Using Music Makes the Scene: The Sequel Reproducible Worksheets Using the DVD

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Using Music Makes the Scene: The Sequel Each of the ten professionally filmed clips used on the DVD are presented four times. The first is shown with no music. The other three incorporate vastly different styles of music to demonstrate the impact that music has on the movies. Begin by showing the no music version from one of the ten film clips. Then, depending on the age and skill level of your class, either discuss the clip mood, scenery, action, location, etc. or have your students write their impressions. Next, show the first example that includes music. Discuss the clip again, focusing on how the music affected the movie clip. Did it make it funny, scary, dramatic, romantic, cute, or suspenseful? Did students have a different perception of the clip with sound than they had of the no-sound version? If your students have the necessary background, discuss instrumentation, dynamics, texture, style, rhythmic activity, etc. The worksheets provided for each series of film clips are a valuable resource to guide the listening experience and further explore the impact of music. Repeat the same process for the other two with music versions of the film clip. After viewing and listening to all four versions, have the class decide which soundtrack made the most sense or seemed to fit the film clip the best. Remind them that there are really no right or wrong answers to this question! The film clips range in duration from 30 to 45 seconds each. We hope that you will be able to view, discuss and evaluate at least one of the ten film sequences during a regular class period. Be sure to allow enough time for students to complete the worksheets and discuss their opinions. Another way to use Music Makes the Scene: The Sequel is to have students listen to the music without seeing the video. Have them describe what kind of scene the music evokes; then compare their images to the film clip. Reproducible Worksheets Music Makes the Scene includes two worksheets for each of the ten films. One worksheet requires solid knowledge of tempo and dynamic terminology, and the ability to identify instruments aurally. It also requires some creative thinking from your students. The other worksheet is a series of multiple-choice questions, so it is easier and will take less time to complete. Whichever worksheet you decide to use, your students will need to see and hear each version several times. These worksheets may be used to help students organize their analysis of each of the music selections associated with a film clip, or you can have students turn in the worksheets. Add the completed worksheets to students portfolios or keep them with their grades to help track their progress in the comprehension of music concepts. Using the DVD The DVD will play in any standard DVD player and will also work in a computer loaded with the necessary software to read a DVD. Use the remote just as you would on any standard DVD to scroll through the different film groups. The arrows on each screen move you between menu pages. Highlight a title and press enter to view a particular film clip. 3

National Standards for Music Education and Music Makes the Scene: The Sequel This book-and-dvd package focuses on the following National Standards for Music Education for Grades 5 8: 6. 7. 8. 9. Listening to, analyzing, and describing music. Evaluating music and music performances. Understanding relationships between music, the other arts, and disciplines outside the arts. Understanding music in relation to history and culture. More specifically, the films and worksheets will help students learn to: Describe specific music events (e.g., a solo instrument enters in measure 4, the tempo changes, etc.). (6a) Analyze the uses of elements of music in aural examples taken from a variety of styles and genres (e.g., the driving eighth-note rhythm of the bass and guitar help build the intensity of the action in the movie). (6b) Demonstrate knowledge of the basic principles of meter and rhythm. (6c) Develop ways to evaluate effectiveness of a performance and how it relates to other arts. (7a) Compare the way music and film interact to seemingly transform events and scenes. (8a) Describe distinguishing characteristics of music genres. (9a) Compare the roles music serves in movies versus the role it plays in a concert setting. (9c) Creative Writing and Music Makes the Scene: The Sequel As many music teachers are well aware, virtually every state has its own content standards for English Language Arts in elementary, middle and high school. In one form or another, the various state standards all include a section on written communication skills that emphasizes that these skills are central to learning. Over the last several years, there has been an emphasis on writing in classes outside of Language Arts. Music Makes the Scene: The Sequel and the accompanying worksheets are one of the easiest ways for music teachers to incorporate writing into their classes. Using graphic organizers like Venn Diagrams, Hierarchy Charts, and Radial Diagrams allows students to create a central theme and add words and phrases that relate in specific ways to the theme. These ancillary sections eventually become the sentences and paragraphs that make up a complete composition. 4

Film Clip Overview The basic instrumentation and tempo for each clip are listed below. In addition, descriptive words and phrases have been provided to give you a general sense of the thoughts behind each piece of music that accompanies each film clip. Of course, you and your students will come up with different descriptions, and that is great too! Bike Jump Bike Jump 1 Contemporary rock band Driving, intense Exciting Fun Bike Jump 2 Irish (Quebec) Reel Traditional instruments (fiddles, accordion, piano, bass) Folk dance Lively Cheerful Bouncy Bike Jump 3 William Tell Overture, by Rossini (excerpt) Orchestra Fast Galloping Wild The Market The Market 1 Pop/rock band Happy, carefree Bright Uplifting The Market 2 Middle-Eastern flavor (melodic minor scale) Accordion, tambourine featured Open-air market Snake charmer music The Market 3 Trumpet (flugelhorn) melody Guitar, strings, trombone accompaniment Piano solo takes over at end ( ritard) Slow, sustained, legato Somber Reflective City Streets City Streets 1 Finale from Divertimento in D Major, K 205, by Mozart (excerpt) Chamber orchestra (strings, bassoon, horn) Stately, courtly Contrasting forte and piano phrases Playful, happy City Streets 2 Solo acoustic guitar Pensive Reflective Mezzo forte Ends with a ritard City Streets 3 Heavy rock band Aggressive, nasty Guitar power chords (open strings, no thirds) Dark Forceful Divided into three sections Earth Earth 1 Native American music Vocalization and percussion Drums and rattles Non-western phrase lengths Great historical significance for each tribe; songs used in ceremonies pass on ancestral customs to new generations Earth 2 Bagpipes/snare drums Scotland/Ireland Aerophone Enclosed reeds Drone tone Fortissimo Bagpipes Continued on next page 5

