Pre-Requisite: Prerequisite includes MUT 2117 Music Theory IV with a grade of C or higher.

Similar documents
I. ASCRC General Education Form. Dept/Program

Music 302H History of Music II Lower Division Writing Course: 3 Credits Spring 2012 TR 11:10-12:30, Music 105

Sight Singing & Ear Training I MUT 1241~ 1 credit

The Senior Learning Community in Music, : Music 400 (Senior Reflective Tutorial) and Music 491 (Senior Seminar):

Stephen F. Austin State University School of Music

Basic Course Information

HISTORY 3800 (The Historian s Craft), Spring :00 MWF, Haley 2196

Westminster College School of Music Fall, 2018

MUSIC APPRECIATION Survey of Western Art Music COURSE SYLLABUS

San José State University School of Music and Dance MUSC 147A, Beginning Conducting, Fall 2014

Music 4 - Exploring Music Fall 2016

Music 554 Music Literature: Orchestral Orchestral Literature San Diego State University Fall Semester 2013 MW 1:00-1:50, Music Room 261

Opera - MU 328/338 Spring 2011

ILLINOIS VALLEY COMMUNITY COLLEGE Course Syllabus for Music 1000

University of Arkansas-Monticello Division of Music Fall MUS 1113 Music Appreciation Online Syllabus

University of Central Florida MUE ~ Women s Chorus Dr. Kelly A. Miller, Instructor

Music 4 - Exploring Music Fall 2015

MUS Fall 2012 MWF 10 & 1, T TH 11 & 2 Online class

MUS Chamber Choir (TR 2-250) Spring 2014 COURSE SYLLABUS

Music 001 Introduction to Music. Section CT3RA: T/Th 12:15-1:30 pm Section 1T3RA: T/Th 1:40-2:55 pm

Welcome to MUCT 2210 Exploring Classical Music

MUS 111: Music Appreciation

Introduction to Western Music

Music Appreciation Course Syllabus Fall 2014


MUTH 5301: Dictation and Sight-Singing

University of Florida School of Music Woodwind Skills 1 - Clarinet Section Course Syllabus

University of Florida School of Music Woodwind Skills 1 - Clarinet Section Course Syllabus

Music 111 Music Appreciation I, 3 Units

Office: Krannert Level Office Hours: MW 12:00-12:50 Meeting time: MWF, 11-11:50 Classroom: Armory 242

Hist Reformation Europe

Orchestration Syllabus MUCP 4320 and MUCP 5320

Music 111 Music Appreciation I, 3 Units

DAA 3684 Dance Performance Spring Semester, 2017

San José State University School of Music and Dance MUSC 147C, Advanced Choral Conducting, Spring 2015

COURSE SYLLABUS MUSIC APPRECIATION MUS 1113 FALL 2014

CURRENT COURSE TITLE: SEMINAR IN HISTORICAL STYLES CHANGE PREFIX FROM CHANGE COURSE NO. FROM. Date:

Syllabus for MUS Music Appreciation 3 Credit Hours Spring 2016

REQUIRED TEXT: Griswold, H. Gene: Teaching Woodwinds. Upper Saddle River, NJ: Pearson, 2008

Music Introduction to Music

A-H 624 section 001. Theory and Methods: Kant and Hegel on Art and Culture. Wednesday 5:00 7:30 pm. Fine Arts 308A. Prof.

MUS : SURVEY OF MUSIC LITERATURE Cultural Arts Building, 1023 TTR 5:00-6:15 p.m.

University of Florida Jazz Band Syllabus and Student Handbook (MUN 1710, MUN 3713 and MUN 6715 ) Fall Website:

Performance Dates on Jazz Band Website

HUMA 115 ENJOYMENT OF CLASSICAL MUSIC 2011 Spring

MS 402 MUSIC FROM THE CLASSICAL PERIOD TO THE 20TH CENTURY IES Abroad Vienna

Music Appreciation Course Syllabus Fall 2016

POLS 3045: Humor and American Politics SPRING 2017, Dr. Baumgartner Meets Tues. & Thur., 9:30-10:45, in Brewster, D-202

