AMERICA, PROSPERITY, DEPRESSION, AND WAR

Similar documents
SEMINAR IN HISTORICAL RESEARCH AND WRITING THUR 3:30-6:20 MHRA 3208 INSTRUCTOR: DR. SUSAN W.

William J. Reese Professor of Educational Policy Studies and History Phone: (office), /1761 (messages)

HIS 101: HISTORY OF WESTERN CIVILIZATION TO 1648 Fall 2009 Section Monday & Wednesday, 1:25-2:40 p.m.; AD 119

SYLLABUSES FOR THE DEGREE OF MASTER OF ARTS

The Cincinnati Bible Seminary of the Cincinnati Christian University. Course Syllabus

MOREHEAD STATE UNIVERSITY SCHOOL OF MUSIC, THEATRE AND DANCE VOCAL AREA POLICY AND PROCEDURES MANUAL. School of Music, Theatre and Dance Vocal Faculty

East Asian Civilization: Modern Era (01:214:242) Spring 2018 Monday/Thursday 9:50 am 11:10 am HC-N106. Instructor: Peng Liu Scott Hall 337

History of American Cinema. Course Description HIST 399

History 495: Religion, Politics, and Society In Modern U.S. History T/Th 12:00-1:15, UNIV 301

HIS 101: HISTORY OF WESTERN CIVILIZATION TO 1648 Spring 2010 Section Monday & Wednesday, 1:25-2:40 p.m.; LA 225

HISTORY 212: THE UNITED STATES SINCE 1865

HIST 521/611WR: COLONIAL AMERICA

Anthony Donaldson, Jr Office Hours- Keene-Flint Hall 213- W 12:00-1:50 P.M. and by appointment History Department

DRAFT (July 2018) Government 744 Foundations of Security Studies. Fall 2017 Wednesdays 7:20-10:00 PM Founders Hall 475

Short essays: There will be several short essays throughout the semester 10% of final grade.

HS 495/500: Abraham Lincoln Winter/spring 2011 Tuesdays, 6-9:15 pm History dept. seminar room, B- 272

Syllabus for ENGL 304: Shakespeare STAGING GENDER AND POLITICS FROM EARLY TRAGEDY AND COMEDY TO LATE ROMANCE

English 108: Romanticism and Apocalypse

200 level, and AHPH 202

MU 323 ELEMENTARY PIANO III

Level 4 Level 5 Level 6 x Level 7 Level 8 Mark the box to the right of the appropriate level with an X

SYLLABUS. How To Change The World

J.P.Sommerville THE EMERGENCE OF MODERN BRITAIN

Aesthetics. Phil-267 Department of Philosophy Wesleyan University Spring Thursday 7:00-9:50 pm Location: Wyllys 115

MUS-111 History of American Popular Music

Chinese 109H Chinese Popular Literature: Culture and Text

I. Introduction Assessment Plan for Ph.D. in Musicology & Ethnomusicology School of Music, College of Fine Arts

ENGLISH 416: Chaucer s Canterbury Tales Spring SLN T. Th in LL150

Books The following books are required and are available at the Bookstore:

Peter La Chapelle and Sharon Sekhon. A Guide to Writing History Papers & General College Writing (1998)

LBCL 292: Modes of Expression and Interpretation I

HST 290: The Practice of History

The Cold War in Latin America

Course HIST 6390 History of Prisons and Punishment Professor Natalie J. Ring Term Fall 2015 Meetings Mon. 4:00-6:45

HIST 336 History of France Fall Term 2012

Bibliography, Research Methods, and Literary Theory, Syllabus

This course will empower you with the theoretical and practical knowledge that will allow you to become a critical ethnographer.

CORO Choral Institute & Simpson College. Master of Music in Choral Conducting Program Details

MU 341 INTERMEDIATE PIANO

Bethesda University. 730 North Euclid Street, Anaheim, California Tel: (714) , Fax: (714) Professor.

VirtualSC. Course Detail. Course Name: Music Appreciation 1. Estimated Completion Time: weeks (Summer 8 weeks) Course Description

Students taking this course should reach the following goals by the end of the semester:

FTT 30461: History of Television Spring 2008

- Choose, for viewing and review, one of the films from those presented in the attachment to this syllabus.