Earth 3 Second Movement from Symphony No. 9, by Beethoven (excerpt) Completed in 1824 Scherzo (Allegro) Strings and woodwinds Examples of crescendo and decrescendo Egypt Egypt 1 Ethnic ensemble Distinctive non-western scale: & w bw bw nw w w w w Little record of actual ancient Egyptian music; no written notation system Instruments: oud and sistrum Oud Based on paintings in tombs, we know that the oud was played in ancient Egypt. The oud is a lute or guitar-like instrument with strings, neck and a pear-shaped back. Sistrum Egypt 2 Piano solo New Age Reflective Eighth-note based Syncopated melody Egypt 3 Pops /Studio orchestra Strings, brass, drum set, electric bass Melody (notated below) is played by the horn &4 6 œ œ œ. œ > j œ œ > j œ. œ - œ- w Begins in ; changes to Last note fermata with fp then crescendo Giraffe Giraffe 1 Ethnic ensemble West African drums and shakers, wood flute, singing The Lion King-esque Celebration Uplifting Giraffe 2 Cartoon music Fun and zany Vibraphone and synthesizer time signature Rhythm is mainly quarter notes (ends with triplets) Giraffe 3 Orchestra Ominous, dark, foreboding Adagio Legato ( molto sustenuto) Bell ostinato Horn/low brass begin Horn/low strings end Ancient Egyptians also probably used a percussion instrument called a sistrum. This instrument consisted of a U-shaped frame. Shaking it moved the thin metal rings attached to it, which produced a tinkling sound. 6

Production Line Production Line 1 Trumpet (with Harmon mute) Pop/rock rhythm section (electric piano, bass, guitar with drum set and percussion) Carefree, happy Production Line 2 All synthesizer No steady tempo Form could be mapped: A B C D C D Mechanical noise pans back and forth from left to right Robot-like Production Line 3 Studio orchestra Strings, brass, synthesizer, piano, percussion, drum set Mixed meter Percussive, savage (think Stravinsky s Rite of Spring) Suspenseful, evil Motorcycles Motorcycles 1 1950s Rock and roll Lead guitar, rhythm guitar, bass drums Fun, party Forte Motorcycles 2 Pop/rock rhythm section Multiple synthesizers (including synth bass and percussion) Divided into three sections Form: A B C Driving, forceful Adventure 1980s to 90s Motorcycles 3 Orchestra Frantic Dissonant Cinematic Percussion includes: timpani, snare drum, bass drum, cymbals, marimba, and gong The River The River 1 Studio orchestra Strings, brass, percussion, piano First section: solo trumpet melody Second section: horn melody Sustained strings, piano, bells (synth) accompaniment throughout Noble, heroic The River 2 Strings and brass Minor Somber, sad, melancholy Sustained, legato Solo cello 1, solo cello 2, solo violin, horn and trombone, all strings The River 3 Percussion ensemble Dynamic contrasts Texture and timbre shifts Continuous sixteenth-note subdivision of the beat Aggressive Primal Wasteland Wasteland 1 Studio orchestra Syncopated accompaniment in the first section Cinematic Floating Wasteland 2 Bluegrass Banjo, two guitars, fiddle Lively, light-hearted Think Hoedown from Aaron Copland s opera Rodeo Wasteland 3 Studio orchestra with synthesizer Hairpin dynamics throughout & bb b b b 4 3. p. f Glassy synth effects over strings Adagio, Main rhythmic movement is dotted half note 7

Name Teacher Date Bike Jump As you watch and listen to the three versions of Bike Jump, circle the letter of the word or group of words that best completes the statements (or answers the questions) below. Bike Jump 1 1. The time signature of the music in this example is. A. B. C. 2. The tempo of this example could be described as. A. adagio B. allegro C. crescendo 3. best describes the dynamic level of this example. A. Piano B. Forte C. Crescendo and decrescendo Bike Jump 2 1. best describes this genre of music. A. Classical B. Blues C. Folk dance 2. The term best describes the tempo of this example. A. largo B. allegro C. sostenuto 3. are two instruments heard in this example. A. Violin and accordion B. Trumpet and piano C. Timpani and trombone Bike Jump 3 1. The ensemble playing this music is known as. A. the string family B. a band C. an orchestra 2. Who is a possible composer of this music? A. Gioachino Rossini B. Charles Ives C. Johann Sebastian Bach 3. Which term best describes the style of this example? A. Classical B. Blues C. Rock 8 From Music Makes the Scene: The Sequel by Cathy Blair

Name Teacher Date Bike Jump (page 1 of 2) For discussion: What kind of music do you think would be best suited to the film clip you just watched? Should it be fast or slow? Loud or soft? Would you use electric or acoustic instruments? Would the style of music stay the same throughout? What other musical things can you think of that would help bring this video to life? As you watch each of the three film clips with music, list three instruments you hear in each example in the boxes below. The first one has been done for you. Bike Jump 1 Electric Guitar Electric Bass Drums Bike Jump 2 Bike Jump 3 From Music Makes the Scene: The Sequel by Cathy Blair 9

Name Bike Jump (page 2 of 2) As you watch and listen to the clips again, write three words that describe the music with each clip in the chart below. Some descriptive words are loud, soft, staccato, allegro, and adagio. Some specific words that describe the first example with music are listed below. Of course there are many more to choose from! Bike Jump 1 Driving Intense Fun Bike Jump 2 Bike Jump 3 10 From Music Makes the Scene: The Sequel by Cathy Blair