COURSE OUTLINE MUS103

University of North Texas College of Music MUAG Fundamentals of Conducting Spring 2016 Course Syllabus

COMPARATIVE RELIGION Religion 131 Spring 2017

Jazz Workshop MUT Fall 2011 T-Th. 10:30 11:45 PAC, Rm. M115

American Music (MUSI 1310) Spring, 2016 HCC Distance Education

HUMA1102 ENJOYMENT OF CLASSICAL MUSIC 2017 Spring

COURSE: Course Number: COM110T1 & TN1 Course Name: Written Research Practicum CREDIT: Semester Hours: 1 SEMESTER: Spring 2018

MUSC 1313-PB3 MUSIC IN CONTEMPORARY LIFE SUMMER II, 2017

Course HIST 6390 History of Prisons and Punishment Professor Natalie J. Ring Term Fall 2015 Meetings Mon. 4:00-6:45

Analysis of Post-Tonal Music (MUSI 6306) Spring 2006 Professor: Andrew Davis ( )

Queens College, Aaron Copland School of Music Rudiments of Music 1, fall 2010 Music 060, Section BM2WA or 1M2WA Room 363

University of Iowa All-University String Orchestra Guidelines 025:162, MUS: 3184

HUMA1102 ENJOYMENT OF CLASSICAL MUSIC 2014 Fall

Syllabus for MUS 201 Harmony, Sight Singing, and Ear Training III Fall 1999

DIVISION OF KEYBOARD STUDIES HANDBOOK FOR PIANO AREA PIANO CONCENTRATION Updated Spring 2019

COURSE: Course Number: COM110T4 & TN4 Course Name: Written Research Practicum CREDIT: Semester Hours: 1 SEMESTER: Spring 2018

Syllabus MUS Piano Class I page 1

CENTRAL TEXAS COLLEGE MUSI 1301 FUNDAMENTALS OF MUSIC. Semester Hours Credit: 3

ORANGE COAST COLLEGE MUSIC 241 Piano 3 Course Syllabus Fall 2018

VirtualSC. Course Detail. Course Name: Music Appreciation 1. Estimated Completion Time: weeks (Summer 8 weeks) Course Description

Music Appreciation Spring 2005 Music Test: Music, An Appreciation, Fourth Brief Edition by Roger Kamien (with CD s)

RTV3305: Investigative Reporting Spring 2014 Tuesday, Period 4-6 (10:40am-1:40pm) Weimer Hall Room 3024 RTV3305.wordpress.com

HIST 521/611WR: COLONIAL AMERICA

Eastern Kentucky University Department of Music Syllabus for MUS , Musicianship I, CRN T/TH 11:00-11:50 1 Credit Hour Fall 2012

I. PREREQUISITES For information regarding prerequisites for this course, please refer to the Academic Course Catalog.

MUSC 1313-P04 Music in Contemporary Life Spring 2016

MUH 2051: Music Cultures of the World Fall pm-1pm

Fundamentals of Telecommunications and Computer Networks

Bethesda University. 730 North Euclid Street, Anaheim, California Tel: (714) , Fax: (714) Professor.

Syllabus for MUS Woodwind Instruments Class 1 Credit hour Spring 2016

Tests will be open book and notes may be used except for the Italian musical terms and instrument abbreviations and listening exams..

Art of Listening (MUAR ) p. 1

SYLLABUS BASIC CONDUCTING MUG 3104 FALL 2018 TUESDAY-THURSDAY 9:00 A.M. - 9:50 A.M. UCF RH 0116

NEW HAMPSHIRE TECHNICAL INSTITUTE. After successfully completing the course, the student will be able to:

Jazz Workshop MUT Fall 2016 T-Th. 9:00-10:15 PAC, Rm. M114

KENT STATE UNIVERSITY ORCHESTRA SYLLABUS Fall Semester, 2016

SCHOOL OF FINE ARTS AND MUSIC Fall Semester 2015 MUSC* GENRE & STYLE IN WESTERN ART MUSIC

Songwriting Workshop: Swedish Pop Music Spring 2018 Credits: 3 Location: Stockholm Major Discipline: Music Faculty Member: Maria Carlsson

Harmony Fine Arts At Home Music Appreciation. Grade Ten Updated October 2017

MUT 4366 JAZZ ARRANGING 2 (offered Spring)

Functional Piano MUSI 1180 Monday, Wednesday Sessions FALL Course Number, Section Number, and Course Title: MUSI 1180 Functional Piano

MUSC 1313-P03 MUSIC IN CONTEMPORARY LIFE FALL 2018

Music 154: Music Appreciation 3 cr. hrs.; 3 lecture hours; 0 lab hours per week.

