Direct and Indirect Discourse in Koine Greek Rodney J. Decker, ThD Baptist Bible Seminary 2011

Similar documents
OKLAHOMA SUBJECT AREA TESTS (OSAT )

winter but it rained often during the summer

Cedar Rapids Community School District

Table of Contents. Essay e-comments Page #s

Longman Academic Writing Series 4

What s New in the 17th Edition

ELA, GRADE 8 Sixth Six Weeks. Introduction to the patterns in William Shakespeare s plays and sonnets as well as identifying Archetypes in his works

Reported (Indirect) Speech: Discovering the rules from Practical English Usage

INDEX. classical works 60 sources without pagination 60 sources without date 60 quotation citations 60-61

District of Columbia Standards (Grade 9)

Write It Right: Brenda Lyons, Ed.D. Say It Right

General Educational Development (GED ) Objectives 8 10

ANSWERS TO EXERCISES: CHAPTER 9

The Grass Roots for the ACT English Exam

Basic English. Robert Taggart

Kinds of Sentences Declarative Imperative Interrogative Exclamatory Forms of Sentences Simple Compound Complex

Similarities in Amy Tans Two Kinds

CAPITALIZATION AND PUNCTUATION. Week 17-23

ACT English Test. Instructions. Usage and Mechanics Punctuation (10 questions) Grammar and Usage (12 questions) Sentence Structure (18 questions)

Oak Meadow. English Manual for Middle School. Oak Meadow, Inc.

Forty-Four Editing Reminders

ESL 340: Indirect Speech. Week 6, Tue. 2/20/18 Todd Windisch, Spring 2018

ENG206: Literary Analysis and Composition II

Learning and Teaching English through the Bible: A Pictorial Approach BIBLE STUDY WORKBOOK PROSE

The Ant and the Grasshopper

S-V S-V-AC S-V-SC S-V-DO S-V-IO-DO S-V-DO-AC S-V-DO-OC THERE ARE SEVEN BASIC SENTENCE PATTERNS.

Practice: Editing Rules/Bell Ringer Rules. 3) Since Mr. Alig did not have time to grade, the quizzes have *** on his desk since last night.

Literary Analysis and Composition II

Frances Kelsey Secondary School. English 10. Learning Guide 1

Standard 2: Listening The student shall demonstrate effective listening skills in formal and informal situations to facilitate communication

Correlation to Common Core State Standards Books A-F for Grade 5

Arkansas Learning Standards (Grade 10)

Q-Tips (Tips on Using Quotations)

In this course, students build on their language skills while reading classic and modern works of literature and improving their writing skills.

At the Movies. Please watch this 2 min movie trailer (Disney Movie, Big Hero 6). Then you can talk about it while you are answering these questions.

In years 3, 4 and 5 children are expected to: Read daily at home. Bring library books back to school every week. If the library book is unfinished,

Paper Evaluation Sheet David Dolata, Ph.D.

Name. and. but. yet. nor

Glossary alliteration allusion analogy anaphora anecdote annotation antecedent antimetabole antithesis aphorism appositive archaic diction argument

Arkansas Learning Standards (Grade 12)

Cambridge International Examinations Cambridge Primary Checkpoint

From Page to Screen: The Rhetoric of Tolkien and Jackson s The Lord of the Rings Trilogy

Graphic Texts And Grammar Questions

RESEARCH PAPER. Statement of research issue, possibly revised

EIGHTH GRADE RELIGION

A Guide to Writing Papers in Dr. Ruggiano s Classes. Tips for Students at All College Levels

Video Managing stress by BBC

Developed in Consultation with Tennessee Educators

American Psychological Association (APA) Formatting Guide

Mrs. Kragen, 35 December 11, The Phantom Tollbooth. by Norton Juster

PUNCTUATION. Copyright by Pearson Education, publishing as Longman Aaron, The Little, Brown Compact Handbook, Sixth Edition

Table of Contents TABLE OF CONTENTS

Style Sheet Elk Lake Publishing Inc. (ELPI)

Week 3 10/12/11. Book p Booklet p.26. -Commands can be affirmative or negative. -the subject you is not stated.

Rubrics & Checklists

STUDENT: TEACHER: DATE: 2.5

Modifiers. Directions Write adverb, adjective, or prepositional phrase to identify each underlined modifier. 1. Most bats fly quickly.

