PRACTICAL EXAM REQUIREMENTS. General Regulations and Requirements for Examinations and Recitals

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General Information Examinations WOODWIND AREA PRACTICAL EXAM REQUIREMENTS General Regulations and Requirements for Examinations and Recitals Normally, students should sit a practical exam at the end of the Winter term (April) or Fall term (December). A September exam period is available for graduating students only. Students are advised to check on Minerva to verify that they have been registered for the correct exam course number. Students must submit their exam repertoire by the stated deadlines. Students are referred to the Calendar of the Schulich School of Music for a full description of the regulations for examinations. Transfers Students wishing to transfer from Concentration to Performance, or from the Bachelor in Performance to Licentiate must apply through Minerva between Feb. 15 and Mar. 1 for an intra-faculty transfer (consult http://www.mcgill.ca/music/student-resources/undergraduates/academic-resources/program-transfer-andreadmission.) NOTE: While reviewing this website, do not confuse intra with inter-faculty as procedures differ. An audition during the April exam period will be required. Students may use the Concentration Final Exam as their Performance audition if the repertoire of the exam matches the Entrance Audition requirements for Performance. General Guidelines for Examinations Examination Program Length Concentration 20-25 mins. Performance MUIN 282 Performance 1 25-30 mins. Licentiate MUIN 252 Licentiate 1 25-30 mins. Artist Diploma MUIN 462 Artist Diploma recital 1-70 mins. Examination Marking MUIN 382 Performance 2 40 mins. MUIN 352 Licentiate 2 recital - 45 mins. MUIN 562 Artist Diploma recital 2-70 mins. MUIN 482 Performance 3 recital - 50 mins. MUIN 452 Licentiate 3 recital - 60 mins. Practical examinations will be graded by percentage. The percentages and their letter grades and equivalents are as follows: 90 100 A Exceptional 4.0 65 69 B- Satisfactory 2.7 85 90 A Excellent 4.0 60 64 C+ Acceptable 2.3 80 84 A- Very Good 3.7 55 59 C Pass 2.0 75 79 B+ Good 3.3 50 54 D Non-continuation pass 1.0 70 74 B Fair 3.0 0 49 F Fail 0.0 Students in B.Mus. Performance must achieve a mark of B- in order to remain in the program. Students in Licentiate must achieve a mark of A- in order to remain in the program. Students in all other programs must achieve a mark of C in order to remain in the program. Requirements for examination programmes All performance students (Licentiate and B.Mus.) must perform at least one Canadian piece of repertoire for an exam or a recital during their course of study in order to fulfill their playing requirement. It would be advisable to keep the program of a recital or the application of an exam which indicates when the piece was performed. The jury may ask for copies of all works to be performed. Unless otherwise specified, memorization is not compulsory, but it is highly encouraged. Descriptions of examinations for the following instruments are included in this document: Flute, Oboe, Clarinet, Bassoon, Saxophone Revised: 26-Sep-2016 1

FLUTE Repertoire level: Hindemith Sonata Telemann Suite in A Minor Quantz in G Debussy Syrinx are Suggested piece (one of the following): J.S. Bach J.S. Bach Mozart Devienne Mercadante C.P.E. Bach Sonata in E Minor, E Major or B Minor (one fast movement and one slow movement) Sonata in C Major (second movement and one slow movement) in G Major or D Major(first and second movement) any (fast and slow movement) in E Minor (fast and slow movement) in D Minor (second and third movements) Suggested excerpts: Beethoven Leonore No. 3 Bizet Carmen Suite No. 1, intermezzo Mendelssohn Midsummer Night's Dream Dvořák Symphony No. 8 (solo in last movement) Suggested piece (one of the following): Reinecke (third movement and either first or second movement) Any work from "Flute Music by French Composers" ed. Louis Moyse Suggested excerpts: Debussy Afternoon of a Faun Beethoven Symphony No. 3 Eroica (third and fourth movements) Prokofiev Peter and the Wolf Hindemith Symphonic Metamorphosis Rossini William Tell Overture Suggested piece (one of the following): Demersseman Dutilleux Sancan Ibert Nielsen Liebermann Doppler Reinecke Schubert 6 th Solo, Oberon Fantasy, Le Tremolo, Freischutz Fantasy Sonatine Sonatine, Sonata, Fantasie Pastorale Hongroise Airs Valaques Variations Suggested excerpts: Brahms Symphony No. 4 Debussy Afternoon of a Faun Prokofiev Classical Symphony (second and fourth movements) Ravel Daphnis and Chloe No. 2 Saint-Saëns Carnival of the Animals: La Volière Strauss Till Eulenspiegel Chamber works are permitted for performance exams with the permission of the teacher and the Wind Area Chair. Revised: 26-Sep-2016 2