MUSIC INTRODUCTION TO MUSIC THEORY COURSE OUTLINE Section #1240 Monday and Wednesday 8:30-11:00AM

MUSC 1313 MUSIC IN CONTEMPORARU LIFE

MUT 4366 JAZZ ARRANGING 2

MUS 4711 History and Literature of Choral Music Monday/Wednesday - 12:30pm-3:00pm Room: Mus 120

Functional Piano MUSI 1181 Mondays & Wednesdays FALL 2018

ESSEX COUNTY COLLEGE Humanities Division MUS 100 Music Appreciation Course Outline

Music and Creative Interaction for the Elementary Classroom Teacher SPRING 2014 COURSE SYLLABUS EDUC & FROSTBURG STATE UNIVERSITY

Department of Music Conrad Grebel University College University of Waterloo. MUSIC 255: The Romantic Century: Beethoven and Beyond Winter 2017

Third World Studies 26

Transcription:

Instructor: Dr. Laura Joella, Director of Orchestral Studies joella@fau.edu, 561-297-2262, office: A&L 235 Office Hours: TBA, and by appointment. Please check the Faculty Information link on BlackBoard or on my office door. Due to unforeseen circumstances, I may occasionally miss or move these times. Graduate Assistant Information: TBA Pre-Requisite: Prerequisite includes MUT 2117 Music Theory IV with a grade of C or higher. Course Description: Survey of Western history music from the Classical Period through the Romantic Period, designed for Music majors. Its purpose is to: develop familiarity with specific works and general musical styles through intensive listening exercises; provide an understanding of performance, composition and theoretical innovations in vocal and instrumental music through musical analysis; and explore the philosophical/aesthetic basis of the creative process by significant composers. Course Time: Monday, Wednesday and Friday 8:00 am 8:50 am Course Location: PA 101 Course Credits: 3 Course Objectives: This course is designed to help students: 1. expand their understanding of music of western culture from the Classical Era through the Romantic Era. 2. expand their knowledge of the lives of the composers (from the Classical Era through the Romantic Era) and the social and cultural influences on the creation of their music. 3. recognize and discern general stylistic characteristics of the major historical periods of music. 4. develop deeper understanding and familiarity with specific works through intensive score study and listening examples. 5. gain a better understanding of performance, composition, and theoretical innovations in vocal and instrumental music through musical analysis and selected readings. 6. develop their listening skills to a higher level of perception. 7. develop their critical thinking and writing skills. Required Text: Bonds, Mark Evan. 2010. A History of Music in Western Culture, third edition. New Jersey: Prentice Hall. Required Material: Textbook [ISBN 10: 0-205-64531-3 & ISBN 13: 978-0-205-64531-2], Anthology of Scores Volume II [ISBN-10: 0-205-65699-4 & ISBN-13: 978-0-205-65699-8], Recorded Anthology (9 CDs) Volume II [ISBN-10: 0-205-65701-X & ISBN-13: 978-0-205-65701-8]. 1

