Nineteenth-Century Europe. History 344 Fall 2015 Sarah Curtis TTh 11:00-12:15

Similar documents
Nineteenth-Century Europe. History 344 Fall 2012 Sarah Curtis TTh 2:10-3:25

HUM Values in American Life Genre Mise-en-scène Melodrama, Noir, Women s film

American Music (MUSI 1310) Spring, 2016 HCC Distance Education

SOED-GE.2325: The Learning of Culture Fall 2015, Wednesdays, 10:40 a.m. 12:20 p.m.

School of Professional Studies

MUS : SURVEY OF MUSIC LITERATURE Cultural Arts Building, 1023 TTR 5:00-6:15 p.m.

LT218 Radical Theory

HISTORY 239. Imperial Spain -- Fall 2013

HIST 336 History of France Fall Term 2012

MUS Chamber Choir (TR 2-250) Spring 2014 COURSE SYLLABUS

Welcome to MUCT 2210 Exploring Classical Music

HIST 425/525 Economic History of Modern Europe European Industrialization

MUS122: Ear Training and Sight Singing II Spring 2017 M/W/F 11:00 11:50 am / 2:00 2:50 pm Fine Arts Center C100

Anthony Donaldson, Jr Office Hours- Keene-Flint Hall 213- W 12:00-1:50 P.M. and by appointment History Department

The Marx-Engels Reader (Second Edition) By Karl Marx, Friedrich Engels READ ONLINE

Modern Latin America HIST 3358 JO Spring 2005, Wednesdays 7:00-9:45 pm

CUA. National Catholic School of Social Service Washington, DC Fax

MUSIC APPRECIATION Survey of Western Art Music COURSE SYLLABUS

University of Florida Jazz Band Syllabus and Student Handbook (MUN 1710, MUN 3713 and MUN 6715 ) Fall Website:

CHALLENGES IN MODERN CULTURE HUMANITIES 3303 CRN MONDAYS, WEDNESDAYS, AND 10:30 / LIBERAL ARTS 302

A-H 624 section 001. Theory and Methods: Kant and Hegel on Art and Culture. Wednesday 5:00 7:30 pm. Fine Arts 308A. Prof.

HIST 521/611WR: COLONIAL AMERICA

CLASSICAL SOCIOLOGICAL THEORY

PHIL 107: NINETEENTH-CENTURY PHILOSOPHY University of California, Santa Cruz Department of Philosophy Spring 2016

Office hours: MW2:00and TTH 12:30-2:00 and by appointment Office Biddle 223C Phone ext. 7166

Performance Dates on Jazz Band Website

Oberlin College Department of History

CRITICISM AND MARXISM English 359 Spring 2017 M 2:50-4:10, Downey 100

University of Central Florida MUE ~ Women s Chorus Dr. Kelly A. Miller, Instructor

TEXTS TEXTS REQUIRED:

Course Syllabus. Professor Contact Information. Office Location JO Office Hours T 10:00-11:30

Otterbein University Common Book 2017

SOC University of New Orleans. Vern Baxter University of New Orleans. University of New Orleans Syllabi.

SYA 4010: Sociological Theory Florida State University Fall 2017 T/TH, 2 3:15pm, HCB 214

San José State University School of Music and Dance MUSC 147A, Beginning Conducting, Fall 2014

PHIL 144: Social and Political Philosophy University of California, Santa Cruz Department of Philosophy Summer 2015

British Literature I: Culture in Con(text) English 261/001: British Literature up to 1800 Spring Semester 2013

Stephen F. Austin State University School of Music

HISTORY 3800 (The Historian s Craft), Spring :00 MWF, Haley 2196

ENG 221 Children s Literature Winter 2018 Tentative syllabus

Introduction to German Studies Fall :470:275:01 T 11:30am-12:50pm, Hardenbergh Hall A7 Th 11:30am-12:50pm, Hardenbergh Hall A5

Chinese 109H Chinese Popular Literature: Culture and Text

RUSS 4304 BANNED AND CENSORED WORKS OF RUSSIAN LITERATURE. Department of Modern Languages University of Texas at Arlington Fall 2011 T/TH 2:00-3:20

University of Iowa All-University String Orchestra Guidelines 025:162, MUS: 3184

American Popular Music: Course Syllabus

Lewis-Clark State College MUS Music in Early Childhood - ONLINE 3.0 Credits

HIST377: History of Russia, From the Beginnings Until the End of the 18 th Century

Instructor: Dr. Gregory Oakes Office Hours: Wednesdays 10:00am and by appointment Music Hall 215

Art of Listening (MUAR ) p. 1

Bethesda University. 730 North Euclid Street, Anaheim, California Tel: (714) , Fax: (714) Professor.

