Bibliography A. SOCIOLOGY OF LITERATURE AND ART

Bibliography A. SOCIOLOGY OF LITERATURE AND ART Albrecht, M. c., Barnett, J. H. and Griff, M. (eds) (1970), The Sociology of Art and Literature: A Reader (New York, Prager). Antal, F. (1948), Florentine Painting and Its Social Background (London, Routledge & Kegan Paul). Barker, F. et al. (eds), (1977), Literature, Society and the Sociology of Literature (Colchester, University of Essex). -- et al. (1978), 1848: the Sociology of Literature (Colchester, University of Essex). Escarpit, R. (1971), Sociology of Literature (London, Frank Cass). Goldmann, L. (1970), 'The Sociology of Literature: Status and Problems of Method' in Albrecht et al. --(1964), The Hidden God (London: Routledge & Kegan Paul). --(1972), Racine (Cambridge: Rivers --(1975), Towards the Sociology of the Novel (London, Methuen). -- (1976), Cultural Creation in Modern Society (St Louis: Telos --(1978), 'The Balcony: a Realist Play', Praxis, 4 (1st pub., 1960). -- (1980), Method in the Sociology of Literature (St Louis, Telos Hall, J. (1979), The Sociology of Literature (London, Longman). Hauser, A. (1968), The Social History of Art, 4 vols. (London, Routledge & Kegan Paul). -- (1963), The Philosophy of Art History (New York, Meridian Books). --(1982), The Sociology of Art (London, Routledge & Kegan Paul). Laurenson, D. (ed.) (1977), The Sociology of Literature: Applied Studies (Keele: Sociological Review Monograph). Laurenson, D. and Swingewood, A. (1972), The Sociology of Literature (London, Paladin). Leavis, Q. D. (1983), Collected Essays: the Englishness of the English Novel (Cambridge University Lowenthal, L. (1957), Literature and the Image of Man (Boston, Beacon -- (1980), 'Interview with H. Dubiel', Telos, no. 45 (Autumn 1980). 153

154 Bibliography Orr, J. (1977), Tragic Realism and Modern Society (London, Macmillan). --(1981), Tragic Drama and Modern Society (London, Macmillan). Routh, J. and Wolff, J. (eds), 'The Sociology of Literature: Theoretical Studies' Sociological Review Monograph (Keele). Sayre, R. (1980), 'Lowenthal, Goldmann and the Sociology of Literature', Telos, no. 45 (Autumn 1980). Simmel, G. (1965), Essays on Sociology, Philosophy and Aesthetics (New York, Harper & Row). --(1978), The Philosophy of Money (London, Routledge & Kegan Paul). Trilling, L. (1964), The Liberal imagination (London, Secker & Warburg). Williams, R. (1983), Writing in Society (London, New Left Books). Wolff, J. (1981), The Social Production of Art (London, Macmillan). -- (1983), Aesthetics and the Sociology of Art (London, Allen & Unwin). (i) Texts B. MARXISM LITERATURE AND ART Adorno, T. W. (1977), Article on Lukacs in Bloch et a/., Aesthetics and Politics (London, New Left Books). -- (1945), 'A Social Critique of Radio Music', Kenyon Review (Spring). -- (1967), Prisms: Cultural Criticism and Society (London, Spearman). --(1973), 'Letters to Walter Benjamin' New Left Review, no. 8l. --(1984), Aesthetic Theory (London, Routledge & Kegan Paul). Althusser, L. (1969), For Marx (London, Allen Lane). --(1971), Lenin and Philosophy (London, New Left Books). Baliber, E. and Macherey, P. (1982) 'Marxist Theses on Literature and the Category of Reflection', in Young (1982) Benjamin, W. (1970), Illuminations (London, Jonathan Cape). --(1973), Understanding Brecht (London, New Left Books). Bloch, E. et al. (1977), Aesthetics and Politics (London, New Left Books). Brecht, B. (1974), 'Against Georg Lukacs', New Left Review, no. 84.

