Autism-Friendly Performance Saturday, October 11th, 2014 at 2pm

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Autism-Friendly Performance Saturday, October 11th, 2014 at 2pm 1 P a g e

GOING TO SEE THE LION KING SHOW I am going with to see THE LION KING show! Seeing a show is a little like seeing something on TV, or seeing a movie. But the people in a show are right there on the stage. They are called actors. 2 P a g e

The Lion King is a special kind of show called a musical. The actors will tell a story by talking, singing, dancing and using puppets. The Lion King show is at the Opera House in downtown Boston. We may travel to the Boston Opera House by car, taxi, bus, or we may come by taking the T. My family will know how we will get there. If we travel by car, we may park in a garage. 3 P a g e

If we travel by bus or T, we may get dropped off a couple of blocks away. If we travel by taxi, we may be dropped off near the front of the Boston Opera House. When I get to the Boston Opera House, I will see big signs that say The Lion King. They look like this: 4 P a g e

We may have to stand in line to get into the theatre. I will see lots of people of all ages. I will stand nicely and quietly while we wait. If it is too loud, I can cover my ears, put on headphones, or ask an adult for help. We will go inside the building and show our tickets to a person who will scan them with a small machine and tell us where to go. 5 P a g e

Our seats will be in a place called the Orchestra, a place called the Dress Circle, a place called Mezzanine, or a place called the Balcony. We need to stay with our family. When we get inside the lobby, we will turn to the left or walk straight ahead to the staircase. There is also an elevator. We can ask the Opera House staff members to show us where to go. 6 P a g e

Before we go to find our seats, we can go to the restrooms and water fountain if I want to. If I need to use the restroom, I can ask. If I need a drink of water, I can ask for one too. 7 P a g e

Next we will go inside the theatre. The theatre is very big. There are a lot of seats in the theatre! A person called an usher will look at our tickets and tell us which seats to go to. The numbers on the tickets tell us where we have to sit. It is not a choice. The usher will also give us program. Programs are books that tell you about the people who helped to make the show. Programs tell you the names of the songs you will hear in the show. 8 P a g e

When we get to our seats, I will sit down nicely. Once I am in my seat, if I can t see over the heads of the people in front of me, I can ask for a booster seat to make me taller. When it is time for the show to start, someone will ask everyone to turn off their phones. The theatre will get darker and everyone will get quiet. I will try to be as quiet as I can during the show so that I can hear everything. 9 P a g e

When the show starts, I will hear an actor start to sing. It will sound a bit like she is singing AAAAH! very loudly. If it is too loud, I can cover my ears, put on my headphones, or ask an adult for help. I will also see actors wearing big animal costumes walking to the stage in the Orchestra from the aisles in the theater. There will be beautiful giraffes, elephants, hyenas and other animals. Some actors will be flying bird puppets. 10 P a g e

There will also be singers in the Dress Circle, Mezzanine, and Balcony. Some of the animals and singers may come close to me. The animals are not real; they are just actors wearing costumes and makeup, like on Halloween. It is important that I stay in my seat when the animals are walking to the stage. If I feel afraid or nervous, I can cover my ears, or ask an adult for help. 11 P a g e

After the animals and actors are all on stage, they will sing a song called The Circle of Life and start to tell the story of the Lion King. I will have a lot of fun at the show! There will be a lot of singing and dancing. Sometimes it will be loud. If it is too loud, I can cover my ears, put on my headphones, or ask an adult for help. I know that even though the singing can be loud and can feel scary, none of the noise can hurt me and I am always safe. 12 P a g e

If it s too loud at any time during the show, I can let my family know that I need a break and go to The Quiet Area. I can come back to my seat to see the show when I m ready after my break. I can do this when all the actors and animals are on the stage. I will wait to go to my seat until an usher tells me it s clear to go. After each song, some people will clap. 13 P a g e

Clapping is nice because it tells the actors you liked their song. If I want to clap, I can. I don t have to clap if I don t want to. If the clapping is too loud, I can cover my ears, put on my headphones, or ask an adult for help. I know that even though the clapping can be loud and can feel scary, none of the noise can hurt me. In the middle of the show, we will have a break. This break is called Intermission. During the break, many people will stand up and leave their seat to go get a drink or to use the restroom. If I want to, I can ask for a snack or a drink. 14 P a g e

I can also ask to use the restroom if I need to... or I can visit The Quiet Area if I want to. 15 P a g e

After the break, everyone will come back and sit down in their seats again. It will get darker and quieter again just like at the beginning of the show. The actors will come back on the stage and finish telling the Lion King story. At the end of the show, all of the actors will come out on stage. This is called a curtain call. Many people will clap a lot so the actors know how much they liked the show. 16 P a g e

If I want to clap, I can. I don t have to clap if I don t want to. If the clapping is too loud, I can cover my ears, wear my headphones, or ask an adult for help. After the show is over, we will exit the theater and leave the Boston Opera House. I am very excited to go see the Lion King! 17 P a g e

Going to See The Lion King Show is based on a social story by Steven Chaikelson and Amanda Rosen and was adapted for the Boston production by Abby Armstrong. Production photos by Joan Marcus and Kristin Chalmers. 18 P a g e