June C. Montgomery. Copyright MCMXCVIII by Alfred Publishing Co., Inc. All rights reserved. Printed in USA.

Similar documents
Line 5 Line 4 Line 3 Line 2 Line 1

Lesson 5 Contents Overview of Lesson 5 Rhythm Change 1a Rhythm Watch Time Signature Test Time Dotted Half Notes Flower Waltz Three Step Waltz

TABLE OF CONTENTS. Foreword 2. Keyboard Basics 3. The Music Alphabet 11. The Staff 18. Steps in Bass Clef 26. Steps in Treble Clef 36

The lines and spaces of the staff are given certain letter names when the treble clef is used.

SOS A resource for directors of beginning sight readers. Written and Composed by Laura Farnell and Mary Jane Phillips

& w w w w w w # w w. Example A: notes of a scale are identified with Scale Degree numbers or Solfege Syllables

Palmer - Hughes Book 1

TABLE OF CONTENTS. Foreword 2. Review 3. The C 5-Finger Pattern 4. Dynamics and Tempo 10. Tonic and Dominant in C 14.

Math in Motion SAMPLE FIRST STEPS IN MUSIC THEORY. Caleb Skogen

Hal Leonard Student Piano Library Correlation to Music Ace Maestro

Contents FOREWORD... 5

œ œ œ œ œ œ œ œ œ œ Playing on the 3 Black Keys Dr. Kathy Rabago Right Hand Left Hand A quarter note ( q ) = 1 beat

Easy Music Theory. for Middle School. Index

Piano Proficiency Examination Requirements Effective Fall 2006

Rests & 4 4 Œ Œ Œ Œ. 5. Write the count below the notes and rests, then clap and count the rhythm out loud.

The Comeback Trumpet Player

Week of September 11, 2017

Recorder. Flashcards

To the Parents. About This Book. About the Lessons. About the Recording

Preparatory Rudiments. The Royal Conservatory Edition. accelerando. martellato. tacet. polyphonic. langsam. grazioso. rubato. vivace.

Piano Safari Sight Reading & Rhythm Cards for Book 2

LESSON #2. Music Theory Fundamentals

Let s Play Music 3-Year Overview Scope and Sequence

Proficiency Examinations for:

Name Class Hour. Fill in the chart below. Worksheet - 1. What does the top number of any time signature tell you?

TEACHER S GUIDE to Lesson Book 2 REVISED EDITION

AP Theory Overview:

VERSIONS OF MINOR SCALES. Below are examples of the three forms of minor scales in the keys of a minor and g # minor. a minor. Sol Mi.

MUSC 103 Materials and Design Wesleyan University Fall 2012, T/R 9:00 10:20

Cadences. There are four different types of harmonic cadences: perfect (or authentic) imperfect (or half), plagal and interrupted (or deceptive).

THE FIFTY-FIFTH ANNUAL

Announcing... 2nd Edition. Primer Level. and Level 1

Well temperament revisited: two tunings for two keyboards a quartertone apart in extended JI

diptych Paul Schuette Fall 2008 a DUET for harpsichord, electric piano and live electronics

Table of Contents Table of Contents Music Discovery Book: Music for Little Mozarts Special Teaching Tips About Music for Little Mozarts

Keyboard Percussion by Eric Chandler and Chris Norton

TABLE OF CONTENTS. Lesson 1: Major and Minor Key Signatures...1. Lesson 2: Scales Lesson 3: Intervals...21

Music Notation and Theory for Intelligent Beginners

Developing Your Musicianship Lesson 1 Study Guide

Theory and Sightreading for Singers LEVEL 2. The EM Music Voice Method Series. Written by. Elizabeth Irene Hames and Michelle Anne Blumsack

Fundamental Music Instruction

The Performing Arts at The Cushman School

MR. DICKSON'S METHOD FOR BAND

AP Music Theory Westhampton Beach High School Summer 2017 Review Sheet and Exercises

Mr. Dickson's Band Method

Major Scale Crash Course

Step 1: With your mobile device, open your app marketplace (App Store, Google Marketplace, etc.).

Queens College, Aaron Copland School of Music Rudiments of Music 1, fall 2010 Music 060, Section BM2WA or 1M2WA Room 363

Folksongs from Around the World

Grade 1. Improve your theory! Paul Harris. Model answers

Getting into The Blues Lesson 2

MUSIC THEORY. Essentials of. Alfred s TEACHER S ACTIVITY KIT, COMPLETE. 90 Reproducible Activities, Plus 18 Tests

Tuba Clinic. by Sergeant First Class Scott Cameron Field Band Drive Fort Meade, Maryland

How to Read Music. 1. What is a beat? a. When thinking about a beat, think about your i. What three words describe a beat?

Lesson 1. Unit 1. A quarter note is equal to one beat. Say ta to count a quarter note.

