Fake Book 1. pre 1923 Ver C Treble

ake Book 1 pre 1923 Ver. 1.1 Treble

The reole Jazz Band wordmark was created by Madeline Koeberling. Thanks to Madeline s patience with us, her incredibly thorough analysis of our needs, her research, and of course her creativity, she was able to develop this outstanding logo. Madeline can be contacted through her website at: www.madelinekoeberling.ca

This ake Book has been assembled with tunes that have all been written prior to 1923. Therefore these are all out of copyright in the US. I hope you enjoy the tunes. This fakebook has been produced in the following versions: Treble Treble Eb Treble Bass lef Tuba (bass clef one octave lower) If you want versions in other keys or want more tunes added, feel free to contact me. Kevin Yeates The reole Jazz Band kyeates@yahoo.com

th 12 Street Rag... 1 Good Man Is Hard To ind... 2 fghanistan... 3 fter The Ball Is Over... 6 fter You ve Gone... 4 ggravatin Papa... 8 int We Got un... 7 labama Jubilee...18 lcoholic Blues... 10 lexander s Ragtime Band... 12 lice Blue Gown... 16 ll The Girls Go razy..... 14 mazing Grace... merican Patrol.... 20 nd They alled It Dixieland... 19 ny Time..... 21 pril Showers..... 22 t a Georgia amp Meeting......,,,. 23 t The Devil s Ball... 24 t The Jazz Band Ball... 26 unt Hagar s Blues.... 27 valon... 29 Baby Won t You Please ome Home... 32 Back To Storyville...... 30 Ballin The Jack... 34 Beale Street Blues....... 36 Blue and Broken Hearted... 33 Blues My Naughty Sweetie Gives to Me. 40 Bluin The Blues........ 38 By The Light of the Silvery Moon..... 42 areless Love... 44 hicago.... 45 hina Boy..... 48 hinatown, My hinatown... 46 leopatra Had a Jazz Band... 50 reole Belles..... 52 urse of n ching Heart... 49 Dardanella....... 54 Darktown Strutter s Ball... 56 Dear Old Southland... 58 Dixieland Jazz Band One Step... 59 Down mong The Sheltering Palms... 60 Down By the Riverside... 61 Down Home Rag... 64 Down In Borneo Isle... 62 Down IN Honky Tonk Town... 66 Down in Jungle Town... 65 Down Yonder... 68 Easy Rider s Gone... 70 Eccentric... 72 Eh La Bas... 71 idgety eet... 74 lee S Bird... 80 loatin Down That Old Green River... 76 loatin Down TO otton Town... 82 oolish Questions... 84 rankie nd Johnnie... 81 Grizzly Bear Rag... 86 He May Be Your Man... 88 Hesitating Blues... 90 High Society... 92 Hindustan... 95 Hot Lips... 96 I in t Gonna Give Nobody None of My Jelly Roll... 98 I an t Let Em Suffer... 100 I Never Knew I could Love nybody... 102 I want to do the Bear at Dance... 103 I Wish I ould Shimmy Like My Sister Kate... 104 Ida, Sweet s pple ider... 106 If You Were The Only Girl IN The World 110 Indiana... 108 Ja Da... 111 Japanese Sandman... 118

Jazz Baby... 112 Jazz Me Blues... 114 Jelly Roll Blues... 116 Just a Little While to Stay Here... 119 King hanticleer... 120 Lasses andy... 122 Lassus Trombone... 123 Lazy Daddy... 124 Limehouse Blues... 126 Livery Stable Blues (Vocal)... 128 Livery Stable Blues... 130 Long Gone... 132 Love Nest... 136 Lovin Sam... 134 Ma, He s Making Eyes t Me... 137 Mama Don t llow... 138 Mandy... 139 Margie... 140 Memphis Blues... 142 Midnight in Moscow... 143 Missouri Waltz... 144 My Bucket's Got a Hole In It... 150 My Daddy Rocks Me... 146 My Honey s Lovin rms... 148 Oh... 153 Oh By Jingo... 152 Oh Didn t He Ramble... 151 Old Rugged ross... 156 Ole Miss... 154 On The lamo... 157 Ory s reole Trombone... 158 Ostrich Walk... 160 Over The Waves... 162 Panama... 164 Pearls... 166 Poor Butterfly... 163 Pretty Baby... 168 Riverside Blues... 169 Rock Bye Your Baby... 0 Rose of Picardy... 2 Rose O Washington Square... 4 Rose Room... 3 Royal Garden Blues... 180 Rufe Johnsons Harmony Band... 6 Runnin' Wild... 8 Sailing Down hesapeke Bay... 182 San... 184 Satanic Blues... 181 Second Hand Rose... 186 Sensation... 191 Shake It and Break It... 188 Sheik of raby... 192 Singin' The Blues... 190 Sister Kate... 104 Skeleton Jangle... 194 Sobbin' Blues... 196 Some of These Days... 198 Some Sweet Day... 199 Somebody Stole My Gal... 202 Someday Sweetheart... 200 St. James Infirmary... 203 St. Louis Blues... 207 Stockyard Strut... 204 Storyville Blues... 212 Strut Miss Lizzie... 208 Stumbling... 211 Suez... 212 Swanee... 214 T'aint Nobody's Business If I Do... 216 Tain t Nothin Else But Jazz... 215 Take Me TO The Land Of Jazz... 218 That Da Da Strain... 225 That Dixie Jazz... 220 That s Plenty... 222

There'll Be Some hanges Made... 228 Tiger Rag... 226 Til we Meet gain... 229 Tishomingo Blues... 230 Toot, Toot, Tootsie... 232 Tuck me to Sleep... 233 Under The Bamboo Tree... 234 Wabash Blues... 236 Waitin or The Robert E Lee... 238 Walkin' the Dog... 235 Washington and Lee Swing... 242 Way Down Yonder in New Orleans... 240 When Ragtime Rosie Ragged The Rosary... 244 When The Midnight hoo hoo Leaves... 246 When The Saints... 243 When You Wore Tulip... 248 When You re Million Miles rom Nowhere... 249 Where Did Robinson rusoe Go... 250 WhiffenPoof Song... 252 Whispering... 253 Wild herries Rag... 254 World IS Waiting or The Sunrise... 256 Yama Yama Man... 257 Yellow Dog Blues... 258 You ve Got TO See Your Mama Ev ry Night... 260

TREBLE B7 12th Street Rag Euday L. Bowman 1914 1 5 9 13 21 25 B 7 29 7 B7 33 37 7 7 Standard Doo Wackadoo chorus Back to top with INtro Etc

q = 100 TREBLE Good Man is Hard to ind 9 7 Bdim7 2 5 My heart's sad and I am all m a lone my Bdim man treats me mean. 9 I re gret the day that I was born, and that man I ever seen 7 oh 13 20 23 27 31 my B hap pi ness is less to day, my heart is broke and that is why I say. good man 7 when you think that is hard to find 7 he's with some other gal then you rave see him in his grave you al ways get your pal, you look 7 so if hug him in the morn in' kiss him ev' ry night 7 your man and you all m is nice the other kind Lord a just to find him fool in' "round take crave my #7 #7 you wan na ad vice 7 7 and give him plenty lov in' treat him right cuz a 7 7 good man now a days is hard to find, so hard to find.

