University of Calgary Press

Similar documents
University of Calgary Press

SO FAR AND YET SO CLOSE: FRONTIER CATTLE RANCHING IN WESTERN PRAIRIE CANADA AND THE NORTHERN TERRITORY OF AUSTRALIA By Warren M.

University of Calgary Press

University of Calgary Press

University of Calgary Press

CALGARY: City of Animals Edited by Jim Ellis

THE DOCUMENTARY ART OF FILMMAKER MICHAEL RUBBO D. B. Jones

University of Calgary Press

Human Rights Violation in Turkey

BRITAIN AND THE MAASTRICHT NEGOTIATIONS

University of Calgary Press

ALLYN YOUNG: THE PERIPATETIC ECONOMIST

Thomas Hardy, Sensationalism, and the Melodramatic Mode

MODERNISM AND THE AESTHETICS OF VIOLENCE

Postmodern Narrative Theory

British Women s Life Writing,

THESIS FORMATTING GUIDELINES

This page intentionally left blank

The Elegies of Ted Hughes

Analysing Literary Merit of Harper Lee s To Kill a Mockingbird: a student work ebook

Catalogue no XIE. Television Broadcasting Industries

Defining Literary Criticism

Early Vancouver. Volume Three. By: Major J.S. Matthews, V.D Edition (Originally Published 1935)

Work and Play. The Production and Consumption of Toys in Germany, David D. Hamlin. Ann Arbor. The University of Michigan Press

University of Calgary Press

This page intentionally left blank

Self-publishing. March 19 April 9, Ray Bonnell

Calculating the Human

THE 1830 REVOLUTION IN FRANCE

Introduction to the Sociology of Development

Latinos of Boulder County, Colorado,

BIOGRAPHY Fiction, Fact and Form

Literature and Politics in the 1620s

In Other News: The Significance of Canadian Media Sources in an Analysis of Local Music Collection Literature

THE NAPOLEONIC EMPIRE

The Sublime in Modern Philosophy

Women, Authorship and Literary Culture,

Victorian Celebrity Culture and Tennyson s Circle

Life Sciences sales and marketing

Publishing with University of Manitoba Press

Modular Narratives in Contemporary Cinema

University of Calgary Press

Kamloops 125 th Anniversary Celebration Committee fonds

GEORGE ELIOT AND ITALY

EVOLUTIONARY BIOLOGY

See Education Licence B: Statutory Text and Artistic Licence for further information

Salman Rushdie and Indian Historiography

Narratives of the Revolutionary and Napoleonic Wars

The International Relations of the Persian Gulf

Roman Satire and the Old Comic Tradition

Cyber Ireland. Text, Image, Culture. Claire Lynch. Brunel University London, UK

The Publishing Landscape for Humanities and Social Sciences: Navigation tips for early

DIARIES AND JOURNALS OF LITERARY WOMEN FROM FANNY BURNEY TO VIRGINIA WOOLF

Enjoy Writing. your Science Thesis or Dissertation!

John Perret. In 2000, John Perret launched his book, Saskatchewan in Sight which contains the work of travelling and photographing Saskatchewan.

Appraising Research: Evaluation in Academic Writing

Helen Dahlstrom fonds

Contemporary Scottish Gothic

J. M. SYNGE: A BIBLIOGRAPHY OF CRITICISM

Reading Canada Analysis by Jack Jedwab (Executive Director, Association for Canadian Studies / ) 1

DOI: / Open-Air Shakespeare

Information Gathering in Classical Greece

Author Guidelines Journal Goal Accepted Genres of Submissions Drama Fiction Memoir Nonfiction Poetry Scholarship and Research

Buy The Complete Version of This Book at Booklocker.com:

Recent titles include:

WOMEN AND THE POPULAR IMAGINATION IN THE TWENTIES

YEATS'S HEROIC FIGURES

CUSTOM COURSEWARE INFORMATION PACKAGE

The Structure and Performance of Euripides Helen

Journal of Radiotherapy in Practice

No online items

PART 7 Other Forms of Communication

The Hegel Marx Connection

DOI: / William Corder and the Red Barn Murder

Blake and Modern Literature

BRITISH INFLUENCE ON THE BIRTH OF AMERICAN LITERATURE

The Wolf and Its Shadows

Postnarrativist Philosophy of Historiography

Manuscript Cursive Old Fashioned Font

IBC. CODE AND COMMENTARY Volume 1

FEMINIST LEGAL STUDIES: INSTRUCTIONS FOR AUTHORS May 2014

Marx s Discourse with Hegel

Form, Program, and Metaphor in the Music of Berlioz

Heritage, Nostalgia and Modern British Theatre

Suggested Publication Categories for a Research Publications Database. Introduction

Somerset Archaeology and Natural History Society

Medieval History. Court Rolls of the Manor of Wakefield

Feminine Subjects in Masculine Fiction

Working Time, Knowledge Work and Post-Industrial Society

Towards a Post-Modern Understanding of the Political

Information for Authors and Editors

Towards a Poetics of Literary Biography

F. B. Pinion A WORDSWORTH CHRONOLOGY A TENNYSON CHRONOLOGY A KEATS CHRONOLOGY

Off-Air Recording of Broadcast Programming for Educational Purposes

Reading to Write: Analysing and Creating Modernist Texts: a student work ebook

Performance Anxiety in Media Culture

Essential Essential ENT Second edition PRELIMS.indd i PRELIMS.indd i 29/07/11 12:04 PM 29/07/11 12:04 PM

PubMed, PubMed Central, Open Access, and Public Access Sept 9, 2009

Theatre under Louis XIV

R.S. THOMAS: CONCEDING AN ABSENCE

Transcription:

University of Calgary Press www.uofcpress.com LOOKING BACK: CANADIAN WOMEN S PRAIRIE MEMOIRS AND INTERSECTIONS OF CULTURE, HISTORY, AND IDENTITY by S. Leigh Matthews ISBN 978-1-55238-595-1 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at ucpress@ucalgary.ca Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. This means that you are free to copy, distribute, display or perform the work as long as you clearly attribute the work to its authors and publisher, that you do not use this work for any commercial gain in any form, and that you in no way alter, transform, or build on the work outside of its use in normal academic scholarship without our express permission. If you want to reuse or distribute the work, you must inform its new audience of the licence terms of this work. For more information, see details of the Creative Commons licence at: http://creativecommons.org/licenses/by-nc-nd/3.0/ UNDER THE CREATIVE COMMONS LICENCE YOU MAY: read and store this document free of charge; distribute it for personal use free of charge; print sections of the work for personal use; read or perform parts of the work in a context where no financial transactions take place. UNDER THE CREATIVE COMMONS LICENCE YOU MAY NOT: gain financially from the work in any way; sell the work or seek monies in relation to the distribution of the work; use the work in any commercial activity of any kind; profit a third party indirectly via use or distribution of the work; distribute in or through a commercial body (with the exception of academic usage within educational institutions such as schools and universities); reproduce, distribute, or store the cover image outside of its function as a cover of this work; alter or build on the work outside of normal academic scholarship. Acknowledgement: We acknowledge the wording around open access used by Australian publisher, re.press, and thank them for giving us permission to adapt their wording to our policy http://www.re-press.org/content/view/17/33/

S. Leigh Matthews Looking Back Canadian Women s Prairie Memoirs and Intersections of Culture, History, and Identity

Looking Back

S. Leigh Matthews Looking Back Canadian Women s Prairie Memoirs and Intersections of Culture, History, and Identity the West Series issn 1922-6519