Jazz Piano Left Hand Techniques

Sample. January - Week 1: Song #44 Clock Round CD2:30

Writing Trails. with. Great Composers by Laurie Barrie

Written Piano Music and Rhythm

Contents. About the Author Introduction... 5

Macro Analysis of Robert Schumann s Abschied, from Waldscenen, Op. 82

Music 111: Music Appreciation 1

The Practice Room. Learn to Sight Sing. Level 2. Rhythmic Reading Sight Singing Two Part Reading. 60 Examples

AP MUSIC THEORY SUMMER ASSIGNMENT AP Music Theory Students and Parents,

MMS 8th Grade General Music Curriculum

Music Technology Advanced Subsidiary Unit 1: Music Technology Portfolio 1

Mr. Dickson's Band Method

Music Program. Music Elective Courses. Beginning Guitar Beginning Piano. Beginning Piano History of Music Through Listening

YOUTH ORCHESTRAS OF LUBBOCK INFORMATION FOR AUDITION,

This is the fifth year for Diocesan-wide Music assessments on the Elementary level so most should be familiar with the process.

Grade 2. Improve your theory! Paul Harris. Model answers

Fidelio Overture By Ludwig Van Beethoven

THE LANGUAGE OF MUSIC REVEALED

THE TRILL, APPOGGIATURA, MORDENT & GRACE NOTE

Theory Book 2. Hans-Günter Heumann. A Creative and Interactive Piano Course for Children. Illustrations by Leopé ED 13812

CHRISTMAS 3 CONTENTS. Edited by Morton Manus

AP Music Theory Assignment

Advanced Placement Music Theory Course Syllabus Greenville Fine Arts Center

The Classical Piano Method

Song chapter packet for: Have You Met Miss Jones

Lesson Title Author(s) Grade Concepts Page Levels. Little Johnny Brown...Phyllis Thomas... K 2... Call and Response...3

Preface. Ken Davies March 20, 2002 Gautier, Mississippi iii

2018 White Sabers Brass Warm-up Packet

Music of the Masters 2

Twelve Canons for recorder ensemble page Round. for 3-6 treble recorders

Ancillae-Assumpta Academy. Fine Arts Program

Section 1 Notation. A note is a symbol that represents a pitch, or musical tone. Notes are placed on a staff as space notes or line notes.

Northeast High School AP Music Theory Summer Work Answer Sheet

Middle School Band Rehearsal Lab Douglas Akey, clinician. McCracken Middle School Symphonic Band Chip De Stefano, conductor

Level 1 Music, Demonstrate knowledge of conventions used in music scores p.m. Friday 10 November 2017 Credits: Four

Euphonium Topics. by Master Sergeant Carlyle Weber Master Sergeant Donald Burleson Field Band Drive Fort Meade, Maryland

Piano Teacher Course Proposed Timetable (subject to change)

œ œ œ œ œ œ œ œ œ œ œ

Preview Only. I n s t r u m e n tat i o n

Katie Houston Beginning Piano

The Basics of Reading Music

MIDDLE SCHOOL CHORAL

LESSON PLAN GUIDELINE Customization Statement

The Goal of this Session is to help attendees answer the three questions.

Note Names and Values, and the story of The Great Stave

Transcription:

PIANO CAMP, BOOK 1 is divided into FIVE SESSIONS, one session for each day of the eek. Included in each session are activities relating to NOTE REAING, INTERVALS, RHYTHM, SIGHT REAING, MUSIC SYMBOLS, LISTENING and a COMPOSER PAGE. There is ONE KEYBOAR ENSEMBLE in the book for students to play during the eek. Sessions may be divided for use in shorter time periods, making more than five sessions. Sessions may also be extended by spending more time on the activities presented, playing the ensemble and composer pieces and by playing more games. Pages 42 48 contain games directly correlated to the concepts being taught in this book. At least one of these games should be used in each session. Suggestions for the appropriate time to use these games are found in the Note to the Teacher at the bottom of selected pages. Suggestions for Use.........................2 SESSION 1 Note Reading in C Position....................3 More Note Reading in C Position................4 Intervals 2nds.............................5 Note Values................................6 Clapping Rhythm Patterns.....................7 Sight Reading in C Position....................8 Keyboard Ensemble.........................9 Composer Johann Sebastian Bach............10 SESSION 2 Note Reading in G Position...................11 More Note Reading in G Position..............12 Intervals 3rds............................13 Rhythm and Time Signatures.................14 Music Symbols............................15 Sight Reading in G Position...................16 Listening / Keyboard Activity..................17 Composer Ludig van Beethoven.............18 SESSION 3 Note Reading in the Treble Staff...............19 Keyboard Match / Song......................20 Intervals 4ths.............................21 Tied Notes / Quarter Rests...................22 Clapping Rhythm Patterns....................23 Listening.................................24 June C. Montgomery Crossord Puzzle Music Terms..............25 Composer Wolfgang Amadeus Mozart.........26 SESSION 4 Note Reading in the Bass Staff................27 Keyboard Match / Song......................28 Intervals 5ths.............................29 Rests....................................30 Sharps and Flats / Keyboard Activity............31 Sight Reading.............................32 Music Symbols............................33 Composer Peter Ilyich Tchaikovsky............34 SESSION 5 Note Reading Challenge Page...............35 Crossord Puzzle Note Reading..............36 Intervals..................................37 Crossord Puzzle Rhythm Revie............38 Keyboard Activity...........................39 Listening.................................40 Composer Scott Joplin.....................41 GAMES Games Rules for Play......................42 SYMBOL POWER One......................43 SYMBOL POWER To......................44 Note Race Game Board.....................45 Note Race Question Cards...................47 Copyright MCMXCVIII by Alfred Publishing Co., Inc. All rights reserved. Printed in USA. Cover illustration and interior art by Christine Finn

