Composition in Asia (=CIA)

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Composition in Asia (=CIA) 2 nd International Symposium and Festival January 18th-21st, 2018 USF School of Music (unless otherwise noted)

Thursday, January 18 th (afternoon/evening) 3:15 PM Dr. Payton MacDonald, percussion professor, William Paterson University New Directions in Dhrupad: Polyphonic Raga be added 4:00 PM Logan Barrett, composition student, University of South Florida Use of Rhythm in Western and Hindustani Composition 4:45 PM Saili Oak, Hindustani vocalist and Dean, SaReGaMaPa Academy of Music Western art music from the Hindustani lens: A Journey into Collaborative Practices from the Indian Perspective 7:30 PM Concert 1

Friday, January 19 th (morning) 8:45 Dr. Ko Eun Lee, piano faculty and accompanist, Brevard College and Mars Hill University David Burge s Go-Hyang: Blending Contemporary and Korean Traditional Music 9:30 Dr. Kye Ryung Park, music professor, New College of Florida An Analysis of my Prelude to a New Moon 10:30 Dr. Chen-Hui Jen, composer/pianist, Miami Integrating the Chinese Mandarin Language and Poetic Meanings in my Vocal Music 11:15 To be determined (possibly TingTing Yang; see Sunday morning)

Friday, January 19 th (afternoon/evening) 1:15 Dr. Charisse Baldoria, piano professor, Bloomsburg University Gamelan on Piano: Leopold Godowsky s Java Suite 2:00 Akshaya Avril Tucker, graduate student, University of Texas/Austin Shaam for sitar and sinfonietta 3:00 PM Featured Composer Presentation: Reena Esmail 4:00 Eunhye Kim, theory/composition faculty, Kyunghee University

Efforts to find a way (Conversion) in Junyoung Park s Duo for piano and bass drum 4:45 Dr. Jumi Kim, Cuesta College and Dr. EJ Choe Korean Art Songs in the German Tradition: A Korean Song Cycle Falling Flower Petals by Kyung-Jung Kim 7:30 PM Concert 2

Saturday, January 20 th (morning) 8:45 Huibing Yang, graduate student, Central Conservatory of Music, Beijing An Analysis of The Oriental Ink by Ping Chang 9:30 Dr. Hongduo Chen, musicology professor, Shanghai Conservatory of Music An Analysis of the Double Rhetoric of the Chinese and Western elements in A Dream of the Peony Garden by Musheng Chen 10:30AM Featured composer presentation: Kyong Mee Choi

11:30 Dr. Kenneth Habib, ethnomusicology professor, California Polytechnic State University Arab Art Music in American Art Song Saturday, January 20 th (afternoon/evening) 1:30 Junghwa Lee, gayageum virtuoso, Los Angeles Korean Traditional Styles in the Music of Kim Eunhye 2:15 Lida Zhang, emeritus composition professor, Central Conservatory of Music, Beijing Indigenous Materials in Lida Zhang s Concerto no. 1 for violin and orchestra

3:15 PM Featured composer presentation: Pei Lu Saturday, January 20 th (afternoon/evening continued) 4:15 Serin Oh, graduate student, University of Cincinnati College-Conservatory of Music Nature Morte for solo piano: The Combination of the Composer s Appreciation and the Musical Style of the Western Art of the Late Nineteenth Century 5:00 Jacob David Sudol, composition/technology professor, Florida International University Recent Explorations Combining Eastern and Western Musical Elements with Electronics

6:00 PM: Group Dinner Sunday, January 21 st 9:30 To be determined 10:15 Yoon-Young Cho, graduate student, Ewha Womans University Women s Songs from a Male Perspective: Focusing on Twentieth-Century Young Women s Songs by Woo-yong Baek 11:00 TingTing Yang, musicology professor, Nantong University Collision of the Thought of Guqin Music and Contemporary Music: An Analytical Case of QiGang Chen s Reflect d un temps disparu 2:00 PM Concert 3 Featuring music by Kyong Mee Choi, Reena Esmail, and Pei Lu