TREBLE fghanistan 3 5 9 13 21 7 In theland of f ghan is º tan, / She swore by the stars up a bove her that But there came an oth er one 7 Hindu man is lone ly and blue. by B In 7 7 the f 7 fair Œ Š7 his dreams he's call ing ghan is º day, 7 In tan, There's a Hin du maid and a / he was the one to man. stolehis Hin du maiden a way. /E There's o a sis, Wait ing William Wilander & Harry Donelly 1920 Break Break Bº for to love her. 7 a car a van her. / / Break Unison 1 bar you, nd for you on ly. 25 29 7 'ross the /E Œ Š7 There will be a bri dal 7 des ert sand, dayfor you,my i we dol, 7 in /B will find a tem f ghan is tan. ple,

TREBLE q = 110 120 fter You've Gone 7 4 1916 Now won't you list en honey while I say How could you tell me that you're 4 7 goin' a way? 3 Don't say that Gm7 we must part, 7 7 Don't you break your 8 m7 7 7 ba by's heart. You know thati've loved you for these ma ny years, 11 Dm Eb7 7 Gm7 Loved you both night and Day Oh hon ey ba by can't you 14 m 7 m7 7 see my tears? List en while I say.

5 Eb B Ebm6 fter you've gone, and left me cry in' fter you've gone, b9 20 Dm7 9 there's no de ny in' You'll feel blue You'll feel sad 23 7 Eb you'll miss the dear est pal you've ever had. There'll come a time 26 Ebm6 b9 Dm7 G9 m7 now don't for get it, There'll come a time, when you'll regret it. Some day 30 m7 When Ebm6 you grow lone b9 ly m7 Your heart will break Gm7 like mine and you'll Edim7 want me only 33 6 fter you've gone m7 7 fter you've gone 6 way. 7 Solos at "B"

TREBLE 9 q = 100 25 33 41 51 58 65 73 81 89 B D 7 b m Db Ddim7 b 7 7 b m Db 7 b Db Ddim b 7 b D Dº 7 7 fter The Ball 7 º7 7 7 7 7 7 b 7 harles K Harris 1891 6

TREBLE q = 185 5 Ev E 'ry morn Not much mon ing, Ev 'ry eve E B7 ning, in't we got B7 B7 E 9 in't We Got un ey, Oh, but hon ey in't we got fun! 7 fun! 7 Kahn & Egan Whiting 1921 The rent's un m E7 13 m paid, dear, E7 We have'nt a car, m 21 E But an E ven if y way, we dear. We'll stay as we are, owe the gro cer E B7 Don't we have B7 B7 E fun? 7 Tax col lec tor's get ting clos er Still we have fun! 7 Dm Gm 25 29 There's noth ing sur er, the rich get rich and the poor get poor er E m In the mean time in be tween time in't We Got un!

TREBLE ggravatin' Papa 8 5 9 13 I know a trif lin' man, He lives in Birm ing ham, 7 oth er night, He had named Man dy plain 7 ly sta ted she was ag a fight with a gal gra va They call him "Trif lin' Sam". 'Way down in l a bam'. Roy Turk & Russell Robinson 1922 7 ted, n she shout ed 7 out to 7 Brymm, him: Eº Now the nd she

ggravatin' Papa 9 21 25 29 33 37 B you try to two time g E7 you "g gra va tin' pa pa, g gra But 7 7 Don't Treat en while I get you told, step out with a me kind or let me 7 high brown ba by, 7 I'll do an y thing you be, me, Stop mess in' 'round, sweet I'll smack you down and I say, when you go strut tin', Do your strut tin' round my way. 7 7 7 I said don't two time me. I mean just let me gra va tin' pa pa, List jel ly 41 Stop Time Play beats 1 & 4 as marked Break 2 bars roll. be. 7 don't mean may be! yes, an y thing you say. G So Now Now º 7 va tin' pa pa, pa pa If pa pa, pa, pa, º Just treat me pret ty, Be nice and sweet, 'ause I possess a forty four that don't re peat! You best be careful, s yon can be, 'ause I can beat you do in' whatyou'redoin to me, Once you weresteady Once you were true, But papa, nowsweet ma macan't de pend on you, 45 7 g gra va tin' pa pa, Don't you try to two time me! 7 2

10 TREBLE lcoholic Blues lbert Von Tilzer 1919 7 6 m 9 Db7 13 B Vamp 21 24 27 30 Gm just I Pro hi bi tion, that's the name, pro a bi tion drives me in sane. I'm so thirs ty soon I'll die, I'm sim ply gon na 'vap o rate or run dry. did n't hes i tate I did When Mis ter Hoo ver said to cut my din n't frown. ner down, I cut my sug ar I cut my coal, but now they've cut deep in side my soul. I've got the

11 2 33 D lcoholic Blues 7 blues, I've got the Blues, I've got the al co hol ic blues. There's blues, I've got the Blues, since they am pu ta ted booze. 37 m no more beer my heart to cheer, good bye whis key Bars are closed and night clubs too, lord y lord y 40 used what to make to me fris do, ky. So So long long hi hi ball, ball, good good bye bye gin, gin, 43 Db7 Solos at "D" tell tell me me when when you're you're com com in' in' back back a a gain. gain.

12 TREBLE lexander's Ragtime Band 4 VERSE Irving Berlin, 1911 let's notes Oh, Oh, me that ma ma hon hon ey, ey, an der, screech es, in't Oh, ma Oh, Like a hon ma hon you go chick ey, ey, en, Bet ter There's in', in't Like you hur a fid go a chick ry dle in' en, and with 7 To nd the the lead clar er man, i net rag is a gedme col terman? ored pet, Oh, ome ma and hon lis ey, ten, 10 Oh, ma ome hon and lis ey, ten, Let To me a take class you to l i cal band ex what's an peach der's es, 13 grand come 0 stand, now, brass band, in't you some how, Bet ter com hur ry in' a a long? ome on and long.

13 21 24 27 29 33 hear, hear, So That's 37 41 45 G land. long. man. 7 care ome on and hear, na just ome on and They can play l ex an a bu hear! tur al that you want the best est band what am, ome on a to hear the long. Up to the man! 7 Swa nee Ri der's Rag time It's the gle call like you ne Let me take Band. best ome on and band in the ver heard be fore. to go to war. you by ho ney lamb. ome on a the hand. Who's the lea der of the band. ver played in dim rag Up to the nd if you time. ome on and lexander's Ragtime Band hear, ome on and hear, l ex an der's Rag time Band,

Treble h = 100 Stop Time2 Bars:... ll The Girls Go razy Eb Eb Eb 7 Eb 14 Kid Ory 1916 Stop Time2 Bars:... 6 7 Eb Eb Eb Eb 12 7 7 B Eb 7 girls on go their craz knees y 'bout say in' the way "Ba thati by," walk The way Sayin' "Ba thatiwalk 7 Eb 22 Solos Begin Here by," ll the 26 30 Hon raz craz knees ey'bout the way I y 'bout the way I y 'bout pleadin' the way "Ba walk walk. Yes, Yes, all they 7 Hon raz ey'bout y 'bout the the way way I I that by," walk walk walk, 'Bout Say the in' the fall way "Ba girls on go their that I walk, by," 7 On to "" after last solo: They fall

15 Eb 33 horus: 1st Time Soft: The Grils go razy "bout the Way I Walk Treble 7 7 Eb 37 42 7 7 45 49 Eb 7 D limax horus: ad lib: 55 7 Eb 60 7 Eb7

TREBLE In my sweet lice Blue Gown (4/4) B7 lit tle lice Blue Gown, When I 7 16 Mcarthy/Tierney 1919 5 first E 7 º / wan dered down in to town, I was 9 both proud and shy, s I felt ev 'ry eye, But in 7 13 B ev man 'ry shop win dow I'd primp, B7 ion I'dfrown, 7 pass ing by; Then in nd the 21 D E7 7 Gº E7/G world seemed to smile all a round. 'Til it 25 D D º /E ner of fash wilt ed I wore it, I'll al ways a dore 9 7 it, My 29 D sweet lit tle lice Blue Gown.