HUFSD English Language Arts Scope and Sequence. Common Core Anchor Standards with Performance Indicators and Sub topic Standards

Freshman Writing Seminar Syllabus

AUBURN UNIVERSITY SYLLABUS

CLASS PARTICIPATION IS A REQUIREMENT

CUA. National Catholic School of Social Service Washington, DC Fax

The American Experience as Told through Autobiographies UGS 302 (61815)...Fall TTh 12:30-2 pm...cal 22

CIEE Global Institute Paris

MU 419 Senior Recital Course Syllabus

HANDBOOK FOR GRADUATE STUDENTS IN MUSICOLOGY

Social Theory in Comparative and International Perspective

Studying the Fine and Performing Arts. Students, please sit in the front.

SOED-GE.2325: The Learning of Culture Fall 2015, Wednesdays, 10:40 a.m. 12:20 p.m.

This course fulfills the second half of the legislative requirement for Government.

History of East Asia I. TTh 1:30-2:50 ATG 123

A minor program in Art History consists of eighteen semester hours with two introductory courses and four advanced courses.

I. Introduction Assessment Plan for M.A. in Musicology School of Music, College of Fine Arts

HISTORY 3800 (The Historian s Craft), Spring :00 MWF, Haley 2196

Office: 1417 Cathedral of Learning Hours: Tu: 2-3PM, W: 12-1PM, by appointment

Introduction to Cinema

REQUIRED INITIAL ORIENTATION SESSION ONCAMPUS: Friday Sept. 6, 6 to 8 pm 305 DSC. Attendance at this is mandatory to remain in the course!

COURSE OUTLINE. Each Thursday at 2:00 p.m. to 5:00 p.m.

Religion 101 Ancient Egyptian Religion Fall 2009 Monday 7:00-9:30 p.m.

MVK 1111: Piano Skills 1 Course Syllabus Fall, 2018

Engl 794 / Spch 794: Contemporary Rhetorical Theory Syllabus and Schedule, Fall 2012

Contemporary Polish Cinema Polish 0873

American Popular Music: Course Syllabus

Summer Stretch 2018 Protest Music in Society 3 Week Intensive Seminar and Performance Course

JMU SCHOOL OF MUSIC VOICE AREA GRADUATE HANDBOOK

Why Music Theory Through Improvisation is Needed

Syllabus MUS 127-ETHN Discover Jazz Winter quarter 2018, UCSD Tue and Thu 11 am - 12:20 pm, CPMC 136

HIST The Middle Ages in Film: Angevin and Plantagenet England Research Paper Assignments

History of Modern Germany

UCLA School of Film, Television and Digital Media FTV 183a. Producing 1: Film and Television Development

MUSIC APPRECIATION Survey of Western Art Music COURSE SYLLABUS

THE NAME OF THE AGE(S)PROJECT

EVALUATION METHODS AND GRADING CRITERIA:

Music Business and Industry MUS Fall 2017 M-W-F 8:30 9:20 CB1, Rm. 0308

Music Theory. Degree Offered. Degree Requirements. Major Learning Outcomes MUSIC THEORY. Music Theory 1. Master of Music in Music Theory

Course Outcome B.A English Language and Literature

MUSIC 111 -Learning How to Listen-

STUDENT HANDBOOK FOR THE UNDERGRADUATE MUSIC MAJOR TABLE OF CONTENTS

Course Description: Course Objectives:

Media and Government: The Presidency and the Press, 1900-Present Prof. David Greenberg Fall 2014

SCHOOL OF MUSIC GUIDE TO BRASS STUDY IN MUSIC

MUS 304 Introduction to Ethnomusicology Syllabus Fall 2010

Piero Gleijeses, Conflicting Missions: Havana, Washington, and Africa, (Chapel Hill: University of North Carolina Press, 2002).

HUM 260 Postwar European Culture

CHALLENGES IN MODERN CULTURE HUMANITIES 3303 CRN MONDAYS, WEDNESDAYS, AND 10:30 / LIBERAL ARTS 302

Off Hrs: T, Th 1:30-2:30 & by appt.