Bibliography 155 --(1979), On Theatre (London, Methuen). Goldmann, L. (1977), Lukacs and Heidegger (London: Routledge & Kegan Paul). Gramsci, A. (1971), Prison Writings (London, Lawrence & Wishart) Horkheimer, M. (1972), Critical Theory (New York, Herder). Horkheimer, M. and Adorno, T. W. (1973), Dialectic of Enlightenment (London, Allen Lane). Lunacharsky, A. (1965), On Literature and Art (Moscow, Progress Publishers). Lukacs, G. (1962), The Historical Novel (London, Merlin). --(1963), The Meaning of Contemporary Realism (London, Merlin). -- (1964), Studies in European Realism (New York, Grosset & Dunlap). --(1965), Essays on Thomas Man (London, Merlin). --(1968), Goethe and His Age (London, Merlin). --(1969), 'Dostoevsky' in Wellek, R. (1969). --(1970), Writer and Critic (London, Merlin). --(1971), Theory of the Novel (London, Merlin). --(1977), Article on Adorno in Bloch et al. (1977). --(1980), Essays on Realism (London, Lawrence & Wishart). Macherey, P. (1978), A Theory of Literary Production (London, Routledge & Kegan Paul). Marcuse, H. (1969), Negations (London, Allen Lane). --(1979), The Aesthetic Dimension (London, Macmillan). Marx, K. (1859); 1971 edn., A Contribution to the Critique of Political Economy (London, Lawrence & Wishart). Marx, K. and Engels, F. (1965), The German Ideology (London, Lawrence & Wishart). Marx, K. and Engels, F. (1976), On Literature and Art (London: Lawrence & Wishart). Plekhanov, G. (1953), Art and Social Life (London, Lawrence & Wishart). Sartre,]. P. (1965), The Problem of Method (London, Methuen). Trotsky, L. (1957), Literature and Revolution (New York: Russell & Russell). --(1970), On Literature and Art (New York, Merit). Williams, R. (1977), Marxism and Literature (London: Oxford University

156 Bibliography (ii) Critical Commentary Althusser, L. (1976), Essays in Self Criticism (London, New Left Books). Demetz, P. (1967), Marx, Engels and the Poets (Chicago University Eagleton, T. (1975), Marxism and Literary Criticism (London, Methuen). --(1976), Criticism and Ideology (London, New Left Books). Heller, A. (ed.), (1983), Lukacs Revalued (Oxford, Blackwell). Jameson, F. (1974), Marxism and Form (London, Princeton University Jay, M. (1973), The Dialectical Imagination (London, Heinemann). --(1984), Adorno (London, Fontana). --(1984), Marxism and Totality (Brighton, Harvester Lifshitz, M. (1973), The Philosophy of Art of Karl Marx (London, Pluto Lunn, E. (1982), Marxism and Modernism: an Historical Study of Lukacs, Brecht, Benjamin and Adorno (University of California Parkinson, G.H.R. (1977), Georg Lukacs (London, Routledge & Kegan Paul). Prawer, S. S. (1976), Karl Marx and World Literature (London, Oxford University Slaughter, C. (1980), Marxism, Ideology and Literature (London, Macmillan). Swingewood, A. (1977), The Myth of Mass Culture (London, Macmillan). Thompson, E. P. (1978), The Poverty of Theory (London, Merlin). C. FORMALISM, STRUCTURALISM AND LITERARY THEORY Auerbach, E. (1957), Mimesis (New York, Anchor Books). Bakhtin, M. (1968), Rabelais and His World (London, MIT -- (1981), The Dialogic Imagination (London, University of Texas --(1984), Problems of Dostoevsky'S Poetics (Manchester University BakhtinNolosinov, (1973), Marxism and the Philosophy of Language (New York: Seminar Bann, S. and Bowlt, S. (eds), (1973), Russian Formalism (Edinburgh

