Fake Book 1. pre 1923 Ver. 1.1

ake ook 1 pre 1923 Ver. 1.1 b

The reole Jazz and wordmark was created by Madeline Koeberling. Thanks to Madeline s patience with us, her incredibly thorough analysis of our needs, her research, and of course her creativity, she was able to develop this outstanding logo. Madeline can be contacted through her website at: www.madelinekoeberling.ca

This ake ook has been assembled with tunes that have all been written prior to 1923. Therefore these are all out of copyright in the US. I hope you enjoy the tunes. This fakebook has been produced in the following versions: Treble b Treble Eb Treble ass lef Tuba (bass clef one octave lower) If you want versions in other keys or want more tunes added, feel free to contact me. Kevin Yeates The reole Jazz and kyeates@yahoo.com

th 12 Street Rag... 1 ood Man Is Hard To ind... 2 fghanistan... 3 fter The all Is Over... 6 fter You ve one... 4 ggravatin Papa... 8 int We ot un... 7 labama Jubilee...18 lcoholic lues... 10 lexander s Ragtime and... 12 lice lue own... 16 ll The irls o razy..... 14 mazing race... merican Patrol.... 20 nd They alled It ixieland... 19 ny Time..... 21 pril Showers..... 22 t a eorgia amp Meeting......,,,. 23 t The evil s all... 24 t The Jazz and all... 26 unt Hagar s lues.... 27 valon... 29 aby Won t You Please ome Home... 32 ack To Storyville...... 30 allin The Jack... 34 eale Street lues....... 36 lue and roken Hearted... 33 lues My Naughty Sweetie ives to Me. 40 luin The lues........ 38 y The Light of the Silvery Moon..... 42 areless Love... 44 hicago.... 45 hina oy..... 48 hinatown, My hinatown... 46 leopatra Had a Jazz and... 50 reole elles..... 52 urse of n ching Heart... 49 ardanella....... 54 arktown Strutter s all... 56 ear Old Southland... 58 ixieland Jazz and One Step... 59 own mong The Sheltering Palms... 60 own y the Riverside... 61 own Home Rag... 64 own In orneo Isle... 62 own IN Honky Tonk Town... 66 own in Jungle Town... 65 own Yonder... 68 Easy Rider s one... 70 Eccentric... 72 Eh La as... 71 idgety eet... 74 lee S ird... 80 loatin own That Old reen River... 76 loatin own TO otton Town... 82 oolish Questions... 84 rankie nd Johnnie... 81 rizzly ear Rag... 86 He May e Your Man... 88 Hesitating lues... 90 High Society... 92 Hindustan... 95 Hot Lips... 96 I in t onna ive Nobody None of My Jelly Roll... 98 I an t Let Em Suffer... 100 I Never Knew I could Love nybody... 102 I want to do the ear at ance... 103 I Wish I ould Shimmy Like My Sister Kate... 104 Ida, Sweet s pple ider... 106 If You Were The Only irl IN The World 110 Indiana... 108 Ja a... 111 Japanese Sandman... 118

Jazz aby... 112 Jazz Me lues... 114 Jelly Roll lues... 116 Just a Little While to Stay Here... 119 King hanticleer... 120 Lasses andy... 122 Lassus Trombone... 123 Lazy addy... 124 Limehouse lues... 126 Livery Stable lues (Vocal)... 128 Livery Stable lues... 130 Long one... 132 Love Nest... 136 Lovin Sam... 134 Ma, He s Making Eyes t Me... 137 Mama on t llow... 138 Mandy... 139 Margie... 140 Memphis lues... 142 Midnight in Moscow... 143 Missouri Waltz... 144 My ucket's ot a Hole In It... 150 My addy Rocks Me... 146 My Honey s Lovin rms... 148 Oh... 153 Oh y Jingo... 152 Oh idn t He Ramble... 151 Old Rugged ross... 156 Ole Miss... 154 On The lamo... 157 Ory s reole Trombone... 158 Ostrich Walk... 160 Over The Waves... 162 Panama... 164 Pearls... 166 Poor utterfly... 163 Pretty aby... 168 Riverside lues... 169 Rock ye Your aby... 0 Rose of Picardy... 2 Rose O Washington Square... 4 Rose Room... 3 Royal arden lues... 180 Rufe Johnsons Harmony and... 6 Runnin' Wild... 8 Sailing own hesapeke ay... 182 San... 184 Satanic lues... 181 Second Hand Rose... 186 Sensation... 191 Shake It and reak It... 188 Sheik of raby... 192 Singin' The lues... 190 Sister Kate... 104 Skeleton Jangle... 194 Sobbin' lues... 196 Some of These ays... 198 Some Sweet ay... 199 Somebody Stole My al... 202 Someday Sweetheart... 200 St. James Infirmary... 203 St. Louis lues... 207 Stockyard Strut... 204 Storyville lues... 212 Strut Miss Lizzie... 208 Stumbling... 211 Suez... 212 Swanee... 214 T'aint Nobody's usiness If I o... 216 Tain t Nothin Else ut Jazz... 215 Take Me TO The Land Of Jazz... 218 That a a Strain... 225 That ixie Jazz... 220 That s Plenty... 222