Eastern Kentucky University Department of Music Syllabus for MUS , Musicianship I, CRN T/TH 11:00-11:50 1 Credit Hour Fall 2012

DAA 3684 Dance Performance Spring Semester, 2017

HUMANITIES FALL 2017 WESTERN CULTURE FROM THE HIGH RENAISSANCE TO ROMANTICISM

School of Arts & Sciences

Music 111 Music Appreciation I, 3 Units

SYLLABUS BASIC CONDUCTING MUG 3104 FALL 2018 TUESDAY-THURSDAY 9:00 A.M. - 9:50 A.M. UCF RH 0116

FILM 201 Introduction to Cinema Fall To Shoot a Film is to Organize an Entire Universe -Ingmar Bergman

Syllabus for ENGL 304: Shakespeare STAGING GENDER AND POLITICS FROM EARLY TRAGEDY AND COMEDY TO LATE ROMANCE

POLS 611: TRADITIONS OF POLITICAL PHILOSOPHY Spring 2016: Marx & Marxism

University of Utah School of Music Music Musicianship I Fall 2018 Semester

Music Appreciation Course Syllabus Fall 2016

Carleton University Winter 2015 Department of English. ENGL 3202A: Chaucer

CINE 212 Film History II Post-World War II Fall 2013

I. ASCRC General Education Form V: Literary and Artistic Studies Dept/Program English/Literature Course # ENLT 219L

Dakota College at Bottineau Course Syllabus

English 108: Romanticism and Apocalypse

LTRS 270, FALL DR. IRINA ERMAN, RUSSIAN STUDIES PROGRAM College of Charleston, School of Languages, Cultures and World Affairs.

Hollywood and America

MUH 2051: Music Cultures of the World Fall pm-1pm

MUT 4366 JAZZ ARRANGING 2 (offered Spring)

English 315 English Literature Survey I 2003 Analytical survey of British literature from the Anglo-Saxon period to the Restoration.

UNIVERSITY OF WISCONSIN Department of History. Seminar on the Marxist Theory of History

Third World Studies 26

Boston University Spring HI 364: Introduction to Modern Chinese History. Professor Eugenio Menegon

HISTORY OF THE PEOPLE S REPUBLIC OF CHINA, 1949 TO THE PRESENT 1

J.P.Sommerville THE EMERGENCE OF MODERN BRITAIN

Welcome to Sociology A Level

UNIVERSITY OF UTAH SCHOOL OF MUSIC. WORLD MUSIC - MUSC (3 credit hours) There are no pre- or co-requisites for this course.

Professor John Hall Spring Term 2013

Winthrop University Department of Theatre and Dance Fall Course Title: DANT 205 Music for Dance Credit Hours: 3

POLS 3045: Humor and American Politics SPRING 2017, Dr. Baumgartner Meets Tues. & Thur., 9:30-10:45, in Brewster, D-202

Wayne State University College of Education

CHIN 385 Advanced Chinese Cultural Communication

The Meaning of the Arts Fall 2013 Online

ENGLISH 2570: SURVEY OF AMERICAN LITERATURE Fall 2004

History 221A/B: The World in the Twentieth Century

The Communist Manifesto: Complete With Seven Rarely Published Prefaces By Karl Marx READ ONLINE

Music 111 Music Appreciation I, 3 Units

U.S. History Writing Assignment Due: April 19, 2016 Maximum Points that can be earned: 100

CALIFORNIA STATE UNIVERSITY, NORTHRIDGE DEPARTMENT OF CINEMA AND TELEVISION ARTS. CTVA 309: Film as Literature Spring units #11438

LSC 606 Cataloging and Classification Summer 2007

#Touchstones 1 Early British Literature

Syllabus. MUS 101 History and Appreciation of Music

MUS 304 Introduction to Ethnomusicology Syllabus Fall 2010

ILLINOIS VALLEY COMMUNITY COLLEGE Course Syllabus for Music 1000

RUSSIAN 230: INTRODUCTION TO RUSSIAN LITERATURE: The Individual and Society

What Is an APA-Style Essay?