Bibliography 157 University Barthes, R. (1964), On Racine (New York: Hill & Wang). --(1967), Writing Degree Zero (London, Jonathan Cape). --(1973), Mythologies (London, Paladin). --(1975), StZ (London, Jonathan Cape). --(1977), Image: Music Text (London, Fontana). --(1971), 'Style and its Image' in Chapman, (1971). Belsey, C. (1980), Critical Practice (London, Methuen). Bennett, T. (1979), Formalism and Marxism (London, Methuen). Booth, W. (1961), The Rhetoric of Fiction (London, University of Chicago Burger, P. (1984), Theory of the Avant-Garde (Manchester University Chapman, S. (ed.) (1971), Style in Language (London, Oxford University Culler, J. (1975), Structuralist Poetics (London, Routledge & Kegan Paul). --(1981), The Pursuit of Signs (London: Routledge & Kegan Paul). Derrida, J. (1970), 'Structure, Sign, and Play in the Discourse of the Human Sciences' in Macksey and Donato (1970). -- (1978), Writing and Difference (London: Routledge & Kegan Paul). Doubrovsky, S. (1973), The New Criticism in France (London, Chicago University Eagleton, T. (1983), Literary Theory (Oxford, Blackwell). Eco, U. (1978), A Theory of Semiotics (London, Macmillan). --(1981), The Role of the Reader (London, Hutchinson). Eichenbaum, B. (1974), 'The Making of Gogol's The Overcoat' in Maguire (1974). -- (1978), 'Literary Environment' in Matejka and Pomorska (1978). -- (1979), 'Concerning the Question of the "Formalists" in Pike (1979). Eliot, T. S. (1975), Selected Prose (London, Faber). Erlich, V. (1981), Russian Formalism (New Haven, Conn.: Yale University Fekete, J. (1977), The Critical Twilight (London, Routledge & Kegan Paul). Fish, S. (1970), 'Literature in the Reader', New Literary History (Autumn 19 ). --(1972), Self-Consuming Artefacts (University California Frye, N. (1957), Anatomy of Criticism (London, Princeton University

158 Bibliography -- (1983), The Critical Path: an Essay on the Social Context of Literary Criticism (Brighton, Harvester Hawkes, T. (1977), Structuralism and Semiotics (London: Methuen). Hirsch, E. D. (1976), Validity in Interpretation (London: Yale University Ingarden, R. (1973), The Literary Work of Art (Evanston, Ill., North Western University Iser, W. (1975), The Implied Reader (Baltimore, John Hopkins University --(1978a), The Act of Reading (London, Routledge & Kegan Paul). --(1978b), 'Narrative Strategies as a Means of Communication' in Valdes, M. J. and Miller, O. J. Interpretation of Narrative (University of Toronto Jakobson, R. (1978), 'On Realism in Art' in Matejka and Pomorska (1978). Jameson, F. (1974), The Prison-House of Language (London, Princeton University --(1981), The Political Unconscious (London, Methuen). Jauss, H. R. (1982), Toward an Aesthetic of Reception (Brighton, Harvester Kermode, F. (1969), The Sense of an Ending (London, Oxford University Knights, L. C. (1962), Drama and Society in the Age of Jonson (London, Penguin Books). Kristeva, J. (1981), Desire in Language (Oxford, Blackwell). Leavis, F. R. (1962a), The Great Tradition (London, Penguin Books). --(1962b), The Common Pursuit (London, Penguin Books). --(1972), Nor Shall My Sword (London, Chatto). --(1978), Revaluation (London, Penguin Books). Lemon, L. T. and Reiss, M. (eds.), (1965), Russian Formalist Criticism: Four Essays (Lincoln, University of Nebraska Levi-Strauss, c. (1977), Structural Anthropology (London, Allen Lane); (contains valuable essay on Propp). Lunacharsky, A. V. (1979), 'Formalism in the Science of Art' in Pike (1979). Macksey, R. and Donato, E. (eds.), (1970), The Structumlist Controversy (London, John Hopkins University Maguire, R. (ed.), (1974), Gogol from the Twentieth Century, (London, Princeton University Matejka, L. and Pomorska, K. (eds.), (1978), Readings in Russian

