INTRODUCING GLAM ROCK

Similar documents
THE INFLUENCE OF RHYTHM AND BLUES

THE AMERICAN BLUES IN BRITAIN

THE NEW YORK CITY UNDERGROUND

CHUCK BERRY ESSENTIAL QUESTION. Why is Chuck Berry often considered the most important of the early Rock and Rollers? OVERVIEW

DAN PENN ESSENTIAL QUESTION

THE EARLY YEARS: BRINGING A ROCK AND ROLL ATTITUDE TO FOLK

THE ROOTS OF PROGRESSIVE ROCK

DAN PENN ESSENTIAL QUESTION

SAY IT LOUD: THE RISE OF BLACK PRIDE

DYLAN AS POET ESSENTIAL QUESTION. How did Bob Dylan merge poetry with popular music? OVERVIEW

THE MUSICAL ROOTS OF THE SURF SOUND

GOSPEL MUSIC AND THE BIRTH OF SOUL

THE ROOTS OF HEAVY METAL

BEATLEMANIA ESSENTIAL QUESTION. What were the factors that contributed to the rise of Beatlemania? OVERVIEW

SEVENTIES SOUL: THE SOUNDTRACK OF TURBULENT TIMES

THE MUSICAL ROOTS OF DOO WOP

GIVING AMERICA BACK THE BLUES

THE GROUNDBREAKERS ITALIAN-AMERICAN VOCALISTS BEFORE ROCK AND ROLL

ASSEMBLING HITS AT MOTOWN

THE RISE OF DISCO ESSENTIAL QUESTION. How did Disco relate to the sentiments and social movements of the 1970s? OVERVIEW

THEMATIC LESSON: LOVE SONGS

INTERDISCIPLINARY LESSON: BLOWIN IN THE WIND

RITCHIE VALENS AND THE BIRTH OF LATINO ROCK

FROM ILLUSTRATED SONGS TO THE MUSIC VIDEO: A HISTORY OF SOUND AND IMAGE

ALL OVER THIS LAND: THE EMERGENCE OF FOLK ROCK

ARETHA FRANKLIN: SOUL MUSIC AND THE NEW FEMININITY OF THE 1960S

Common Core State Standards Alignment for Jacob s Ladder Level 5

THE HISTORICAL ROOTS OF HIP HOP

LITTLE KIDS ROCK LESSON MEMORY, HOPE, AND CHARLIE PUTH S SEE YOU AGAIN

The Latin Rhythms of Despacito

ASSEMBLING HITS AT MOTOWN

THE BEATLES: MULTITRACKING AND THE 1960S COUNTERCULTURE

YOUTH, MASS CULTURE, AND PROTEST: THE RISE AND IMPACT OF 1960S ANTIWAR MUSIC

CONSIDERING THE FUTURE OF ROCK AND ROLL

Grade Level: 4 th Grade. Correlated WA. Standard(s): Pacing:

Students will understand that inferences may be supported using evidence from the text. that explicit textual evidence can be accurately cited.

SEVENTIES SOUL: THE SOUNDTRACK OF TURBULENT TIMES

SAMPLING: THE FOUNDATION OF HIP HOP

THE MUSIC OF MACHINES: THE SYNTHESIZER, SOUND WAVES, AND FINDING THE FUTURE

LITTLE KIDS ROCK LESSON ALESSIA CARA S HERE : PERSPECTIVES ON FUN, PEER PRESSURE, AND ANXIETY

Common Core State Standards Alignment

THE FINE LINE BETWEEN CREATION AND THEFT: AN EXPLORATION OF ORIGINALITY IN DIGITALLY MANIPULATED MUSIC

WORLD WAR II AND THE SHRINKING OF THE ENSEMBLE

THE INFLUENCE OF LATIN MUSIC IN POSTWAR NEW YORK CITY

Program Title: SpringBoard English Language Arts

Disney Broadway Magic. DISNEY PERFORMING ARTS WORKSHOPS WITH CORRESPONDING NATIONAL CORE ARTS STANDARDS (Click below to review the standards)

Correlation to Common Core State Standards Books A-F for Grade 5

Program Title: SpringBoard English Language Arts and English Language Development

Incoming Eighth Grader- Summer Reading 2018

Auditions Workshop: Musical Theatre

MAINSTREAM METAL, PARENTAL ADVISORIES, AND CENSORSHIP

Song Lessons Understanding and Using English Grammar, 3rd Edition. A lesson about adjective, adverb, and noun clauses (Chapters 12, 13, 17)

Art Instructional Units

With prompting and support, ask and answer questions about key details in a text. Grade 1 Ask and answer questions about key details in a text.

