UK RULES OF DISTRIBUTION Appendix

Similar documents
UK RULES OF DISTRIBUTION Appendix

CONTRIBUTOR RIGHTS CONTRACT NOTICE: ER12/17 BBC/ EQUITY: AUDIO AGREEMENT 2018

MID d ata data 2009 PSB Report 2010

Processes of production, distribution and circulation by organisations, groups and individuals in a global context

UK TV Exports. A global view in 2016/17

BBC tariff range of indicative prices for the supply of commissioned television programmes

I R I S H M U S I C R I G H T S O R G A N I S A T I O N

Operating licence for the BBC s UK Public Services

3. Television and audio-visual

BBC/EQUITY TELEVISION AGREEMENT 2015

RTS PROGRAMME AWARDS 2017 CRITERIA

Media Salles - Digital Cinema Training Helsinki, Saturday 20 th February. Guillaume Thomine Desmazures

Wales. BBC in the nations

BBC S RELEASE POLICY FOR SECONDARY TELEVISION AND COMMERCIAL VIDEO-ON-DEMAND PROGRAMMING IN THE UK

BROADCAST. The following concepts help ensure the way we distribute revenue to members is equitable.

The BBC s services: audiences in Scotland

Efficient, trusted, valued

UK FILMS AT THE WORLDWIDE BOX OFFICE

PROMAXBDA UK 2018 COMPETITION

UK Television Exports FY 2013/2014

BFI RESEARCH AND STATISTICS PUBLISHED AUGUST 2016 THE UK FILM MARKET AS A WHOLE. Image: Mr Holmes courtesy of eone Films

BBC Television Services Review

Download of classical music in the form of incidental music or signature tunes is permitted 4

FIM INTERNATIONAL SURVEY ON ORCHESTRAS

Ratification of Terms of Settlement reached in the CBC Television and Radio Agreements.

This helpcard will show you how to update your programme s header which appears at the top of every form.

Opening Our Eyes. Appendix 3: Detailed survey findings. How film contributes to the culture of the UK

Delivering Quality First consultation. Submission to BBC Trust from BBC Audience Council for Scotland. December 2011

Service availability will be dependent on geographic coverage of DAB and digital television services 2

FACTSHEET 1 TV Output

The new BBC Scotland Channel: Proposed variation to Ofcom s Operating Licence for the BBC s public services. BBC Response

WALK-ON AND BACKGROUND ARTISTS AGREEMENT

Irish Academy - IFTA Television Awards 2018 RULES & GUIDELINES FOR SUBMISSIONS

ARTICLE 23. OTHER USES OF TELEVISION PROGRAMS

Film and other screen sector production in the UK, January June (H1, Half Year) 2018

Appendix H: International Production Support Program

Children s Television Standards

In accordance with the Trust s Syndication Policy for BBC on-demand content. 2

BEST PRODUCTION COMPANY STUDIO LAMBERT

Your guide to the digital TV switchover

Public Service Broadcasting: Annual Report 2015 Annex Information Pack Methodologies

INNOVATION INVESTING INVESTING IN INNOVATIO

Media Nations. Annex 1: methodologies

Film and TV locations as a driver of tourism

UK films at the worldwide box office, 2017

The History of Early Cinema

Appendix E: Production. Soap Opera Production. Soap Opera Production

A GUIDE TO COMMISSIONED PROGRAMMES

PUBLIC PERFORMANCE REVENUE

OPEN SUBMISSIONS. Submission form links For UK shorts and feature submissions, please complete the online form and Paypal payment here.

Annex 3.ii PSB audience opinions PSB Channel 4 and ITV portfolio channels research. PSB Annual Report December 2014

Channel Four Television Corporation. Code of Practice for Commissioning Programmes from Independent Producers

PSB Annual Report 2015 PSB Audience Opinion Annex. Published July 2015

EDITORIAL POLICY GUIDANCE NOTE PROPS: : THE SUPPLY AND USE OF PROPS IN DRAMA, COMEDY AND ENTERTAINMENT PROGRAMMES

OVERSEAS REVENUE. The value of most overseas performances is determined by the local collection society rather than PRS.

BBC Three. Part l: Key characteristics of the service

Television channels required to provide television access services in 2017

1 I don t watch television. (often) 2 There are sports programmes on, and I hate sport! (always) 3 I watch films, but only once or twice a week.

