TRICK. written by. Des Nnochiri (Based on his original short story)

Similar documents
(C) Copyright 2011 MAY THE BEST MAN WIN

Lexie World (The Three Lost Kids, #1) Chapter 1- Where My Socks Disappear

THE BENCH. Shawn Martin

FADE IN: A dimly lit, musty, basement. Water drips from old rusted pipes. Rats scurry across the room.

NO JOKE. Written by Dylan C. Bargas

"A Place of Whispers" by Mark Newton. Current Revision: Dated February 15, :48:54 AM

DELUSION. Justin Swartz

(Attending Ms. Johansson) by (Rock Kitaro) Current Revisions by (Current Writer, date)

TRANSYLVANIA'S GOT TALENT. written by. Dave Troop

PEOPLE WHO LIE. written by. Xavier Gonzalez

STUCK. written by. Steve Meredith

NUMBER TWO ECSTASY A SHORT FILM. David Wells

The Movies Written by Annie Lewis

Copyright Thinking Back by

Cupidity. Mike Shelton. Copyright 2007

Option #1: from Halloween (1978) by John Carpenter and Debra Hill

Section I. Quotations

No Clowning Around. Jeffrey Dean Langham

Time We Have Left. Episode 6 "First Day Back" Written By. Jason R. Harris

Lit Up Sky. No, Jackson, I reply through gritted teeth. I m seriously starting to regret the little promise I made

The Haunted GC_Draft 2_BLUE. Rodrigo Torres. 3/2 Margaret St, Stanmore 2048 rodrigo.torres

Night of the Cure. TUCKER, late 20s. ELI, mid-40s. CHRIS, mid-30s

THE GOOD FATHER 16-DE06-W35. Logline: A father struggles to rebuild a relationship with his son after the death of his wife.

SECRETS AND DIRTY LITTLE LIES. written by. Cindy L. Keller

Admit One. Mike Shelton

The Ten Minute Tutor Read a long Video A-11. DRINKS Flavoured Milk $1.80 Plain Milk $0.90 Low Fat Milk $0.90

THE HAPPY GUY. Written By 15-DE05-W029. One man's happy life is the envy of many, but perhaps his life is not so different after all.

To Have and To Hold. Written by???????

On Hold. Ste Brown.

180 By Mike Shelton Copyright 2008

Answer the questions based on the conversation between co-workers Rhonda and Mac:

The Ten Minute Tutor Read-a-long Book Video Chapter 17. Yellow Bird and Me. By Joyce Hansen. Chapter 17 DUNBAR ELEMENTARY PRESENTS

THE ROOM OF DOORS. by Writer 161

THAT revisited. 3. This book says that you need to convert everything into Eurodollars

Midnight Cowboy. Screenplay by Waldo Salt. Copyrighted material for educational use only. Based on the novel by James Leo Herlihy

<This human body> <Mary Higgins> Mary Higgins

ANDROID LOVE ROBERT A. BRAVERMAN

AFTER MOM'S FUNERAL. Julio Weigend

DEATH CAMP. A SHORT FILM BY SEAN COWEN

The Unlikely Last Supper. Mark Moore

AMBEDO. Emily Drake Padgett story by Patricio Camara Rubio. Draft 6 1/21/17. Production Designer Patricio Camara Rubio

The Arms. Mark Brooks.

Scam Man. Jared Dante

Rafe had replayed Maya s words a dozen times since she d said then, assessing and

April... Spring song characters Gus Octavia... Dec Tick Tock Father Time Summer song characters...

Chapter 1 Kirren Island. Blood Ties - Introduction

THE WEIGHT OF SECRETS. Steve Meredith

Michael Rosen s Chocolate Cake Schools Activity Pack

Medusa Script. Written By. Collin Cunningham Brendan McLaughlin Ethan Leisie Aiden Fry Erik Schulz. Based on INCEPTION

HAUNTED MASKED SERIAL KILLER. Written by. D. R. Whiteley

I HAD TO STAY IN BED. PRINT PAGE 161. Chapter 11

WOODLAND GIRL. Written by. Simon K. Parker

The Girl without Hands. ThE StOryTelleR. Based on the novel of the Brother Grimm

Anxiety. Written by. Simon K. Parker

Wipes Clean in Seconds! Written by. Robert j. Lee

RICKEV & AMOS. Written by. Robert Saldivar

English as a Second Language Podcast ESL Podcast 169 Describing People s Appearance

DOES A BEATING JUSTIFY LOVE? A play in two acts. Bernard Mersier

Re(t)con. written by. Moustache de Plume

THE BENCH PRODUCTION HISTORY

Chapter One The night is so cold as we run down the dark alley. I will never, never, never again take a bus to a funeral. A funeral that s out of town

Jubilation Mississippi

IT GAZES BACK. Jon Barton. April 2010

The Lunch Thief! by Rhodora Fitzgerald

Have You Seen Him? Jason Bullock

MAN'S VOICE (V.O.) Today I will find it. Today I will get her back.

