Murder by Ten. A Murder Mystery Spoof. By Eddie McPherson PERFORMANCE RIGHTS

Similar documents
The Fourth Wall. By Rebekah M. Ball. Performance Rights

CHRISTMAS COMES to DETROIT LOUIE

NEXT VICTIM, PLEASE. By Rocky Soderman and Terri Ferguson. Performance Rights

SHELBY S SONG. By Renee C. Rebman. Performance Rights

STRING OF LIGHTS. By Terry Earp. Performance Rights

Altar of Deception. By David Wesner. Performance Rights

Angel in a Ball Cap. A Christmas Story. By Eddie McPherson

THE GIFT: 7 POUNDS, 3 OUNCES

DEAD GIVEAWAY. by Pat Cook. Performance Rights

LADIES AT LUNCH. By Carol Woods. Performance Rights

YOUR CHRISTIANITY IS SHOWING!

TOM S HUSBAND. Aadapted by Jolene Goldenthal. from the story by Sarah Orne Jewett. Performance Rights

Epic Fail. A Comedy in One Act. By Bradley Hayward. Performance Rights

DOOR BANG. A Play in One Act. by Leslie Hewett. Performance Rights

The School Spirit. By Scott Haan. Performance Rights

A MURDER OF SCARECROWS

MARXISM: THE GOSPEL ACCORDING TO GROUCHO. by David J. LeMaster. Performance Rights

THE NEW MINISTER S WIFE

MGTV. by Stephen Murray. Performance Rights

HARK AND HAROLD & THE CHRISTMAS STAR

UNTURNED STONE. A play in one act. By Daniel Munson

Hit the Books. By Dwayne Yancey. Performance Rights

RUMPELSTILTSKIN! Adaptation and lyrics by Edward Gupton Music by Duke Marsh, Jr. Performance Rights

65 Mustang. A comedy in one act by Burton Bumgarner

ARE WE THERE YET? A Musical with Momentum

PINOCCHIO. By William J. Springer. Performance Rights

She Was Only A Garbageman s Daughter

The Pass-It-On Christmas

CASTING JULIET. By Claudia Haas. Performance Rights

THE THREE PRINCE CHARMINGS

Tales From the Enchanted City

MR. PATTERSON S $5,000 DOG IS DEAD

A CHRISTMAS VACATION

THE GIFT OF THE SHEPHERDS

NOT AN AFTER-SCHOOL SPECIAL

Never Too Old for Christmas

And Also Much Cattle

Every Little Crook and Nanny

NAZ. By Sharon Dunn. Performance Rights

PS: Merry Christmas. By Pat Cook. Performance Rights

Conning Kirby. A Farce. By Michal Jacot. Performance Rights. ELDRIDGE PUBLISHING COMPANY 2015 by Michal Jacot

Shoestring Theatre. By Eddie McPherson

Gravedigger. A Play in One Act. By Eric Luthi. Performance Rights

Tales From Beatrix Potter

Attention Detention. A Comedy in One Act. By Bradley Hayward. Performance Rights

The Visitor. By Ev Miller. Performance Rights

THE UGLY DUCKLING. Adapted by Jack Neary from the story by Hans Christian Andersen. Performance Rights

Shakespeare on Trial

Arthur and Guinevere

Sweet Redemption Music Company

JONAH AND BIGFISH. By Richard T. Young

MEETING at the MANGER

Heaven Only Knows. By Corey Sprague by Corey Sprague ALL RIGHTS RESERVED Duplication Prohibited

The Little Theatre. A Play in One Act by Con Chapman PERFORMANCE RIGHTS

RETURN TO CALAMITY GULCH

Scars & Stripes. by Thomas Cadwaleder Jones. Winner of the 1994 AATE Distinguished Play Award. Performance Rights

The Pirate Princess. A play in one act. by James Armstrong. Performance Rights

DISCO FEVER. By Craig Sodaro. Performance Rights

THE HOUSE of the SEVEN GABLES

The PRINCE and the PAUPER

Jack Benny s Not 39 Any More 1. Jack Benny s Not 39 Any More. Marv Siegel. Book Title. Author

TREASURES OF THE ORIENT

WOOLFIE. by Sybil St. Claire. Performance Rights

EINSTEIN INSIDE OUT. by Russell S. Dowd. Performance Rights

THE HERO OF BINGSLEY MANOR

COUCH POTATOES OF THE 21st CENTURY

THE HIDDEN GIFT BY WALTER E BUTTS, JR. Performance Rights

LORD HEAR ME ERIC CHANDLER

A Little Christmas Spirit

CANDI WITH AN I By Macee Binns

Caryl: Lynn, darling! (She embraces Lynn rather showily) It s so wonderful to see you again!