3 Twas ma grace zing that Through ma ny mazing Grace 7 grace, taught dang how my ers sweet heart toils the to and sound, fear, snares, That nd we 5 saved grace have a my al 3 wretch fears rea like re dy me. lieved. come. I How T'was 9 once pre grace was cious that lost did brought but that us now grace safe am ap thus found, pear, far, was the and 13 Dm blind hour grace but I will 3 now first lead I be us see. lieved. home.

TREBLE 5 9 12 15 20 23 26 29 q = 160 Gb7 Man do lins, vi o lins, Ev'ry bod y tun in' up, the funbe gins, om ethis way, Gm don't delay, Better hurry hon ey dear, or you'll Gb7 Mu sic sweet, rag time treat, Goes to nights B 'round your feet. It's 7 7 right to you head a re mind er a mem o ry find down in old l a bam: see Dea con Jones when he rattles them bones, Old like a clown, 7 Shout in' "I'm full o' pep! Wtach round Hail, on his toe, Hail, Eb thegang's min Threw labama Jubilee George Obb 1915 7 unt Jemi ma who is past 7 7 be miss in' and trick les 7 er of 3 You ought to Par son Brown danc in' 7 yo' step,watch yo' step!" One min a way his cane and hol lered,"let 7 all here for an la bam a Jubi lee. eighty three Joe danced a leg ged her go!" 18 Oh Hon ey

TREBLE 5 9 13 7 nd they called it Dix ie land. They builta They built a little garden for the rose, summer breeze to keep the snows far a way from Dix ie land. They built the fin est place I've known, nd They alled It Dixieland G 7 When they built my home sweet home, 7 Nothing was forgot tenin the land of cot ton, from the clover to the honey comb, nd then they Raymond Egan & Richard Whiting 1916 19 B took an an gel from the skies, nd they gave herheart to me. She had a 21 25 29 7 bit of heav en in her eyes, Just as blue as blue can be. They put some finespringchickens inthe land, nd taughtmymammyhowtousea frying pan.theymadeit 7 twice as nice as Par a dise, nd they called 7 it Dix ie land.

TREBLE merican Patrol 20.W. Meacham 1891 5 9 7 13 G 7 B 21 7 25 º D 29

TREBLE ny Time 21 Herbert Lawson? in 1921 ny time you'refeel ing lone ly, n y time you'refeel ing 8 blue, n y time m youfeeldownheart ed, Thatwill 14 prove your lovefor me is true. n y time you'rethink ing 20 'bout me, That's the time I'll bethink ing of 3 24 7 you, So an y time you say you 28 want me back a gain, that's the time I'll come back home to 32 1. 2. #0 you. n y you.

TREBLE Tho' pril Show pril Showers ers may come your way, G They bring the Louis Silvers & Bud DeSylva 1921 flo 22 wers 7 G E7 m that bloom in May. So if its rain ing have no re grets, 13 Be causeit 7 is n't rain ing rain you know,it's rain ing vi o lets. nd where you 18 see clouds upon the hills, G E7 you soon will see crowds of daffo 24 m dils, So keep on m look ing for a blue bird, and list 'ning for his G 29 E7 7 G song, when ev er pril Sho wers come a long.

t a Georgia camp Meeting 23 TREBLE 2 bars unison w/ larinet trill 7 7 Eb 7 5 11 7 7 Eb 2 bars unison B 7 7 21 7 ine 27 Gdim 7 7 33 Eb Edim 7 Back to "B" for solos, after last solo play "" once

TREBLE t The Devil's Ball 24 Irving Berlin 1913 4 7 10 13 Dev Dev I had a dream last il be low. In his great il was giv ing a Ball. night, Thatfilledme full of fright: I dreamt that I was with the E7 big fier y hall, Where the I checked my coatand hat and started gaz ing at the merry crowd that came to witness the show. nd I must con fess to you, There were ma ny there I knew. t the

2 B Devil's t The Devil's Ball Ball, t the Devil's Ball, I saw the 25 21 cute Mrs. Dev il, so prettyand fat, º º 25 Dressed in a lit tle red fire man's hat. Eph reham, the leader man,wha led the band last all, He played the music at the 29 I saw the 33 ever saw, Taking the tick ets from folks at the door, 37 E7 I caught a glimpse of mymother in law, Dancing with the Devil, Oh! the lit tle Dev il, 41 Devil's Ball, In thedevil's Hall. funniest dev il that I Dancingat the Devil'sBall. tthe

TREBLE q = 180 Gm t The Jazz Band Ball 26 Original Dixieland Jazz band 1918 5 7 7 9 Gm 13 23 B 7 7 28 Eb Edim 7 33 7 38 43 Eb Edim 7

TREBLE Eb Old dea con Spliv in, unt Hagar's Blues + Eb His flock was giv in' + Eb 27 W.. HNDY 1921 Eb7 the way of liv in' right. 5 b7 Said he "No swing m 7 in', No rag time sing in' to night". Eb Eº 9 m7 Up jumped unt Ha gar 7 and shout ed out with all hermight: Eb Eb7 b bm Eb7 13 Eb B Eb7 "Why all this razz in', a bout the jazz in'? My boys have just come home, b7 With latest mu sic, 7 Eb They play it on the sax o phone". 21 b7 Oh my, just lis ten!" 7 the dea con shout ed with a moan. Eb b7 Eb

2 25 Eb Eb7 b º Eb Hear unt Ha gar's chil dren har mo niz ing. Hear thatsweet mel 7 Eb B7 7 28 Eb o dy, It's 29 Ebm like a Eb7 choir B7 from on high broke loose. 7 If the 33 Ebm Eb7 B7 dev il brought it, the good Lawd sent it right 7 down to me. Let the 37 Eb Eb7 b º Eb con gre ga tion join 7 while I sing Eb those lov in' unt B7 Ha 7 Eb gar's Blues. 41 D Eb Eb7 Oh, 'taint no use you preach in', Oh,'tain't no use o'teach in' b7 Such jazzapa tion 46 such mod u la tion, Eb When my feet say dance, I just 7 can't re fuse, When I hear 50 7 Eb that mel o dy they call the blues, 7 Eb unt Ha gar's hild ren Blues.

TREBLE I found valon L Jolson 29 1920 my love in va lon, Be 5 side the bay, I 9 +7 left my love in va lon, and 13 B sailed dream +7 a E7 way. I of her and va lon from Eb7 21 25 Gm dusk so 'til E7 I think I'll Eb7 m6 dawn. trav nd el on, to 29 Gm7 va lon.

TREBLE Back To Storyville 30 7 Go in' back 3 to Sto ryville, that's 7 wherei long E7 to be, Louis rmstrong 3 7 3 3 in't notime to ask me why. Ev'rything'bout Sto ry ville is 7 6 just a part of me, Since I wasjust this high. Go in' 9 B 7 7 7 3 3 back to ol' De sire, I know my way a round, riends I knowwill shake my hand. 12 7 3 7 Noth in' changes on De sire, that streetof my home town, the 15 street where I'll take my stand. There's a

2 31 Back To Storyville 19 7 drop a round most anytime you choose. 7 There's a 21 cafe called "The Pup" that's never shut, so you can la dy tailored up in somethin' cut low, she 23 Ø7 7 rolls the ol' pi an o with the"jelly Roll Blues". Goin' 25 D 7 7 3 3 back to Sto ry ville, I'm gon na' take my horn, my nifty suit, my brushand comb. 7 28 7 3 Oh I justcan'twait un til I'm back where I was born, 31 My Sto ry ville, my home.

