ABSTRACT. Title of dissertation: A TRIBUTE TO ROBERT CASADESUS ( ) School of Music

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ABSTRACT Title of dissertation: A TRIBUTE TO ROBERT CASADESUS (1899 1972) Seyon Lee, Doctor of Musical Arts, 2009 Dissertation directed by: Professor Larissa Dedova School of Music Robert Casadesus, French pianist and composer, was born in Paris on April 7, 1899, and lived the life of a great artist until his untimely death on September 19, 1972. Casadesus did not have the international celebrity of Horowitz and Rubinstein but, as a pianist-composer, he expressed elegance and classicism through clarity and brilliance at the keyboard. This dissertation performance project pays tribute to a great virtuoso of the 20th century through selected piano works that shaped his artistic life. The life of Robert Casadesus echoed his style as a pianist. From his upbringing in a prestigious musical family to finishing his studies at the renowned, Paris Conservatoire, Casadesus certainly enjoyed a rich musical background and training. In 1921, Casadesus married Gabrielle L'Hôte whom he met in the class of

Diémer at the Paris Conservatoire. This marriage began a lifelong musical journey that formed one of the most successful duo-piano partnerships of all time. Together, they made exemplary duo-piano recordings. A year later, Casadesus met Maurice Ravel and earned the composer s praise for his performance of Le Gibet from Gaspard de la nuit. Ravel and Casadesus performed and toured together, keeping a strong relationship built on great respect. Casadesus enthusiastically embraced the repertoire of this French composer and, in 1924, became the first pianist to give an all-ravel program with the composer in attendance. Casadesus excelled in performing the music of Ravel, Scarlatti, Rameau, Couperin, Mozart, Beethoven, Schumann, and Debussy. His playing was distinguished by extraordinary control, elegant simplicity, sparkling technique, objective clarity and absolute fidelity to the composer s text. Besides being a renowned concert pianist, Casadesus was an artistic pedagogue who could verbalize the sound with a single gesture. As a recording artist, his recordings of Debussy, Ravel, Mozart concertos, and violin-piano duos with Zino Francescatti, still remain legendary. As a prolific composer, he explored rhythm, virtuosity, dissonant harmonies and contrapuntal textures in a neo-classical style. The selected repertoire for my recitals consists entirely of major works, significant to Casadesus artistic career. Some works remain as milestones in his life and almost all the works have been either frequently performed or recorded by Casadesus.

A TRIBUTE TO ROBERT CASADESUS (1899-1972) By Seyon Lee Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Doctor of Musical Arts 2009 Advisory Committee: Professor Larissa Dedova, Chair Professor Rita Sloan Professor Mikhail Volchok Professor Donald Manildi Professor Sung Won Lee

Table of Contents CD Contents... 1 ii

CD Contents CD 1: Recital 1 - Saturday, May 10, 2008 in the Chorus Rehearsal Room - CSPAC (Assisted by Margarita Glebov, piano) 1. Franz Schubert (1797-1828) Fantasien D. 940 for piano, 4 hands, in F minor Claude Debussy (1862-1918) Petite suite for piano, 4 hands 2. En bateau 3. Cortège 4. Menuet 5. Ballet Franz Liszt (1811-1886) Six consolations 6. No. 1 Andante con moto 7. No. 2 Un poco più mosso 8. No. 3 Lento placido 9. No. 4 Quasi Adagio 10. No. 5 Andantino 11. No. 6 Allegretto sempre cantabile 12. Liszt Années de pèlerinage, 3e année. Jeux d'eaux à la Villa d'este CD 2: Recital 2 - Friday, December 12, 2008 in Gildenhorn Recital Hall - CSPAC (Assisted by Sooyung Jung, piano) Wolfgang Amadeus Mozart (1756-1791) Concerto for piano & orchestra, K. 491, in C minor 1. Allegro 2. Larghetto 3. Allegretto Gabriel Fauré (1845-1924) Thème et variations, op. 73, in C minor 4. Theme Quasi Adagio 5. N. 1 Lo stesso tempo 6. N. 2 Piu mosso 7. N. 3 Un poco piu mosso 8. N. 4 Lo stesso tempo 9. N. 5 Un poco piu mosso 10. N. 6 Molto Adagio 11. N. 7 Allegretto moderato 12. N. 8 Andante molto moderato 13. N. 9 Quasi adagio 14. N. 10 Allegro vivo 15. N. 11 Andante molto moderato espressivo 1

Maurice Ravel (1875-1937) Valses nobles et sentimentales 16. I Modéré _ très franc 17. II Assez lent _ avec une expression intense 18. III Modéré 19. IV Assez animé 20. V Presque lent _ dans un sentiment intime 21. VI Vif 22. VII Moins vif 23. VIII Épilogue 24. Encore: Thou, my everlasting portion CD 3: Recital 3 - Saturday, October 31, 2009 in Gildenhorn Recital Hall - CSPAC 1. Jean-Philippe Rameau (1683-1764) Pièces de clavecin. Gavotte avec 6 doubles Ludwig van Beethoven (1770-1827) Sonata no. 24, op. 78, in F major 2. Adagio cantabile Allegro ma non troppo 3. Allegro vivace Frédéric Chopin (1810-1849) 3 nouvelles études 4. No. 1 5. No. 2 6. No. 3 7. Maurice Ravel (1875-1937) Jeux d eau Robert Schumann (1810-1856) Fantasie, op. 17 in C major 8. Durchaus phantastisch und leidenschaftlich vorzutragen 9. Mässig. Durchaus energisch 10. Langsam getragen. Durchweg leise zu halten 11. Robert Casadesus (1899-1972) Toccata, op. 40 *CSPAC Clarice Smith Performing Arts Center, University of Maryland, College Park 2