LINGUISTICS 321 Lecture #8. BETWEEN THE SEGMENT AND THE SYLLABLE (Part 2) 4. SYLLABLE-TEMPLATES AND THE SONORITY HIERARCHY

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LINGUISTICS 321 Lecture #8 BETWEEN THE SEGMENT AND THE SYLLABLE (Part 2) 4. SYLLABLE-TEMPLATES AND THE SONORITY HIERARCHY Syllable-template for English: [21] Only the N position is obligatory. Study [22] There is a clear ranking of accessibility to the head position: The standard distinctive features do not express this relative ranking expressed by recognizing a SONORITY HIERARCHY [23] The SONORITY HIERARCHY (although will be refined) allows us not only to determine the head of the nucleus, but it also makes predictions as to the constituents of the syllable. ONSETS are typically on the ascending slope of sonority, and codas are on the descending slope. e.g. the sonority curve of flint : 3-6-8-5-1 Sonority Profile: The sonority of syllables increases from the beginning of the syllable onwards, and decreases from the beginning of the peak onwards. Violations of the sonority profile are uncommon! Clements (1990:) In the onset, large sonority differences are preferred over small ones; syllables start with a bang and end with a whimper. Sonority Scale (=hierarchy): Obstruents Nasals Liquids Glides Vowels Study Section 10.3.1 textbook pp.138-139 1

But: The sonority hierarchy should be supplemented by conditions, because the template erroneously predicts as correct forms such as CONDITIONS: [24] * bnit, *psint etc. e.g. [24b] restricts the O 1 position to values 6, 7 and 8 train, clip, queen etc. PROBLEM: The syllable template does not allow words such as backs, act etc. because condition [24d] requires a descending sonority slope within the coda. Also: acts, texts, sixths contain more than two segments (only two positions are in the coda in the template). Two possibilities: 1. modifying the syllable template to accomodate final [ks] [kt] [kts] [ksts] and [ks s] sequences; (examples: p. 211) 2. considering EXTRAMETRICALITY this is accepted by most phonologists EXTRAMETRICALITY: Assumption: some underlying segments may not be integrated to syllable structure -- they are extrametrical. Argument: Simpler rules of stress assignment could be formulated if certain sequences were ignored. e.g. In English, simpler stress rules can be formulated if we assume that the last consonant does not count. [25] 2

If the last consonant is irrelevant (=extrametrical), stress assignment is formulated in a simple manner: Stress the last syllable if it is heavy, otherwise stress the penultimate syllable. Stray Segment Adjustment Rule for accounting extrametrical segments as shown below: i. -th, -s : grammatical markers (e.g. widths); derivatively attached to the syllable extrametrical! ii. [t] of act; [s] of axe : same or higher sonority index than the consonant preceding the last segment is extrametrical! In English EXTRAMETRICAL segments are [CORONAL]! 5. ARGUMENTS FOR THE CV-tier. a. Representation of affricates: The formalization reflects the intuition that affricates are considered as a single entity made up of two articulatory events. [31] chin The representation makes the feature [delayed release] unnecessary. b. Representation of long segments: A long segment always corresponds to two slots on the CV-tier; a short segment is anchored to a single C or V position. [32] bit, beat, bite 3

Consider the syllable-template above: only two members were permitted in the onset and the coda; What about words such as strip [str-] and next [-kst]? Suggestion: /st/ should be treated as a single unit. Arguments: (i) Already in classical phonemics /st/ /sp/ and /sk/ were treated as phonemic long components There are no voiced stops after /s/: the domain of the feature [voice] is longer than one segment. The value of [voice] is determined by the fact that the stop constitutes a cluster with the /s/ [-voice]! (ii) In verses sk- alliterates with skst- stsp- sp- -------------------------------- sk- does not alliterate with st- or sp- ONE SINGLE UNIT! p- may alliterate with pr-, pl h- hl-, hn but: s- may not alliterate with sk-, st-, sp. The single unit can be made sense of by applying the formalism of CV-phonology: [34] strip, next There is thus another advantage of the CV-tier: the feature [long] can be eliminated -- this results in a more homogeneous feature set. The templatic use of the CV Tier: Study the Arabic example (Section 10.4, text book pp. 139-141). 4

6. AMBISYLLABICITY There is evidence that syllables may overlap: e.g. petrol The /-t-/ has simultaneously syllable-initial and syllable-final characteristics. The /r/ is voiceless: indicates that /t/ is syllable initial; But there is a glottal reinforcement of the /t/: [t ] (in some varieties of English) typical for syllable-final positions Thus the /t/ is AMBISYLLABIC. Study [35a] The /t/ is simultaneously associated with the CODA of the first syllable and the ONSET of the second syllable. Does this imply that the /t/ is long? No! Consider the CV-phonological representation! [35b] 7. PROSODIC HIERARCHY Syllables are grouped into rhythmic units: FEET. This is the house that Jack built. there are four feet in this sentence; feet in English tend to be of equal duration: ISOCHRONY (much debated issue) 5

(F = foot) F F F F σ σ σ σ σ σ σ THIS is the HOUSE that JACK BUILT Head-initial or head-final feet (p. 220) STRESS AND PROMINENCE Is stress a feature? Stress is a syntagmatic notion! Numerological approach to stress -- WRONG! Explain (p.224)! METRICAL TREES: Stress is considered to be a binary relation between two constituents: a strong element marked as s and a weak one w. e.g. many F σ s σ w ma ny 6

U = Utterance ƒ = Phonological Phrase I = Intonational Phrase F = Foot σ = Syllable Example: Many linguists go to Essex. Study [47] and [48] 7

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