CHIN 385 Advanced Chinese Cultural Communication

HIST 425/525 Economic History of Modern Europe European Industrialization

BACHELOR OF MUSICAL ARTS

Lewis-Clark State College MUS Music in Early Childhood - ONLINE 3.0 Credits

School of Music. D.M.A. in Church Music Information Packet

CONSTITUTION FOR THE FLYING VIRGINIANS AT THE UNIVERSITY OF VIRGINIA

ECE302H1S Probability and Applications (Updated January 10, 2017)

Transcription:

Columbia University History W3649 Fall 1999 Alan Brinkley 622 Fayerweather ab65@columbia.edu AMERICA, 1918-1945 PROSPERITY, DEPRESSION, AND WAR This course examines one of the most turbulent periods of modern American history: the era of the great economic boom and cultural revolution of the 1920s; of the Great Depression and the New Deal; and of World War II. It will attempt to give students a sense of both the great public events of the era and of the social, economic, and cultural forces that underlay those events. It is the second of a series of three courses (the others being History W3620, "The Progressive Era," to be offered in fall 2000, and W3651, "America since 1945," to be offered in the spring of 2000) that together consider the history of the United States from the 1890s to the present. Course Requirements for Undergraduates: Students are expected to attend lectures twice a week; to read the weekly assignments; and to meet in sections once a week to discuss both the lectures and the readings. Each student will also be asked to write a paper of at least 3000 words in length, due the week of November 29 (see assignment below); to take a midterm examination in class on October 20; and to take a final examination in exam period. The paper, the exams, and section participation will each constitute one-third of the grade for the course. The paper will be evaluated for both content (evidence and argument) and style of presentation. Exams should be as well-written as time constraints allow; both argument and evidence are critical there as well. Section participation will be measured by a combination of attendance, preparation, and participation. Students who do not attend sections will, therefore, receive no credit for one third of the course. This syllabus, along with other information about this course, will be available on the History W3649 home page, which you can access through the history department website on the Columbia web (www.columbia.edu/cu/history). Course Requirements for Graduate Students: In addition to attending lectures and doing the assigned readings, graduate students in history and Ph.D. candidates in other GSAS programs will be expected to write a historiographical essay of 12-15 pages, due December 6, on a topic chosen in consultation with the instructor (see assignment below). They are excused from the undergraduate exams and paper. Graduate students from schools outside the GSAS and non- Ph.D. students in departments other than history may choose between fulfilling the undergraduate or graduate requirements.

History W3649, America, 1918-1945 2 Reading Assignments: Specific assignments for discussion sections are noted in the schedule below. All readings are available for purchase at Labyrinth Books (536 West 112th Street, between Broadway and Amsterdam) and on reserve at Butler. The following assignments should be completed before the hourly examination October 20: William E. Leuchtenburg, The Perils of Prosperity: 1914-1932, chapters 3-5, 10 Lizabeth Cohen, Making a New Deal: Industrial Workers in Chicago, 1919-1939, chapters 1-4 Nancy Cott, The Grounding of Modern Feminism, chapters 5-8, conclusion John Higham, Strangers in the Land: Patterns of American Nativism, 1860-1925, chapters 8-11 Edward J. Larson, Summer for the Gods: The Scopes Trial and America's Continuing Debate Over Science and Religion William E. Leuchtenburg, Franklin D. Roosevelt and the New Deal, chapters 1-2 The following assignments should be completed before the final examination: William E. Leuchtenburg, Franklin D. Roosevelt and the New Deal, chapters 3-14 Lizabeth Cohen, Making a New Deal, chapters 5-8, conclusion Robin Kelley, Hammer and Hoe: Alabama Communists During the Great Depression, chapters 1, 6-10 Alan Brinkley, Voices of Protest: Huey Long, Father Coughlin, and the Great Depression, chapters 1-7, 11, epilogue Alan Brinkley, The End of Reform: New Deal Liberalism in Recession and War, chapters 7-10 John Dower, War Without Mercy: Race and Power in the Pacific War, chapters 1-7, 11

