EIS Charter for Instrumental Music

Similar documents
CAMELSDALE PRIMARY SCHOOL MUSIC POLICY

1. What is Performing Arts?

The Arts. Music Drama Visual Art. at Ormiston College

Music Policy. Introduction

St Laurence Catholic Primary School. Music Policy. April Through God s grace, a community growing in. knowledge and understanding

Walworth Primary School

Your guide to extra curricular arts involvement.

Music on Sea. Hub Offer 2017/18. Every child a musician.

St Andrew s CE Primary School Music Policy

Glennie Performing Arts

Bespoke Music PROJect Grants 2019/20

GRIFFITHSTOWN PRIMARY SCHOOL

Arrangements for: National Progression Award in. Music Performing (SCQF level 6) Group Award Code: G9L6 46. Validation date: November 2009

MANOR ROAD PRIMARY SCHOOL

Agreed key principles, observation questions and Ofsted grade descriptors for formal learning

Arrangements for: National Progression Award in Contemporary Gaelic Songwriting and Production. at SCQF level 5. Group Award Code: GC7Y 45

Policy for Music. Bitterne C of E Primary School. Headteacher BPS- Andy Peterson. Signed by Chairs of Governors

St. Patrick s Primary School Legamaddy


ENTRUST MUSIC SERVICE STAFFORDSHIRE QUALITY MUSIC PROVISION FOR STAFFORDSHIRE SCHOOLS AND FAMILIES

HAWKER SCHOOL P&C MUSIC & DRAMA SCHEME 2017

Music Policy Music Policy

Arrangements for: National Progression Award in. Music Business (SCQF level 6) Group Award Code: G9KN 46. Validation date: November 2009

ST COLUMBAN S COLLEGE

Creating music, inspiring musicians. Type to enter text. The Simon Balle Music Department. Page 1

Shropshire Music Service

Learning to Teach the New National Curriculum for Music

AHOMINGS Research Project

Headteachers perspectives on the In Harmony programme. National Foundation for Educational Research (NFER)

Arrangements for: National Certificate in Music. at SCQF level 5. Group Award Code: GF8A 45. Validation date: June 2012

Playing a Musical Instrument or Singing. A Guide for Parents and Carers.

What has Diversity Films done for you?

Arrangements for: SQA Advanced Certificate in Musical Theatre. at SCQF level 7. Group Award Code: GP2P 47. Date of publication: August 2018

MUSIC KEY STAGE 3 YEAR 7

Film & Media. encouraged, supported and developed, and artists and filmmakers should be empowered to take risks.

Arrangements for: Professional Development Award (PDA) in Scottish Bagpipe Qualifications. at SCQF level 7. Group Award Code: G9JG 47.

WHITEHILLS PRIMARY SCHOOL. putting children first. MUSIC POLICY

Introducing Andy Gleadhill s Music CPD Training

Expressive arts Experiences and outcomes

The Programme for Excellence

hhh MUSIC OPPORTUNITIES BEGIN IN GRADE 3

Arrangements for: National Progression Award (NPA) in Scottish Bagpipe Qualifications. and

Music Handbook. Faith Excellence Community Compassion

Faith Excellence Community Compassion. Music Handbook 2019

Letter from Amy Weinstein, Artistic Director of StudentsLive Passport to Broadway:

UWA SCHOOL OF MUSIC. Music Tuition Scholarships Fund

ARTISTIC EVALUATION MUSIC. International Contemporary Music Festival

Introduction. Thank you very much for logging-in to complete this data return for your school, as always we appreciate your school's contribution!

Weekly Sessions and Out of School Clubs.

BBC Trust Service Review: Network Music Radio

Sound Connections Case study. Bexley North Borough Orchestra London Symphony Orchestra

REACHING FURTHER British Orchestras in the Community

INSTRUMENTAL MUSIC PROGRAM

(Insert Immersion Day Video)

Performing Arts Co-Curricular Music, Drama, and Theatre Information 2018

Music Policy. Reviewed by:

Poole Grammar School Music Department

Vocal Strategy

Noye s Fludde CASE STUDY. Simon Toyne, David Ross Education Trust

INSTRUMENTAL TEACHING PROGRAMME

Year 7 Drama Autumn 1 New Skills Spring 1 Wild West Summer 1 Haunted House Autumn 2 Scripts & Panto Spring 2 Stanislavski Summer 2 Musical Theatre

I thought it would be useful to append a list of our main points from Wednesday s meeting on the next page.

