AMERICAN STUDIES 2231F Selected Topic: American Captivity Narratives

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The University of Western Ontario Program in American Studies 2016-17 (Fall Term) AMERICAN STUDIES 2231F Selected Topic: American Captivity Narratives Wednesdays 2:30-5:30 p.m., Lawson Hall 1227 Instructor: Professor Aldona Sendzikas Office Hours: Tuesdays 1:30-2:30 p.m. (or by appointment) Office: LWH 1222 (Lawson Hall) E-mail: asendzi2@uwo.ca Phone: (519) 661-2111 x84377 Course description: Since the 17 th century, when American colonists who had been kidnapped by Native Americans published accounts of their experiences as captives, the captivity narrative has been an immensely popular form of literature in American culture. In this course, we will examine the genre of captivity narratives, from Mary Rowlandson s famous 1682 account of being held captive by the Narragansett tribe, to slave narratives, P.O.W. accounts, and prison writings. We will compare them to more modern versions of captivity narratives, such as the account of the kidnapping of heiress Patty Hearst, the alleged abduction of Travis Walton by a U.F.O, and the controversial story of the capture of Private Jessica Lynch during the Iraq War. Why are captivity narratives such a popular and recurring form of American literature? What did Americans learn from these widely-read depictions of forced cross-cultural encounters? How were the captives

stories used to meet societal and cultural needs at different times in U.S. history? What do they teach us about ethnic, racial, and gender boundaries in America? Required readings: 1. June Namias, White Captives: Gender and Ethnicity on the American Frontier 2. John Demos, The Unredeemed Captive: A Family Story from Early America Both of these books are available for purchase at the Western Bookstore. 3. Additional weekly readings will be available online. Course assignments and evaluation: Short paper on Indian captivity narratives or slave narratives (3-4 pp.) 15% Presentation and short paper (3-4 pp.) on captivity narratives in fiction (either in a film or novel) 20% Research essay (10-12 pp.) 25% Participation 20% Final exam 20% Learning Outcomes: Depth and Breadth of Knowledge: Upon successful completion of this course, students will: Be familiar with the origins of the colonial era captivity narrative in American history Be familiar with several such narratives Be able to situate these narratives within the broader context of American culture and society, as well as the context of American Studies Be able to identify recurring instances of the captivity narrative format in other periods of American history, and in a variety of forms (including fiction, music, and theatre) be able to explain the significance, durability, and uses of captivity narratives in American culture.

Research and Scholarship: Upon successful completion of this course, students will have demonstrated the ability to: locate and use both primary and secondary sources to interpret and analyze American captivity narratives evaluate and assess sources in American Studies, including online sources develop a research question and answer it in a written assignment, integrating both primary and secondary sources, and employing an interdisciplinary approach, in formulating the argument. Understand and adhere to scholarly conventions in research, writing, documentation, and sharing of research. Professional Capacity and Communication Skills: Through the completion of this course students will: Develop improved essay writing skills. Demonstrate improved public speaking and communication skills through classroom discussion and oral presentations. Learn how to engage productively in scholarly discussion with their peers. Prerequisites and Antirequisites: ADDITIONAL STATEMENTS Unless you have either the requisites for this course, as described in the Academic Calendar description of the course, or written special permission from your Dean to enroll in it, you may be removed from this course and it will be deleted from your record. This decision may not be appealed. You will receive no adjustment to your fees in the event that you are dropped from a course for failing to have the necessary prerequisites. The Academic Calendar description of each course also indicates which classes are considered antirequisites, i.e., to cover such similar material that students are not permitted to receive academic credit for both courses. Academic Offences: Scholastic Offences are taken seriously and students are directed to read the appropriate policy, specifically, the definition of what constitute a Scholastic Offence, at the following Web site: http://www.uwo.ca/univsec/pdf/academic_policies/appeals/scholastic_discipline_undergrad.pdf Plagiarism: Students must write their essays and assignments in their own words. Whenever students take an idea, or a passage from another author, they must acknowledge their debt both by using quotation marks where appropriate and by proper referencing such as footnotes or citations. Plagiarism is a major academic offense (see Scholastic Offence Policy in the Western Academic Calendar).