Jack s Adventures With the King s Girl

Robin Hood Tales of Ye Merry Woode

DEATH ALWAYS COMES IN THREES

The Commedia Christmas Carol

Instant Words Group 1

Clouded Thoughts by John Cosper

HE WON T QUIT SMOKING

GET A CLUE! A Murder Mystery Play in One Act. by Alex Garnett and Greg Lotze. Performance Rights

ADAM By Krista Boehnert

THE CANTERVILLE GHOST

CHANGING TUNE. Written by. Baron Andrew White

A Very Bad Day for Brandon Butterworth

The Act of Murder. By Billy St. John

RED SCARE ON SUNSET s Hollywood, wholesome film star, Mary Dale, has found her brooding husband, actor Frank Taggart, stumbling home drunk.

PERFORMANCE RIGHTS AND ROYALTY PAYMENTS:

THE MERRY WIVES OF WINDSOR

The Innkeeper s Wife A fictional account with a true meaning by Ginny Neil

Go: You re ready to show that God is our loving Father, always ready to forgive us and to let us start all over again whenever we are truly sorry.

Chapter One The night is so cold as we run down the dark alley. I will never, never, never again take a bus to a funeral. A funeral that s out of town

SCREAM IF YOU RE A SURVIVOR

A PRESCRIPTION FOR EMBARRASSMENT By Jerry Rabushka

THE TICK OF THE CLOCK

Wait Until Dark Audition for Susy and Carlino Audition Selection #6

2014 Hippo Talk Talk English. All rights reserved.

Quirk of Fate. A fast-paced farce by Pat Cook. Performance Rights

Confrontation between Jackie and Daniel s ex-girlfriend

The e-bunny. The front entrance of a Mega-Mart. Customers come and go across the stage.

HOW TO MEET MY MOTHER

By William Shakespeare. Adapted by Eric L. Magnus. Performance Rights

Transcription:

A Murder Mystery Spoof By Eddie McPherson PERFORMANCE RIGHTS It is an infringement of the federal copyright law to copy or reproduce this script in any manner or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Contact the publisher for additional scripts and further licensing information. The author s name must appear on all programs and advertising with the notice: Produced by special arrangement with Eldridge Publishing Company. ELDRIDGE PUBLISHING COMPANY histage.com 2012 by Eddie McPherson Download your complete script from Eldridge Publishing http://www.histage.com/playdetails.asp?pid=2478

- 2 - DEDICATION To all my students who helped bring these whacky characters to life for the first time. It s always a blast working with you guys. Your input was amazing and right on target. STORY OF THE PLAY Ten dim-witted people have been invited to an old house on Dunce Island with the ultimate purpose, unbeknownst to them, to be murdered. Apparently, because of his or her dumbness, each was responsible for the earlier death of someone else. Now, one by one, they themselves are done in according to a silly nursery rhyme hanging over the fireplace. Because they re not the brightest bulbs in the box, the poor victims are murdered rather easily by such things as vacuum cleaner hoses and live alligators. After several murders take place, they become suspicious of each other. But when the last person bites the dust and there s no one else on the island, the question remains: Who the heck did all the murdering? A fun parody of one of Agatha Christie s most popular mystery novels. ORIGINAL PRODUCTION The show was first performed in January, 2012 by three different student casts in the performing arts program at South Paulding High School, Douglasville, GA under the title Ten Little Dunces.