THE SAN FRANCISCO SCENE, 1967

Penn Wood Middle School 7 th Grade English/Language Arts Curriculum Overview

ELA SE: Unit 1: 1.2 (pp. 5 12), 1.5 (pp ), 1.13 (pp.58 63), 1.14 (pp ); Unit 2: 2.3 (pp.96 98), 2.5 (pp ), EA 1 (pp.

Acting 101. DISNEY PERFORMING ARTS WORKSHOPS WITH CORRESPONDING NATIONAL CORE ARTS STANDARDS (Click below to review the standards)

Answer Key Grade 5. Practice Test. The Road Not Taken Birches

THE MEMPHIS SOUND: A CASE STUDY OF MUSIC AND INTEGRATION IN MID-CENTURY AMERICA

Sestina by Elizabeth Bishop

Table of Contents...2. Purpose and Use of. Documents College and Career Readiness Anchor Standards for Reading.4

THE BLUES AND THE GREAT MIGRATION

Composing The Blues (3) Lesson 6

ILAR Grade 7. September. Reading

Music Appreciation. Syllabus. Course Overview

Students will be able to cite textual evidence that best supports analyses and inferences drawn from text.

Critical Vocabulary: theme/central idea, analyze, characters, setting, plot, summarize, objectively, characterization

National Standards/Artistic Processes/Enduring Understandings

MOVING FASTER THAN THE IMAGINATION: THE EVOLUTION OF SOUND RECORDING

Eighth Grade Music Curriculum Guide Iredell-Statesville Schools

The Music of Motown (High School)

HOW TO STUDY ROCK AND ROLL

College and Career Readiness Anchor Standards K-12 Montana Common Core Reading Standards (CCRA.R)

HUMANITY S BEATS: HOW RHYTHMS REPRESENT PEOPLE AND PLACE

UGS 303 THE BEATLES AND BEYOND SPRING 2017

Second Grade Music Curriculum

What can you learn from the character? How do you know this? Use a part of the story in your answer. RL 1.2

PMEA Model Curriculum Framework Strand: Music Technology PA Big Ideas and National Standards Artistic Processes

Fifth Grade Summer Reading

How Appeals Are Created High School Lesson

WoodSongs WS2 HIGH Lesson Plan

The Absurdity of Life: Incorporating Modern Drama. into Critical Thinking and English Writing

Grade 7. Paper MCA: items. Grade 7 Standard 1

Fairfield Public Schools English Curriculum

Access 4 First Read: Paul Revere's Ride

How to use this handout:


Summer Reading Writing Assignment for 6th Going into 7th Grade

I look forward to working with you and your child during the school year. If you have any questions, please feel free to contact me.

2b theatre company. Canada. Suggested Curriculum Links: Year (Level 5-8)

Easy Peasy All-in-One High School American Literature Final Writing Project Due Day 180

Second Grade Art Curriculum

Improvising with The Blues Lesson 3

Prerequisites: Audition and teacher approval. Basic musicianship and sight-reading ability.

Longman Cornerstone Level 1 Unit 3

Book cover analysis. Year 9 writing task. Pupil booklet. Assessing pupils progress in English at Key Stage 3

Personal Narrative STUDENT SELF-ASSESSMENT. Ideas YES NO Do I write about a real event in my life? Do I tell the events in time order?

Composing with Courage

UNIT PLAN. Grade Level: English I Unit #: 2 Unit Name: Poetry. Big Idea/Theme: Poetry demonstrates literary devices to create meaning.

Transcription:

ESSENTIAL QUESTION How was Glam Rock a reaction to the seriousness of popular music at the time? OVERVIEW In the wake of the somber introspection of the Singer-Songwriter movement, Glam Rock brought a sense of theater back to Rock and Roll. OVERVIEW With artists such as James Taylor and Gordon Lightfoot becoming major figures on the international popular music scene, many considered Rock and Roll to be losing its connection to the show. For listeners who grew up with R&B, it was clear that things had shifted. If a James Brown live show included dance, costume, and theatrics, a James Taylor live show included none of that. Earnest, stripped down, often presented by a solo artist with a guitar or piano, the music of the Singer Songwriter movement aimed at intimacy and honesty. Glam Rock was a kind of reaction, an unsettling opening up of the possibilities. It took different forms, from Roxy Music s Pop Art approach to Slade s back-to-basics Rock and Roll to David Bowie s theater of identity. But, across the board, it brought the show back to popular music. This preliminary lesson centers on an investigation of Glam as a reaction. Through a set of comparisons, students will be asked to describe what they see as Glam Rock s fundamental characteristics. BOOK 3: TRANSFORMATION

