Module 1: Digital Video Signal Processing Lecture 3: Characterisation of Video raster, Parameters of Analog TV systems, Signal bandwidth

Similar documents
Module 3: Video Sampling Lecture 16: Sampling of video in two dimensions: Progressive vs Interlaced scans. The Lecture Contains:

Module 1: Digital Video Signal Processing Lecture 5: Color coordinates and chromonance subsampling. The Lecture Contains:

Chapter 3 Fundamental Concepts in Video. 3.1 Types of Video Signals 3.2 Analog Video 3.3 Digital Video

Lecture 2 Video Formation and Representation

Lecture 2 Video Formation and Representation

Module 3: Video Sampling Lecture 17: Sampling of raster scan pattern: BT.601 format, Color video signal sampling formats

Analog TV Systems: Monochrome TV. Yao Wang Polytechnic University, Brooklyn, NY11201

2.4.1 Graphics. Graphics Principles: Example Screen Format IMAGE REPRESNTATION

Computer Graphics. Raster Scan Display System, Rasterization, Refresh Rate, Video Basics and Scan Conversion

To discuss. Types of video signals Analog Video Digital Video. Multimedia Computing (CSIT 410) 2

Television History. Date / Place E. Nemer - 1

Part 1: Introduction to Computer Graphics

Multimedia. Course Code (Fall 2017) Fundamental Concepts in Video

Multimedia Systems Video I (Basics of Analog and Digital Video) Mahdi Amiri April 2011 Sharif University of Technology

ELEC 691X/498X Broadcast Signal Transmission Fall 2015

Lecture 2 Video Formation and Representation

Midterm Review. Yao Wang Polytechnic University, Brooklyn, NY11201

The Lecture Contains: Frequency Response of the Human Visual System: Temporal Vision: Consequences of persistence of vision: Objectives_template

4. Video and Animation. Contents. 4.3 Computer-based Animation. 4.1 Basic Concepts. 4.2 Television. Enhanced Definition Systems

Objectives: Topics covered: Basic terminology Important Definitions Display Processor Raster and Vector Graphics Coordinate Systems Graphics Standards

Module 8 VIDEO CODING STANDARDS. Version 2 ECE IIT, Kharagpur

2 Video Formation, Perception, and Representation Chapter 1 color value at any point in a video frame records the emitted or reflected light ata parti

5.1 Types of Video Signals. Chapter 5 Fundamental Concepts in Video. Component video

10 Digital TV Introduction Subsampling

Video Scaler Pro with RS-232

BTV Tuesday 21 November 2006

Ch. 1: Audio/Image/Video Fundamentals Multimedia Systems. School of Electrical Engineering and Computer Science Oregon State University

ANTENNAS, WAVE PROPAGATION &TV ENGG. Lecture : TV working

hdtv (high Definition television) and video surveillance

Computer Graphics Hardware

Types of CRT Display Devices. DVST-Direct View Storage Tube

1. Broadcast television

MULTIMEDIA TECHNOLOGIES

Spatio-temporal inaccuracies of video-based ultrasound images of the tongue

VGA Port. Chapter 5. Pin 5 Pin 10. Pin 1. Pin 6. Pin 11. Pin 15. DB15 VGA Connector (front view) DB15 Connector. Red (R12) Green (T12) Blue (R11)

Processing. Electrical Engineering, Department. IIT Kanpur. NPTEL Online - IIT Kanpur

Part 1: Introduction to computer graphics 1. Describe Each of the following: a. Computer Graphics. b. Computer Graphics API. c. CG s can be used in

Mahdi Amiri. April Sharif University of Technology

3. Displays and framebuffers

Secrets of the Studio. TELEVISION CAMERAS Technology and Practise Part 1 Chris Phillips

An Overview of Video Coding Algorithms

Reading. Displays and framebuffers. Modern graphics systems. History. Required. Angel, section 1.2, chapter 2 through 2.5. Related

Technical Aspects of the New World of Multi- Format DTV embodying Progressive, Interlaced, and Segmented Frame Video Format

Digital Media. Daniel Fuller ITEC 2110

Rec. ITU-R BT RECOMMENDATION ITU-R BT PARAMETER VALUES FOR THE HDTV STANDARDS FOR PRODUCTION AND INTERNATIONAL PROGRAMME EXCHANGE

Displays. History. Cathode ray tubes (CRTs) Modern graphics systems. CSE 457, Autumn 2003 Graphics. » Whirlwind Computer - MIT, 1950

4. ANALOG TV SIGNALS MEASUREMENT

Multimedia Systems Video I (Basics of Analog and Digital Video) Mahdi Amiri November 2015 Sharif University of Technology

Video. Philco H3407C (circa 1958)

decodes it along with the normal intensity signal, to determine how to modulate the three colour beams.

