Week I: July 8 15, 2018

Similar documents
Week I: July 9 16, 2017

Amherst Early Music 2018 Central Program Classes, Week II Music of France and the Low Countries: Medieval, Renaissance, and Baroque

Amherst Early Music 2018 Central Program Classes, Week I Music of France and the Low Countries: Medieval, Renaissance, and Baroque

Amherst Early Music Festival 2017 Central Program Classes Week I

SPECIALISATION in Master of Music Professional performance with specialisation (4 terms, CP)

1 Hour IAI F Hours

ARS NOVA RENAISSANCE

3 against 2. Acciaccatura. Added 6th. Augmentation. Basso continuo

The Baroque Period. Better known today as the scales of.. A Minor(now with a #7 th note) From this time onwards the Major and Minor Key System ruled.

1000 PERFORMANCE ATTENDANCE

Ancillae-Assumpta Academy. Fine Arts Program

Early Music Degree structure Index Course descriptions

INSTRUMENTAL MUSIC & CHOIR

INSTRUMENTAL MUSIC & CHOIR

Secular Medieval Music + Medieval Instruments. I. Minstrels. MSC 1003 Music in Civilization Spring Prof. Smey. Session 3 - Tuesday, Feb 6

MUSIC (MUS) Credit Courses. Music (MUS) 1. MUS 110 Music Appreciation (3 Units) Skills Advisories: Eligibility for ENG 103.

Glennie Performing Arts

MUSC 100 Class Piano I (1) Group instruction for students with no previous study. Course offered for A-F grading only.

MUSIC (MUAP, MUEN, MUSI)

ADDITIONAL MUSIC OPPORTUNITIES IN THE JUNIOR SCHOOL FOR 2016 INSTRUMENT TUITION, THEORY OF MUSIC LESSONS, INSTRUMENT HIRE AND ENSEMBLES

AREA DISCIPLINE INTERPRETATIVE

MUSIC (MUSC) Bucknell University 1

NEMC COURSE CATALOGUE

Chamber Music Traced through history.

FIRST HALF. Secular Medieval Music + Medieval Instruments. I. Minstrels. MSC 1003 Music in Civilization, Spring Prof. Smey

EARLY MUSIC AREA PRACTICAL EXAM REQUIREMENTS. General Regulations and Requirements for Examinations and Recitals

MUSIC DEPARTMENT MUSIC PERSPECTIVES: HISTORY OF POPULAR MUSIC A/B /656600

History 2: Middle Ages to Classical

LOVE MUSIC? APPLY NOW TO JOIN THE TASMANIAN YOUTH ORCHESTRA FOR 2018

MUSIC (MUS) Music (MUS) 1

WinterAcademy. MoMo - from Monteverdi to Mozart

LAMONT SCHOOL OF MUSIC

Summer Monday, June 25 Friday, July 27, Somerville School

NOW ENROLLING! MAY-JULY 2016 CLASSES AND ENSEMBLES

Music (MUSIC) Iowa State University

Tafelmusik Baroque Summer Institute 2012

Summer 2017 Monday, June 26 Friday, July 28, 2017

Music. Music 1. Career Directions

Sgoil Lionacleit. Advanced Higher Music Revision

Mary Baker Russell 116: Cheney Music Education Rm

Music. Music 1. Career Directions

The Music of the 17th & 18th Centuries.

INSTRUMENTAL TEACHING PROGRAMME

NEMC COURSE CATALOGUE

THREE-SUMMER MASTER OF MUSIC IN CHORAL CONDUCTING

Music 111: Music Appreciation 1

MUSC 100 Class Piano I (1) Group instruction for students with no previous study. Course offered for A-F grading only.

Department of Music Vocal Pedagogy and Performance Master of Music Degree Placement Examination Program Admission Requirements

Bachelor of Music in Jazz Studies/Composition

2018 UQSO and UQW auditions. Friday 16 th February Nickson Room, School of Music, UQ

The tempo MUSICAL APPRECIATIONS MUSICAL APPRECIATION SHEET 1. slow. Can you hear which is which? Write a tick ( ) in the PIECES OF MUSIC

Music Lessons

MUAR 211 Midterm I Prep. Dido and Aeneas Purcell Texture: imitative polyphony + homophony + word painting (homophonic) Genre: opera Language: English