TREBLE Baby Won't You Please ome Home 32 larence Williams and Harles Warfield 1919 4 Dbº I've got the blues, I could on 7 ly make I feel b5 so Gm you under stand. lone 7 ly, D+ Gm7 Itsurely would Dbº I'd give the world be 7 grand. if 9 Dbº 7 7 Eb I'm goin'to tel e graph you ba by, s you won't you please come home, "ause 13 20 Gm7 whenyou're gone Ba I'm by won't you please 7 7 all #º for come lorn, #º home, Gm Gm7 I wor ry all 'cause day 7 long. Gm7 your mamma's all 3 Gb9 7 a lone. Ihave tried in vain, never no more to call your name. 25 When you left you brokemy heart, BecauseI neverthoughtwe'd part. m7 Eb Ev 'ry 29 Eb Eº b7b5 7 hour in the day, you will hear me say, Baby won't you please come home.

TREBLE Blue (nd Broken Hearted) 33 5 9 13 21 25 29 Blue, be cause we're part ed, Blue, and bro ken heart ed. B Gº There was a time I was jol You know the rea son I'm mel an chol y. Blue, and oh! so lone ly, We made a blun der and 7 you're blue too. Gº G 7 7 ly. ly, & True, I want you on lots of time I won der if Lou Handman 1922

TREBLE G olks in Geor It's being done gia's at Ballin' The Jack 7 7 34 hris Smith 1913 dance ty 4 º 7 'bout to go in ets, ll so sane Since that new all the ca bar cie down in Georgithecraze, It's the best dance done in modern came; I'm the on ly personwho's to now has got blame, days, 7 7 I'm the par ty intro duced it there, D so! That is why I rave a bout it so! 9 B G 7 Give me cre dit to know a thing or two, Give me crefolks, dit Play some good Rag that will make you prance; Old folks, young 7 12 º 7 G 7 for springing something new; I will show this lit tledanceto you, all try to do the dance, Join right in now while you got the chance, 15 7 D 7 When I do you'll say that it's a bear! Once a gain the steps to you I'll show:

2 Ballin' The Jack 35 irstyou putyour two knees close up tight, Then you sway'em to theleft thenyou 20 7 sway'em to the right, Step around thefloor kind of nice and light, Then you 23 Twist a round and twist 7 a round with all your might, 25 D Stretch lovin' armsstraight out in space, Then you do 28 le and grace Swing your foot way 'round then bring it back, Now G 31 the Ea gle Rock with sty that's what I call "Ball in the Jack". 7 Solos at ""

TREBLE Beale St. Blues 36 7 7 7 You'll 3 see see Beale pret Hog ty Nose Street ould Browns rest'rants talk, in and If beau hit Beale ti lin ful gowns, a fe's, Street could talk, You'll see You'll see Mar ried 5 Eb m 7 7 tail Jugs or that mades tell and of hand by me downs. gone days. You'll meet nd plac hon est men, es, once plac nd es, men_would have_to pack their bags and walk. Ex cept one or two, Who 8 Eb Ebm pick Now nev pockets skilled, just a sham, er drink booze, You'll find that You'll see nd the bus' Gold blind ness nev er clos en balls e es 'til nough to pave man on the corner who sings some the these 10 1. 2. 7 7 7 bod y hets killed. New Je ru sa lem. You'll If Beale Street Blues.. Well I'd

2 Beale St. Blues 37 12 B Eb 7 Eb Eb7 rath er be goin' to the here, river, Than an May y place I be bye and know. bye. I said I'd I'm rath er be there, Than an y place I know I said I'd 16 b bm Eb rath goin' to the river, rath er er be here, be there, Than nd Than an there's an y a y place rea place I son I know. why: know It's Be gon na cause the New 7 20 take the ser geant or to make me go. riv er's wet and Beale Street's done gone dry. York may be all right,but Beale Street's paved with gold. 22 Eb Eb7 b bm Eb E7 7 íf going back to "" Well I'm I'd

TREBLE q = 120 7 Eb pp Bluin' The Blues 7 f Henry Ragas 1918 38 5 7 9 Eb7 Gb7 7 b7 13 7 B Gb7 7 pp f 21 Eb7 Gb7 7 b7 25 7 7

39 2 29 Gb7 7 pp f Solos 33 Eb7 Gb7 7 7 b7 37 7 7 7 41 D 7 45 Eb7 Gb7 7 b7 49 7 7 53 E G 7 7 pp f

TREBLE h = 100 There are Blues My Naughty Sweetie Gives To Me 1919 Gm Blues Blues Blues that that that you you you Ebdim get get get from when from Gm wor sin sweet There There ry gle ie When are are she 40 m Blues Blues phones 6 that that to you will an bdim get give th from you er m pain, pain, guy, nd nd nd Eb7 there there there are are are Blues Blues Blues when when when you're you're your lone lone hon ly ly ey or or spends 11 Gm your your all one one of and and your on on mon The The ly, ly, ey, nd 7 Blues Blues Blues you you when can can she nev nev tells er er you ex ex a plain; plain; lie; There There There are are are Gm Blues Blues Blues that that that you you you Ebdim get get get from from when Gm long long mar ing ing ried But To Wish the hold ing m blu some that Blues est one you on could that your be be knee, free, 24 re But But the the the sort kind kind of of of Blues Blues Blues that's that that's on al good my way and mind, stabs, blue, They're ome omes the from from ve ry hi ring hav ing 28 mean tax wine kind, est i for cabs, two, The The The 7 Blues Blues kind my my of naught naught Blues y y my sweet sweet sweet ie ie ie 9 gives gives gives to to to me. me. me. () There There There are are are

41 This page has been intentionally left blank. You have not been ripped off. This had to be done in order to avoid page turns in the middle of a tune. You might think this would be a good to place to make jokes or witty observations such, Did you ever notice that Peter O Toole is the only Hollywood actor to have a first and last name with a phallic reference? But I won t be doing any such thing. So stop reading this. It is a waste of your time. I won t waste your time with other foolish jokes. It is just a blank page. So why are you reading this? I told you earlier to stop. You are wasting your time. Well since you can t just turn the page, then I will take advantage of your reading interest to see if you might be interested in buying my time machine. It is 100% operational and fully functioning. Everything works just fine and it runs very smoothly. The unit has a minor design flaw in that it plugs into the wall to operate. s a result, when the time travel starts the machine immediately loses its power source and you land back in the present. I have been developing this time traveling machine for years and am now too tired to do the work involved in converting it to run off batteries. It should be an easy fix for a home handyman.

42 TREBLE dim By the Light of the Silvery Moon dim Gus Edwards & Edward Madden 1909 Dmin Place park scene dark, Sil v'ry moon is shin ing thru the trees, ct two, scene new, Ros es bloom ing all a round the place. 5 Dmin E7 7 Dmin Dm7 Dm7 ast two, me, you, Sound of kiss es float ing on the breeze. ast three, you, me Preach er with a sol emn look ing face. 9 dim m6 ct one, be gun Di a logue, "where woud you like to hoir sings, bell rings Preach er, "You are wed for e ver 12 G spoon?" more." My ct cue, two, G with all Em you, through, m Un Ev der neath the r'y night the m7 sil v'ry moon. By the same en core.