Education and Community Programs 2017/2018. NURTURING CREATIVITY, CURIOSITY, and VIRTUOSITY

The Preparatory Center for the Performing Arts SCHEDULE OF CLASSES School Year: September 17, 2016 June 12, 2017

West Windsor-Plainsboro Regional School District String Orchestra Grade 9

North Oxfordshire Academy Music Department. Department Staffing. Ben Judson Head of Music

Vice President, Development League of American Orchestras

Music. educators feedback

Contents. Bolton Music Service - about us 03

VACANCY INFORMATION PACK. Senior Accompanist

Aiming Higher. Luton. April July 2015

TALENT DEVELOPMENT PROGRAM

Musical Futures: A case study investigation. Final report from. Institute of Education University of London. for the. Paul Hamlyn Foundation

AUDITION DETAILS PIM PAM A STATE SECONDARY COLLEGE JUNIOR SECONDARY ASPIRING PERFORMERS PROGRAM

SCIENNES PRIMARY MUSIC PROVISION STATEMENT

Knowledge and Obedience in Christ 1 John 2:3 MUSIC. Music Handbook

Why I chose Western Music

Helping student teachers see the wood for the trees the children s book corner Sue McGonigle UCL IoE

MUSIC EDUCATION AND MUSIC THERAPY (MED) & (MTY)

LIVERPOOL METROPOLITAN CATHEDRAL CHOIR

The Preparatory Center for the Performing Arts SCHEDULE OF CLASSES School Year: September 24, 2017 June 09, 2018

2019 Music Tuition at Korowa

HANDBOOK Music Programme

A quality framework for use in music-making sessions working with young people in SEN/D settings.

HSA Music Yolanda Wyns

The Preparatory Center for the Performing Arts SCHEDULE OF CLASSES School Year: September 24, 2017 June 09, 2018

MPO Patrons Concert Season

SUMMER 2017 JULY 11 AUGUST 20

Arts Policy Introduction

INFORMATION AFTERNOON. TUESDAY 16 OCTOBER 4pm to 6pm JAC Lecture Theatre

INSTRUMENTAL TEACHING PROGRAMME

SIBELIUS ACADEMY, UNIARTS. BACHELOR OF GLOBAL MUSIC 180 cr

Engaging, interactive musical INSETS and workshops

Consultation on Historic England s draft Guidance on dealing with Contested Heritage

Director of Music and Head of Creative Arts Faculty

Romany Wood CASE STUDY. Martin Leigh, King Edward s School, Birmingham

Warwickshire Music Whole Class Ensemble Programme for Primary Schools

UPPINGHAM SCHOOL JOB DESCRIPTION

Australian Broadcasting Corporation. Department of Broadband, Communications and the Digital Economy

The BBC s services: audiences in Scotland

Transcription:

EIS Charter for Instrumental Music 2010

INTRO It is with immense pleasure and pride that I welcome you to the EIS Charter for Instrumental Music. I am passionate about our profession and about Scotland s rich musical history. I am in no doubt that this journey to secure and promote the development of Instrumental Music provision will be warmly welcomed by all in education. My sincere thanks go to the Global Ambassadors in Music and Education who have supported our work for showing tremendous support towards this Charter, to Scotland s world class Instrumental Music Teachers in conjunction with our world class youngsters whose talent we nurture. We in the EIS are uncompromising in our support for recognition of the importance of the work of Instrumental Music practitioners. On behalf of our Network, sincere thanks to you for investing the time to view and consider our Charter. Graeme Barclay Convener EIS Music Instructors Network The Charter for Instrumental Music is a landmark publication for the EIS. I believe that every child has the right to learn to play a musical instrument and to develop their ability to sing. The Charter sets out the extraordinary work now going on in schools in Scotland and argues that it is work that must be developed into the future. Ronnie Smith, EIS General Secretary Every school pupil in Scotland should have the opportunity to receive specialist tuition on a musical instrument or in voice as part of their school education.