2010 S. Leigh Matthews University of Calgary Press 2500 University Drive NW Calgary, Alberta Canada T2N 1N4 www.uofcpress.com No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, without the prior written consent of the publisher. Library and Archives Canada Cataloguing in Publication Matthews, S. Leigh (Sandra Leigh), 1967- Looking back : Canadian women s prairie memoirs and intersections of culture, history, and identity / S. Leigh Matthews. (The West series, ISSN 1922-6519 ; 1) Includes bibliographical references and index. ISBN 978-1-55238-096-3 Also issued in electronic format: ISBN 978-1-55238-595-1 ISBN 978-1-55238-509-8 ISBN 978-1-55238-597-5 1. Women pioneers Prairie Provinces Biography. 2. Women pioneers Prairie Provinces Social conditions. 3. Women pioneers in literature. I. Title. II. Series: West series (Calgary, Alta.) ; 1 FC3238.M38 2010 971.2 020922 C2010-904483-5 The University of Calgary Press acknowledges the support of the Alberta Foundation for the Arts for our publications. We acknowledge the financial support of the Government of Canada through the Canada Book Fund for our publishing activities. We acknowledge the financial support of the Canada Council for the Arts for our publishing program. This book has been published with the help of a grant from the Alberta Historical Resources Foundation. This book has been published with the aid of a grant from Thompson Rivers University. Cover image: Prairie Homsetead by Andrew Penner (www.istockphoto.com) Cover design by Melina Cusano Page design and typesetting by Melina Cusano

For Grandma Matthews and Nana West. [ [ [ Sadie Victoria Landry Matthews, Bankend, Saskatchewan, circa 1940. [

CONTENTS Acknowledgments 1: Introduction: Untilled Fields ix 1 2: Seemingly Trivial : Re-Visioning Historical Narratives of Western Settlement 33 3: Dauntless Optimism / Perverse Endurance : Re-Visioning Literary Narratives of Settler Women 121 4: The Precarious Perch of the Decent Woman : Re-Visioning the Space(s) of Western Settlement 207 5: The landscape behind it : Re-Visioning Some Other Subjects of Agriculture 6: Conclusions: The Ragged Garment of Memory Bibliography Index 297 383 391 411

ACKNOWLEDGMENTS This study has been a long journey, and could not have been completed without the aid and encouragement of many individuals and institutions over the last decade. I would like to thank the Calgary Institute for the Humanities and the Calgary Women s Writing Project for receipt of the Winnie Tomm Memorial Scholarship, as well as the Izaak Walton Killam Memorial Fund for Advanced Studies and the Social Sciences and Humanities Research Council of Canada, whose research fellowships originally enabled me, in the form of a doctoral dissertation, to explore the memoirs gathered here as a means to share the authors voices and experiences with a larger audience. The financial support noted above allowed me to work full-time on this project while living with my family in Kamloops, British Columbia, but the project itself would never have been conceived in the first place were it not for the supportive and inspirational atmosphere of the English Department at the University of Calgary. I would like to thank the Department for considerable financial contributions to my research and writing activities. Most especially, I am deeply indebted to Dr. Helen Buss, whose presence at the University of Calgary drew me to Alberta, and whose encouragement, advice, criticism, and patience illustrates her knowledge of the subject and her dedication to the project of advancing education. I would also like to acknowledge that I have previously published some of the materials that make up this study. Portions of Chapter One and Chapter Two have been published as (Nearly) Sacred Achievements: Culinary Place in Women s Prairie Memoirs, in a Special Issue of Essays on Canadian Writing titled Food, Cooking, and Eating in Canadian Literature, with Guest Editor Kathleen Batstone, 78 (2003): 16 41. Portions of Chapter One and Chapter Four have been published as The precarious perch of the decent woman : The Spatial (De)Construction of Gender in Canadian Women s

x Looking Back Prairie Memoirs, in History, Literature, and the Writing of the Canadian Prairies, edited by Alison Calder and Robert Wardhaugh (University of Manitoba Press, 2005), 141 74. I would like to thank everyone at University of Calgary Press for the attention to fine detail that occurs when assembling such a book, and especially to Donna Livingstone, whose persistence and vision has ultimately enabled these womens voices to be heard. Finally, to Dania Sheldon, whose careful and efficient gaze graced the manuscript in its final stages in order to create a comprehensive index.