Television channels required to provide television access services in 2019

Thank you for your request to the BBC of 27th May seeking the following information under the Freedom of Information Act 2000:

UK films at the worldwide box office, 2011

The Sunday Times EFG Short Story Award 2018

AGREEMENT RELATING TO THE USE OF LITERARY AND DRAMATIC WORKS FOR RADIO AS EXTRACTS/POEM

The BBC s services: audiences in Northern Ireland

2018 GUIDE Support for cinemas

Television access services report 2015

FINAL TECHNICAL REPORT. I, the undersigned, representing the beneficiary of the Grant Decision/Agreement number,

This is the right to REPRODUCE (make copies of) a musical work, for sale or use by the public.

Entertainment One Ltd. Trading Update for the nine months ended 31 December 2014

BBC/MUSICIANS UNION AGREEMENT

2 Television and audio-visual content Recent developments in Scotland

ARTICLE 11. Additional Compensation to Directors for "Free" Television Films ADDITIONAL COMPENSATION FOR RERUNS AND FOREIGN TELECASTS

Multi Content Market Japan Content Showcase Features of Japan Content Showcase JCS. Online Library. TIMM & Showcase Live TIMM & Free Service

ENTRY & CATEGORY GUIDELINES

Jersey Competition Regulatory Authority ( JCRA ) Decision M799/11 PUBLIC VERSION. Proposed Joint Venture. between. Scripps Networks Interactive Inc.

BBC Trust Review of the BBC s Speech Radio Services

Broadcasting Ordinance (Chapter 562)


PROMAXBDA INDIA AWARDS 2019 CALL FOR ENTRIES: 2 JANUARY 2019 AWARD CATEGORIES LIST CLOSING DATE: 11 MARCH 2019

S4C Authority Bulletin - October 2004

BBC RADIO 5 LIVE: AN AUDIENCE PERSPECTIVE

BBC Trust Changes to HD channels Assessment of significance

29. INTERNATIONALES FILMFEST EMDEN - NORDERNEY RULES & TERMS

Documentary / Factual DATE:20/04/2015 VERSION NUMBER: 1.04

METHOD FOR ALLOCATING LISTINGS IN SKY S EPG. 17 November 2017 (intended to take effect from 1 May 2018)

DIGITAL TELEVISION: MAINTENANCE OF ANALOGUE TRANSMISSION IN REMOTE AREAS PAPER E

That's Entertainment! A Survey of American and British Television Dewhurst / Jung Week 2: Overview of British Television

BFI LONDON FILM FESTIVAL

International theatrical results for UK films, 2008

2017 GUIDE. Support for theatres

REGULATIONS FOR THE 31st EUROPEAN FILM AWARDS (EFAs)

Global Post-production Market 2018 by Manufacturers, Countries, Type and Application, Forecast to 2023

Economics and Business Advanced Unit 4B: The Wider Economic Environment and Business

S4C Clips and Rushes Policy. July 2016

Virgin TV British Academy Television Awards

Joint submission by BBC, ITV, Channel 4, Channel 5, S4C, Arqiva 1 and SDN to Culture Media and Sport Committee inquiry into Spectrum

BBC Radio 5 live Sports Extra

HD TECHNICAL SPECIFICATIONS AND DELIVERABLES SCHEDULE. Light Entertainment

The S4C Authority Bulletin - October 2000

4. Producing and delivering access services the options

Transcription:

UK RULES OF DISTRIBUTION - 2017 A. Types of Work Appendix A. DRAMA (including Comedy) i Single Drama A one-off single story transmitted in one or more parts with all parts directed by the same director. ii Drama Series and Scripted Comedy Includes Broken Comedy iii Drama Soap An episode of a soap. B. DOCUMENTARY / FACTUAL / NATURAL HISTORY i Single documentary One-off documentary, in one or more parts, with all parts directed by the same director. ii Episode in a Documentary series Self-contained story in a documentary strand or an episode in a series. iii Factual Entertainment iv Report/Magazine C. PERFORMANCE i The recording of a ballet, opera, stage performance, concert etc. D. VARIETY / COMEDY / AWARDS i Entertainment includes Variety Shows, Celebrity Chat Shows, Comedy Panel Shows ii Award Shows iii Lifestyle Entertainment and Reality Television E. CONSTRUCTED FACTUAL i Constructed Factual