43 2 By the Light of the Silvery Moon 21 25 29 B Light spoon, moon, beams will of the sil ve ry Moon, to my ho ney I'll croon bring Keep a shin m love's #0 love's in' in June, m dreams, E7 tune; 7 Dm I Your sil want to Ho ney 7 we'll be cud dl ing Dm v'ry 31 E7 7 soon, By the sil ve ry Moon.

TREBLE areless Love 44 6 11 B Love, oh thru my head love like wine. m ma ny a gal, oh care less love. and you near You've broke ly broke this heart of You fly 7 the heart mine. right of 24 29 If I were I'd build a little bird, my 7 nest I'd fly way up from tree to m in the air tree. where the 33 40 45 bad Now I wear boys could my a pron high, Now I not both er me. 7 wear my Now a I wear my a pron high, m pron high, and he nev er, nev er pass es by.

TREBLE 5 9 13 7 G º hi ca go, hi ca go, hi ca go, hi ca go, 7 I'll show Bet your bottom dol lar you lose the blues in hi ca 7 town B State ly 7 that Bil Sun G º Street, that great street, hicago day could not I 7 7 tod dl' in' town, you a round, I love shut 7 just want to say, down! it, That tod dl'in' town, go, hi ca go, The /G Eº/G 7 7 justwant to say, red isher 1922 45 On They 21 25 29 D 7(b5) do things they don't They have thetimethetime 7 ca go hi 7 do of their life, ca go my on Broad way, Say, Gº I saw a man,he danced with his wife, In hi home town! º 7

TREBLE hinatown, My hinatown 46 Jean Schwartz & William Jerome 1906 E When the town is fast a sleep, 5 nd it's mid night in the sky, E 9 E That's the time the fes tive hink, 13 D 7 Starts to wink his oth er eye. D Starts to wink his dream y eye, 21 La zi ly you'll hear him sigh: G&7

47 2 25 G&7 hinatown, My hinatown hi na town, my hi na town, 29 Where the lights are low, 33 37 41 B G&7 Hearts that know no oth er land Drift ing to and fro. Dream y, dream y, hi na town, E7 G&7 45 &7 7/E D 49 6 Hearts seem light and life seems bright, In G 6/ 7 53 l mond eyes of brown, dream y hi na town. º D 7

TREBLE q = 160 5 9 13 hi lose Sand m While na boy go sleep, your E7 eyes Eb7 don't peep, man soon will come, hina Boy Winfree/Boutelje 1922 I soft ly hum. Eb7 48 B b Bud Eb7 dha smiles on b you, 21 b Moon Eb7 man loves you b too. So, 25 29 b while hi Eb7 their watch na boy go they b keep, sleep.

TREBLE 5 9 13 21 º 7 hope 7 made dragged soul B me you're The urse of n ching Heart º what I is am me down and down fied. 7 with in me died. º 7 to day, til l Piantadosi 1913 You 49 I You the You 25 29 33 sat un shat tered each and ev 'ry dream, 7 E º / fooled me from the start. nd Eº / though you're not true I still love you, That's the curse of an ach ing heart. 7 You

TREBLE leopatra Had Jazz Band 50 Jack oogan & Jimmy Morgan 19 5 9 G E7 7 G B 7 G So the wise men say. His to ry re peats it self, lieve they're right be cause last night I heard pe cu liar mus ic play. G E7 7 I be Dº D& º E º 13 E 6 ly 7 goes to E 6 prove 7 that E E 6 7 In a dream it takes me back two thou sand years a go. Which on gyp tians were not slow. B le o pa tra had a

2 21 7 B jazz jazz 7 band, dance, leopatra Had Jazz Band G In her cas tle on the Nile. In her queer E gyp tian style. B Ev 'ry night She E& she gave won 51 E7 Marc a 25 7 E 6 7 n to ny, With her syn co pa ted har mo ny. nd while they G/B G B / E 7 29 33 played, 7 pyr a º She mids, 7/E swayed. 7 She knew she had him all the 'Neath the old E gyp tian moon, G while. B º Sphinx was the 37 7 7(b5) B Bº B7 In the sha dow of look ing on and said: "There'll be a wed ding soon". But B7 the 41 E7 7 G B real his tor ic scan dal, was le o lost her san dal as she 45 6 6 danced to the strains of the E gyp tian jazz band G tune.

TREBLE 52 reole Belles 1900 5 9 #7 13 E7 7 7 22 7 7. 26 1. 7 2. 7 31

2 Interlude 35 reole Belles 7 º 7 7 N 53 My re ole Whenstars 39 B Eb 7 Belle shine I love her well I'll call her mine, My my lit dar dar tle lin' ba lin' my by my re re Belle ole ole Belle. 46 Eb My cre ole belle Whenstars shine I I'll love call her her well mine, my my dar lit lin' tle 51 7 ba dar by my lin' my re re ole Belle. ole Belle. 55 7 7 61 7 7 66. 7 Solos at ""; Out horus use Melody from "."

TREBLE 54 Dardanella elix Bernard & Johnny Black 1919 5 Down beside the Darda nel la Bay, Where Or i en tal breezes 9 play, Therelives alonesome maid r me 3 nian 13 By the Dar danelles with glowing eyes, She looks a crossthe seas and 3 sighs, ndweavesherlovespell so si re ni an. 21 B (b5) 7 Soon I shall return to Turke stan. 25 G I 7(b5) will ask for her heart and hand. G Break Bass

55 2 29 Dardanella Oh, sweet Darda nel la, I loveyourharem eyes. 33 I'm a luck y fellow To capturesuch a prize. Oh llah 37 41 45 knows my lovefor you, Darda nel D Oh, la, sweet Dardanella, ndhe tells oh hear my sigh, you to be true, 7 Break 1 bar Preparethe wedding wine, My Or i en tal, There'll be 49 E7 7 Gº E7/G one girl in my ha rem when you're mine. We'll build a 53 7 tent just like the children of the Or i ent. º 57 Oh, sweet Dardanel la, Mystar of love di vine.

TREBLE 56 I've We'll º got meet some our Darktown Strutter's Ball Sheldon Brooks 19 7 good high news toned 7 hon neigh ey, bors, n n in ex vi hi º ta bi tion tion to of the the 4 7 Dark "ba town by Ball. Dolls", It's a nd each 7 ver one y swell will do af their 7 fair, best, 7 ll Just the to 7 G "high out class browns" will be all there. therest. 7 I'll wear my nd there'llbe high º silk hat and a dancersfrom ev'ry 7 frocktail for eign coat, land, You The 11 wear your Par is gown and your G new silk shawl, There ain't no &7 doubt a clas sic, buck and wing, and the wood en clog. We'll win that fif ty 14 D 7 G 7 bout it babe, We'll be the best dressed in the hall. I'll be dol lar prize When we step out and "Walk the Dog".