Bibliography 159 Poetics (London, MIT Medvedev, P. and Bakhtin, M. (1978), The Formal Method in Literary Scholarship (London( John Hopkins University Mukarovsky, J. (1977), The World and Verbal Art (London, Yale University -- (1978), Structure, Sign and Function (London, Yale University -- (1979), Aesthetic Function, Norm and Value as Social Facts (University of Michigan Mulhearn, F. (1979), The Moment of Scrutiny (London, New Left Books). Norris, C. (1982), Deconstruction (London, Methuen). Pike, C. (ed.), (1979), The Futurists, the Formalists and the Marxist Critique (London, Ink Links Poggioli, R. (1968), The Theory of the Avant-Garde (London, Harvard University Propp, V. (1968), Morphology of the Fairy Tale (University of Texas Richards, I. A. (1963), Principles of Literary Criticism (London, Routledge & Kegan Paul). Riffaterre, M. (1978), Semiotics of Poetry (London, Methuen). Sartre, J. P. (1962), Literature and Existentialism (New York Citadel Saussure, F. de, (1974), Course in General Linguistics (London, Fontana). Shukman, A. (ed.), (1983), Bakhtin School Papers (Oxford, University of Essex); (includes papers by Bakhtin and Medvedev). Spitzer, L. (1948), Linguistics and Literary Theory (London, Princeton University Strickland, G. (1981), Structuralism or Criticism (London, Cambridge University Swingewood, A. (1975), The Novel and Revolution (London, Macmillan). Thorley, G. (1983), Counter-Modernism in Current Critical Theory (London, Macmillan). Todorov, T. (1976), 'The Origin of Genres' New Literary History (Autumn). --(1977), The Poetics of Prose (Oxford, Blackwell). --(1980), The Fantastic (New York, Cornell University --(1982), An Introduction to Poetics (Brighton, Harvester Tynyanov, Y. (1978), 'Literary Evolution' in Matejka and Pomorska.

160 Bibilography Tynyanov, Y. and Jakobson, R. (1978), 'Problems in the Study of Literature and Language' in Matejka and Pomorska (1978). Watt, I. (1962), The Rise of the Novel (London, Penguin Books). Weimann, R. (1977), Structure and Society in Literary History (London: Lawrence & Wishart). Wellek, R. (1967), Concepts of Criticism (London, Yale University --(ed.), (1969), Dostoevsky (New York, Prentice-Hall). --(1971), Discriminations (London, Yale University --(1984), The Attack on Literature (Brighton, Harvester Wellek, R. and Austin, W. (1963) Theory of Literature (London, Penguin Books). Williams, R. (1963), Culture and Society (London, Penguin Books). --(1965), The Long Revolution (London, Penguin Books). --(1976), Drama from Ibsen to Eliot (London, Penguin Books). --(1981), Culture (London, Fontana). Wimsatt, W. K. (1970), The Verbal Icon (London, Methuen). Young, R. (ed.), (1982), Untying the Text (London, Routledge & Kegan Paul). D. OTHER WORKS Abercrombie, N., Hill,S., and Turner, B. S. (1980), The Dominant Ideology Thesis (London, Allen & Unwin). Gadamer, H.-G., (1975), Truth and Method (London, Sheed & Ward). Foucault, M. (1972), The Archaeology of Knowledge (London, Methuen). -- (1977), Language, Counter-Memory, Practice (Oxford, Blackwell). --(1984), The History of Sexuality (London, Penguin Books). Mayakovsky, V. (1970), How are Verses Made? (London, Jonathan Cape). Mayer, M. (1974), Ibsen (London, Penguin Books). Zamyatin, E. (1970), A Soviet Heretic (New York, Viking).