Companion Website: URL: http://www.prenhall.com/bonds Course Requirements: There will be reading assignments, score study, and listening assignments for almost every class. There will be one research paper, a mid-term and a final exam. It is essential that all assignments be completed on time. Late papers will not be accepted unless approved by the professor before the deadline. See below for additional details. Course Procedure: Class sessions will be devoted to lecture, guided discussion, musical analysis, and development of active listening skills through musical and video examples. Grading Methods: See below for details on evaluation of research papers, examinations and the attendance policy. Research Paper & Required Formats: Research papers should be about 2000 words (approximately 8 typed pages). Include at least 7 sources of which only two may be internet sites and two must include RILM and Oxford Music Online. The paper should have one inch margins and use 12 point Times New Roman double spaced font. All papers must have a title page and a bibliography. The citation format required for this assignment is detailed in the bibliography and footnote handout on blackboard. The Department of Music s Writing Guidelines are also posted on Blackboard. The format for written assignments can be found in Kate L. Turabian s A Manual for Writers of Term Papers, Theses, and Dissertations, Seventh Edition, available in paperback. (This is adapted from Chicago Manual of Style, Fourteenth Edition, University of Chicago Press.) Papers that do not meet the criteria will not receive full credit. A hard copy of your paper is due at the beginning of class on the day stated. Late papers will not be accepted unless approved by the professor before the deadline. In addition to the hard copy, students must submit a copy for evaluation through Blackboard SafeAssign before the beginning of class on the day stated. The papers submitted through Blackboard SafeAssign DO NOT take the place of hard copies submitted in class. You must submit both in order to get a grade. See below for due dates. The University Center for Excellence in Writing offers a range of free support services at any point in the writing process (i.e. brainstorming, drafting, revising) to help students become more reflective writers and readers as well as more self-sufficient crafters of their written work. Please take advantage of this resource and go to http://www.fau.edu/ucew/us.htm for additional information. Examinations: There will be two non-comprehensive examinations which may include listening and score identification, matching, fill in the blank, short answer, short essay, essay, and true or false questions. MISSED TESTS WILL NOT BE MADE UP WITHOUT A WRITTEN DOCTOR S EXCUSE OR POLICE REPORT DETAILING YOUR EMERGENCY. Any missed exam must be made up before the following class meeting. Make-up exams will be taken in the Testing and Evaluation Office (SS 210). Their hours are from 8:00 am 4:30 pm Monday through Friday. To ensure that you will have enough time to finish the exam, do not arrive at the Testing and Evaluation Office any later than 3:30 pm. If you are making up the listening/score id portion of the exam, you will need to bring a 2

portable CD player and headphones with you as they cannot be provided by the Testing and Evaluation Office. Grading Policy: The final grade is a combination of these categories: Two exams (one in class and the final) 60% Attendance, participation 20% Research paper 20% Music majors need to earn a C or higher to have this course count towards their degree. Final grades will be assigned as follows: 100% - 93% A 90% - 92% A- 87% - 89% B+ 83% - 86% B 80% - 82% B- 77% - 79% C+ 73% - 76% C 70% - 72% C- 67% - 69% D+ 63% - 66% D 60% - 62% D- 0% - 59% F Attendance Policy: Attendance will be taken at every class meeting. Three unexcused absences are allowable but not encouraged. If you anticipate the need to miss more than three classes, it is advised that you notify the professor as soon as possible, since any absences beyond the allowable limit will affect your overall grade. Each additional absence will lower your attendance and participation grade by 10% points. This will have the effect of lowering your final grade by 2% for each additional unexcused absence over three. An absence will only be excused with proper documentation. The instructor has final say over which excuses and documentation constitutes an acceptable excused absence. Students involved in any University-approved activity will be excused with proper documentation from your supervising official. All documentation must be turned in no later than the day of the final. NO EXCEPTIONS. Departure from class before dismissal will result in a tardy or absence for that class session as determined by the instructor. Tardiness: You are tardy if you arrive after class has begun. If you are tardy, it is your responsibility to speak to the instructor after class to receive any credit for attendance. FOUR tardies equal one unexcused absence. There is no leniency with this rule. Procedure for obtaining an excused absence or tardiness: Send the professor an email at joella@fau.edu detailing the reason and date as soon as you know you will need to miss a class. You will also need to provide appropriate documentation. If an unexpected tardy occurs, it is your responsibility to see the professor directly after class, otherwise your tardiness will be considered unexcused. If an unexpected absence occurs, it is your responsibility to send the professor a detailed email as soon as possible (and follow up with appropriate documentation), otherwise your absence will be considered unexcused. 3