Romeo and Juliet Figurative Language Analysis 100 points

Oberlin College Department of Politics. Politics 218: Marxian Analysis of Society and Politics Fall 2011 Professor Marc Blecher

HIST378: MODERN RUSSIA

Transcription:

Nineteenth-Century Europe History 344 Fall 2015 Sarah Curtis TTh 11:00-12:15 Course objectives: This course covers the history of Europe from 1815 to the eve of World War I. It will concentrate primarily on the historical experience of Britain, France, Germany, and Russia with occasional attention paid to other European nations. But above all, we will examine the issues common to the European experience in the nineteenth century: industrialization and its consequences, new forms of political organization, social reform, urbanization, the emergence of mass culture and politics, and the expansion of European power. The course attempts to balance political, social, and cultural history. In order to examine these themes and to make the course comprehensible, balanced, and (hopefully) exciting, we will examine the main events of the nineteenth-century in week-long units. With a few exceptions (announced in class), we will discuss that week's reading on Thursday; you should come to class prepared to do so. The reading is mainly drawn from nineteenth-century novels, memoirs, and original documents and is designed to give you a taste of nineteenth-century writings and issues. The following books are required and are available for purchase at the bookstore: Elizabeth Gaskell, Mary Barton (Broadview, ISBN 9781551111698; also e-pub) Karl Marx and Friedrich Engels, The Communist Manifesto (Bedford/St. Martin s, ISBN 9780312157111) Barbara Engel and Clifford Rosenthal, eds., Five Sisters (Northern Illinois University Press, ISBN 9780875806907) (There is also an older edition from Indiana University Press, ISBN 978-0415907156) Joseph Conrad, Heart of Darkness (Broadview, 2d ed., 9781551113074; also e-pub) If you buy your books outside of the bookstore, please get the same editions. I do not ordinarily assign a textbook in this class, but if you feel in need of one, I recommend the relevant chapters in John Merriman s A History of Modern Europe, vol. 2, From the French Revolution to the Present (WW Norton, ISBN 9780393933857). You can buy or rent it online. I have put one copy of the book on reserve in the library if you just want to consult it occasionally. Electronic reserves and websites: The remaining readings in the schedule are available on ilearn, mostly through ereserves (button in the lower right-hand corner of the ilearn page). These readings are indicated on the schedule with the abbreviation ereserves. Some readings are directly accessible on the web, in which case the URL is given in the syllabus and linked on ilearn.

Course requirements: There will be two exams (midterm and final) and two paper assignments in this class. Dates are indicated on the schedule. Paper topics are on the last page of the syllabus. Graduate students taking the course will have one additional assignment, due November 19. Please see information sheet. Grading: Grades will be calculated as follows: midterm 25%, final 25%, each paper 20%, participation 10%. (Graduate students: midterm 20%, final 20%, each paper 20%, book review 20%.) Students who wish to take the course CR/NC can change their grading status via My SFSU until October 19 at midnight. Papers due on Thursday and turned in on Tuesday will be two-half grades (e.g. A to B+) and papers turned in one week late one full grade (e.g. A to B). Papers more than one week late will not be accepted without proof of illness or natural disaster. If you are unable to complete the course requirements by the end of semester, it is your responsibility to withdraw from the course. I will issue no instructor-initiated withdrawals or incompletes. Student-initiated incompletes are reserved for serious medical excuses (with documentation) or other natural disasters within the last three weeks of the semester. The last day to drop a course without a W is September 4; the last day with a W (except in extreme circumstances) is November 20. Disability statement policy: Students with disabilities who need reasonable accommodations are encouraged to contact the instructor. The Disability Programs and Resource Center (DPRC) is available to facilitate the reasonable accommodations process. The DPRC is located in the Student Service Building and can be reached by telephone (voice/tty 415-338-2472) or by email (dprc@sfsu.edu). Required university statement on sexual violence: SF State fosters a campus free of sexual violence including sexual harassment, domestic violence, dating violence, stalking, and/or any form of sex or gender discrimination. If you disclose a personal experience as an SF State student, the course instructor is required to notify the Dean of Students. To disclose any such violence confidentially, contact: The SAFE Place - (415) 338-2208; http://www.sfsu.edu/~safe_plc/ Counseling and Psychological Services Center - (415) 338-2208; http://psyservs.sfsu.edu/. For more information on your rights and available resources: http://titleix.sfsu.edu. Office hours and contact information: Tuesday 1:00-2:00 and Thursday 3:30-4:30, and by appointment office location: Science 267 phone: (415) 338-2250 e-mail: scurtis@sfsu.edu website: https://faculty.sfsu.edu/~scurtis/home

Schedule: Week 1: August 25-27 Europe after the French Revolution Begin Elizabeth Gaskell, Mary Barton (chaps. 1-9) Week 2: September 1-3 Nationalism and Romanticism The Carlsbad Resolutions (http://history.hanover.edu/texts/carlsbad.html) Johann von Herder, Materials for the Philosophy of the History of Mankind (http://www.fordham.edu/halsall/mod/1784herder-mankind.asp) Continue Mary Barton (chaps. 10-18) Week 3: September 8-10 Liberalism and the Middle Classes Samuel Smiles, Self Help, chaps. 1, 2, 10 (ereserves; this is also an e-book in the SFSU library; look it up on the Investigator catalogue and click on the link.) Mrs. Beeton s Book of Household Management, chap. 1 (https://ebooks.adelaide.edu.au/b/beeton/isabella/household/contents.html) Continue Mary Barton (chaps. 19-27) Week 4: September 15-17 Poverty and the Working Classes Finish Mary Barton (chaps. 28-38, appendices C and E) (The two appendices are also available on ereserves if you have a different edition of the book.)