Index Adorno T. W., 61-7, 77, 82-3, 90, 91, U9-31, 133, 143 A-Effect, 86-9 aesthetic distance, 53-4, 144-7 aesthetic essentialism, 67, 91 aesthetic function, 69-71 aesthetic subversion, 6fr.7 aesthetic truth, 64-7 allegory, U8-9 Althusser, L., 93-4 Antal, F., Ul-2 Aristotle, 3-4, 58, 85 Auerbach, E., 123-4, 131 Austen, ]., 111-U authorial intention, 11~16 avant-garde, 64-5, U6, 133-4 Bakhtin, M. M., 7, 18, 19-25,34,35,60, 68,74,89,97,100-1,104-9,lU, 118, U0-1, 136-7, 141 Bakhtin School, 7, 18-19,99 Balzac, H., 38, 42-3, 57-9, SO, 100, 101, 118, 123, 130, 131 Barthes, R., 72, 115, UO, 137-42 Baumgarten, A. A., 36 Baudelaire, c., 82-3, 146 Base and superstructure, 8-10, 37, 39-40,113-14,140-1. Beckett,S., 64 Beethoven, L., 64 Benjamin, W., 64, 80-4, 88,130 Bennett, A., SO Bennett, T., 151 Bloch, E., 61, 63 Brecht, B., 65,BO, 84-9,93,97 Burger, P., 133-4, 148 culture, 51-4,106-9, 1U-13 cultural creation, 72-3 cultural industry, 64 cultural reproduction, 84 critical realism, 54-5, 111, U6-7 critical theory, 63-7 Dadaism, 81, 133-4 Darwin, c., 44, 45 decentred structure, 137-42 Deconstructionism, 140-2 Derrida, ].,137 detective novel, 103-4 dialectical image, 82-3 dialogic communication, 34, 77~, 100 dialogic structuralism, 74 dialogism, 22-5, 89,108-9,118,135 Dickens, C., 15,57,SO, 100, 104, 130 Diderot, D., 100, 118 Dilthey, W., 6 discourse, 78, UO, 130-1 discourse theory, 13~7, 138-42 dominant, 17 Dostoevsky, F., 22, 23-4, 59-60,101, 104,108-9, 118, 131, 141 Doubrovsky, 5., 29, 30 Eagleton, T., 96, 109, 151 Eco, U., 141, 142, 146, 147, 148 Eichenbaum, B., 11, U, 15, 16-17,49 Eliot, T. 5., 110-11 Engels, F., 41-4 epic, 105, U7 everyday life, 91, 93, 100, 114-15, 132, 133 Expressionism, 55, 64, U6 Carnival, 106-9 carnivalised literature, 107 catharsis, ~7 Celine, L.-F., 47, 49 Chomsky, N., 138 civil society, 113 classical aesthetics, 54 commitment, 64-5 culinary drama, 86, 93 Culler, ]., 138 161 fellow-travellers, 47~ Fish,S., 138, 141 Flaubert, G., 9, 58,111, U6, 146 Foucault, M., 115, 136 Freud,S.,95 Frye, N., 4,~, 102, 118 Gaskell, Mrs, 92 Gadamer, H.-G., 7, 144 Genet, J., 33, U4-5

