Introducing the New Daking Console

Similar documents
1608-II and 2448 Recording Console Operator s Manual

THE BOX 8 Recording & Mixing Console Operator s Manual

Recording & Mixing Console Operator s Manual

MIDAS Venice Pin-Assignments Page 1 / 3 Mono-Channel-PCB Stereo- / Master - PCB CN 1 circuit diagram number CN 6 circuit diagram number CN

All Discrete Surround Mixing and Recording Console. Operator s Manual REVISED

Important Safety Instructions

CHAPTER 3 AUDIO MIXER DIGITAL AUDIO PRODUCTION [IP3038PA]

S0 Radio Broadcasting Mixer. June catalogue. Manufacturers of audio & video products for radio & TV broadcasters

Master Section

ANALOG RADIO MIXER. Flexible. Affordable. Built To Last.

TL AUDIO M4 TUBE CONSOLE

Overview. A 16 channel frame is shown.

y AW4416 Audio Workstation Signal Flow Tutorial

S1 Digital/Analogue Radio Broadcast Mixer

S1 Digital/Analogue Radio Broadcast Mixer September 2009

XB-14 Quick Operation Manual V1 23/10/2013

CLA MixHub. User Guide

X-Four console. description. features. sound fundamentals. built to defy murphy s law. wide range of configurations

3124mb+ All Discrete 4 Channel Mic/Instrument Preamplifier with Stereo Mixer Operator s Manual

MULTI PURPOSE MIXERS.

Chapter 4 Signal Paths

CFX 12 (12X4X1) 8 mic/line channels, 2 stereo line channels. CFX 16 (16X4X1) 12 mic/line channels, 2 stereo line channels

Features. Other system features. Up to 40 channels can be fitted

AxumVideo 0 intro. Now that you have connected the different AXUM system parts, you are ready to configure the system according to your own needs.

ULN-8 Quick Start Guide

PHOENIX AUDIO. Owner s Manual

SM20 Typical Specifications

SM12 & SM16 STEREO MIC/LINE MIXING CONSOLES OPERATION MANUAL

SAFETY PRECAUTIONS. The SPIRIT FX16 mixer must only be connected through the Power Supply supplied:

MIDAS XL4 LIVE PERFORMANCE CONSOLE

Recording to Tape (Analogue or Digital)...10

Summit Audio Model TLA-50 Tube Leveling Amplifier

Radio for Everyone...

ENGLISH. Technical Specifications. Version 1.1 May 2000 EURODESK MX8000A.

LIO-8 Quick Start Guide

ALESIS Studio 32. Reference Manual

Slate Control User Manual

DPM Owner s Manual POWER MIXER. with 24-bit Digital Effects

Using Cubase SE with DSP Factory

TASCAM DM-24. The DM-24 Basics. TEAC Professional Division. Digital Mixing console

EN Dateq BCS25 Manual Safety instructions 3. 1 All safety instructions, warnings and operating instructions must be read first.

OPERATORS MANUAL. Version 3. Klark Teknik Group, Klark Teknik Building, Walter Nash Road, Kidderminster. Worcestershire. DY11 7HJ. England.

Mixers. The functions of a mixer are simple: 1) Process input signals with amplification and EQ, and 2) Combine those signals in a variety of ways.

Big spec. Small footprint.

MASELEC MTC-6 SURROUND master transfer and monitor system

spider a bit of information

CXM Mixer Installation & User Guide

KT Heritage 2000 brochure pdff 18/1/00 9:17 am Page 1 BACK INDEX NEXT

CL1200 MIXING CONSOLE. Item ref: UK User Manual

PROFESSIONAL AUDIO MIXING CONSOLE PM4000 OPERATING MANUAL YAMAHA

Technical Datasheet. Overview. Qu-SB v1.9 Technical Datasheet 1 Allen & Heath Ltd

Element 78 MPE-200. by Summit Audio. Guide To Operations. for software version 1.23

User Manual. Neve Channel Strip Issue 2. !!!Please read includes important safety instructions!!!