Key stage 2 - English grammar, punctuation and spelling practice paper

English Usage/Grammar/ Punctuation Review

MECHANICS STANDARDS IN ENGINEERING WRITING

SOL Testing Targets Sentence Formation/Grammar/Mechanics

Correlated to: Massachusetts English Language Arts Curriculum Framework with May 2004 Supplement (Grades 5-8)

Evaluating the Elements of a Piece of Practical Writing The author of this friendly letter..

Misc Fiction Irony Point of view Plot time place social environment

Course Essential Questions:

CST/CAHSEE GRADE 9 ENGLISH-LANGUAGE ARTS (Blueprints adopted by the State Board of Education 10/02)

Section 1: Reading/Literature

Second Grade ELA Third Nine-Week Study Guide

On the Common Goods. Dr. Gregory Froelich

Curriculum Map: Academic English 10 Meadville Area Senior High School

of all the rules presented in this course for easy reference.

Charles Ball, "the Georgian Slave"

Useful Definitions. a e i o u. Vowels. Verbs (doing words) run jump

K-12 ELA Vocabulary (revised June, 2012)

ALAMO HEIGHTS INDEPENDENT SCHOOL DISTRICT ALAMO HEIGHTS HIGH SCHOOL

Glossary of Rhetorical Terms*

God helps us. 1 Samuel 17. First 15 minutes of the service hour: Engage kids in cooperative play activities to help them connect to other kids

Author Guidelines Foreign Language Annals

Grade 4 Overview texts texts texts fiction nonfiction drama texts text graphic features text audiences revise edit voice Standard American English

LIS 489 Scholarly Paper (30 points)

Indirect or Reported speech is used when we give our own version of what someone has said.

The Phantom Tollbooth. by Norton Juster

ELA/Literacy Released Items Grade 9 Conventions. Sample Student Responses (from all 3 released tasks)

The Literary Essay An analysis of the literary devices used in Night.

Randolph High School English Department Vertical Articulation of Writing Skills

TOM NEWBY SCHOOL EXAMINATION

English Language Arts 600 Unit Lesson Title Lesson Objectives

There are three sentence elements that commonly require parallel treatment: Coordinated ideas Compared & contrasted ideas Correlative constructions

Patrick F. Taylor. Science & Technology Academy

Robert Pirsig offers a critique of academic writing.

J.R.R. Tolkien and the Music of Middle Earth

pushed off by the force of the water.

Direct and Indirect Speech

Unit 1 Lesson 12/Assignment 8: The Catholic Reformation and Counter- Reformation

How to use this book and its companion Web site

tech-up with Focused Poetry

National Curriculum English

Unit 2: Research Methods Table of Contents

English Comprehensive Final

EDITING STANDARDS TUSCARORA HIGH SCHOOL The following are practical standards which students are expected to meet in all revised writing:

Transcription:

Direct and Indirect Discourse in Koine Greek Rodney J. Decker, ThD Baptist Bible Seminary 2011!"#$%$&$'%() Direct discourse: the reporting of someone s statement (or sometimes, thought) with some indication that the words are exactly as originally spoken. Indirect discourse: the reporting of someone s statement or thought in such as way that the content is preserved, but the exact words are not recorded. *%+,$(-)*./01,"() 23) 43) 53) I wish it need not have happened in my time, said Frodo. So do I, said Gandalf, and so do all we who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us. Tolkien, The Lord of the Rings, bk. 1, The Fellowship of the Ring, ch. 2, p. 51 That sounds like a bit of old Bilbo s rhyming, said Pippin. Or is it one of your imitations? It does not sound altogether encouraging. I don t know, said Frodo. It came to me then, as if I were making it up; but I may have heard it long ago. Certainly it reminds me very much of Bilbo in the last years, before he went away. It s a dangerous business, Frodo, going out of your door, he used to say. Ibid., ch. 3, pp. 73 74 Well, Sam! he said. What about it? I am leaving the Shire as soon as ever I can in fact I have made up my mind now not even to wait a day at Crickhollow, if it can be helped. Very good, sir! You still mean to come with me? I do. It is going to be very dangerous, Sam. It is already dangerous. Most likely neither of us will come back. If you don t come back, sir, then I shan t, that s certain, said Sam. Don t you leave him! They said to me. Leave him! I said. I never mean to. I am going with him, if he climbs to the Moon; and if any of those Black Riders try to stop him, they ll have Sam Gamgee to reckon with, I said. They laughed. Ibid., ch. 4, p. 87

