assessed in the Shakespeare extract question. Learners should be reminded that Shakespeare wrote his plays to be watched, and enjoyed, by an audience and to bear in mind the audience's response. AMPLIFICATION FOR TEACHING Approaching the Shakespeare Extract Question: Learners should check the focus of the question and underline any key words and phrases that will support the points they want to make. Learners should ask themselves why this particular extract has been chosen, for example, is it a turning point in the story? Does it reveal something new about a character? Learners should write a strong, focused opening, summing up the argument they will present in the answer as a whole, and clearly addressing the question posed. Learners should be specific in their response, for example, if the question asks how Shakespeare creates mood and atmosphere then they should immediately state what the atmosphere or mood is in their response. The whole of the extract should be considered, there will be a good reason why it begins and ends where it does. If there are any stage directions then they should be analysed as closely as the characters' dialogue and actions. Relevant, brief, reference may be made to other parts of the play to put the extract into the context of the play as a whole, but the extract provided should always be the main concern. USEFUL INTERACTIVE RESOURCES Approaches to the Shakespeare extract question Specimen Assessment Materials 3

EXAMPLES OF QUESTIONS IN COMPONENT 1 Here are examples of our GCSE English Literature sample tasks taken from our full set of SAMs. COMPONENT 1: SECTION A Romeo and Juliet, answer both 11 and part 12. You are advised to spend about 20 minutes on 11, and about 40 minutes on 12. 11 Read the extract from the play Look at how Juliet and her father speak and behave here. What does it reveal to an audience about their relationship at this point in the play? Refer closely to details from the extract to support your answer. 12 'Even though Mercutio dies at the beginning of Act 3, he is very important to the play as a whole.' Show how Mercutio could be described as important to the play as a whole.* [15] [25] *5 of this question's are allocated for accuracy in spelling, punctuation and the use of vocabulary and sentence structures. image (left) for the Mark Scheme for this question. image (left) for the Indicative Content for this question. ADDITIONAL RESOURCES Approaches to the Shakespeare extract question Specimen Assessment Materials 4

EXAMPLES OF QUESTIONS IN COMPONENT 1 Extract from Romeo and Juliet: CAPULET: JULIET: CAPULET: LADY CAPULET: JULIET: CAPULET: Soft, take me with you, take me with you, wife. How will she none? Doth she not give us thanks? Is she not proud? Doth she not count her blest, Unworthy as she is, that we have wrought So worthy a gentleman to be her bride? Not proud you have, but thankful that you have. Proud can I never be of what I hate, But thankful even for hate that is meant love. How, how! How, how, chop-logic! What is this? Proud, and I thank you, and I thank you not, And yet, Not proud, mistress minion you? Thank me no thankings, nor proud me no prouds, But fettle your fine joints 'gainst Thursday next, To go with Paris to Saint Peter s Church, Or I will drag thee on a hurdle thither. Out, you green-sickness carrion! out, you baggage! You tallow-face. (To her husband) Fie, fie! What, are you mad? Good father, I beseech you on my knees, Hear me with patience but to speak a word. Hang thee, young baggage! disobedient wretch! I tell thee what: get thee to church o Thursday, Or never after look me in the face. Speak not, reply not, do not answer me. My fingers itch. Wife, we scarce thought us blest That God had lent us but this only child, But now I see this one is one too much, And that we have a curse in having her. Out on her, hilding! ADDITIONAL RESOURCES Approaches to the Shakespeare extract question Specimen Assessment Materials 5

EXAMPLES OF QUESTIONS IN COMPONENT 1 MARK SCHEME Here you will find the Assessment Objectives for the example Shakespeare question, based on the play Romeo and Juliet (taken from our full set of Specimen Assessment Materials). ASSESSMENT OBJECTIVE AO1:1a AO1:1b AO1:2 AO2 AO4 DESCRIPTION Read, understand and respond to texts to maintain a critical style. Read, understand and respond to texts to develop an informed personal response. Use textual references, including quotations, to support and illustrate interpretations. Analyse the language, form and structure used by a writer to create meanings and effects, using relevant subject terminology where appropriate. Use a range of vocabulary and sentence structures for clarity, purpose and effect, with accurate spelling and punctuation. image (left) for the Mark Scheme for this question. image (left) for the Indicative Content for this question. ADDITIONAL RESOURCES Approaches to the Shakespeare extract question Specimen Assessment Materials 6