Make up/ Late Work: Late papers will not be accepted unless approved by the professor before the deadline. MISSED TESTS WILL NOT BE MADE UP WITHOUT A WRITTEN DOCTOR S EXCUSE OR POLICE REPORT DETAILING YOUR EMERGENCY. Any missed exam must be made up before the following class meeting. Make-up exams will be taken in the Testing and Evaluation Office (SS210). Their hours are from 8:00 am 4:30 pm Monday through Friday. To ensure that you will have enough time to finish the exam, do not arrive at the Testing and Evaluation Office any later than 3:30 pm. Plagiarism Detection: In addition to the hard copy of your research paper, students must submit a copy of their paper for evaluation through Blackboard SafeAssign before the beginning of class on the day stated. The papers submitted through Blackboard SafeAssign DO NOT take the place of hard copies submitted in class. You must submit both in order to get a grade. For information about the penalties for an infraction, see Academic Honesty below. Academic Honesty: The providing and/or receiving of any unauthorized assistance related to course requirements is absolutely prohibited. You are allowed and encouraged to study with other students outside of class, but any unauthorized assistance received or provided during the course of any graded material will not be tolerated (this does not refer to peer review of research papers). In addition, plagiarizing another s work (i.e., using someone else s work without proper reference in a writing assignment) is prohibited. Any violation of this policy will receive a failing grade for that assignment and possibly for the course as well. Please refer to the Department of Music s Student Handbook for complete information on academic irregularities. Classroom etiquette: o Students must be respectful, attentive and patient in the classroom environment at all times. o In accordance with the FAU Rules and Regulations, students are to refrain from all disruptive conduct. (Disruptive conduct includes but is not limited to: talking during lectures, distracting other students from classroom activities, phone calls, text messaging, phone camera usage, and any other behavior that negatively affects the learning environment.) o Failure to refrain from academic irregularities and disruptive conduct will result in appropriate disciplinary action. o Students are expected to refrain from the use of handheld Internet or texting devices during class and may only use computers to aid in note taking. Should a student be found in violation of this etiquette, they will be asked to leave class and take the absence. o Cell phones should be turned off and put away prior to the start of class. o Additionally, students are asked to sit in the chairs in a proper manner and keep feet from residing on other furniture. o Out of courtesy to other students and to the professor, students are asked to arrive in a timely manner. Religious Holiday Accommodation: In accordance with the rules of the Florida Board of Education and Florida law, students have the right to reasonable accommodations, with regard to admissions, registration, class attendance, and the scheduling of examinations and work assignments, from the 4

University in order to observe religious practices and beliefs. Students who wish to be excused from course work, class activities, or examinations must notify the instructor in advance of their intention to participate in religious observation and request an excused absence. This notification must occur during the first week of the semester so the course schedule can be altered for all students if necessary. The instructor will provide a reasonable opportunity to make up such excused absences. Incomplete Policy: A grade of Incomplete will be assigned only in the case of extreme emergency or illness. Course Communication: All electronic communication must originate from a valid FAU email address. This course uses Blackboard. Students with Disabilities: In compliance with the Americans with Disabilities Act (ADA), students who require special accommodations due to a disability to properly execute coursework must register with the Office for Students with Disabilities (OSD) located in Boca Raton SU 133 (561-297-3880), in Davie - LA 240 (954-236-1657), in Jupiter - SR 110 (561-799-8585) and follow all OSD procedures (561 297-0928). Any student registered with the office of Student Disabilities should present verification and need of assistance during the first week of classes. All possible and reasonable accommodation will be offered to that student through the course of the semester. Statement of Academic Integrity: Students at Florida Atlantic University are expected to maintain the highest ethical standards. Academic dishonesty, including cheating and plagiarism, is considered a serious breach of these ethical standards, because it interferes with the University mission to provide a high quality education in which no student enjoys an unfair advantage over any other. Academic dishonesty is also destructive of the University community, which is grounded in a system of mutual trust and places high value on personal integrity and individual responsibility. Harsh penalties are associated with academic dishonesty. For more information, see http://www.fau.edu/regulations/chapter4/4.001_code_of_academic_integrity.pdf Library Reserve: The second edition of both sets of anthologies of scores and recorded anthologies as well as the second edition textbook are on reserve in the FAU library. Course Schedule: This schedule is tentative and subject to change. If you miss a class it is your responsibility to make yourself aware of any changes to the schedule or material covered from someone else in the class. January 9: January 11: Introduction and overview of course, review two documents please print out a copy of the syllabus and Lecture Notes for Exam #1 from BlackBoard for today s class Reading: p. 288-314 The Classical Era, The Art of the Natural. Anthology and Recordings: #99-#103 5