63! 73! So refreshed and encouraged did they feel at the end of their supper (about three quarters of an hour s steady going, not hindered by unnecessary talk) that Frodo, Pippin, and Sam decided to join the company. Merry said it would be too stuffy. Ibid., ch. 9, p. 154 The Bree-hobbits were, in fact, friendly and inquisitive, and Frodo soon found that some explanation of what he was doing would have to be given. He gave out that he was interested in history and geography (at which there was much wagging of heads, although neither of these words were much used in the Bree-dialect). He said that he was thinking of writing a book (at which there was silent astonishment), and that he and his friends wanted to collect information about hobbits living outside the Shire, especially in eastern lands. Ibid., p. 155 8'00"%&()'%)&-")*%+,$(-)*./01,"() We have a regular system of written conventions in English to indicate direct discourse. The examples above illustrate several of these, including paragraph breaks/indents, quotation marks (both single and double 1 ), and even italics. We also have standard means of introducing both direct and indirect discourse. Evaluate the five examples and mark all direct discourse and all indirect discourse. How has the author communicated the intended nature of each statement? How is the speaker identified? List or mark each relevant typographical feature and each introductory statement. 9:"";)!$(<'=:(") The conventions of Greek discourse are quite different from English. That is true of both the original texts and of our modern printed editions. Greek did not use quotations marks or even capitalization during the Koine period. There were only limited indications of discourse such as common introductory phrasing; most was assessed by context. Our modern printed editions have updated these practices slightly, but they are still much more limited than English. Printed texts have no quotation marks and no paragraphing system that is related to discourse. The only addition to the ancient system is the use of an initial capital letter to mark direct discourse and not all editions are consistent in the use of this convention! 1 The quote marks used in these examples follow the British conventions (i.e., they start with single quotes and embed double ones; the American practice is the reverse) because the examples are taken from the 50th Anniversary edition which reflects Tolkien s own usage.

"#$%&'!"#(&)*$(%! Direct discourse is usually easy to identify since it is almost always introduced with a verb of speaking (or sometimes thinking) 2 which may be supplemented with a participle either before or after the main verb, e.g.,!"#!$ %&'($ or )#*+,-.!/0!"#!$. This sounds redundant in English, but was normal Greek style. It is also common (more so in some writers than others, e.g., Mark) to use a conjunction following the verb of speaking, typically 12-. The technical name for this is a recitative 12-. In this case the 12- clause functions as the complement of the verb of speaking (some would call this the direct object of the verb). In English the 12- is represented by quotation marks (do not translate it as that). Do not assume that every 12- following a verb of speaking is direct discourse because it can also introduce indirect discourse. +,-#$%&'!"#(&)*$(%! Indirect discourse is not always as easy to identify, in part because it can be constructed somewhat differently than the equivalent construction in English. Compare the indirect statement with the original in the following table. *.3) >%?$:"<&)!$(<'=:(") @:$+$%/,)A&/&"0"%&) 63) Merry said it would be too stuffy. It will be too stuffy. 73) He gave out that he was interested in history and geography. He said that he was thinking of writing a book and that he and his friends wanted to collect information about hobbits living outside the Shire, especially in eastern lands. I am interested in history and geography. I am thinking of writing a book. My friends and I want to collect information about hobbits living outside the Shire, especially in eastern lands. By comparing the English examples of indirect discourse given above, you can observe two types of changes. First, the tense of the verb is changed when a statement is placed in indirect discourse: the tense is always pushed back one step in time. This is necessary in English because English tense is a time term. Second, the grammatical person of the pronouns are often adjusted to reflect the fact that it is now no longer the speaker himself making the statement, but it is being reported of him by someone else. For 2 Technically these are verbs of perception and include not only speaking and thinking, but may also be seeing, hearing, knowing, or remembering, etc. in some cases.