162 Index genetic structuralism, 26-32, 71-4, 116 genre, 21, 102-9, 118 Goethe, 55 Gogol, N., 12 Goldmann, L., 7, 25-34, 35, 54, 71-4, 90,95,102,115-16,124-5 Gramsci, A., 11~15, 151 Greek art, 38-40, 42 Guyau, ].-M., 37 Harkness, M., 42-3 Hauser, A., 142 Hegel, G. W. F., 36-7, 39, 40, SO, 94 Hegelianism, 25, 34 hermeneutics, 6-7,10,33,35,50-1,143 historical truth, 90 historicism, 36, 58--60, 72, 78, 88, 90, 114-15, 145 Hoffmann, E. T. A., 118 Homer, 39,40, 105, 123 horizons of expectancy, 144-7 Horkheimer, M., 61-3 Hugo, V., 123 Ibsen, H., 87 ideology, 20, 23,39,42-3,64-5,80, 88-98, 109, 110, 114, 127, 152 implied reader, 146--8 interpretative sociology, 50 intertextuality, 143 Iser, W., 146--8 literary competence, 138-9 literary system, 15-16, 19 London, ]., 47 Lowenthal, L., 30-1 Lukacs, G., 10-11,25-6,34,54-60,61, 64,78,84-8,90,95,105-9,111, 125-31 Lunacharsky, A., 9,17 Macherey, P., 94-8 Malraux, A., 33, 48 Mann, T., 54,100,111 Marcuse, H., 61, 65-7,132 Marx, K., 8, 37-44, 79-80, 90 mass culture, 62-3, 103, 111-12 mass society, 34,103,134,146 Mayakovsky, V., 11,48,81, 133 mediation, 61, 64-5 Mehring, F., 9, 44, 46 Menippean satire, 101, 109, 118 mimesis, 36, 58, 60, 129-31 modernism, 125-31, 140-2, 144 Moliere, 31 monologic 23 Mozart, W. A., 93, 122-3 Mukarovsky, ].,67-71,74,143 naturalism, 55, 111 O'Henry,15 open texts, 146--8 ]akobson, R., 12, 15-16, 17, 131 Jameson, F., 103, 151 ]ansenism, 28,31-2 ]auss, H., 7, 111-12, 14~9 Joyce, ].,111,122,123,126,127,128, 144, 147 Kafka, F., 54,128-31 Kampf, L., 151 Kant, I., 36, 37, 44, 45-6, 50-1, 73-4 Kermode, F., 132 Kristeva, ].,25,137 language system, 67-8 Lassalle, F., 38-9 laughter, 107-9 Lawrence, D. H., 111 Leavis,F.R., 110-12,117,139,141, 142 Leavis, Q. D., 101, 115 Lenin, V. I., 117 Levi-Strauss, c., 68, 72, 137 liberalism, ISO literariness, 12, 13 Pascal, 28-34 perspectivism,57 Piaget, ]., 26-7 Pilnyak, B., 47-8 play element in culture, 45-6 Plekhanov, G., 9-10, 43, 44-6, 49 Poggioli, R., 134 polyphonic novel, 101, 109, 141, 147 polyphony, 23, 60,141 popular culture, 106-9, 112, 126 positivism, 11,26,37, SO, 73, 116 post-structuralism, 137-42 potential consciousness, 27-8 Prague Linguistic Circle, 67 production theory, 79-84 Propp, V., 68 Rabelais, 22, 101, 106-7, 108, 118 Racine, 28-34, 116, 117 Raskin,]., 109 realism, 10,42-3,54-60,64-5,84-8, 105, ~, 125-31 reification, 33, 62-3, 64

Robbe-Grillett, A., 33 Russian Formalism, 4,11-18,25,35, 48-9,68-9,99-100,104,120 Russian Futurism, 11, 81 Sartre, J.-P., 65, 116-17, 124, 125, 133, 148 Saussure, F., 12-13,22,67-8 Schiller, F., 36 Scott, W., 56-7,123,130 semiotics, 141-2 Shakespeare, W., 37-8 Shklovsky, V., 1~15, 17,20,86,104 Simmel, G., 26, 33, 50--4 sociological equivalent, 10 Spencer, H., 37, 45 Spitzer, L., 120 Stendhal, 59, 123, 130 Sterne, L., 14 Structuralism, 69-71 style, 119-22 Sue, E.,38 symptomatic reading, 95-6 Taine, H., 8, 9, 37, 43 tendentiousness in art, 42-3 Index 163 Todorov, T., 6,135-6 Tolstoy, L., 59,126-7 totality, 26, 52-3, 54-8, 61, 94-5,105, 125-7 tradition, 108, 109-13, 145 tragedy, 38-9, 5~ tragic vision, 28-30 Trilling, L., 4,109-10 Trotsky, L., 17-18,46-50 Tynyanov, Y., 13, 15-16, 19,99-100 typicality, 43, 58-9 Verne, J., 96 voluntarism, 116-17 Weber,~., 10,26,33,50 Wellek, R., 151 Williams, R., 91-2,114 Wolff, J., 149 Wolff, V., 123 Wolfflin, H., 99,119-20 world view, 28-34, 48, 72-4,95 Zamyatin, E., 132 Zola, E., 58,126-7