2 Darktown Strutters' Ball 57 B down to get you in a taxi hon ey, You'd bet terberead y a bouthalf past eight. 21 7 /D Now dearie don't be late I want to be º m7 7 there when the band starts play ing, Re 25 member when we get there hon ey, The two steps I'm goin'to have'em all. Goin' to 29 Eb Eº 7 dance out both my shoes, When they play the"jel ly Roll Blues" To 33 7 mor row night at the Dar town Strut ter's Ball. dim m7 7 I'll be

TREBLE Dear Old Southland 58 Henry reamer & Turner Layton 1921 E& I want to stray / /E to the town I was born, E& My home town, / /E My lit tle home town. 5 D 7 E& it, / /E I used to steal it. 9 13 I want ing E& to hear º "Go long, / go long, dear old 7 7 go long, each go D Dº morn, long to school". Tuba & Dear, Dear Old Sputh Bº land, I 21 25 29 Dear, & Dear Old land, long, how I long long just to see º /G ing to me. nd I is yearn ing. nd I to my old Ken tuck y home. I want to play in the cot ton and corn, To feel Mother say South hear you callheart you my to roam once more Bº for back the land I love that Swan ee shore.

TREBLE q = 200 6 11 16 22 Dixieland Jazz Band one Step 7 7 7 7 7 7 7 7 B Eb m7 m7 Eb Eb Eb 59 28 m m #dim Eb 7 Eb7 33 39 b b 7 7 7 Eb Eb b 45 m m 7 Eb7 49 55 D b b 7 7 7 Db Ddim 3 59 b 7 7 Eb b b

TREBLE 5 wait Down Down mong The Sheltering Palms 7 7 a mong the shelter ing palms, for me; Oh hon ey wait for me; be Olman 1914 60 Oh hon ey 9 7 Meet me down by the old Gold en Gate, 13 Out where the sun goes down 9 a bout eight. 7 B How my love is burn ing, burn ing, burn ing, 21 How my heart is yearning, yearning, yearning to be 7 Gº 25 29 Down 9 wait 9 for me. 7 mong the Shel ter 7 ing Palms, Oh hon ey

TREBLE 5 q = 180 Gon na lay down my sword down by the riv er side, Down By The Riverside and shield down by the riv er side, Down by the riv er side. Gon na 61 9 14 19 lay riv down er side. my sword and shield down by the riv er side down in't gon na stu dy war no more by I ain't gon the na stu dy war no more I ain't gon na stu dy that war no more 24 I ain't gon na stu dy war no more I ain't gon na stu dy war no 28 more you know I'll stu dy war no more. 2. Gonna stick my sword in the golden sand 3. Gonna put on my long white robe 4. Gonna put on my starry crown 5. Gonna shake hands around the world

TREBLE Down In Borneo Isle 62 5 9 13 21 25 29 Jun B gle, Jun gle, Jun Jun In ar a way in Jun gle land, gle land, Where they play up on the sand, 7 gle sand. the eve ning when the day Tuba & Toms is cool er 'ry bod y does the Boo la Boo la. nd they say that mon key band, 7 gle, Jun gle, Jun ev Tum bles, Stumbles, Herny reamer & J. Turner Layton 19 s Tuba Toms etc. they bun gle thru the jun gle. Tuba Toms etc

2 33 63 Down In Borneo Isle Down in Bor ne o, Down in Bor ne o, 37 Down in Bor ne o Isle. I love to Eº 41 / /D Eº B7/ 45 see those wild men danc ing a round, nd those real wild wo men in swim min'! 49 56 D Down in Bor ne o, Where I want to go, nd ev'ry evening when the lights are low, ll they wear is a smile, º Oh, Oh, 62 Oh, Oh, Oh, Oh, Oh, Oh, Oh, Oh! How they toad al o, 67 To the mus ic slow, 7 Down in Bor ne o 7 Isle.

TREBLE 7 Down Home Rag 64 Wilbur. Sweatman 1911 5 7 /G 6/ 7 7 9 7 /G 6/ 7 7 13 B 6 7 6 18 7 21 7 G 7 G 7 7 D6 º G 7 7 7 25 7 D D 7 29 7 D D 7 D 7 33 D D D 7 37 D D 7 Play "" Once and end

TREBLE 9 7 Verse Down in Jungle Town Edward Madden and Theodore Morse 1908 Gm 7 7b5 65 25 31 37 41 46 D 7 D 7 7 7+ horus B soon. 7 pret When 7 Down in jungle town, 7 honey moon is com ing Then you'll hear a ser en ade, To a ty mon key maid, m7 º 7 Bº 7 that chim pan zee up in the tree, 7 51 Singsthat mel o dy. I'll be true to my monkey doo dle doo way Down In Jun gle Town. 7

TREBLE 5 9 13 21 25 B It's Bill Johnson said one day, If you sug gestto me, Weboth will Down in HonkyTonk Town hris Smith & harles Mcarron 1915 go and do His sweettie said, "My Dear, I got it straightfrom Mose, ry place Tohis E in liza May, town. G some oth er novel ty, the thing up brown!" there is this place I hear, who bringsthe clothes. Hon ky Ton ky Town, down where the gals are brown. G 66 29 (b5) "We've been to nearly ev' That's where the mu sic grows.

67 2 33 Down in HonkyTonk Town ome, Hon ey, let's go down to Hon ky Tonky Town, 37 41 45 49 53 57 it's un derneath the ground, where all the fun is found. There'l! be sing ing wait ers, sing ing syn co pa ters, 61 danc D ev Down cin' to pi a no played by Mis ter Brown. He plays pi a no queer, He on ly plays by ear, You want to staya year, The mu sic thatyou hear, would en start a mon key, danc ing with a don key, in Hon key Ton ky Town.

TREBLE 5 9 13 21 7 Put a lit tle steam on just like nev er be Hus 7 tle on, Bus Yearn Broth 7 You'd road train, 7 road train, Rail Rail Hur ry some more. 7 Down Yonder tle on, I've ing for my Swan ee shore, fore. got the blues. er if you on ly knew, want to hur ry up too. L. Wolfe Gilbert 1921 68

2 25 B Down Down Yonder yonder some one beckons to me, 7 7 69 31 Down yonder some one reckons on me. I seemto see a racein mem o ry, Eº B7/ 37 7 43 BReak 2 Bars more and more, Ev 'ry day, my mam my land, You're sim ply grand. 49 7 7 Between thenatchez andthe Robert E. Lee. Swanee shore I miss you Down Yonderwhenthefolksgetthe news, Don't wonderat the Hul la ba loos. 56 There's dad dy and mam my, There's Eph raim and Sam 60 7 my, Waitin' down yon der or me.

TREBLE q = 120 Easy Rider's Gone 70 Shelton Brooks 7 I wonder where my Easy Ri der's gone to day He 5 Eb7 ne ver told me he was goin' a way. If 9 7 Gm he was here he'd win the race If not first he'd get a place. ash 13 7 in our tick ets for a jol ly joy ride right a way I'm 21 7 los ing all my money that is why I'm blue. To Eb7 win a race he knows just what to do. I'd 25 7 Gmin put all my junk in pawn to bet on an y horse that Jock ey's on, Oh I 29 7 1. 2. wonder where my Ea sy Rider's gone. I gone

TREBLE b Eh Las Bas º Eb7 71 Traditional 6 7 Eh la bas, (band sings echo) Eh la Bas, Eh la b b bas, 12 º Eh la bas, Tra la la Sis Boom Bah Eb7 b 20 24 Eb7 b B can't Or But but b Eh la speak y it sounds the on bas, Solos here after Vocal rench, sang real ly not that good, a in a like I jun a jun knew I pinch rench it can Eh in would, say la bas so a is I fine like Lais don't ol' 7 down sez know in les New bon what re Or it temps Well I means. ole way, leans, rou lez!. 28 Eb7 I love to hear that clari net burn and hear So let the good times roll my friends, and let them the trom mus bone ic 30 gliss play, 7 take come es I'd my to turn be, but so that let's ain't love the To kinda it like mor band up to row that to sing may b this day is rench nev Eh Eh when I er la la Vocal Back to Top