example, in 5a, I am becomes he was (first person to third and present tense to past). In Greek there are also several differences between the two statements, but not all the same as in English. The person of the pronoun often changes in a fashion similar to English. The verb, however, never changes tense. This is because the Greek tense-form is not a time category (it expresses aspect), therefore there is no need to adjust the time for a later reference point. The context makes such things clear, though when it is translated into English, the English tense must be changed to reflect English usage. The Greek verb may be changed in other ways, however. The most common change is for a finite form to be replaced by an infinitive in the same tense-form. 3 For example, in Mark 6:45 (see the full text below),! " # $ % & ' ( " 2*30 45.6270 582*9 ) * +, " & - (. / 0 1 2 3 4 5 4 " (he urged his disciples to embark in the boat) probably reflects an original statement something like :4;<2!!=0 2> #%*?*$ ( Get into the boat ) a 2P 2 AAM becoming a 2 AAN. The change in pronoun is one of the most sure ways to identify indirect discourse. Though not every statement can be identified this way, if a first or second person pronoun is changed to third person, it almost surely indirect discourse. For example, in Mark 1:37, %&'*@A-$ 582B 12- #C$2!0 D62*9AE$ A! (They said to him, Everyone is seeking you ) is direct discourse; if it were indirect, the pronoun A! would have been changed to 582F$ (%&'*@A-$ 582B 12- #C$2!0 D62*9A-$ 582F$, They said to him that everyone was seeking him). When indirect discourse is introduced by 12- (or sometimes by!=, it is represented in English as that. Quotation marks are never used in indirect discourse. 9:"";)*./01,"() "#$%&'!"#(&)*$(%! Read the following passages in your Greek NT: Mark 1:14 18 and 2:5 12. Identify each instance of direct discourse and explain how you know it is direct rather than indirect discourse. 3 Less commonly a participle may be used; that is not treated in these notes. In classical Greek, the optative mood was sometimes used in indirect discourse as a substitute for a secondary tense indicative verb in the direct statement.

+,-#$%&'!"#(&)*$(%! Both of the following passages also include direct discourse. The indirect statements have been bolded; the direct statements are marked with quotation marks in the parallel English translation. Mark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hen he urged his disciples to embark in the boat and to go ahead of [him] to the other side to Bethsaida, while he was sending the crowd away. 46 After taking leave of them he went into the hills to pray. 47 When it was evening the boat was in the middle of the lake and he was alone on the land. 48 Seeing them straining as they rowed (for the wind was against them), about the fourth watch of the night he went to them, walking on the lake. He was about to pass by them, 49 but they, seeing him walking on the lake, thought that it was a ghost, and they cried out, 50 for they all saw him and were terrified. But quickly he spoke with them and said to them, Have courage, it s me; don t be afraid. Mark 8:14 21 14 G5/ :#!%C.*$2* %5;!?$ R,2*@0 +5/!= 4T ^$5 R,2*$ *8+!"V*$ 4!.[ _5@2W$ :$ 2B #%*EN. 15 +5/ O-!A2&%%!2* 582*?0 %&'($ `,a2!, ;%&#!2! )#> 2<0 DJ460 2W$ b5,-a5e($ +5/ 2<0 DJ460 c,do*@. 16 +5/ = - ( 3 4 $ I J 4 " 0 4 #,>0 )%%e%*@0 G 0 - K 7 0 4 L / 4 @ % E D 4 L ' - ". 17 +5/ '$*30 %&'!- 582*?0 fe = - & 3 4 $ I J ( ' ; ( G 0 - K 7 0 4 L / 4 @ % E D ( 0 ( ; *g#( $*!?2! *8OZ A@$E!2!; #!#(,(4&$6$ UV!2! 2T$ +5,OE5$ h4w$; 18 KS.5%4*30 UV*$2!0 *8 ;%&#!2! +5/ 14 Now they had forgotten to take bread, and except for one loaf, they did not have [bread] with them in the boat. 15 He commanded them, Watch out, beware of the leaven of the Pharisees and of the leaven of Herod. 16 So they were discussing with one another that they didn t have bread. 17 Knowing this, [Jesus] said to them, Why are you discussing about not having bread? 18 Having eyes, you do see don t you? And having ears, you do hear don t

i25 UV*$2!0 *8+ )+*J!2!; +5/ *8 4$64*$!J!2!, 19 12! 2*30 #&$2! R,2*@0 U+%5A5!=0 2*30 #!$25+-AV-%E*@0, #FA*@0 +*SE$*@0 +%5A4C2($ #%e,!-0 X,52!; %&'*@A-$ 582B j]o!+5. 20 k2! 2*30 _#27!=0 2*30 2!2,5+-AV-%E*@0, #FA($ A#@,EO($ #%6,]4525 +%5A4C2($ X,52!; +5/ %&'*@A-$ 582B l#2c. 21 +5/ U%!'!$ 582*?0 mg#( A@$E!2!; you? You do remember don t you 19 when I broke the five loaves for the five thousand, how many full baskets of pieces did you pick up? They answered him, Twelve. 20 When [I broke] the seven [loaves] for the four thousand, how many basketfuls of pieces did you pick up? They answered him, Seven. 21 He said to them, Do you still not understand?