Scotland has a rich heritage of musical culture which is recognised worldwide. Our country has produced a wealth of world class musicians, many of whom have been taught to play a musical instrument within schools in Scotland. If we are to develop and nurture this fine tradition, it is essential that well qualified instrumental teachers are an integral part of a child s musical education. WHO WE ARE: Instrumental music teachers are highly skilled and qualified professionals who deliver the highest standards of instrumental tuition in the Scottish education system. There are over 750 dedicated instrumental music teachers who deliver a structured and varied programme of study which allows pupils the opportunity to learn a musical instrument. Instrumental music lessons contribute very significantly to the social and educational development of our pupils. Instructors do not only teach pupils to play and appreciate music; they provide pupils of all abilities with enjoyable opportunities to work individually or as part of a group; and they motivate them to perform to a high standard in different contexts. This helps pupils to have fun, to take pride in their achievements, to gain in confidence and, of course, to learn skills which will be of great value to them throughout their lives. Tony Finn Chief Executive GTC Scotland From the womb to the grave we crave music. Music is the primary source of communication crossing all boundaries. Music teaches us everything we need to survive in life as we pass through this world - please do not cut this lifeline. Dame Evelyn Glennie OBE World renowned percussionist/music ambassador

Scotland has led the world in the quality of its provision of instrumental teaching for children. Learning a musical instrument offers children crucial experiences and capacities, including an active knowledge of and role in their own culture, a demanding but highly enjoyable personal and social discipline, learning to work well together, sensitivity to others, self-confidence, self-respect, emotional intelligence, creativity, cognitive skills and motor and coordination skills. Learning an instrument literally helps build the brain, increasing capacity in areas of the mind concerned with understanding time and space. Nigel Osborne Reid Professor University of Edinburgh At school I was non-academic, I failed in most subjects. I realised, when I was in secondary education, that having regular guitar lessons and access to the music department meant a world opened up for me which was non-discriminatory, enjoyable, something that fitted me like Cinderella s slipper. This was my experience. Today, my children have both discovered a real sense of belonging to a culture because they were both encouraged to join in with the music department in their new Scottish school when we moved home from London to Scotland seven years ago. This was something missing in their London school. In London, their school had one music master and no tutors for learning instruments. Certainly there was no evidence of my children learning music from the country they lived in. I found that to be sad. For children to have access to learning a musical instrument in school had proved VITAL to me. I am living proof of how learning a musical instrument in school can lay a new positive path to follow through education. I was delighted that on their first week at the new Scottish school they were encouraged to learn Scots song, learn instruments, play in a ceilidh band. The joy on their faces confirmed that I had made the right move in bringing my sons home to Scotland which nurtured the stirrings of my own musical journey at school. You have my full gratitude and support for maintaining the teaching of music in schools. It s a gift which returns even greater and surprising gifts in the future. Eddi Reader Musician WHAT WE DO: Instrumental teachers deliver Curriculum based learning on a wide variety of musical instruments and in voice Teaching in each of the four capacities as outlined in The Curriculum for Excellence: > Successful Learners > Confident Individuals > Responsible Citizens > Effective Contributors A structured course of study that is suited to each pupil s individual ability Preparation for examinations delivered by the Scottish Qualifications Authority (SQA) and other external examination bodies A wide range of extra-curricular activities which allow each pupil to participate fully and to realise their full potential Invaluable lifelong learning and social skills An appreciation of aesthetic and cultural values The opportunity for pupils to perform locally, nationally and internationally showcasing the range of musical talent present within Scottish education

Were it not for the Instrumental Programme at West Calder High School, I would not be playing the bassoon today. Now, it has become my career and passion. Already taking violin lessons privately, I was given the opportunity to learn the bassoon, for free. There was such great support and guidance through the opening stages of the lessons, and when the time came to move on to new ventures, this support continued throughout, and still does to this day. Learning an instrument has allowed me to develop not only as a musician but as a person. Karen Geoghegan Professional Musician and Runner Up in BBC Classical Star The Musicians Union warmly welcomes the EIS Instrumental Music Charter. Instrumental Music Teachers have a crucial role in developing and nurturing the next generation of talented musicians and enriching the lives and futures of young people through access and participation in music making. Sheena Macdonald Regional Organiser Musicians Union How do children benefit from learning to play a musical instrument or to sing? Learning to play a musical instrument has allowed me to gain in selfconfidence and face difficult challenges which I have overcome due to the The friends I made through music at school are still some of my closest now. The teamwork and camaraderie seem to be different in music compared with other subjects. Also, the skills you learn in music at school enable you to do music for the rest of your life. Jenny Delmonte There is now substantial research evidence which demonstrates that learning a musical instrument or to sing can enhance a child s cultural, social and educational learning. The Curriculum for Excellence Experiences and Outcomes document states:- Through music, learners have rich opportunities to be creative and to experience inspiration and enjoyment. Performing and creating music will be the prominent activities for all learners. Through these activities they develop their vocal and instrumental skills, explore sounds and musical concepts, and use their imagination and skills to create musical ideas and compositions. They can further develop their understanding and capacity to enjoy music through listening to musical performances and commenting on them. They use ICT to realise or enhance their composition and performance and to promote their understanding of how music works. many different experiences and opportunities. McLaren High School Callander Ailie Macdonald 6th Year Student West Calder High School There is now clear evidence that learning to play a musical instrument can improve other areas of a child s learning. A 2001 US study Does playing a musical instrument make a child smarter? states:- In every single test area, students who were learning to play an instrument and participating in the school band or orchestra received higher marks than their classmates. Not only that, but the longer the school children had been in the instrumental programmes, the higher they scored. Wendell Harrison, President of the Wendell Harrison Music Corporation, New York The aim of education should be to teach us rather how to think, than what to think rather to improve our minds, so as to enable us to think for ourselves, than to load the memory with the thoughts of other men. Bill Beattie, American Manager and Coach