TREBLE Eccentric J. Russell Robinson 1921 º 7 72 5 3 9 13 7 7 3 7 7 7 21 25 B 7 29 33 Solos: 7

2 37 Solos Begin Here first time Eccentric 3 73 41 45 49 53 57 D 7 7 3 7 7 7 º 7 º 7 fter last solo play "" as written then on to "D" 61 65 69 º 7 Tag º pp f 7

TREBLE 74 idgety eet The Original Dixieland Jazz Band 1918 7 5 Eº 7 9 7 13 Eº 22 1. 2. Bº 2 Bar break 7 Stop time 4 bars B 3 28 7 3 33 7 7

2 38 idgety eet 7 75 42 7 7 46 D D 7 50 7 54 7 7 58 D D 7 62 D 7 66 1. 2. 7

76 TREBLE loatin' Down That Old Green River oncert pitch 5 9 13 I've been good wad there 7 float in' down that 7 old E7 Eb7 Green Riv er on the ship "Rock and Rye," But I ed too far, I got stuck on a bar I was all a lone, Wish in' that I was home. ooper 1915 21 25 29 had get The ship got wrecked with the cap nd there was on ly one thing 7 to drink that whole back home to you! tain and crew, I could do; E7 Eb7 Green Riv I er dry to No Repeat irst Time On To Vocal Solos at ""

2 B Verse Interlude: 33 37 41 #º #º Verse Vocal: Half #º past loatin' Down That Old Green River four, Dan #º Mc Graw, 77 45 He came a' creep in' to his wif 7 ey's door. E7 Eb7 49 She had been waitin' up half the night or 53 57 Dan Dan to come home and go to bed. #º ny smiled, like #º a child, 61 But then his wife's eyes grew ve ry wild! 65 this "Where have you been all night?" is what Dan ny re plied: she cried, nd D.S. to "" I've been Back to "" for Vocal and Solos

TREBLE loatin' Down To otton Town D º I just dropped in to see you all and say, I 7 78. Henri Klickman 1919 D º 5 7 leave to day, I'm on my way. & 9 º ny I'm go in' back to sun Dix ie land, 13 /G That's why I came to shake you by the hand. 7 & 21 25 29 B 7 D º The min ute when I cross that Dix ie Line, No & º more I'll pine, won't that be fine? Mis ter ap tain, don't fail me, just hur ry and sail me, /G Ø7/G To that gal of mine: 7 7 D º D º

2 33 loat loatin' Down To otton Town ey, in' down, 79 37 7 º /G 7/ 41 45 º in' down, my hon float loat in' on the riv er down to ot ton Town. Just hear that whis º 7 Break 2 bars 49 D tle toot! toot! toot in' a way, nd those dark ies sing in', ban jos ringin''til the break of day. Hon ey lamb, my lit tle hon ey lamb, 53 7 º /G 7/ 57 G 7 I'll come back to you and l a bam; While fields of sug ar cane seem to wel come me a gain, 61 G 7 loat in' Down To ot ton Town. 7 7

TREBLE lee s Bird 80 lee D as a bird to your 7 moun tain, D Thou who G 7 art wea ry Mary S.B. Dana 1857 of 7 sin. He will protect thee for ev er, Wipe ev 'ry fall ing tear. 5 D 7 D 7 D Go to the clear flow ing foun tain, Where you may wash and be clean. He will for sake thee oh er. so nev Shel tered ten der ly there. 9 B ly for the aven ger is near thee, all and the G 6 Sav iour will D hear 7 thee. Haste then, The hours are fly ing, Spend not the ment in mo sigh ing. 13 D 7 D 7 D He on his bosom will bear thee, Thou who art wea ry of sin. G Oh ease from your sor row and cry ing, The Sav iour will wipe ev 'ry tear, The D thou who art 7 wea Sav iour will wipeev'ry ryof D 7 D 7 D 7 D sin. tear.

TREBLE rankie nd Johnnie 81 5 rankiewent down rankie and John niewere sworeto said to be true the fat to the to each a buck bar lovers. oth er, ten der, Just Just "Has as corner, Oh, Lordy how for theycould love! as et of Bº in est man thestars my lovtrue beer. a Traditional 7 They She bove. been here? 8 He He G 7 washer man, But he doneher was my man, Buthe'sdone me wrong. wrong".

TREBLE loatin' Down To otton Town D º I just dropped in to see you all and say, I 7 82. Henri Klickman 1919 D º 5 7 leave to day, I'm on my way. & 9 º ny I'm go in' back to sun Dix ie land, 13 /G That's why I came to shake you by the hand. 7 & 21 25 29 B 7 D º The min ute when I cross that Dix ie Line, No & º more I'll pine, won't that be fine? Mis ter ap tain, don't fail me, just hur ry and sail me, /G Ø7/G To that gal of mine: 7 7 D º D º

2 33 loat loatin' Down To otton Town ey, in' down, 83 37 7 º /G 7/ 41 45 º in' down, my hon float loat in' on the riv er down to ot ton Town. Just hear that whis º 7 Break 2 bars 49 D tle toot! toot! toot in' a way, nd those dark ies sing in', ban jos ringin''til the break of day. Hon ey lamb, my lit tle hon ey lamb, 53 7 º /G 7/ 57 G 7 I'll come back to you and l a bam; While fields of sug ar cane seem to wel come me a gain, 61 G 7 loat in' Down To ot ton Town. 7 7

TREBLE q = 152 oolish Questions 84 Now 1915 you've Now Now let's 5 all heard fool then say the there's that per ele ish ques vator per tions son son and who's should you no doubt won der why al for ways hanging 'around the place nd get to close the door, nd Some 9 G one he will watch ask es you you a take fool ish ques tion but your shav ing brush and ex pect a sen si ble re ply Like start to lath er up your face. nd you should hap pen to tumble down let's say for ty se ven floors. nd 13 when you take your girl some as you give your can ra dy zor Say just its prelim when you hit the bot tom and you're lying there in in af ar ter y tea The wave You ert Some first thing she'll do is wrin kle up her nose and ask "Is it for me?" know that fool will come up to you and ask "re you gonna shave? fool will stick his stick his down the shaft and ask, "re you hurt?"

2 21 26 30 35 40 Ma B pared he'd an see ing oo or for have aw lish ques tion no your shav the ful gi nal he of it brush time nd and Pa ing fu ne hurry would now or I ral and paint have com I'll my ing it's just now this want G for love and ele take self ed down it up it your I hope You the then vator's a this that this 1.2. 3. doubt reply that utter your some taste die just oth of la too you is you dy er ter re I re ing guy soap. on. slow. ply hope ply moan I I Ned It just like was usual No No No, No, it's I'm he I want way. no ther fool ish ques way. way. way. to al ly for not just was ed take ways saves tion you my so a your pre though D G hear D them ev' ry day. oolish Questions Then there's this fel low who meets 7 in to shav ori lot You'll you on your 85 44 47 way, D just Ned re nd he asks you why you're all dressed up and this turn ing from the fu ner ral of dear nd as you're ring ing out your hank ie he'll ask "Is G is what you say. You're old bro ther D 7 Back To "B" Ned dead?"