OBOE Repertoire level: Piston Suite Haydn Handel Sonata are Repertoire level: Handel Sonata in G minor Saint-Saëns Sonata Haydn for Oboe are Repertoire level: Bach for Oboe and Violin Schumann Romances Mozart for Oboe are Repertoire level: Mozart Oboe Quartet Britten Metamorphoses Strauss for Oboe are Chamber works are permitted for performance exams with the permission of the teacher and the Wind Area Chair. Revised: 26-Sep-2016 3

CLARINET Required piece: Weber Concertino for Clarinet Required pieces: Weber Concertino for Clarinet Osbourne Clarinet Solo Required excerpts: Beethoven Symphony No. 4 Brahms Symphony No. 3 Rossini Overture Semiramide Schubert Unfinished Symphony Required pieces: Debussy Rhapsody Sutermeister Clarinet Solo Required excerpts: Beethoven Symphony No. 6 Beethoven Symphony No. 8 Mendelssohn Scherzo from A Midsummer Night s Dream Prokofiev Peter and the Wolf Required pieces: Mozart for Clarinet Stravinsky Three Solo Pieces Required excerpts: Rimsky-Korsakov Capriccio Espagnol Rimsky-Korsakov Le Coq d Or Rimsky-Korsakov Scheherazade Stravinsky Firebird Suite Chamber works are permitted for performance exams with permission of teacher and Wind Area Chair. Revised: 26-Sep-2016 4

BASSOON Repertoire level: Hurlstrone Sonata in F Hindemith Sonata Vivaldi in A, RV 498 Bourdeaux Premier solo are Repertoire level: Hindemith Sonata Etler Sonata Vivaldi in E, RV 484 J.C. Bach in Eb Pierné Solo de concert Fasch Sonata in C Spohr Adagio Exam material (solo repertoire and orchestral excerpts) will be agreed upon by the teacher and student. Individual movements of solos and studies are Repertoire level: Etler Sonata Weber in F Hummel in F Jacob Saint-Saëns Sonata Osborne Rhapsody Coulthard Lyric Sonatina Exam material (solo repertoire and orchestral excerpts) will be agreed upon by the teacher and student. Individual movements of solos and studies are Repertoire level: Mozart in Bb Nussio Variations on an Arietta by Pergolesi Saint-Saëns Sonata Jacob Partita Tansman Sonatine JeanJean Prelude and Scherzo Weber Andante and Rondo Ungarese Weait Variations Any French Baroque sonata performed with ornaments Exam material (solo repertoire and orchestral excerpts) will be agreed upon by the teacher and student. Individual movements of solos and studies are Chamber music works are permitted for performance exams with the permission of the teacher and the Wind Area Chair. Revised: 26-Sep-2016 5

SAXOPHONE Required pieces: Tcherepnin Sonatine Sportive Bozza Aria Required pieces: Tcherenin Sonatine Sportive Bozza Aria Required excerpts: C. Parker solo to be decided Bizet L Arlésienne (Suite I and II) Required pieces: Glazounov for Saxophone Bozza Scaramouche, Aria, Pulcinella Required excerpts: C. Parker solo to be decided Ravel Bolero Mussorgsky Pictures at an Exhibition Required piece: P. Creston Sonata for Saxophone Required excerpts: C. Parker solo to be decided Prokofiev Romeo and Juliet Suite No. 1 Prokofiev Lieutenant Kije Suite Chamber works are permitted for performance exams with permission of the teacher and Wind Area Chair. Revised: 26-Sep-2016 6