## ## ## ## Live Performance and Studio Recording

USB AUDIO INTERFACE I T

StudioLive AI-Series Mixers Digital Mixing System with Active Integration

LIVE PERFORMANCE PRELIMINARY INFORMATION

TF5 / TF3 / TF1 DIGITAL MIXING CONSOLE. TF Editor User Guide

index Cover Page Introducing The Heritage Series Mono / Stereo Input Module Input Fader Group Module Masters Module Monitor Module Matrix Module

INTRODUCTION Congratulations on your purchase of a SPIRIT LIVE 4 2 mixer. Owning a Soundcraft

Octagonman.lwp OCTAGON. (version1.2) OWNERS MANUAL. Octagon page number 1

SIGNAL PROCESSOR. Operation Manual

SIGNAL PROCESSOR. Operation Manual

T L Audio. User Manual C1 VALVE COMPRESSOR. Tony Larking Professional Sales Limited, Letchworth, England.

FF DUAL FORMAT DJ MIXER USERS MANUAL

MX3242X EURORACK. Technical Specifications ENGLISH.

AIRLAB. User Manual. Mixing consoles Version 2.03

X-Panda User s Guide

TF5 / TF3 / TF1 DIGITAL MIXING CONSOLE. TF StageMix User's Guide

2

revision: May :01 PM Owner s Manual For Software Version 3

GS-CU001M COMMENTATOR UNIT PRODUCT DETAILS

MCM-32 PRELIMINARY USER GUIDE v1.0

SRP-V200. Audio Mixer

M-16DX 16-Channel Digital Mixer

PHASE HL SEL 1 HL SEL 2 EXT MONITOR ELAN ELAN ELAN ELAN MLM-201 HLM-201 HLM-201 TBM-201 MLM-201 GAIN GAIN GAIN LEFT GAIN RIGHT SELECT SELECT SELECT

Heritage live sound. installation. audio visual. broadcast

Quick Start Guide. Soundcraft Si Series Quick Start Guide Issue 1010

When going digital is this easy, why stay analogue?

Recall RN. Artistry in Analogue TM. Product Overview. A Harman International Company

MULTI PURPOSE MIXERS

Screen Reference Guide

CDM10: Channel USB Mixer. Item ref: UK User Manual

CLOCKAUDIO. MR88 Automatic Microphone Mixer. Version 4.2

Studio One Pro Mix Engine FX and Plugins Explained

16 input, 5 output club mixer Live + DJ performance features 4 band EQ VCA crossfade VCF filters ALLEN&HEATH

The Perfect Companion

MANUAL DE INICIO RÁPIDO ESPAÑOL ( 7 10 ) GUIDE D UTILISATION RAPIDE FRANÇAIS ( ) MANUALE RAPIDO DI UTILIZZAZIONE ITALIANO ( )

USER S GUIDE ADX 100. Frequency Conscious Gating, Compression, Limiting, and Expansion. Plug-in for Mackie Digital Mixers

Chameleon Labs Model 7720

J R Sky, Inc. tel: fax:

USER GUIDE MULTI-CHANNEL STEREO MIXER S MIX 4M2S UD

Output Board - v2* 4.1 Overview. 4.2 Audio Circuitry Program and Audition Outputs

CS3 User Manual. Klark Teknik Building Walter Nash Road Kidderminster Worcestershire DY11 7HJ. Tel: +44 (0) Fax: +44 (0)

MCM-20.4 PRELIMINARY USER GUIDE v1.1

INTRODUCTION CONTENTS L3001 MONO INPUT MODULE. L3011 MIX OUTPUT MODULE. TALK BACK SECTION. MIX SECTION. VCA MASTER SECTION. L3750 POWER SUPPLY.

Introduction SAFETY PRECAUTIONS. Contents

XL1600/XL2400/ XL3200

JADE-S. The Jade Production Console, introduced in 1992, has been successfully utilised in hundreds of facilities world-wide. Some of these are...