Rounding Considerations SDTV-HDTV YCbCr Transforms 4:4:4 to 4:2:2 YCbCr Conversion

What is sync? Why is sync important? How can sync signals be compromised within an A/V system?... 3

Reading. 1. Displays and framebuffers. History. Modern graphics systems. Required

What You ll Learn Today

ZONE PLATE SIGNALS 525 Lines Standard M/NTSC

Progressive Image Sample Structure Analog and Digital Representation and Analog Interface

Computer Graphics Prof. Sukhendu Das Dept. of Computer Science and Engineering Indian Institute of Technology, Madras Lecture - 5 CRT Display Devices

CYPRESS TECHNOLOGY CO., LTD.

Understanding Multimedia - Basics

ADVANCED TELEVISION SYSTEMS. Robert Hopkins United States Advanced Television Systems Committee

R 95 SAFE AREAS FOR 16:9 TELEVISION PRODUCTION VERSION 1.1 SOURCE: VIDEO SYSTEMS

Monitor and Display Adapters UNIT 4

Nintendo. January 21, 2004 Good Emulators I will place links to all of these emulators on the webpage. Mac OSX The latest version of RockNES

DT3162. Ideal Applications Machine Vision Medical Imaging/Diagnostics Scientific Imaging

Chapter 6 & Chapter 7 Digital Video CS3570

COPYRIGHTED MATERIAL. Introduction to Analog and Digital Television. Chapter INTRODUCTION 1.2. ANALOG TELEVISION

RECOMMENDATION ITU-R BT.1201 * Extremely high resolution imagery

CHAPTER 2. Black and White Television Systems

HEVC/H.265 CODEC SYSTEM AND TRANSMISSION EXPERIMENTS AIMED AT 8K BROADCASTING

COMPOSITE VIDEO LUMINANCE METER MODEL VLM-40 LUMINANCE MODEL VLM-40 NTSC TECHNICAL INSTRUCTION MANUAL

Camera Interface Guide

A review of the implementation of HDTV technology over SDTV technology

RECOMMENDATION ITU-R BT.1203 *

Chapter 2. RECORDING TECHNIQUES AND ANIMATION HARDWARE. 2.1 Real-Time Versus Single-Frame Animation

SM02. High Definition Video Encoder and Pattern Generator. User Manual

EECS150 - Digital Design Lecture 12 Project Description, Part 2

Lecture 23: Digital Video. The Digital World of Multimedia Guest lecture: Jayson Bowen

Please feel free to download the Demo application software from analogarts.com to help you follow this seminar.

Intra-frame JPEG-2000 vs. Inter-frame Compression Comparison: The benefits and trade-offs for very high quality, high resolution sequences

Supplementary Course Notes: Continuous vs. Discrete (Analog vs. Digital) Representation of Information

Film Sequence Detection and Removal in DTV Format and Standards Conversion

Advanced Computer Networks

CS 4451A: Computer Graphics. Why Computer Graphics?

MPEGTool: An X Window Based MPEG Encoder and Statistics Tool 1

Dan Schuster Arusha Technical College March 4, 2010

Traditionally video signals have been transmitted along cables in the form of lower energy electrical impulses. As new technologies emerge we are

Chapter 10 Basic Video Compression Techniques

DCI Memorandum Regarding Direct View Displays

Safe areas for 16:9 television production

IBM Enhanced Color Display. Personal Computer. Hardware Reference Library _.-

United States Patent: 4,789,893. ( 1 of 1 ) United States Patent 4,789,893 Weston December 6, Interpolating lines of video signals

Reading. Display Devices. Light Gathering. The human retina

Streamcrest Motion1 Test Sequence and Utilities. A. Using the Motion1 Sequence. Robert Bleidt - June 7,2002

Lab 3: VGA Bouncing Ball I

CS2401-COMPUTER GRAPHICS QUESTION BANK

iii Table of Contents

Welcome Back to Fundamentals of Multimedia (MR412) Fall, ZHU Yongxin, Winson

VGA to Video Converter ID# 424 Operation Manual

EMBEDDED ZEROTREE WAVELET CODING WITH JOINT HUFFMAN AND ARITHMETIC CODING

Understanding PQR, DMOS, and PSNR Measurements

Transcription:

The Lecture Contains: Analog Video Raster Interlaced Scan Characterization of a video Raster Analog Color TV systems Signal Bandwidth Digital Video Parameters of a digital video Pixel Aspect Ratio file:///d /...se%20(ganesh%20rana)/my%20course_ganesh%20rana/prof.%20sumana%20gupta/final%20dvsp/lecture3/3_1.htm[12/31/2015 11:05:59 AM]

Analog Video Raster Analog video systems of today use raster scan for video capture and display. In a raster scan, a camera captures a video sequence, by sampling it in both temporal and vertical directions. The resulting signal is stored a continuous 1-D waveform. Two most commonly used raster scanning methods are: Progressive and interlaced scans. Progressive Scan: A frame is formed by a single scanning pass i.e. the electronic beam continuously scans the image region from top to bottom and then back to top. This is shown in Figure 3. The resulting raster signal consists of a series of frames separated b a frame interval. Each frame consists of a consecutive set of horizontal scan lines separated by regular vertical spacing. The bottom line is scanned about one frame interval later than the top line of the same frame. For analysis purposes, we assume that all the lines in a frame are sampled at the same time. The intensity values captured along continuous scan lines over consecutive frames form a ID analog waveform called raster scan. For color camera, 3 color raster are formed and converted to a composite raster. (Figure 5) file:///d /...se%20(ganesh%20rana)/my%20course_ganesh%20rana/prof.%20sumana%20gupta/final%20dvsp/lecture3/3_2.htm[12/31/2015 11:05:59 AM]

Interlaced Scan Each frame is scanned in two fields and each field contains half the number of lines in a frame. This is called 2:1 interlace. The time interval between two fields, called the field interval is half the frame interval. Following MPEG standard,we call the field containing the first line and following alternate lines as Topfield and the field containing second alternate lines as Bottom field. In some systems the top field is sampled first while in others the bottom is sampled first. The two adjacent lines in a frame are separated in time by the field interval. This fact leads to the infamous Zigzag artifacts in interlaced video images that contain fast moving objects with vertical edges. Motivation for using the interlaced scan is to trade off the vertical resolution for an enhanced temporal resolution (or reduced flickering within a given bandwidth) given the total number of lines that can be recorded within a given time. This will be taken up in our discussion on video sampling. Characterization of a video Raster Raster signal is described by two basic parameters: 1. Frame rate: (frame/sec or fps or Hz) 2. Line number: (lines/frame or lines/picture height), and Line rate:. These two parameters define the temporal and vertical sampling rates of a raster scan. The temporal sampling interval or frame interval. ;and, Vertical sampling interval or line spacing: ; Line interval (time to scan one line):. The line interval, includes the horizontal retrace time,. Actual scanning time for a line is : Similarly, frame interval, includes the vertical retrace time. file:///d /...se%20(ganesh%20rana)/my%20course_ganesh%20rana/prof.%20sumana%20gupta/final%20dvsp/lecture3/3_3.htm[12/31/2015 11:05:59 AM]

Therefore, the number of lines that is actually scanned in a frame time, known as Active lines is Normally is chosen as an integer multiple of (See figure 3 for raster scan waveforms) Figure 4 below shows the spectrum of a typical raster signal. It contains peaks at line rate and its harmonics. This is because adjacent scan lines are very similar, so that signal is nearly periodic with period of. The width of each harmonic lobe is determined by the maximum vertical frequency in a frame. The overall bandwidth of the signal is determined by its maximum horizontal spatial frequency. (Figure 6) file:///d /...se%20(ganesh%20rana)/my%20course_ganesh%20rana/prof.%20sumana%20gupta/final%20dvsp/lecture3/3_4.htm[12/31/2015 11:06:00 AM]

Quality of a video raster is determined by the frame rate. For example, 1. TV industry uses an interlaced scan with frame rate 25-30Hz; and temporal refresh rate of 50-60Hz and line number of 560-600. Computer industry has frame rate of 72Hz and line number of 1024 (SVGA display) 2. The frame rates and line numbers are determined based on the visual temporal and spatial thresholds in different viewing environments. 3. Higher frame rates and line numbers are necessary in computer applications to accommodate a significantly shorter viewing distance and higher frequency contents (Line graphics & texts) in the displayed material. The width to height ratio of a video frame is known as image aspect ratio (IAR); IAR of 4:3 used in Std TV and computer display. file:///d /...se%20(ganesh%20rana)/my%20course_ganesh%20rana/prof.%20sumana%20gupta/final%20dvsp/lecture3/3_5.htm[12/31/2015 11:06:00 AM]