January 13: January 16: January 18: January 20: January 23: January 25: January 27: January 30: February 1: February 3: February 6: February 8: NO CLASSES MARTIN LUTHER KING, JR. DAY Reading: p. 315-336 Instrumental Music in the Classical Era. Anthology and Recordings: #104-#108 Reading: p. 337-359 Vocal Music in the Classical Era. Anthology and Recordings: #109-115 Research Paper Thesis Sentence Typed And Due To Me Today, Don Giovanni February 10:, Die Zauberflöte RESEARCH PAPER BIBLIOGRAPHY AND ORGANIZATIONAL STATEMENT DUE February 13: review for exam February 15: Exam #3 The Classical Era, [Listening and Score Identification] February 17: Exam #3 The Classical Era, continued February 20: Reading: p. 360-412. The 19 th Century; The Age of the Tone Poet; Orchestral Music, 1800-1850. Anthology and Recordings: #116-#120. Please print out a copy of Lecture Notes for Exam #2 from BlackBoard for today s class February 22:, Orchestral Music, 1800-1850 6

February 24:, Beethoven Symphonies Nos. 3 & 6 February 27:, Beethoven Day (Symphonies Nos. 6, 7 & 9, Fidelio Overture) February 29:, Fidelio March 2: March 5: March 7: March 9: March 12: March 14: March 16: March 19: March 21: March 23: March 26: March 28: March 30: FIRST DRAFT OF RESEARCH PAPER DUE PEER EDITING (bring three copies of your first draft to class with you) NO CLASSES SPRING BREAK NO CLASSES SPRING BREAK NO CLASSES SPRING BREAK, Beriloz, Berlioz, Mendelssohn A Midsummer Night s Dream Reading: p. 413-438. Piano Music, Chamber Music, Song. Anthology and Recordings: #121-#136. Concertos, Sonatas, String Quartets, Beethoven String Quartet No. 13, Schubert, Schubert Day, Song Day: Robert Schumann, Wolf, Foster, Mussorgsky FINAL VERSION OF RESEARCH PAPER DUE TO ME (in both hard copy form and electronically submitted to BlackBoard SafeAssign by the start of class in order to receive a grade), Fanny Mendelssohn Hensel, Chopin, Liszt, R. Schumann, Paganini, Gottschalk Reading: p.439-466. Dramatic and Sacred Music. Anthology and Recordings: #137-#142. Rossini s Il Barbiere di Siviglia & Verdi April 2:, Rossini s Il Barbiere di Siviglia & Verdi s Rigoletto 7

April 4: April 6: April 9: April 11: April 13: April 16: April 18: April 20: April 23: April 25:, Verdi s Rigoletto, Verdi s Rigoletto, Wagner s Tristan und Isolde optional extra credit paper due today (in both hard copy form and electronically submitted to BlackBoard SafeAssign by the start of class in order to receive a grade), Wagner s Tristan und Isolde, J. Strauss Jr. s Die Fledermaus, Gilbert & Sullivan, Clara Wieck Schumann, Bruckner optional revision of research paper due (in both hard copy form and electronically submitted to BlackBoard SafeAssign by the start of class in order to receive a grade) Reading: p.467-489. Orchestral Music, 1850-1900; Major Composers of the 19 th Century. Anthology and Recordings: #143-#148. Bruckner, J. Strauss Jr., Sousa, Tchaikovsky [waltz, march, ballet], Tchaikovsky, Richard Strauss, Brahms, Dvorak, Mahler Bizet s Carmen, SPOT forms review for exam Wednesday, May 2: Final Exam from 7:45 am 10:15 am (Exam #2 The 19 th Century) 8