Upon completion of this lesson, students will: OBJECTIVES 1. KNOW (KNOWLEDGE): The importance of David Bowie, Sweet, Slade, and Roxy Music as exemplars of the Glam Rock tradition The role of theater and the theatrical in Glam Rock performance The differences between the character of Singer- Songwriter performance style and that of Glam Rock 2. BE ABLE TO (SKILLS): Extrapolate arguments about music by assessing sound, mood, tone, instrumentation Draw connections among various print, audio and visual texts Write creatively for personal and/or small group expression Compare and contrast texts, arguments and ideas Common Core: Students will work together to probe the meaning of theatrical and examine how it is used to describe a musical performance (CCSS Reading 5; CCSS Speaking and Listening 1; CCSS Speaking and Listening 2; CCSS Language 5) ACTIVITIES MOTIVATIONAL ACTIVITY: 1. Show the clips of Jackson Browne performing the song Before the Deluge. As they watch, tell students to consider these questions: What is the mood of the performance? Does Browne appear to be focused on the audience as he performs? Describe the performance style as it relates to the conventions of musical showmanship. 2. Show the clip of David Bowie performing the song Rebel Rebel. Ask students to write notes about what they see but wait before they begin to compare the songs and the performance styles.

PROCEDURE: 1. Divide students into pairs. Ask them to pick four adjectives for each of the performances. They could be addressing the clothes, the dance, the music let them be free in what they comment on. 2. After a few minutes, have each pair share their adjectives, while you write the words down. Once the words have been gathered, ask the class to select which words (and, by extension, which artist) relate more to the theatrical possibilities of performance. 3. Once they have done this, ask the class to define what they think theatrical means in relation to musical performance. 4. Lastly, explain that Glam Rock attempted to bring back to Rock and Roll the theater that early Rock and Roll had. By way of illustration, show a clip of Little Richard performing Tutti Frutti. Ask the class if they think he is closer to Glam Rock or the Singer-Songwriter style, and why. SUMMARY ACTIVITY: Show the class two clips: the first of Slade performing Mama Weer All Crazee Now and the second of Sweet performing Blockbuster. Ask the students to explain why, based on these clips, these two acts were grouped in with the Glam Rock moment. EXTENSIONS: 1. Have students read and respond to the article from Rock s Backpages about David Bowie, written by Lenny Kaye. How, they should ask themselves, does Lenny Kaye write about David Bowie s identity, about his theatrical style, about his showmanship? And, lastly, how might he describe a performance by a Singer Songwriter like Jackson Browne? 2. Design and create cover art for a Glam Rock band of your own creation. 3. Assign students to research the artists Andy Warhol and Marcel Duchamp, both of whom are mentioned in the Rock s Backpages article about Roxy Music. Why might those artists be important to a Glam Rock performer such as Bryan Ferry of Roxy Music. For additional information about Ferry, see the two interview clips in the resources.

STANDARDS COMMON CORE STATE STANDARDS College and Career Readiness Reading Anchor Standards for Grades 6-12 for Literature and Informational Text Reading 5: Analyze the structure of texts, including how specific sentences, paragraphs, and larger portions of the text (e.g., a section, chapter, scene, or stanza) relate to each other and the whole. College and Career Readiness Writing Anchor Standards for Grades 6-12 in English Language Arts and Literacy in History/Social Studies, Science and Technical Subjects Speaking and Listening 1: Prepare for and participate effectively in a range of conversations and collaborations with diverse partners, building on others ideas and expressing their own clearly and persuasively. Speaking and Listening 2: Integrate and evaluate information presented in diverse media and formats, including visually, quantitatively, and orally. College and Career Readiness Anchor Standards for Language for Grades 6-12 Standard 5: Demonstrate understanding of figurative language, word relationships, and nuances in word meanings. SOCIAL STUDIES NATIONAL COUNCIL FOR THE SOCIAL STUDIES (NCSS) Theme 1: Culture Theme 4: Individual Development and Identity Theme 5: Individuals, Groups, and Institutions NATIONAL STANDARDS FOR MUSIC EDUCATION Core Music Standard: Responding Analyze: Analyze how the structure and context of varied musical works inform the response. Interpret: Support interpretations of musical works that reflect creators and/or performers expressive intent. Evaluate: Support evaluations of musical works and performances based on analysis, interpretation, and established criteria.

Core Music Standard: Connecting Connecting 11: Relate musical ideas and works to varied contexts and daily life to deepen understanding. RESOURCES VIDEO RESOURCES Jackson Browne Before the Deluge (1976) Slade Mama, Weer All Crazy Now (1972) Sweet Blockbuster (1973) David Bowie Rebel Rebel (1974) FEATURED PEOPLE David Bowie Jackson Browne Roxy Music Slade Sweet