Bachelor of Music in Jazz Studies/Composition

Music. Faculty: David Berry Joan Griffing (chair) Ryan Keebaugh Sharon Miller James K. Richardson. Major: Music

Music Appreciation Final Exam Study Guide

History 2: Middle Ages to Classical

MUSIC (MUSI) Music (MUSI) 1

--. When we play or listen to this music, we are like time travelling explorers, discovering historic sound and language. Great music is universal

MUSIC (MUS) Composition Sequence This 34 hour sequence requires:

Music. Faculty Rachelle Berthelsen Davis, chair; Asher Raboy, associate chair; Jenelle Anderson

Instrumental Beginner Program Information

Chapter 10. Instrumental Music Sunday, October 21, 12

ST COLUMBAN S COLLEGE

MUSIC COURSES UNDERGRADUATE FACULTY. Explanation of Course Numbers. Bachelor's program. Performance Study. Minors

Music. Nancy Menk, Department Chair 309 Moreau Center for the Arts FACULTY K. Douglas, N. Menk, Z. Munn

Marching Colonels Preseason Schedule August 14 to August 20, :00-9:00 Leadership Team Meeting Foster 212

MAJORING IN MUSIC COURSE LOAD

Broadening your degree with music

MUSIC (MU) Music (MU) 1

Best Practices for Using LCMPT

Tafelmusik Baroque Summer Institute 2018

BAROQUE MUSIC. the richest and most diverse periods in music history.

Arts & Sciences Music and Music Education Bachelor of Arts

Would you like to learn violin

13 Name. 8. (179) Describe "evading the cadence." TQ: What does this accomplish? Grout, Chapter 7 New Currents in the Sixteenth Century

Royal Conservatory School Summer Camps 1

DO WHAT YOU LOVE MAKE MUSIC WITH THE TASMANIAN YOUTH ORCHESTRA IN 2019

MSU Community Music School-Detroit Spring Semester Class Schedule (Classes with less than five students are subject to cancellation.

Mary Baker Russell 116: Cheney Music Education Rm

MUHLENBERG COLLEGE. Music Department Student Handbook

Middle School Course Guide VAPA Courses

GRADUATE AUDITION REQUIREMENTS

MUSIC (MUSI) 100 Level Courses. Music (MUSI) 1

PERFORMING ARTS. Music and Theater Programs

These are the courses that need the information included:

INSTRUMENTAL TUITION BURSARY

Requirements for the aptitude tests at the Folkwang University of the Arts

MSU Community Music School-Detroit Spring Semester Class Schedule (Please note: Classes must have a minimum enrollment of 5 students)

Best Practices for Using LCMPT

MINOR IN MUSIC. Ensembles. Large Ensembles. Note Students enrolled in studio instruction must be concurrently enrolled in an ensemble.

CSU 2018/2019 DEPARTMENT OF MUSIC UNDERGRADUATE APPLICATION

MUSIC (MUS) Music (MUS) 1

It starts with a mindset: Music and the liberal arts are a powerful combination. World-class musicians should also be world-class thinkers.

Performing Arts Co-Curricular Music, Drama, and Theatre Information 2018

Camp COFAC Music High School Strings Video Production

VIEW THIS IN YOUR BROWSER

ABOUT THE QCSYE. generally rehearses on Sundays from 3:30 5:15 p.m.

Flint School of Performing Arts Ensemble Audition Requirements

Music of the Renaissance

Transcription:

Amherst Early Music 2018 Central Program Summary of Classes Music of France and the Low Countries: Medieval, Renaissance, and Baroque NOTE : This is a preview of classes and NOT the final class list. Expect Changes. This summary is a work-in-progress, and is intended merely as an aid to you in deciding which week(s) to attend. Welcome to our exciting Central Program preliminary Summary of Classes. Here we have an outline of classes for each of our two weeks showing the class title in bold with instructors names in normal print. Classes are listed by week and further organized by class period and instrument/voice department. Watch www.amherstearlymusic.org for the full Class Description Sheet in the first week of May or possibly sooner. There you will find complete descriptions, including level and instrumentation for each class, as well as instructions for signing up for classes. This summary of classes is presented in two sections: Week I classes and Week II classes If you have been accepted into *Baroque Academy, *Advanced Intensive, **Ensemble Singing Intensive, **Virtuoso Seminar, the coordinator for your program will be in touch with you about your schedule. *indicates week I, **indicates week II, No star indicates both weeks Amherst Early Music reserves the right to modify program and faculty assignments in response to enrollment and student preference. Week I: July 8 15, 2018 Early Morning Classes, Monday-Friday 9:00 a.m. 10:30 a.m. *Baroque Technique Olsson, Mainz. Master Classes: audit or play Master Classes in recorder, flute, oboe, bassoon, violin/viola, cello, viola da gamba, harpsichord, lute and voice. Some may be audit-only. See full class descriptions, available early May. * Notation Ensemble Powers *Le Caractères de la Danse Lully and his Contemporaries E.Haas *Haunting and Daunting: music of the Ars Subtilior Petersen Renaissance s Berlin *BA Master Class Coolen; audit only *Le Goût Français Diez-Canedo, Kielson *Baroque Master Class Lion; play or audit; meets with Baroque Academy!1