PUNCTURE WOUNDS. Written by. Tim Wolfe

LORD HEAR ME ERIC CHANDLER

Fun to Imagine. Richard P. Feynman. BBC 1983 transcript by A. Wojdyla

Conservative. Doug J Robbins

Bereavement. Heaven Collins. 5/2/16 Bellows Free Academy Saint Albans 380 Lake Rd, Saint Albans, VT (802)

A Change of Heart. Christiaan Barnard

THERE WERE THREE. Written By. Brandon Hawkins. Based on, if any

READY JELLY. Written by. Fquira Johannes

Sketch. Charcoal Barrier. Diana Thomas. Volume 29, Number Article 9. Iowa State College

We're going to answer a big, important question. The question is, "What is a topic sentence?" "What is a topic sentence?" Hands and eyes!

S p i r i t o f L a n g u a g e

A Sound of Thunder Pre-Intermediate Level Story

INT. BERNIE'S PRIVATE DETECTIVE OFFICE -- DAY (1942)

YOU LL BE IN MY HEART. Diogo dos Santos Figueira. Leiria, Portugal

A giant stuffed mouse sits buckled in the passenger seat.

The Real Prize. Malcolm is rowing old Joe's rowboat into the Sound. Malcolm. never lets me go with him in the boat; I have to watch from the

Do you chew gum regularly? And then what do you do with it when you have finished?

Happy Trails ! 111 1/2 S. Flores St! Los Angeles, CA 90048! WGA# ! 2014 by Michael Mandell

INSOMNIAC. an original screenplay by. David M Troop

Ronnie & Julie. Simon Colligan.

PUTTING ME DOWN. Written by. Sam Thomas

Dark and Purple and Beautiful

Live and Learn. Super. That was all great but I wanted the dirt on my boyfriend and Hunter. "I've never seen him so head over heels, Rob.

FOR NOW. Paul Knauer.

ANKOU. written by. Anica Moore

Five Fingers Make A Fist. Written By. Felix Hockey 19/08/17

BLAINE WILLIAMS: Okay, Constance uh, tell me about where you grew up.

Speaker 2: Hi everybody welcome back to out of order my name is Alexa Febreze and with my co host. Speaker 1: Kylie's an hour. Speaker 2: I have you

The Sandwich Days. Story by. Matthew Dressel. Written by. Matthew Dressel. And. Phil Vaira & Andrea Walters

COPYRIGHT (C) 2013 THIS SCREENPLAY MAY NOT BE USED OR REPRODUCED WITHOUT THE EXPRESS WRITTEN PERMISSION OF THE AUTHOR.

I SPY WITH LITTLE EYES I SPY WITH MY LITTLE EYES. By Katie Drew

Um... yes, I know that. (laugh) You don't need to introduce yourself!

DEADLY COMPANIONS. Pam Seckinpah

Transcription:

TRICK written by Des Nnochiri (Based on his original short story) Scripped www.desnnochiri.co.cc scripped.com June 16, 2011 Copyright (c) 2011 Des Nnochiri All Rights Reserved

FADE IN EXT. DINGY STREET CORNER - NIGHT Litter, on the sidewalk. A street light, sputtering light to dark. Keeping time with the pulse of neon from restaurants and low-rent dives, to either side. (V.O.) The trick is to look beautiful, and hungry. She does., late teens, early twenties; it's hard to tell. Gorgeous, in a hollow-eyed-pixie kind of way. Wearing provocative tight clothes, under a huge, padded duffle jacket. Could be a hooker, tricking on a cold night. Could simply be a runaway. Could be both. Sofia's eyebrows rise. (V.O.)(CONT'D) I do okay, I suppose. What Mother Nature didn't give me, I pay for. Hungry, now. Hungry's hard. Those fad diets? Low Carb, No Carb, Brown Rice, Protein Shake, whatever. Been there. Done that. Doesn't work. Bulimia's better. Shove a popsicle stick down your throat, kiss those calories goodbye. Yeah, right. And wind up smelling like the walking dead. It's not easy. (V.O.)(CONT'D) But, I guess I'm doing all right. I've, uh... (O.S.) (forties; and that's what he is) approaches. He's a little overweight, average-looking. Face lined by your typical family-guy stress. And, he's nervous. (V.O.) A middle-aged, middle-sized, middle-income type. He's probably taking pity on me, 'cause I look like his daughter. Or niece.