The future for pupils in Scottish Schools Entitlement the right for every school aged child to receive instrumental music provision in a musical instrument or in voice Developing the Service develop further instrumental music provision so that provision in Scotland is on a par with the rest of the world Standard of provision maintain and enhance the standards of provision in all parts of Scotland to ensure that all pupils can achieve their full potential, regardless of their geographical location Equality of opportunity for all every child should have a right to access appropriate provision regardless of gender, race or disability The future for instrumental teachers GTCS Registration registration as an instrumental music teacher. This would acknowledge the status of instrumental teachers and give parity with classroom teacher colleagues Continuing Professional Development access to the highest quality CPD in order to enhance the quality of instrumental teaching throughout Scotland Pay & Conditions maintain a clear link with the pay & conditions of service of qualified classroom teachers SQA entitlement of instrumental teachers to be involved in the assessment/examination of the performing element of present and future SQA music examinations As instrumental music teachers we call for: Government Funding to allow the teaching of instrumental music to develop in all parts of Scotland Local Authority provision of instrumental music teaching to develop and meet the needs of youngsters in all schools CPD for instrumental music teachers to reflect a changing curriculum Training and development for instrumental music teachers to allow access for pupils with disabilities Research to be undertaken to investigate the value for pupils of instrumental music teaching The important work Scotland s instrumental music teachers do in our schools is profoundly central to the infrastructure of our educational evolution and continued success throughout the world. Without the dedicated musical expertise and inspiration from Scotland s instrumental music teachers our nation s youth would loose a vital link in their educational development, from learning to play an instrument as a beginner, advancing to further education, into a professional career in the music business, developing into an ambassador for our country, and hopefully an inspiration for future generations. Who knows where the next Annie Lennox, Aly Bain, Nicola Benedetti, Martyn Bennett, Sandy Brown, Jack Bruce, James Crabb, Phil Cunningham, Jimmy Deucher, Sheena Easton, Al Fairweather, Dick Gaughan, Evelyn Glennie, Lulu, Amy MacDonald, Karen Matheson, Rod Stewart, Wolfstone, Wet Wet Wet, Travis, Simple Minds, Runrig, Red Hot Chilli Pipers, The Proclaimers, Primal Scream, Franz Ferdinand, Del Amitri, Deacon Blue, Blue Nile and the Average White Band will come from. The following websites also hold useful information: The Educational Institute of Scotland www.eis.org.uk Musician s Union www.musiciansunion.org.uk Heads of Instrumental Teaching Scotland www.hitscotland.org.uk Guidelines for Instrumental Teaching in Scottish Schools www.scotland.gov.uk/publications/2003/03/16937/21256 (Published by: Scottish Government 2003) International Society for Music Education www.isme.org The infrastructure of Scotland s music education is as fragile as our eco system. The symbiosis between all the elements that form our musical pathway through our educational experience are all incredibly significant and tied together. Without Scotland s instrumental music teachers or a diminished version of it, our country faces a loss of a magnitude that will be felt throughout the field of pedagogy, our nation s music, and our economy. Tommy Smith International Jazz Musician Music Education Online www.childrensmusicworkshop.com

For further information about instrumental teaching contact the Education Department in your local authority area. For details of the work of the EIS contact EIS headquarters, 46 Moray Place, Edinburgh EH3 6BH Printed and published by The Educational Institute of Scotland, 46 Moray Place, Edinburgh EH3 6BH, www.eis.org.uk