(edited 11/19/2012) Civic Orchestra of Chicago Audition Repertoire VIOLIN. First movement of a major concerto Exposition

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Civic Orchestra of Chicago Audition Repertoire VIOLIN First movement of a major concerto Exposition Excerpts: BEETHOVEN: Symphony No. 3 Eroica (1 st Violin) -Scherzo beginning to m. 170 BEETHOVEN: Symphony No. 9 (1 st Violin) -Mvt. 3 m. 99 to m. 115 BRAHMS: Symphony No. 4 (1 st Violin) -Mvt. 4 m. 33 to letter D SCHUBERT: Symphony No. 2 (1 st Violin) -Mvt. 1 m. 11 to letter B STRAUSS: Till Eulenspiegels lustige Streiche (1 st Violin) -Rehearsal 29 to rehearsal 32 VIOLA STAMITZ: Viola Concerto -First page of the International Edition Excerpts: MOZART: Symphony No. 35, Haffner -Mvt. 4 Mm. 134-181 MENDELSSOHN: Scherzo from A Midsummer Night s Dream -Letter E to 3 mm. after Letter I SHOSTAKOVICH: Symphony No. 5 -Mvt. 1 Rehearsal 15-17 STRAUSS: Ein Heldenleben -Rehearsal 77 to 4 mm. after rehearsal 79 -Rehearsal 94 to rehearsal 98 CELLO First movement of a major concerto Exposition Excerpts: BEETHOVEN: Symphony No. 5 -Mvt. 2 Mm. 1-10, 49-59, and 98-106 MENDELSSOHN: Scherzo from A Midsummer Night s Dream -Letter N through letter O STRAUSS: Don Juan -Mm. 1-9 -7 mm. before letter G through letter H -Letter R through letter T BRAHMS: Symphony No. 3 -Mvt. 3 Mm. 1-16

DOUBLE BASS ONE movement of your choice from J.S. BACH Cello Suite #3. Bourees I and II count as one movement (Peters edition no.238b, edited by H.S. Sterling in G major, with no repeats.) Excerpts: BEETHOVEN: Symphony No. 5 -Mvt. 3 mm. 141-177; trio with no repeats BEETHOVEN: Symphony No. 9 -Mvt. 4 Recitatives BRAHMS: Symphony No. 1 -Mvt. 1 mm. 161-190 MOZART: Symphony No. 35, Haffner -Mvt. 4 mm. 1-38 PROKOFIEV: Lieutenant Kijé Symphonic Suite -Mvt. 2 Romance, bass solo FLUTE MOZART Concerto in G, K. 313 Excerpts: BACH: "Aus Lieberman will mein Heiland sterben" from St. Matthew Passion BEETHOVEN: Leonore Overture no.3 -mm. 328-360 (fast solo)) MENDELSSOHN: Scherzo from A Midsummer Night s Dream -12 mm. before letter P through the end STRAUSS: Dance of the Seven Veils from Salome -letter D through 4 mm. after letter H DEBUSSY: Prelude to the afternoon of a faun -opening 4 mm. **ROSSINI: Semiramide Overture (Piccolo) -5 mm. after letter G through 1 mm. after letter H ** Optional auxiliary instrument excerpt. OBOE MOZART: Concerto in C, K. 314 Excerpts: BEETHOVEN: Symphony No. 3 (Oboe I) -Mvt. 2 Mm. 8-47 RAVEL: Le Tombeau de Couperin (Oboe I) -Mvt. 1 Mm. 1-14 SCHUMANN: Symphony No. 2 (Oboe I) -Mvt. 3 Mm. 8-19 BARTOK: Concerto for Orchestra (Oboe II) -Mvt. 2 Mm. 25-44