USER GUIDE TO THE ARENA OPERATION

Transcription:

Introducing the New Daking Console Daking The Console that can change from a Legacy Bussing scheme to DAW Direct Routing with the touch of a button. Features: Class A Circuitry Transformer Coupled Pre-Amps Discrete Transistor Design Single Sided Amplification Sophisticated Centrally Controlled- Solo and Muting and Fader Bypass Complete Monitor and Center Controls Optional Integrated Patchbay Center Section can be mounted left, right or separated for a custom layout. Daking Audio www.daking.com 727-365-9496

Mic-Preamplifier Compressor/Limiter and 4 Band Equalizer on Every Channel Microphone Input Jensen Transformer Balanced 75db gain 20db pad 48 Volt Phantom Power Phase Reverse High Pass Filter Continuously Variable from 200Hz 12db per octave Line Inputs Transformer Balanced and Differential Inputs Compressor/Limiter Fast and Slow Attack Fast and Auto Release Ratios 4:1 and 16:1 Feed Back and Peak Detection Equalizer Plus and Minus 17DB Five Frequencies in Each Band High and Low Shelving High and Low Mid Peaking with Inductors and Proportional Q Low Pass filter 6db per octave 2 All features and specifications are subject to change without notice

Mic/Line Selector Compressor/Limiter Gain Switch in 5DB steps Mic and Line 20DB DB Pad In Mic Mic/Line Selector +48v Phantom Power 180º Phase Change High Pass Filter Continuously Variable from 200Hz Gain Reduction Meter Channel Output With 11DB of Gain Compressor Threshold Stereo Link to Left Adjacent Channel Compressor Bypass Compress 4:1 Limit 16:1 Release Fast Auto Attack Fast Slow 3

Four Band Equalizer High and Low Frequencies Shelving Mid Frequencies Inductor Based Peaking All With Proportional Q Boost/Cut High Shelf Boost/Cut 20kHz Low Pass Filter 6DB per Octave 8K - 10K - 12K - 15K - 20K High Mid Peaking Boost/Cut 1.5K - 3K - 5K - 7K - 9K Low Mid Peaking Boost/Cut 125-250 - 500-1K - 2K Low Shelf Boost/Cut 30-50 - 80-100 - 150 4

Input Routing From Large Fader Odd or Left Multi Track Busses Even or Right Multi Track Buses Stereo Buss Assign Stereo Pan Pans Multi Busses Sends the Output of 5/6 to the Multi-Track Buses 5/6 Level 5/6 Pan Pre and Post Fader Send for Aux 5/6 Aux Sends 3 & 4 Level Pre and Post Fader Send for Aux s 3 & 4 Aux Sends 1 & 2 Level Pre and Post Fader Send for Aux s 1 & 2 Output Group Level Solo Cut Group Solo Group Cut 5

Return Routing Odd or Left Multi Track Busses Even or Right Multi Track Buses Stereo Buss Stereo Pan Pans Multi Busses Puts Output of 5/6 to the Multi-Track Buses Pre/Post Fader Send 5/6 5/6 Level 5/6 Pan Aux Sends 3 & 4 Level Aux Sends 1 & 2 Level Return Level Pre/Post Fader Send 3 & 4 Pre/Post Fader Send 1 & 2 Return Solo Return Cut 8 Input Stereo Summing Mixer The mixer appears in the patchbay and is typically 1/2 normaled the the 8 output busses. It provides 8 additional inputs to the stereo buss. 6

The center section has extensive controls for Control Room, Studio and Cue source selection. The console logic for Solo, Mute, speaker selection and alternate input functions are also here. 7

The custom patchbay connects via DB-25 cables. Each input channel has one ribbon connection, eliminating the need for multi pair XLR cables which reduces cost and weight and makes service much simpler. The jacks are Audio Accessories PC mount. 8

Unlike most small consoles, our center section is not permanently affixed to the right side of the inputs. The center section and patchbay can be wherever you like. This example shows a 27 desk inserted into the center for a DAW controller and a 12 Producer s desk in front of the patchbay. 9