- 3 - CAST OF CHARACTERS (1 m, 2 w, 10 flexible, 1 offstage voice) PEPPY SPARKS: High strung and nervous. MISS PRIGGISH: Pompous, smug and, well, priggish. DR. NOSTRUM: Quack of a surgeon. MR. ROPER: An ex-cop with a past temper. MR. DRUDGE: Butler type. Poised and dry. MRS. DRUDGE: Mr. Drudge s ugly servant wife. (Played by a male.) JUDGE SLAYER: Overbearing, take-charge type. GENERAL BLITZ: Wears a uniform but is quite cowardly. MARK CENTRUM: For some reason wears a large target on his shirt. RICH N. VIRILE: Ladies man. DETECTIVE FOOT: One of three detectives to investigate the murders; appears only in last scene. DETECTIVE HOUND: Another. DETECTIVE CLOTHES: Another. OFFSTAGE VOICE: Friendly then ominous. Cast Note: This play is written with certain genders noted in the script; however, feel free to adapt to your needs. Peppy Sparks and Miss Priggish would be best played by females. Mrs. Drudge would be best played by a male. The rest can be very flexible with pronoun changes etc. Because this is a silly farce, the actors should play their characters broadly and the action should move quickly with exaggerated body language and facial expressions. Have your actors begin to speak as soon as they enter the playing area and not when they reach center. This helps with the pacing and tempo of the play, keeping it moving at a pace that fits a farce. Production Notes: Please see end of script for notes about the alternative ending, props, costumes, SFX, and blackouts.

- 4 - THE SET The whole play takes place in the living room of an old house. The front door is SR. There s a closet door just a few feet from the front door. A full-length window is upstage right. The fireplace is USL. The kitchen door and hall door that lead to the bedrooms are SL, although you may choose to have one entrance leading to the kitchen and the bedrooms if this better fits your needs. A large framed nursery rhyme hangs over the fireplace. A sofa and chair sit in the middle of the stage. A small table stands downstage left. Sitting on the table are ten pointed hats that have been spray painted black to resemble dunce hats. You may add other pieces of furniture as desired to bring character to your set. In the original production, the set was merely suggestive. Free-standing doors, window, and fireplace were used. The nursery rhyme was attached to a black pole and erected over the fireplace. Nursery Rhyme: Because the rhyme over the fireplace won t be big enough to be read by the audience, you may want to print the rhyme in your program or have a VOICE recite the rhyme in the darkness before Scene 1 begins. You may choose not to allow the audience to know what the rhyme says until it s revealed verse by verse as the play unfolds. At any rate, the rhyme goes as follows: Ten little dunces waiting to dine. The one in the red dress coughs himself to death and then there were nine. Nine little dunces waiting for their fate. The ugly duckling faints and then there were eight. Eight little dunces talking about Heaven. One is tapped on the shoulder and then there were seven. Seven little dunces, one is named Frix. He gets it with a vacuum cleaner hose and then there were six. Six little dunces waiting for the cops to arrive. One gets it with a Taser and then there were five. Five little dunces pacing the floor. Someone is trapped under water and then there were four. Four little dunces too blind to see. One stands at a bluff and then there were three. Three little dunces take off a shoe. One steps on a cobra and then there were two. Two little dunces fighting o er a gun. One hits the mark and then there was one. One little dunce thinks it s all done. What goes around, comes around and then there were none.

- 5 - Murder by Ten Scene 1 (AT RISE: PEPPY SPARKS enters with a suitcase. She s young, full of energy and just a bit ditzy. She looks around as she takes in the room.) PEPPY SPARKS: It s all so beautiful. (Points.) Oh, look, a sofa! (Points.) Oh, look, a chair! (Points.) Oh, look, a fireplace! (Points to herself.) Oh, look, I m talking to myself. (Shouting toward the door.) Isn t anyone else coming in?! (MISS PRIGGISH enters through the front door carrying her own suitcase and looking over the top of glasses.) MISS PRIGGISH: Ladies don t shout, dear. Hold your shoulders up and don t forget who you are. PEPPY SPARKS: (Whispers.) Sorry, Miss Priggish. MISS PRIGGISH: (Looking around.) What a horribly wretched place. PEPPY SPARKS: I think it s wonderful! (Twirls around with her arms out.) Wheeeeee! MISS PRIGGISH: Where is everyone? PEPPY SPARKS: I ll call them. (Runs to the fireplace and shouts up the chimney. ) Everyone come on in! MISS PRIGGISH: (Shakes her head.) Good gracious, if you want something done right... (Opens the closet door and shouts.) Hello? Is anyone out there?! PEPPY SPARKS: (Points at MISS PRIGGISH and laughs.) Hey, old woman, you re talking to the closet. MISS PRIGGISH: (Closing the door.) Oh, and I suppose shouting up the fireplace is much smarter. (DR. NOSTRUM and MR. ROPER enter through the front door carrying suitcases.)