Week 5: September 22-24 Utopian and Marxist Socialism The Communist Manifesto (pp. 61-96, documents 1, 3-9) (The documents are available on ereserves if you have a different edition of the book.) Week 6: September 29-October 1 Revolutions of 1848 Thursday: PAPER DUE Week 7: October 6-8 Russia and the Emancipation of the Serfs Ivan Turgenev, Sketches from a Hunter's Album: "Yermolay and the Miller's Wife," "Farmer Ovsyanikov," "Bailiff," "Two Landowners" (ereserves) Week 8: October 13-15 Tuesday: MIDTERM Thursday: The Darwinian Revolution Week 9: October 20-22 Paris: Capital of the 19 th Century Rupert Christiansen, Paris Babylon, pp. 1-14 (ereserves) Week 10: October 27-29 The Unification of Germany Heinrich Mann, Man of Straw, chap. 3 (ereserves)

Week 11: November 3-5 Culture Wars Politics of Anticlericalism and French Schoolteachers Testimonies (ereserves: folder is called Nineteenth-Century Europe ) No class Thursday, November 5 Week 12: November 10-12 Radical Politics Five Sisters (introduction, Vera Figner, Praskovia Ivanovskaia, Elizaveta Kovalskaia) Week 13: November 17-19 The New Imperialism Joseph Conrad, Heart of Darkness (pp. 9-13, 61-148; Appendix C, docs. 1-17, Appendices E, F, G) (The Conrad appendices, except the photos, are available on ereserves if you have a different edition of the book.) Adam Hochschild, King Leopold s Ghost, chap. 9 (ereserves) Thursday: Graduate student book review due November 24-26: Thanksgiving Break (no class) Week 14: December 1-3 The New Woman Thursday: PAPER DUE Week 15: December 8-10 Europe on the Eve of the Great War FINAL EXAMINATION: Thursday, December 17 (10:45-1:15)

PAPER ASSIGNMENTS Each paper should be 5-6 pp. (7-8 pp. for graduate students), typed (12-point font) and doublespaced with normal margins. Staple it in the upper left-hand corner and include page numbers. Citations of quoted material can be informal (e.g. pp. nos. in parenthesis after the quotation), but all material taken from another source (including the internet!) should be put in quotation marks and cited appropriately. The paper should advance an argument that answers one of the questions below, using specific examples and evidence from the assigned readings. You are not expected to do outside research. Please upload a copy of the paper to Turnitin (on ilearn) as well as handing in a paper copy in class. Paper due October 1 1) Both Self-Help and Mrs. Beeton s Book of Household Management are examples of advice or prescriptive literature; that is, they told the emerging middle classes how to behave and how to succeed. Compare and contrast the advice given by these two books with the conditions described by Gaskell in Mary Barton. 2) Mary Barton is an example of the "condition of England" novels that became popular in the 1830s and 1840s. To what extent does Gaskell suggest in this novel that England is divided into "two nations" of rich and poor? Does she believe that those nations ever be reconciled and if so, how? 3) Using the historical documents provided in the appendices of Mary Barton, examine the extent to which Gaskell s fictional world did or did not reflect historical reality. 4) Imagine that the utopian socialists and Marx and Engels were called upon to solve the problems of the characters in Mary Barton. What solutions would they propose? (You may write this either as an analytical piece or in a more creative format. You do not have to include all the utopian socialists, but should choose 2-3 for whom you have documents.) Paper due December 3 1) How do the memoirs by the women revolutionaries in Five Sisters reflect the problems faced by the Russian radical movement in the 1870s and 1880s? (You might also want to consider if they mirror any of the issues or attitudes found by Turgenev in the 1850s.) 2) To what extent does Heart of Darkness condemn European imperialism in Africa? Use specific examples from the text to show the ways in which Conrad criticized or accepted the standards of late 19th-century imperialism. 3) How closely does Heart of Darkness reflect real conditions in the Congo Free State in the early twentieth century? (Use the documents in the appendices to the novel and the Hochschild chapter as well as the novel itself.)