History W3649, America, 1918-1945 3 Course Schedule: Week of September 6: W: The Postwar Crisis Week of September 13: M: New Era Abundance W: New Era Inequality SECTION: Lizabeth Cohen, Making a New Deal: Industrial Workers in Chicago, 1919-1939, chapters 1-4; William E. Leuchtenburg, The Perils of Prosperity, chapters 3-5, 10 Week of September 20: M: Shaping a New Culture W: Consumerism, Gender, and the Middle Class SECTION: Nancy Cott, The Grounding of Modern Feminism, chapters 5-8, conclusion Week of September 27: M: The Politics of Prosperity W: The Politics of Race SECTION: John Higham, Strangers in the Land: Patterns of American Nativism, 1860-1925, chapters 8-11 Week of October 4: M: Cultures in Conflict: Fundamentalism W: Cultures in Conflict: Prohibition and the Klan SECTION: Edward J. Larson, Summer for the Gods

History W3649, America, 1918-1945 4 Week of October 11: M: Intellectuals and the New Era W: Causes of the Great Depression SECTION: William E. Leuchtenburg, Franklin D. Roosevelt and the New Deal, chapters 1-2 Week of October 18: M: Herbert Hoover and the Great Depression W: MIDTERM EXAMINATION NO SECTIONS Week of October 25: M: Launching the New Deal Th: The New Deal and Reform SECTION: Leuchtenburg, Franklin D. Roosevelt and the New Deal, chapters 3-8, 10-11, 14 Week of November 1: M: ELECTION DAY HOLIDAY W: The New Deal Welfare State SECTION: Linda Gordon, Pitied But Not Entitled, chapters 5-10 Week of November 8: M: The Rise of Organized Labor W: The Thirties Left SECTION: Lizabeth Cohen, Making a New Deal, chapters 5-8, conclusion; Robin Kelley, Hammer and Hoe, prologue, chapters 1-5

History W3649, America, 1918-1945 5 Week of November 15: M: Patterns of Depression Culture W: The Late New Deal SECTION: Alan Brinkley, Voices of Protest, chapters 1-7, 11, epilogue Week of November 22: M: The American Road to War W: THANKSGIVING HOLIDAY NO SECTIONS READING ASSIGNMENT: William E. Leuchtenburg, Franklin D. Roosevelt and the New Deal, chapters 9, 12, 13 Week of November 29: M: America and the War: Mobilizing W: America and the War: Liberalism SECTION: Alan Brinkley, The End of Reform, chapters 7-10 UNDERGRADUATE PAPERS DUE THIS WEEK Week of December 6: M: America and the War: Alliances W: America and the War: Moral Choices SECTION: John Dower, War Without Mercy, chapters 1-7, 11 GRADUATE STUDENT PAPERS DUE THIS WEEK Week of December 13: M: Review Session

History W3649, America, 1918-1945 6 Undergraduate Paper Assignment: You are asked to write an essay of no less than 3000 words (approximately 12 doublespaced pages) on a topic of your choice. The paper is due the week of November 29 at a time and place specified by your section instructor. Topics must be discussed with and approved by your section instructor. All papers must be based in significant part on primary sources, although it is appropriate (and usually necessary) to use secondary sources as well. Primary sources can consist of contemporary published or unpublished materials; film; painting; photography; music; recorded speeches and radio broadcasts; oral histories; or any other artifact of the period examined in this course. A great deal of primary material is available in the Columbia libraries and on the Internet. (The website for this course contains links to many sites from which you might derive sources.) Although primary sources might suggest a topic to you, they should not themselves be your topic. Instead, you should use your sources to ask, and attempt to answer, a question about the 1918-1945 era that seems to you interesting and important. The evidence you gather should support your argument, not be a substitute for it. At the same time, you should be careful not to choose a question for which no evidence is available or that is too large to be effectively answered in an essay of this length. Relatively early in the term, your section instructor will ask you to submit a short description of your topic and, a short time later, an example of your sources with a brief analysis of it. This will give you a chance to work out your plans for your paper with some guidance and will help prevent last-minute desperation. Your sources should be properly cited, and your paper should contain a bibliography. Graduate Student Paper Assignment: You are asked to write a paper of 3000 to 4000 words in length, which should be delivered to Professor Brinkley's mailbox by December 6. Your paper should focus on a subject in the history of the period 1918-1945 for which a significant body of scholarship is available. You should familiarize yourself with the scholarship on your topic and write a review essay in which you discuss the arguments in at least three (and ideally more) important sources. The purpose of the essay is not simply to summarize the arguments of others, but to offer your own assessment of the state of the field and the questions still to be answered. You should consult with Professor Brinkley about your topic in the first half of the semester.