CLARINET* MOZART: Concerto in A, K. 622 Excerpts: BEETHOVEN: Symphony No. 6 (Clarinet I) -Mvt. 1 Mm. 474-492 -Mvt. 2 Mm. 68-77 -Mvt. 3 Mm. 122-133 MENDELSSOHN: Scherzo from A Midsummer Night s Dream (Clarinet I) -Beginning through letter B MENDELSSOHN: Symphony No. 3 - Scottish (Clarinet I) -Mvt. 2 Beginning through 1 mm. after rehearsal B SHOSTAKOVICH: Symphony No. 9 (Clarinet I) -Mvt. 2 Mm. 1-52 -Mvt. 3 Mm. 1-17 **BERLIOZ: Symphonie Fantastique (E-flat Clarinet) -Mvt. 5 Mm. 40-78 **GROFE: Grand Canyon Suite (Bass Clarinet) -Mvt. 3 5 mm. after rehearsal no. 11 through end of mvt. ** Optional auxiliary instrument excerpt. BASSOON* MOZART: Concerto in B-flat, K. 191 -Mvt. 2 Exposition Excerpts: MOZART: Overture to Marriage of Figaro (Bassoon 1) -Mm. 101-171 STRAVINSKY: Rite of Spring (Bassoon 1) -L adoration de la terre Mm. 1-17 RIMSKY-KORSAKOV: Scheherazade (Bassoon 1) -Mvt. 2 Mm. 5-26 and 322-328 TCHAIKOVSKY: Symphony No. 6, Pathetique (Bassoon 1) -Mvt. 1 Mm. 1-6 STRAUSS: Till Eulenspiegels lustige Streiche (Bassoon 1) -3 mm. before rehearsal no. 37 through 4 mm. before rehearsal no. 38 HORN MOZART: Concerto No. 2, K. 417 OR No. 4, K. 495 Excerpts: BEETHOVEN: Symphony no. 3 (horn II) -Mvt. 3 Trio, mm. 170-205

BRAHMS: Symphony no. 3 (horn I) -Mvt. 3 Mm. 98-110 STRAUSS: Till Eulenspiegels lustige Streiche (horn I) -Mm. 6-20 TCHAIKOVSKY: Symphony no. 4 (horn II) -Mvt. 1 Mm. 1-20 TRUMPET HUMMEL: Concerto in Eb Excerpts: MUSSORGSKY/RAVEL: Pictures at an Exhibition (Trumpet 1) -Opening Promenade Mm. 1-8 RESPIGHI: The Pines of Rome (Trumpet 1) -Mvt. 2 offstage solo STRAVINSKY: Ballerina's Dance from Petrushka (1947 version) (Trumpet 1) -1 mm. before rehearsal no. 134 through rehearsal no. 139 MAHLER: Symphony No. 5 (Trumpet 1) -Mvt. 1 Beginning through 5 mm after rehearsal no. 1 -Mvt. 1 1 mm. before rehearsal no. 13 through rehearsal no. 14 RAVEL: Piano Concerto in G Major -Mvt. 1 rehearsal no. 2 through rehearsal no. 3 STRAUSS: Ein Heldenleben (Eb Trumpet 1) - 7 mm. before rehearsal no. 50 through rehearsal no. 55 TROMBONE Excerpts: MOZART: Requiem -Tuba Mirum-Solo RAVEL: Bolero (Trombone I) -Solo-2 mm. after reh. no. 10 to downbeat of reh. no. 11 SAINT-SAENS: Symphony No.3 (Trombone I) -Mvt.1 letter Q to 2 mm. before letter R WAGNER: Prelude to Act III of Lohengrin (Trombone I) -pickup to 7 mm. after D to 1 m. after E WAGNER: Ride of the Valkyries (Trombone 1) -Mm. 58-77 (B-Major section) BASS TROMBONE SPILLMAN: Concerto for Bass Trombone -Mvt. 1 First page only

Excerpts: RESPIGHI: Pines of Rome -Mvt. 2 Mm. 27-55 SCHUMANN: Symphony No. 3, Rhenish -Mvt. 4 Beginning through mm. 18 ROSSINI: Overture to William Tell -Letter C through 9 mm. after letter D VERDI: Falstaff -Act III, part 1 Rehearsal no. 7 through 9 mm. after rehearsal no. 7 -Act III, part 1 4 mm. after reh. no. 13 through 20 mm. after no. 14 KODALY: Suite from Hary Janos -Mvt. 4 5 mm. after reh. no. 5 through 29 mm. after rehearsal no. 5 WAGNER: Das Rheingold -Scene 2-6 mm. after rehearsal no. 17 through 2 mm. before rehearsal no. 18 -Scene 2 - Rehearsal no. 24a through 7 mm. after reh. no. 24a -Scene 4 - Rehearsal no. 80 through 15 mm. after rehearsal no. 80 TUBA* Applicant s choice (2-3 minutes in length) Excerpts: WAGNER: Overture to Die Meistersinger -Mm. 1-27 and 158-188 PROKOFIEV: Symphony No. 5 -Mvt. 1 3 mm. before reh. no. 2 through 3 mm. after reh. no. 2 -Mvt. 1 Reh. no. 3 through 3 mm. after reh. no. 4 REVUELTAS: Sensemaya -Rehearsal No. 2 through rehearsal no. 8 BERLIOZ: Overture to King Lear -3 mm. after rehearsal no. 21 to 8 mm. before rehearsal no. 23 RESPIGHI: Fountains of Rome -Fontana di Trevi Rehearsal no. 11 through rehearsal no. 14 WAGNER: Die Walkure, Ride of the Valkyries -B Major section HARP* Live auditions only. (Either Handel or Mozart) HANDEL-Concerto for Harp in B flat major, op. 4, Mvt. 1 MOZART-Concerto for Flute and Harp in C major, Mvt. 1 Excerpts: BERLIOZ: Symphonie Fantastique, op. 14 (Harp I) -Mvt. 2 complete RAVEL: Tzigane -cadenza

