Foreword This compilation o hymn settings or hells various cominations o voices instruments is oered as a resource o sequential ringing experiences or eginning early intermediate ringers ensemles as a collection o creative hymn enhancements or ringers ensemles o all ailities Each setting is preceded y a rie summary o the arrangement assist direcrs ringers alike in learning preparing the music Contents Each grouping o hymn arrangements is arranged sequentially according diiculty level Note that while all stanzas o text are given or Hymn Accompaniments, only one or two stanzas are e selected e sung with each arrangement HYMN ACCOMPANIMENTS O the Father s Love Begotten (DIVINUM MYSTERIUM) Forces: 2 or more octave hells unison voices Compositional Technique: rom ringing Good ian Friends, Reoice (IN DULCI UBILO) 7 Forces: 2, 3, or octaves, unison voices, organ Compositional Technique: 1 recurring onemeasure pattern All Praise Thee, My God, This Night/ Praise God rom Whom All Blessings Flow (TALLIS CANON) 11 Forces: 2, 3, or octave hells unison/canonic voices Compositional Technique: 2 recurring twomeasure patterns Be Thou My Vision (SLANE) 21 Forces: 2 or 3 octave hells, unison/canonic voices, organ Compositional Technique: 2 recurring twomeasure patterns oyul, oyul, We Adore Thee (HYMN TO OY/ODE TO OY) 25 Forces: 3 octave hells, SATB voices, organ ad li Compositional Technique: one rhythm pattern throughout HYMN SETTINGS Lo, How a Rose E er Blooming (ES IST EIN ROS) 31 Forces: solo ringer or small ensemle (2 octave hells, opt 2 octave hchimes), organ Compositional Technique: throughcomposed Praise the Lord, the Almighty (LOBE DEN HERREN) 3 Forces: 2, 3, or octave hells Compositional Technique: throughcomposed Stricken, Smitten, Alicted (O MEIN ESU, ICH MUSS STERBEN) 5 Forces: 2 octave hells 2 octave hchimes Compositional Technique: throughcomposed Away in a Manger (CRADLE SONG) 51 Forces: 3 octave hells solo trele instrument Compositional Technique: throughcomposed
7 Good ian Friends, Reoice Note Rest Durations Meter Compound Duple ( ) Hymn Tune Form a c Patterns 1 recurring onemeasure pattern (m 1) Rhythm Pattern Techniques Ring (R), Damp ( ) Expressive Qualities Bells Used tie 2, 3, or Octaves Hells used:, (5), () C5 F5 C F C7 F7 1 2 3
Good ian Friends, Reoice A Hymn Accompaniment or 2, 3, or Octave Hells, Unison Voices, Organ Medieval Latin Carol; tr ohn Mason Neale Hells Unison Voices Organ 5 give now now 1 Good 2 Good 3 Good F heed hear need 1 Chris Chris Chris tian tian riends, riends, tian riends, Ped o not what end ear re re re we say: less liss: the grave; 2 oice oice oice 7 e e e 3 with heart with heart with heart soul soul soul sus sus sus is orn orn orn Text: Medieval Latin Carol, tr ohn Mason Neale, 111 (PD) Tune: IN DULCI UBILO, 1th century German Carol (PD) Music: Newly composed, copyright 201 with this pulication Copyright 201 Birnamwood Pulications (ASCAP) A division o MorningStar Music Pulishers, Inc, St Louis, MO All rights reserved Printed in USA 10072117 wwwmorningstarmusiccom Reproducing this pulication in any orm is prohiited y law without the permission o the pulisher MSM30135 The CCLI License does not give permission copy this music day; or this! save!