2 Suggestions for Use PIANO CAMPS are an excellent ay to reinforce musical skills hile simultaneously having fun. By grouping students of similar levels and ages, camps allo for concentrated study of note reading, rhythm, music symbols, sight reading, listening and keyboard skills. A one-eek camp of to-hour daily group sessions is equal to many eeks of similar study in individual lessons. Students have fun ith friends hile learning. Games and competitions in the camp activities provide additional incentives to excel. PIANO CAMPS are an excellent ay to bridge the gap during the summer, beteen spring and fall teaching schedules. They help eliminate the need for remedial teaching in the fall. If summer is not a convenient time for a piano camp, a WINTER PIANO CAMP may be scheduled daily after school (instead of individual lessons) during a selected eek. PIANO CAMP, BOOK ONE revies all concepts presented in ALFRE S BASIC PIANO LIBRARY, Lesson Book 1A. This book may also be used in GROUP THEORY CLASSES during the year before the Lesson Book has been completed. It orks equally ell ith other methods. Ho to Schedule Piano Camps Piano camps may be scheduled for the convenience of teachers and/or students. The folloing are to of many options: 1. Every day for one eek, meeting Monday through Friday for approximately to hours each session. (See illustration belo of a teacher s schedule for groups of different levels.) 2. Three times a eek over a to eek period, meeting every Monday, Wednesday and Friday, OR meeting every Tuesday, Wednesday and Thursday for to hours each session. The Tuesday, Wednesday, Thursday schedule provides longer eekends for both teachers and students. TEACHER S WEEKLY PIANO CAMP SCHEULE Time (Monday Friday) 8:00 10:00 GROUP ONE (Early Elementary Students) 10:15 12:15 GROUP TWO (Elementary Students) Break for Lunch 1:00 3:00 GROUP THREE (Late Elementary Students) 3:15 5:15 GROUP FOUR (Early Intermediate Students) A typical schedule for a to-hour session: 1. Use flash cards to revie concepts to be taught in the session. (15 minutes) 2. Use note-reading, rhythm, music symbol, and keyboard activity pages from a session of the PIANO CAMP BOOK. Play at least one game contained in the book. (45 minutes) 3. Break for refreshments. (15 minutes) 4. Use remaining pages from the PIANO CAMP BOOK session. Play games as time permits. Give points and aard prizes. Give assignments for the folloing day. (45 minutes)

Session 1 Note Reading in C Position 3 LH RH 5 4 3 2 C E F G M I L E C E F G 2 3 4 5 LEFT HAN (LH) 1 &? œ œ œ œ œ RH 1 2 3 4 5 œ œ œ œ œ 1 RIGHT HAN (RH) LH 5 4 3 2 1 1. Write the notes in the BASS staff under the squares. Use hole notes. 2. Write the notes in the TREBLE staff under the squares. Use hole notes.? C E F G & C E F G 3. ra a line from the BASS staff notes to the TREBLE staff notes that have the same letter names.? &? &? &

13 Intervals 3rds When you skip a hite key, the interval is a 3rd. 3rds are ritten LINE-LINE or SPACE-SPACE. & C E line line C line space F space space 1. On the keyboard rite the letter name of the key that is a 3rd ABOVE the given key. G A F C A 2. On the keyboard rite the letter name of the key that is a 3rd BELOW the given key. A E B F A 3. On the first line belo each staff, rite L for line notes and S for space notes. On the second line belo each staff, rite the LETTER NAME of each note. On the third line belo the staff, rite UP or OWN to indicate the direction in hich the 3rd moves. Example: & & & & a. b. c. L L G B UP or OWN UP UP or OWN UP or OWN UP or OWN???? e. d. f. g. UP or OWN UP or OWN UP or OWN UP or OWN NOTE TO TEACHER: Select the question cards from page 47 that present notes of the G Position, plus the Free Space cards. Using the game board on page 45, play the NOTE RACE game. Follo the rules for play on page 42. SESSION 2