2. I've never done this, before. Sofia gives a lop-sided grin. Slightly mocking. Slightly teasing. Totally charming. You can almost feel its impact, on poor John. Had the Blue Plate, at Safari Sam's? Her smile widens. Cranking up the tease. (CONT'D) It's not that hard. The implication being, it soon will be. Mock formal, Sofia offers her arm. John takes it. Arm-in-arm, they step briskly toward a greasy spoon, around the corner. INT. SAFARI SAM'S DINER - NIGHT Greasy, but not grimy. The decor's pretty tasteful, booths and tables not too tacky. It'll do. At least, that's the impression John gives, as he scopes out the patron, SAFARI SAM (beefy, jovial, fifties), while she mingles with her late-night CUSTOMERS - several of whom are working girl / runaway types, like Sofia. A few with "John's" of their own. Our John's scoping out Sofia, as well. It's warm, in the diner, but Sofia still has her jacket on. Open. Throwing out glimpses of what she's not quite wearing, underneath. SAFARI SAM Here we go. Specials, for my special. Safari Sam lays two dishes out in front of John and Sofia. Sofia grins up at her. That diet hasn't affected her appetite. Sofia alternates between wolfing down the famous Blue Plate, teasing the other customers, and joking around with Safari Sam. John has a few bites of his own Special; finds it good. Drawn in by Sofia's antics, he's loosening up.

3. Sofia leans forward. So. John. Yep. Smith? It's Jones, actually. Kidding. You know, there's an actress, named Sofia-- I know. D'you see her, in that movie? God, she was-- How'd you wind up, here? Just walked in, off the street. Arm in arm with this guy. John, something. Remember? You were there. No, I-- Sofia's an amiable blank; giving nothing away. John backs off. Apologetic smile. Sorry. Force of habit. Be Sensitive, 101. It's how I get all the hot chicks. My wife, now. She's-- Sofia holds one hand up, like a traffic cop. Raises a forkful to her mouth, with the other. Chews, beaming ecstatically. Mmmm... Both hands, now. She makes exaggerated eating gestures, with her knife and fork. Smiles encouragingly, at John. Like a mother enticing her little one to eat his greens. John rolls his eyes.

4. Yeah. But she's won him over. They chow down together in comfortable silence, for a while. Want to get out of here? Okay. INT. SEEDY MOTEL - NIGHT This actually is seedy. And THE OWNER (a sour-faced guy in his forties) looks like he rents the rooms by the hour. And doesn't give a damn who knows. Sofia's with John, leaning up against the scarred wood reception desk. She's hunched into her jacket, arms wrapped tightly together. Shivering. Do you ever turn down the airconditioning, here? No. THE OWNER He slaps a room key on the desk before them. THE OWNER (CONT'D) Room 17. This corridor, first left. Don't leave a mess. John trades some crumpled bills for the key. During the exchange, two other couples from the diner crowd round the desk. One of the johns is slobbering impatiently at his escort's neck. Sofia rolls her eyes at John, as they move away from Reception. Jeezus. Get a room. John cracks a smile. As he starts down the corridor, Sofia throws a look back, toward The Owner. (V.O.) This place is, like, a flesh farm. I swear. Local cops know about it. They're bought, and paid for. Her arms are down by her sides, as she walks. But she's

5. shaking them, in their huge sleeves. A weird circular motion. Like a sprinter, psyching up for the big race. (V.O.)(CONT'D.) And The Owner, he'll get his cut. Outside Room 17. For such a dive, the walls and doors look remarkably solid. Like a vault. Or a crypt. Fumbling, John keys the door open, as Sofia follows. And two sets of wicked-sharp blades snap down, to her fingers. They're exotic looking. Could be ancient weapons. Could be surgical instruments. Could be both. Sofia sweeps back her foot, and the door bangs shut. (V.O.)(CONT'D.) After I've made a few cuts, of my own. FADE TO BLACK