10 Medieval Latin Carol; tr ohn Mason Neale Hells Unison Voices 5 give now now 9 ox He Calls 13 has you 1 Good 2 Good 3 Good is heed hear need ass o one orn orn orn 1 Chris tian Chris Chris tian tian o not e pened what end ear or 10 riends, riends, riends, ore heav calls 1 re re re we say: less liss: the grave; day! this! save! Reproducile Part or Hells Good ian Friends, Reoice A Hymn Accompaniment or 2, 3, or Octave Hells, Unison Voices, Organ him ow, en's you door, all 2 oice oice oice 7 e e e 11 15 he we gain 3 with heart with with heart heart sus sus sus is in are the lest ev is orn orn orn soul soul soul is orn orn orn 12 the man or ev er last or 1 Text: Medieval Latin Carol, tr ohn Mason Neale, 111 (PD) Tune: IN DULCI UBILO, 1th century German Carol (PD) Music: Newly composed, copyright 201 with this pulication Copyright 201 Birnamwood Pulications (ASCAP) A division o MorningStar Music Pulishers, Inc, St Louis, MO All rights reserved Printed in USA 10072117 wwwmorningstarmusiccom Purchaser may reproduce this page or instrumentalist provided the aove copyright notice is included MSM30135 day! this! save! day; or this! save! ger now er more ing hall
25 oyul, oyul, We Adore Thee Note Rest Durations Meter Duple ( ) Hymn Tune Form a a' a' Rhythm Patterns Bell Changes Blat B, C5 C#5, Blat5 B5, C C# Techniques Ring (R), Damp ( ) Expressive Qualities Bells Used 3 Octaves Hells used: 2 # D5 E5 F5 G5 A5 B5 B5 C C# D E F G A B C7 5 7 9 10 11 # C D E F G A B B C5 C#5 1 2 3
2 Henry van Dyke Hells Hells Soprano Al (Organ ad li) Tenor Bass 9 MSM30135 5 1 oy ul, oy ul 2 All thy works with 3 Thou art giv ing Hearts un stars well spring oyul, oyul We Adore Thee A Hymn Accompanimenet or 3 Octave Hells, Unison or SATB Voices, Organ ad li (Unison or SATB Voices) old an o like gels the 10 2 we oy a sur or 3 dore thee, round thee, God earth o giv ing, ev er low'rs sing oy e ore thee, a round thee, o liv ing, 11 7 glo ry, heav'n re less ing, prais ing thee, cen ter o o cean depth their un o 12 Lord lect ev sun ro hap Text: Henry van Dyke, 1521922, written in 1907 (PD) Tune: HYMN TO OY (ODE TO OY), Ludwig van Beethoven, 1770127, written in 12, adapt (PD) Music: Newly composed, copyright 201 with this pulication Copyright 201 Birnamwood Pulications (ASCAP) A division o MorningStar Music Pulishers, Inc, St Louis, MO All rights reserved Printed in USA 10072117 wwwmorningstarmusiccom Reproducing this pulication in any orm is prohiited y law without the permission o the pulisher The CCLI License does not give permission copy this music o love! thy rays, er lest, a ove ken praise py rest!
51 Away in a Manger Note Rest Durations Meter 3 Triple ( ) Hymn Tune Form a a ' Rhythm Patterns 1) 2) Bell Changes Elat E, Elat5 E5 P 3) Techniques Ring (R), Damp ( Expressive Qualities Bells Used 3 3 3 3 F Andante 3 3 Octaves Hells used: 23 ), Let Virate () P F rit D5 E5 E5 F5 G5 A5 B5 C D E F G A B 5 7 9 10 11 C D E E F G A B C5 1 2 3
52 Away in a Manger A Hymn Prelude or 3 Octave Hells Solo Trele Instrument Instrument Hells 5 9 Andante 3 3 F 3 * MSM30135 1 P 10 2 * 7 11 3 * n * *s in mneasures 5 131 are or ass cle downstem trele cle notes only Tune: CRADLE SONG, William Kirkpatrick, 131921, written in 195 (PD) Music: Newly composed, copyright (C) 201 with this pulication n 12 Copyright 201 Birnamwood Pulications (ASCAP) A division o MorningStar Music Pulishers, Inc, St Louis, MO All rights reserved Printed in USA 10072117 wwwmorningstarmusiccom Reproducing this pulication in any orm is prohiited y law without the permission o the pulisher The CCLI License does not give permission copy this music F,,
5 Reproducile Part or Hells Away in a Manger A Hymn Prelude or 3 Octave Hells Solo Trele Instrument 5 9 * 13 * 3 F 1 P 3 10 * 1 * 2 7 * 11 n 15 * 3 n 12 * 1 * Tune: CRADLE SONG, William Kirkpatrick, 131921, written in 195 (PD) Music: Newly composed, copyright (C) 201 with this pulication Copyright 201 Birnamwood Pulications (ASCAP) A division o MorningStar Music Pulishers, Inc, St Louis, MO All rights reserved Printed in USA 10072117 wwwmorningstarmusiccom Purchaser may reproduce this page or instrumentalist provided the aove copyright notice is included MSM30135 *s in mneasures 5 131 are or ass cle downstem trele cle notes only