Studio Listen Level 1 Speaker Selection for three pairs of monitors. Mix Record selects the DAW Direct routing feature. 2 Assigns the Monitor Input to Pre 5-6. 3 Go Figure configures the console for Solo-Safe, AutoMute and Fader Bypass. 4 Destructive Solo activates Mutes not soloed or in solo safe. 5 Clears all Solos. Clears all Mutes. Mutes channels in the AutoMute group Talkback to Studio and Cue 1 Studio Listen has the same transformer input and discrete preamp as the main inputs along with a compressor. The output is also available in the patchbay. 2. Mix Record changes the console from a legacy style console where the Insert Return feeds the main faders and the busses, to the more modern style, where the Insert Return directly feeds the DAW (recorder), and the DAW monitor return feeds the large fader and the busses. 3. Monitor to Pre 5/6 assigns the Monitor Input to the Pre Fader input of 5/6 which provides a separate mix path, doubling the number of inputs available. 4. When Go Figure is on, the LEDs for AutoMute, Solo and Fader Bypass will light to indicate that they are active. Toggling them reverses the function. Fader Bypass removes the large fader from the signal path and replaces it with a fixed trimmer for DAW mixing. 5. There are two different Solo modes. A conventional Solo-In-Place (non-destructive) and Destructive Solo which mutes channels not isolated. 10

All buttons latch so multiple sources can be selected. Opens Studio Listen Mic. Any or All Aux busses can be monitored. TT1 and TT2 are for external stereo sources such as stereo recorder or DAW stereo output. Selects the Stereo Buss Mixes the C/R Monitor to Mono C/R Dims when selected or Talkback pressed. Level set by Dim Level. \ 11

Allows Talkback to Talk Over program. Studio Follows Control Room Multiple Sources can be selected. Any or All Aux busses can be monitored. Selects the Stereo Buss Talkback to Studio Only \ 12

Allows Talkback to Talk Over program. Cue Follows Control Room. Multiple Sources can be selected.. Any or All Aux busses can be monitored. Selects the Stereo Buss Solos the Cue in C/R Talkback to Cue Only \ 13

Controls the brightenss of all meters Shift is used with Mix Record, Monitor to 5/6 and Aux 5/6 Return Allows the Mixer access to Aux 5/6 Pre and Post Places Insert into stereo path. Reduces the sensitivity of all meters by 10db. Turns off Multi Meters Multi Meters see Line In Multi Meters see the output of the Equalizer Multi Meters see The Direct Out of the large fader Multi Meters see the Output Busses Talkback level for Studio and Cue \ \ 14

Block Diagram 15

Users Manual Console Solo and Cut System Written by: David M. Thibodeau Date: September 2015

Table of Contents: Introduction:... 3 Features:... 3 Using the Console Solo System:... 3 Solo Mode:... 3 Go-Figure Mode:... 3 Solo Buttons:... 3 Cut Buttons:... 4 Insert to Fader Buttons:... 4 Solo Safe:... 4 AutoMute:... 4 Clear Solo:... 4 Clear Cuts:... 5 Solo Cue:... 5 Initialization:... 5 Quick Reference Chart:... 6 Solo Mode:... 6 Go-Figure Mode:... 6 Solo Safe:... 6 AutoMute:... 6 Clear Solo:... 6 Clear Cuts:... 6 Large Fader Bypass:... 6 2

Introduction: The Daking MYF-3216 console is equipped with an advanced solo and cut system allowing you to work quickly and efficiently. Some of the features, solo-safe and Automute, do not have specific buttons but are accessed by using the GoFigure mode. Features: Destructive Sole, (Solo In Place), mode along with a stereo Solo Safe mode. Solo Isolate (Solo Safe) for each channel individually AutoMute (Mute Group) Clear Solo feature Clear Cuts feature Automatic Solo-Safe mode activation when soloing a channel that is isolated. Large Fader unity gain bypass Using the Console Solo System: Solo Mode: The solo mode of the console is controlled by the destructive Solo button in the center section. If the console is in Destructive Solo mode then when a solo button is pressed it will activate the mutes on channels that are not soloed and are not in solo safe mode. When the console is in non-destructive (AFL) mode then pressing a solo button will cause the audio from that channel to be routed to the control room monitors. The mix going out of the center section will not be changed. The solo lamp will illuminate to show that the channel is in solo mode and the Clear Solo button in the center section will illuminate to show that at least one channel is in solo. Go-Figure Mode: Pressing this button allows the user to configure the console for Solo-Safe, AutoMute and fader bypass function for each individual solo/cut button on each channel strip. Solo Buttons: When in the Go-Figure mode the solo lights indicate which signal paths (solo buttons) are in solo-safe mode. If the light is on then it is in solo-safe and will not 3