STRAUSS: Death and Transfiguration, op. 24 (Harp I) -complete BRITTEN: Young Person s Guide to the Orchestra, op. 34 -cadenza and both fugues KEYBOARD Live auditions only. Solos: (play all requirements indicated below) -One Baroque period work written in fugal style -One major movement from a Classical period sonata -One Romantic period piece (All excerpts will be sent to audition candidates via e-mail in January 2012) Excerpts: BARTOK: Suite from the Miraculous Mandarin -5 mm. after rehearsal no. 23 through reh. no. 25-2 mm after reh. no. 31 through 4 mm. after rehearsal no. 35 BARTOK: Music for Strings, Percussion, and Celeste -Mvt. 2 Mm. 154-241 -Mvt. 4 Mm. 107-183 COPLAND: Concerto for Clarinet -Mm. 436 through end of movement RESPIGHI: Feste romane -Rehearsal no. 36 through rehearsal no. 37 SHOSTAKOVICH: Symphony No. 1 -Mvt. 4 4 mm. before rehearsal no. 28 to end STRAUSS: Le Bourgeois Gentilhomme (Complete version, not Suite) -No. 11 ( Aufritt Des Cleonte ) 7 mm. after rehearsal no. 109 through end of movement STRAVINSKY: Petrouchka -2 nd Part Rehearsal nos. 93-119 STRAVINSKY: Symphony in Three Movements -Rehearsal no. 7 through 2 mm. after rehearsal no. 13 TIMPANI* Live auditions only. Excerpts: BARTOK: Concerto for Orchestra, Mvt. 4 BARTOK: Music for Strings, Percussion and Celeste, Mvt. 2 BEETHOVEN: Symphony No. 1, Mvts. 2 & 3 BEETHOVEN: Symphony No. 9, Mvts. 1 & 2 HINDEMITH: Symphonic Metamorphosis, Mvt. 2 MAHLER: Symphony No. 7, Mvt. 5 MOZART: Symphony No. 39, Mvt. 1 SHOSTAKOVICH: Symphony No. 1, Mvt. 4

STRAUSS: Der Rosenkavalier STRAVINSKY: The Rite of Spring, Sacrificial Dance TCHAIKOVSKY: Romeo and Juliet Overture-Fantasy TCHAIKOVSKY: Symphony No. 4, Mvt. 1 PERCUSSION Live auditions only. Excerpts: Snare drum: NIELSEN: Clarinet Concerto PROKOFIEV: Lt. Kije Suite RIMSKY KORSAKOV: Capriccio Espagnol RIMSKY-KORSAKOV: Scheherazade SHOSTAKOVICH: Symphony No. 10 Xylophone: COPLAND: Appalachian Spring GERSHWIN: Porgy and Bess KODALY: Hary Janos Suite W. SCHUMAN: Symphony No. 3 SHOSTAKOVICH: Polka from The Age of Gold Glockenspiel: DUKAS: Sorcerer s Apprentice MOZART: Magic Flute RESPIGHI: Pines of Rome STRAVINSKY: Petrouchka (1911 version) TCHAIKOVSKY: Waltz from Sleeping Beauty Tambourine: BIZET: Aragonaise and Danse Boheme from Carmen BRITTEN: Four Sea Interludes from Peter Grimes DVORAK: Carnival Overture Cymbals: RACHMANINOFF: Piano Concerto No. 2 TCHAIKOVSKY: Romeo and Juliet TCHAIKOVSKY: Symphony No. 4 Vibraphone: BERNSTEIN: Symphonic Dances from West Side Story *Auditions for instruments marked with * are for Associate membership only at this time. However, all are encouraged to audition as Regular Member positions often become available mid-season.