All required papers may be subject to submission for textual similarity review to the commercial plagiarism detection software under license to the University for the detection of plagiarism. All papers submitted will be included as source documents in the reference database for the purpose of detecting plagiarism of papers subsequently submitted to the system. Use of the service is subject to the licensing agreement, currently between The University of Western Ontario and Turnitin.com (http://www.turnitin.com). The following rules pertain to the acknowledgements necessary in academic papers. A. In using another writer's words, you must both place the words in quotation marks and acknowledge that the words are those of another writer. You are plagiarizing if you use a sequence of words, a sentence or a paragraph taken from other writers without acknowledging them to be theirs. Acknowledgement is indicated either by (1) mentioning the author and work from which the words are borrowed in the text of your paper; or by (2) placing a footnote number at the end of the quotation in your text, and including a correspondingly numbered footnote at the bottom of the page (or in a separate reference section at the end of your essay). This footnote should indicate author, title of the work, place and date of Publication and page number. Method (2) given above is usually preferable for academic essays because it provides the reader with more information about your sources and leaves your text uncluttered with parenthetical and tangential references. In either case words taken from another author must be enclosed in quotation marks or set off from your text by single spacing and indentation in such a way that they cannot be mistaken for your own words. Note that you cannot avoid indicating quotation simply by changing a word or phrase in a sentence or paragraph which is not your own. B. In adopting other writer's ideas, you must acknowledge that they are theirs. You are plagiarizing if you adopt, summarize, or paraphrase other writers' trains of argument, ideas or sequences of ideas without acknowledging their authorship according to the method of acknowledgement given in 'At above. Since the words are your own, they need not be enclosed in quotation marks. Be certain, however, that the words you use are entirely your own; where you must use words or phrases from your source; these should be enclosed in quotation marks, as in 'A' above. Clearly, it is possible for you to formulate arguments or ideas independently of another writer who has expounded the same ideas, and whom you have not read. Where you got your ideas is the important consideration here. Do not be afraid to present an argument or idea without acknowledgement to another writer, if you have arrived at it entirely independently. Acknowledge it if you have derived it from a source outside your own thinking on the subject. In short, use of acknowledgements and, when necessary, quotation marks is necessary to distinguish clearly between what is yours and what is not. Since the rules have been explained to you, if you fail to make this distinction, your instructor very likely will do so for you, and they will be forced to regard your omission as intentional literary theft. Plagiarism is a serious offence which may result in a student's receiving an 'F' in a course or, in extreme cases, in their suspension from the University.

Medical Issues: The University recognizes that a student s ability to meet his/her academic responsibilities may, on occasion, be impaired by medical illness. Please go to https://studentservices.uwo.ca/secure/medical_accommodations_link_for_oor.pdf to read about the University s policy on medical accommodation. This site provides links the necessary forms. In the event of illness, you should contact Academic Counselling as soon as possible. The Academic Counsellors will determine, in consultation with the student, whether or not accommodation should be requested. They will subsequently contact the instructors in the relevant courses about the accommodation. Once the instructor has made a decision about whether to grant an accommodation, the student should contact his/her instructors to determine a new due date for tests, assignments, and exams. SUPPORT SERVICES: Students who are in emotional/mental distress should refer to Mental Health@Western, http://www.uwo.ca/uwocom/mentalhealth/ for a complete list of options about how to obtain help. Please contact the course instructor if you require material in an alternate format or if you require any other arrangements to make this course more accessible to you. You may also wish to contact Services for Students with Disabilities (SSD) at 661-2111 x 82147 for any specific question regarding an accommodation. If you have any further questions or concerns please contact, Rebecca Dashford, Undergraduate Program Advisor, Department of History, 519-661-2111 x84962 or rdashfo@uwo.ca