EXAMPLES OF QUESTIONS IN COMPONENT 1 MARK SCHEME Here you will find the Mark Scheme for the example Shakespeare extract question, based on the play Romeo and Juliet (taken from our full set of Specimen Assessment Materials). Part (a), AO1 and AO2 are equally weighted in this question. BAND AO1: 1a+b, AO1:2 AO2 5 13 15 4 10 12 3 7 9 2 4 6 1 1 3 0 Candidates: sustain focus on the task, including overview, convey ideas with consistent coherence and use an appropriate register; use a sensitive and evaluative approach to the task and analyse the text critically; show a perceptive understanding of the text, engaging fully, perhaps with some originality in their personal response; their responses include pertinent, direct references from across the text, including quotations. Candidates: sustain focus on the task, convey ideas with coherence and use an appropriate register; use a thoughtful approach to the task; show a secure understanding of key aspects of the text, with considerable engagement; support and justify their responses by wellchosen direct reference to the text, including quotations. Candidates: focus on the task, convey ideas with general coherence and use a mostly appropriate register; use a straightforward approach to the task; show an understanding of key aspects of the text, with engagement; support and justify their responses by appropriate direct reference to the text, including quotations. Candidates: have some focus on the task, convey ideas with some coherence and sometimes use an appropriate register; use a limited approach to the task; show some understanding of key aspects of the text, with some engagement; support and justify their responses by some direct reference to the text, including some quotations. Candidates: have limited focus on the task, convey ideas with occasional coherence and may sometimes use an appropriate register; use a simple approach to the task; show a basic understanding of some key aspects of the text, with a little engagement; may support and justify their responses by some general reference to the text, perhaps including some quotations. Nothing worthy of credit. Candidates: analyse and appreciate writers use of language, form and structure; make assured reference to meanings and effects exploring and evaluating the way meaning and ideas are conveyed through language structure and form; use precise subject terminology in an appropriate context. Candidates: discuss and increasingly analyse writers use of language, form and structure; make thoughtful reference to the meanings and effects of stylistic features used by the writer; use apt subject terminology. Candidates: comment on and begin to analyse writers use of language, form and structure; make some reference to meanings and effects; use relevant subject terminology. Candidates: recognise and make simple comments on writers use of language, form and structure; may make limited reference to meanings and effects; may use some relevant subject terminology. Candidates: may make generalised comments on writers use of language, form and structure; may make basic reference to meanings and effects; may use some subject terminology but not always accurately. Nothing worthy of credit. 7

EXAMPLES OF QUESTIONS IN COMPONENT 1 MARK SCHEME Here you will find Indicative Content for part 11 of the example Shakespeare question, based on the play Romeo and Juliet (taken from our full set of Specimen Assessment Materials). This is not a checklist. Please reward valid alternatives. COMPONENT 1: SECTION A Shakespeare, Romeo and Juliet, Question 11 Responses may include: AO1 An overview of how Juliet and her father speak and behave Juliet s feelings of despair, distress and grief Capulet s bewilderment, then increasing anger and impatience How their relationship is at its lowest point here AO2 Shakespeare s use of language to reveal the relationship Comments on the way Capulet s language changes to abusive name calling and threats The dramatic effect of Juliet begging on her knees The use of structure, e.g. the way Capulet s speech dominates the extract and how the use of broken lines suggests their feelings The use of exclamatory statements image (left) for the extract from the example question. image (left) for the Mark Scheme for this question. 8

EXAMPLE ANSWERS AND EXAMINER COMMENTS FOR THE EXTRACT QUESTION IN COMPONENT 1 9

EXAMPLE ANSWERS AND EXAMINER COMMENTS FOR THE EXTRACT QUESTION IN COMPONENT 1 10

EXAMPLE ANSWERS AND EXAMINER COMMENTS FOR THE EXTRACT QUESTION IN COMPONENT 1 11