- 6 - DR. NOSTRUM: (Speaking to MR. ROPER as they move center stage.) So, I told the old battleaxe, look if you don t like the way I operate, next time I ll sew you up and leave the zucchini in your rib cage. MR. ROPER: (Laughs heartily.) That s a good story, Dr. Nostrum. MISS PRIGGISH: (Approaching the men.) Where did you two come from? DR. NOSTRUM: We came over on the boat just as you, Miss Sparks. PEPPY SPARKS: She isn t Miss Sparks, I am. MR. ROPER: Can you prove it? PEPPY SPARKS: (Pulls a cell phone from her purse.) Yes, I can. I ll call my mother, she ll tell you. MISS PRIGGISH: We re on an island in the middle of the ocean, you can t get a signal out PEPPY SPARKS: (Puts up a hand to hush MISS PRIGGISH.) Hello? Mummy? This is Peppy. Yes, we re here. The boat ride was pleasant. I need you to tell this nice man who I am, please. (SHE hands the phone to MR. ROPER.) MR. ROPER: Hello? (To PEPPY SPARKS as he hands back the phone.) There s no one there. PEPPY SPARKS: (Grabs the phone.) Hello? Hello? (Realizes.) Oh, that s right, Mother s dead. (SHE laughs a strange laugh. MR. DRUDGE enters carrying a tray with a teapot sitting on it.) MR. DRUDGE: Good afternoon. MISS PRIGGISH: (Over her glasses.) And who, pray tell, are you? MR. DRUDGE: My name is Drudge, ma am. My wife and I are servants to Mr. Amos. Would anyone like some tea? MISS PRIGGISH: I would like some tea. PEPPY SPARKS: That sounds refreshing. DR. NOSTRUM: Tea would be nice.

- 7 - MR. ROPER: I ll take some also. MR. DRUDGE: I m sorry, we re out of tea. MRS. DRUDGE: (Offstage.) Oh, Mr. Druuuuuudge?! MR. DRUDGE: (Shouting.) In the living room, dear! (HE motions EVERYONE into a huddle.) It s my wife Helen. Please don t stare at her when she enters the room. PEPPY SPARKS: Is she shy? MR. DRUDGE: No, ma am, she s grotesquely ugly. MISS PRIGGISH: Oh dear. (MRS. DRUDGE enters. It s important for the comedy of character that she is played by a guy in a dress and wig.) MRS. DRUDGE: I see the guests have begun to arrive. MISS PRIGISH: (A hanky to her lips as she looks MRS. DRUDGE up and down.) Oh DEAR. MRS. DRUDGE: (To PEPPY SPARKS as she extends a hand.) Helloooooooo. PEPPY SPARKS: (Starts to take her hand but changes her mind.) Nice to meet you, Mrs. Deformed Drudge! I m so sorry, they both start with D. MRS. DRUDGE: (Turns to MR. ROPER.) How was the boat ride out to the island? MR. ROPER: (Staring at her with a disgusted look on his face.) The waves were getting a little ugly. I m sorry, I didn t mean ugly. The waves weren t ugly, YOU RE ugly. I don t mean YOU RE ugly. Just your face uh, I mean (Beat.) the boat ride was nice. MRS. DRUDGE: (Shrugs this off and turns to her husband.) Dear, perhaps we should get dinner started. MR. DRUDGE: (Moves to the kitchen door and turns to his wife.) After you, Heifer uh, Helen. (THEY exit to the kitchen. MR. DRUDGE runs right back in.) MR. DRUDGE: (Cont d.) Didn t I tell you? The worst part is I have to SLEEP with that every night. (HE shivers then exits to the kitchen again.)

End of Freeview Download your complete script from Eldridge Publishing http://www.histage.com/playdetails.asp?pid=2478 Eldridge Publishing, a leading drama play publisher since 1906, offers more than a thousand full-length plays, one-act plays, melodramas, holiday plays, religious plays, children's theatre plays and musicals of all kinds. For more than a hundred years, our family-owned business has had the privilege of publishing some of the finest playwrights, allowing their work to come alive on stages worldwide. We look forward to being a part of your next theatrical production. Eldridge Publishing... for the start of your theatre experience!