*Oboe Band Verschuren *Shawm Band Nagy Reeds and Brass Bowed Strings *Baroque Academy Violin Master Class Andrijesky; play or audit; meets with Baroque Academy. *Baroque Cello Master Class ter Linden; play or audit; meets with Baroque Academy. *Viol Master Class Cunningham and Pandolfo; audit only *Baroque Academy Violone and Bass Master Class; Lardin and Mortimer; audit only *Baroque String Techniques Starkman *Viol Consort and Technique Bontrager, Ludwig Keyboard *Baroque Academy Harpsichord Master Class A. Haas; audit only. Harpsichord Master Class Sykes; play or audit *Baroque Academy Master Class Diaz-LaTorre; play or audit; meets with Baroque Academy lutes *Audit Baroque Academy Vocal Soloists Master Class Sheehan; audit only. *Audit Baroque Academy Opera Master Class McStoots; audit only. *Vocal Technique: Tips and Tools for the Singer Eagen * Ensemble Powers *Baroque Technique Mainz, Olsson Late Morning Classes, Monday-Friday 11:00 a.m. 12:15 p.m. *A Cappella Vocal Ensemble: Korisheli *Introduction to Renaissance and Baroque Olsson * Orchestra Van Goethem Reeds and Brass *The Antwerp Printers Verschuren!2

Bowed Strings Keyboard *A Cappella Vocal Ensemble: Korisheli *Introduction to Renaissance and Baroque Olsson *Baroque in France Mainz Early Afternoon Classes, Monday-Friday 1:45 p.m. 3:00 p.m. The Art of Basso Continuo Duryee *Poised on the Cusp of the Renaissance Petersen * Technique Kielson *Overtures, Chaconnes, and Airs by Lully and de Lalande Booth *Double Dutch! Music of Willem Wander van Nieuwkerk Coolen *Renaissance s Consort Powers *Fantasies Francaises E.Haas * Master Class Van Loey *Musique pour la Chambre Diez-Canedo Reeds and Brass *Baroque Bassoon Master Class Verschuren; play or audit; meets with Baroque Academy. *Baroque Oboe Master Class Nagy; play or audit; meets with Baroque Academy. *Mouton and Willaert Boenau Bowed Strings *Viol Consort and Technique Cunningham and Pandolfo *Baroque Strings: Les Violins du Roi Lekx *The Art of Basso Continuo Duryee *Airs de Cour Eagen, Priset *Airs de Cour Eagen, Priset Keyboard!3

*Songbooks of the Loire Valley Horst * Rehearsal & Practice Late Afternoon Classes, Monday-Friday 3:30 p.m. 4:45 p.m. *Beginning Viol Bontrager *Beginning Priset *Beginning/Intermediate Frame Drum Wiegand *Introduction to Playing/Singing from Petersen *On the Road with Pierre de la Rue Horst *The Orpheus of Amsterdam: Music of Jan Pieterszoon Sweelinck Kielson *Renaissance s: Chansons convenables a la fleuste dallemant Haas Reeds and Brass Bowed Strings *Beginning Viol Bontrager Keyboard *Beginning Priset!4

*Introduction to Playing/Singing from Petersen Percussion *Beginning/Intermediate Frame Drum Wiegand *Introduction to Playing and Singing from Petersen * Rehearsal Mainz, Olsson Renaissance Theory Ludwig Theory See next page for Week II classes!5