participate in a destructive solo. If the light is off then the signal will be cut when another solo button is pressed during normal console functioning. Cut Buttons: The cut lamp indicates which cut buttons will participate in a AutoMute mute group. If it is on then it will cut when AutoMute is engaged. If the lamp is off then it will not mute with the master AutoMute switch. The Clear Cuts switch will not clear the AutoMute function. Insert to Fader Buttons: The Insert To Fader lamp indicates which channels have their large faders bypassed. This allows for quick setup of unity fader gain in a channel that is used for summing signals from a DAW. When the lamp is on it is bypassed. When the lamp is off then the fader is in the signal path. Note: When the console is in the Record mode and is setup for a split I/O module signal flow, the compressor makeup gain can be used to control the level of this signal path. Should this path also be used for summing from the DAW then bypassing the compressor will also bypass the makeup gain. Solo Safe: When a solo button is in this mode, and the console is in destructive solo mode, it will not cut when another solo button is pressed. When the console is in Non-destructive solo mode the solo safe for the solo button will have no effect. Please refer to the Go-Figure section to learn how to configure a solo button for Solo-safe mode. Should the console be in Destructive Solo mode and a solo button that is setup to be solo isolated is soloed, then the console will be forced into solo safe mode and the audio for the channel will be sent to the control room speakers. This will be independent of the destructive solo system. So if the destructive solo is activated by one or more channels and a solo-isolated channel is soloed, then the destructive solo will still remain soloed. The solo isolated channel will override the destructive solo. There is no indication in the center section of this condition. Pressing solo clear will clear all of the solos. AutoMute: When a channel is in the AutoMute mute group, then the channel will mute (cut) when the console s AutoMute function is activated. Please refer to the Go-Figure section to learn how to configure a channel for AutoMute mode. Clear Solo: When any solo button is active soloed in the console, the Clear Solo lamp will illuminate to show that it is active. Pressing the switch at this time will clear all channels that are in solo in the console. Pressing the button when it is not illuminated will have no affect on the console input modules. 4

Clear Cuts: Should you want to clear all the cuts in the console, you can do so by pressing the clear cuts switch. Be careful when using this function. Should several channels have high level signals on them, and the control room volume is set high, then damage to speakers or ears can occur. Pressing this button when nothing is cut will have no affect. Solo Cue: The Solo Cue button is located in the center section. When pressed the cue send audio will be sent to the control room monitor. The console destructive solo system will not be affected and will not be triggered or cleared. So any cue sends that are set to post will be cut should that channel be cut due to a destructive solo. Pressing Clear Solo will also clear the Solo Cue switch. The Clear Solo switch will illuminate when the Solo Cue is pressed. Initialization: When the console is first turned on. The modules will initialize with the group solos set to solo-isolated mode. This is necessary because those groups are summing up the multitrack groups. The Aux Sends, and the Solo Audio for the solo safe mode. Therefore, they should not participate in a destructive solo. They can still be soloed at any time and the signal will be routed directly to the control room monitors despite the state of the Destructive Solo Mode switch. See the Solo Safe section above for more detail. Entering the Go-Figure mode will allow the user to remove the group solo from any individual channel and have it participate in a destructive solo.. 5

Quick Reference Chart: Solo Mode: Destructive Solo (Solo In Place) select the mode using the main console Solo mode switch. Go-Figure Mode: When lit, Solo buttons show which channels are in Solo-Safe, Cut buttons show which channels are in the AutoMute Group function and Insert to Fader buttons show which faders are bypassed. Just press a channel s Solo, Cut or Insert to Fader button to change the setting. Solo Safe: Use the GoFigure Mode to configure which channels are in Solo Safe by lighting up the solo button on the channel you want in safe mode. AutoMute: Use the GoFigure Mode to configure which channels will respond to an AutoMute group command from the console by lighting up the Cut button on the channel you want to mute. Clear Solo: Pressing it clears all solos in the console. When the switch is lit it is indicating that one or more channels are currently in solo mode. Clear Cuts: Pressing it clears all Cuts in the console. This button however, will not light up when a cut button is pressed. The only time you will see this switch light is while you are pressing it. Large Fader Bypass: Use the GoFigure Mode to configure which channels are in Large Fader Bypass by lighting up the Insert to Fader button on the channel you want in the fader bypass mode. 6