TREBLE 5 Grizzly Bear Rag George Botsford 1910 Bass 86 9 13 21 B Break 25 29 33 Bº ine

2 37 Grizzly Bear Rag 87 41 45 49 53 D 57 7 º 7 Break 61 G 7 65 Stop time as Marked 1. 2. 7 7 Break Back to "B" Play to ine

TREBLE He May Be Your Man (But HE omes To See Me Sometimes) Eb 7 7 Eb b7 Eb 7 Eb 88 Lemuel owler 1922 Miss Miss 5 Eb Min Lu nie dy º Lee Green from was Eb B7 Tennes see some l'il queen, was and Eb known to jealous be as quite could Eb7 rough. be. 9 b n y time and When her man went Eb an y where out at night 7 She They would would al al ways ways strut dis her a 7 stuff. gree. Now Down 13 Eb º Sadie Snow, at the ball, she at Eb had Moon a shine B7 beau Hall, Eb she loved where ev him 'ry night bod and y'd Eb7 day. go, 7 Un til Min Was Miss Min nie nie, 7 shook drink a shim in' plen and my ty and 7 stole his heart a hug gin' Lu dy's 7 way. beau. 21 7 7 Gº 7 Poor Sadie near ly dies, Lu dy was mad as well, but Min Min nie nie on ly said"i will sighed, tell then I heardher you now so you'll say: know" He

2 25 B Eb 7 may be your man but he comes to see me He May Be Your Man 89 7 Eb some times. Eb7 29 33 b b7 7 nd when he's with you he's always got me on m his mind. Eb b7 Eb I ain't no vampire that is ture, But I can cert' nly take you man from you. 37 7 Eb 7 Eb My wicked smile, My wicked walk, I've gotthe kind ofeyesthat seem to talk, It's 41 no Eb need of cry 7 in' and it's 7 no use to weep Eb and mourn. Eb7 45 b I love you man and I'm gonna take him for my own, my own. 49 7 + 53 I don't mean, in't no need Eb may to be so bold, ofgettin' rough, 7 be your man but he comes to see me but 'cause 7 I just I'mjust Eb some times. want, right toget to do you my b7 Eb 7 told, He stuff

90 TREBLE Hel Sun If º lo day I en tral what's night was Hesitating Blues my whis beau key, the pro and º mat posed you ter with to were this a line? me. cup,i'd W.. Handy 1915 3 º / #º Dm I want to talk to that High Brown mine. Tell me how long Said she'd be hap py if his wif ie I'd be Said he, "How long dive to the bot tom and nev er come up, Oh, How long 6 will I have to wait? Please give me will I have to wait? ome be my do I have to wait? an I 9 2 wife get 9 8 my it Kate, now, or do Why do Why do I have you you to hes hes hes i i i tate? tate? tate? 7 7 13 B What you say can't talk to my Brown? storm last night blowed the I de clined him just for a stall, He left that night on the I had wo man, She was tall. She make me think 'bout my

91 2 16 / #º Dm Hesitating Blues wires all down. Tell me how long will Ihave to wait? Oh, won't you an non Ball. Hon ey how long will Ihave to wait? WIll he par a sol. Oh, How long do Ihave to wait? an I 21 25 30 33 37 42 45 tell come D get me back it now, now, now, do Why do or I will have you he to hes hes hes i i i tate? tate? tate? 7 7 na tion is the thief of time, So all the wise owls say, 7 put I'd be 7 left may save nine", off, To mor row's not to day. Some bod y's bound to lose. his, He'd be mine, nd I'dbe feel ing gay. 7 7 Pro cras ti Pickup to horus Eb "one stitch 7 Eb Left in time nd if you a lone to grieve and pine, My best friend's gone a way, He's gone and me The Hes i ta ting Blues. 7 Eb7

TREBLE 7 High Society 92 1901 5 11 16 21 29 35 41 49 7 7 Gm Gm Gm Gm 7 7 B 7 7 Eb 7 Edim 3 Eb Solos Here b Eb 7 Eb 7 7 +7 Eb 7 58 65 7 Eb b Eb Eb7 b dim Eb 7 7 Eb

2 High Society 93 73 D m m Tuba 80 m m b7 87 3 7 E Eb 94 b Eb 7 Eb 7 102 7 +7 Eb 7 Eb 110 b Eb Eb7 b dim 115 Eb 7 7 Eb

121 125 larinet Solo as played By lphonse Picou 3 3 3 3 94 High Society 3 129 3 133 138 3 142 146 Bº 3 3 149

TREBLE 5 9 q = 185 + Hin stopped du stan, Hindustan to rest our tir ed car where dim 7 7 a van, 7 7 7 7 95 Oliver Wallace & Harold Weeks 1918 we 13 Hin du stan, where the 7 7 +7 7 paint Hin 7 21 25 29 pur Hin ed pea cock proud du ple sun bird flahsed ly spreads + his stan, fan 7 Eb Eb du stan a cross the sand, where the 9 9 Ebm Ebm where 7 I met her and the world be gan.

TREBLE q = 180 Hot Lips Db7 96 1922 There's a boy that's in our band, nd how he blows that horn, 5 in est since you're born, When he starts you're gone. Db7 º 9 They all call him Hot lips for He blows real red hot notes, nd Eb7 13 Eb+7 ev' ry bo dy on the floor just floats that's what they say: He's gothot B b Dº Eb7 lips, when he plays jazz, He draws out Eb7 Eb+7 b Eb+7 21 steps, like no one has. You're on your

2 25 97 Hot Lips b bm6 Eb + Eb7 Ebº toes and shakes your shoes, Boy how he 7 +7 Eb7 29 Solo Break Eb+7 goes, WHen he plays Blues. I watch the 33 b Dº Eb7 crowd, un til he's through, He can be Eb7 Eb+7 b7 Eb+7 37 41 proud, THey're cuckoo too. his D rare you must mus ic's Stop Time Time: b b m m Dº de clare you know the Eb7 45 boy b Eb+7 is there, with two hot lips. Solos at "B"

TREBLE I in't Gonna Give Nobody None of My Jelly Roll º 7 larence Williams & Spencer Williams 1919 7 98 Lit tle Wil ly Green from New Or leans, a greed y boy was he. 5 His sister Til ly Green was real ly mean, and ver y stin gy, too. He al ways D º want ed lots of kids just to keep him com pan y. One 9 12 She al ways want ed some of what you had but gave she noth ing to you. 7 º day his mom bought him a Toot sie Roll, the best When her mom bought her a jel ly roll, to D º /G 7 can dy that was made. hide it she would try. 7(b5)/ 7 When the kids be gan to hang a round, lit tle Wil ly said: I When the kids would ask her for a bite, you'd hear Til ly cry: I ain't gon na' give no bod y none of my Toot sie Roll, (Toot sic Rol!) I ain't gon na' give no bod y none of my jel ly roll. (jel ly roll) I 21 7 would n't give you a piece of my sweet, not to save your soul! (save your soul!)

99 2 25 I in't Gonna Give Nobody None of My Jelly Roll Dad dy told me to day, Just be fore he went a way, If I'd Mom ma told me to day, Just be fore she went a way; 29 33 be a good boy, If I'd be He'd a bring good me a toy; lit tle girl, Two Bar Break 7 nd I'm my Dad dy's pride and joy! You She might put my hair in curls! You know there ain't no need in your just hang in' a round, (hang in' a round) I 37 7 know you want it, but I'm a gon na' turn you down. My 41 Eº Toot sic Roll is sweet! nd you know it can't be beat! I 45 jel know ly roll Eº you want is sweet! / it, but you can't have it! I ain't 7 a gon na' give you none! Back TO "" 49 Interlude to Second Verse D º 7 7 D º 7 7