Summary of Classes (Preliminary; expect changes) Week II: July 15-22, 2018 Early Morning Classes, Monday-Friday 9:00 a.m. 10:30 a.m. **A Little Song and O Brien ** Island (Poly)rhythm: Music in Medieval Cyprus Cowart **French Baroque for the Confused Melville Audit a Master Class **A Little Song and O Brien **La Fleur des Chansons et Danseries Beets **French Baroque for the Confused Melville **From Dufay to Josquin Berlin **Lully and Charpentier Streeter **Renaissance s Consort Cook, Spanhove **French Baroque for the Confused Melville **A Little Song and O Brien **Sackbut Becu **Cornetto Tollaksen **Shawm and Dulcian Stillman, Verschuren Reeds and Brass Bowed Strings **Medieval Bowed Strings: French Motets from Montpellier to Machaut Springfels **Viol Excelsior: La Viole Parle Rozendaal, Bontrager **La Fleur des Chansons et Danseries Beets **A Little Song and [RTop1.2] O Brien **French Baroque for the Confused Melville **Harpsichord Master Class Cok Keyboard **A Little Song and [RTop1.2] O Brien **Vocal Master Class Dellal; audit only, or by permission of instructor Percussion **A Little Song and [RTop1.2] O Brien!6

** Ensemble and Theory Horst, Petersen, Powers **New London Assembly: In Print and In Manuscript: the s of the John Playford Era Callens Late Morning Classes, Monday-Friday 11:00 a.m. 12:15 p.m. **A Cappella Vocal Ensemble Williams **Beginning Dulcian Merriman **New London Assembly Presentations by NLA faculty. ** Orchestra: Musical Mosaic Through Time Van Goethem Reeds and Brass **Double and Triple Choir for Loud Instruments Becu, Verschuren **Beginning Dulcian Merriman Bowed Strings **Viol Excelsior: La Viols Danse Rozendaal **Viol Excelsior: The 17th-Century French Fantaisie for Viols Ludwig **Vermeer s Lady Cok **A Cappella Vocal Ensemble Williams Keyboard **New London Assembly Presentations by NLA faculty Percussion Early Afternoon Classes, Monday-Friday 1:45 p.m. 3:00 p.m. **The Art of Basso Continuo Cok ** Music at Versailles Streeter **Renaissance s Consort Power ** Master Class Stern ** Music at Versailles Streeter **Practice Practicing Spanhove!7

**Why did I write that? Because I CAN! The Incredible Ars Subtilior Horst **Consort Music of the French Baroque Melville ** Music at Versailles Streeter **Consort Music of the French Baroque Melville **Giaches de Wert Tollaksen **Clemens and Crequillon Boenau **Canti C Stillman **Orlande de Lassus Verschuren Reeds and Brass Bowed Strings ** Music at Versailles Streeter **Viol Excelsior: La Viols Chant Rozendaal **Viol Excelsior: Adapt and Evolve Bontrager **The Art of Basso Continuo Cok ** Music at Versailles Streeter ** Music at Versailles Streeter Keyboard Percussion **Tambourine and Frame Drum Velez ** Ensemble: The Frenchmen of Canonici 213 Cook ** Ensemble: Avignon and the Lusignans Petersen **New London Assembly: Modern Treasures Foster **New London Assembly: Notation and Reconstruction Callens and Marsh Late Afternoon Classes, Monday-Friday 3:30 p.m. 4:45 p.m. **Medieval/Renaissance/Baroque - What s the Difference? Blaker **Tambourine and Frame Drum for Beginners Velez!8

**Medieval/Renaissance/Baroque - What s the Difference? Blaker **Jan Pieterszoon Sweelinck in Concert Verhagen **Binchois the Chaplain: Binchois s Sacred Works Cook Reeds and Brass **Josquin and Gombert Merriman **Cantiones Sacrae Boenau **Hapsburg Choirbook Project Becu, Stillman Bowed Strings **Medieval/Renaissance/Baroque - What s the Difference? Blaker **Viol Excelsior: Repas Musical Ludwig **Viol Excelsior: Please Send Regretz Springfels Keyboard Percussion **Tambourine and Frame Drum for Beginners Velez **Introduction to Playing/Singing from Renaissance Notation faculty TBA **Pierre de la Rue: Total Immersion! Marsh **French Double: Busnois and Ockeghem Horst **New London Assembly: New Reconstructions of Old s Swaine!9