F. GAME SHOWS G. DEBATES H. LIVE EVENTS I. SHORT UNDER 5 MINUTES i Per Programme J. ANIMATION / CARTOON i One-off film ii Episode in a series K. CHILDRENS' PROGRAMMING i Drama One-off single drama Episode in a series Episode of a soap ii Factual / Entertainment iii Pre-school L. COMPILATION i Compilation B. Length of work (based on broadcast time) One point per 5 minutes of transmission time. Up to 5 mins 5 01 10 mins 10 01 15 mins 15 01 20 mins etc. C. Secondary Use There will be no entitlement to payment in respect of repeat or secondary transmissions of the following categories of programme: News Extracts

Trailers Promotions Critiques Sport Radio programmes using the sound track from television programmes There will be no entitlement to payment in the scheme for simultaneous transmission on more than one UK channel, on any +1 channels shown an hour later, or in another country outside the UK. DEFINITIONS Peak time = programmes which start between 1700 and 2259. Day time off-peak = programmes which start between 0600-1659 and 2300-0059. Night time off-peak = programmes which start between 0100 and 0559. Main channel means BBC1, BBC2, ITV, Channel 4, Channel 5. Regional channel includes, for example, S4C and BBC Alba Subsidiary channel includes, for example, BBC4, ITV2, ITV3 E4, More4, Sky1 etc NB. (any channel that is wholly owned by one of the Broadcasters that we have an agreement with). It does not include BBC World. Payment will be made for a maximum of three eligible repeat transmissions of a single programme on any one main channel per reporting year. Repeat and Secondary Transmissions i Secondary transmissions on a Main Channel Secondary transmissions on a Regional Channel 0.25 point Secondary transmissions are all transmissions, including transmissions of omnibus editions, on any UK Main or Regional channel (see above) which take place after the following day but within 30 days of the first transmission. One payment to cover all transmissions in the 30-day period. ii Repeat Transmissions (over 30 days after first transmission) Network peak time on a main channel Network daytime off-peak on a main channel Network night-time off-peak on a main channel Regional peak time on a main channel Regional daytime off-peak on a main channel Regional night-time off peak (any number of regions) Any number of repeat transmissions on a subsidiary channel (In any one reporting year) Any number of repeat transmissions on BBC World (In any one reporting year) 6 points 0.5 point 0.25 point

A). Overseas Sales i) ZONE A Major North American Networks (USA & Canada), Germany, France, Australia, UK ii) ZONE B Spain, Scandinavia, Benelux, Japan, Russia, Austria, India, Italy, New Zealand, Ireland and local US and Canadian stations 5 points iii) ZONE C All other countries iv) Multi Zone Channels Points value determined by the highest points scoring territory in the sale. Per sale v) Trapped Audiences (e.g. Airlines, Oil Rigs, Prisons) B). DVD/Blu Ray Sales and Sales to the BBC Store i) Per 1,000 copies (UK and/or overseas) In the case of some territories, Producers are only able to supply details of licences issued and not the number of copies sold. In these cases, points will be allocated at a rate of 10 points per work per year for any number of licences in the UK, 5 points per work per year for a licence outside of the UK. Where producers are able to supply gross receipts for DVD sales then a conversion rate of 8.84 per unit will be applied. ii) DVD 'Giveaway' with a national newspaper

DISTRIBUTION OF ERA PAYMENTS Payments received from the Educational Recording Agency for the educational recording of members work will be added to the annual Supplementary UK Distribution. This distribution normally takes place in July. The ERA payments to be included in the distribution will be those received in the previous calendar year. 85:10:5 SPLIT A cap is placed each year on the amount of money available per secondary use (Sales, TX and DVD sales). This is in order to ensure that any changes made to points values for a specific secondary use from one year to the next do not disproportionately or adversely affect the payments for the other two remaining secondary uses. The level of the cap is reviewed regularly by the Distribution Committee. The current cap is 85% to sales, 10% transmissions, 5% DVD sales. In practice this means that payments are therefore currently allocated annually on the basis that, in any one year, 85% of the payments distributed will be due for sales, 10% for transmissions and 5% for DVD sales. March 2017