There'll e Some hanges Made... 228 Tiger Rag... 226 Til we Meet gain... 229 Tishomingo lues... 230 Toot, Toot, Tootsie... 232 Tuck me to Sleep... 233 Under The amboo Tree... 234 Wabash lues... 236 Waitin or The Robert E Lee... 238 Walkin' the og... 235 Washington and Lee Swing... 242 Way own Yonder in New Orleans... 240 When Ragtime Rosie Ragged The Rosary... 244 When The Midnight hoo hoo Leaves... 246 When The Saints... 243 When You Wore Tulip... 248 When You re Million Miles rom Nowhere... 249 Where id Robinson rusoe o... 250 WhiffenPoof Song... 252 Whispering... 253 Wild herries Rag... 254 World IS Waiting or The Sunrise... 256 Yama Yama Man... 257 Yellow og lues... 258 You ve ot TO See Your Mama Ev ry Night... 260

12th Street Rag Euday L. owman 1914 7 7 7 7 7 1 5 7 9 7 13 7 21 25 7 7 7 7 29 7 7 33 37 7 7 7 Standard oo Wackadoo chorus 7 ack to top with INtro Etc

q = 100 b TRELE ood Man is Hard to ind 9 7 dim 7 2 5 9 I My heart's sad and I am all re gret m the day that I a lone my dim was born, and man treats me mean. that man I ever seen 7 oh 13 20 23 27 31 my hap pi ness is less to day, my heart good man 7 when you think that is hard to find 7 he's with some other gal then you rave see him in his grave is broke and that is why I say. you al ways get your pal, you look 7 so if hug him in the morn in' kiss him ev' ry night 7 your man give and you all m is nice the other kind Lord a just to find him fool in' "round take crave my #7 #7 ad you wan na vice 7 7 and him plenty lov in' treat him right cuz a 7 7 good man now a days is hard to find, so hard to find.

fghanistan 3 b TRELE In theland of f ghan is º tan, William Wilander & Harry onelly 1920 / There's a Hin du maid and a man. 5 7 reak reak She swore by the stars up a bove her that he was the one to love her. 9 º ut there came an oth er one day, / stolehis Hin du maiden a way. 13 7 / 7 7 Œ Š7 Hindu man is lone ly and blue. In his dreams he's call ing to her. In f ghan is 7 tan, There's a car a van / / 21 7 7 reak Unison 1 bar by the fair o a sis, Wait ing for you, nd for you on ly. º 25 29 7 'ross Therewill be the / a bri Œ Š7 7 des ert sand, dal 7 day for you,my i we dol, 7 in / will find a tem f ghan is tan. ple,

q = 110 120 fter You've one 7 4 1916 Now won't you list en honey while I say How could you tellme that you're 4 7 goin' a way? m7 on't say that we 3 must part, 7 7 on't you break your m7 7 ba by's heart. 9 7 Em You know thati've loved you for these ma ny years, Loved you both night and 12 7 7 m7 m 7 m7 7 ay Oh hon ey baby can't you see my tears? List en while I say.

5 m6 b9 b TRELE Em7 fter you've gone, and left me cry in' fter you've gone, there's no de ny in' 21 9 7 You'll feel blue You'll feel sad you'll miss the dear est pal you've ever had. 25 m6 b9 Em7 9 There'll come a time now don't for get it, There'll come a time, when you'll regret it. 29 m7 Some day m7 When m6 you grow lone b9 ly m7 Your heart will break like mine and 32 m7 you'll dim7 6 want me only fter you've gone m7 7 fter you've gone 6 way. 7 Solos at ""

9 q = 100 25 33 41 51 58 65 73 81 89 7 b m Eb Edim7 b 7 7 7 b m Eb 7 b Eb Edim b 7 7 b E Eº 7 7 7 fter The all 7 º7 7 7 7 7 7 7 7 b 7 harles K Harris 1891 6

5 9 q = 185 Ev 'ry morn ing, Ev 'ry eve 7 ning, in't we got 7 7 Not much mon ey, Oh, but hon in't We ot un ey in't we got fun! 7 fun! 7 Kahn & Egan Whiting 1921 The rent's un m 7 13 m paid, dear, 7 We have'nt a car, m 21 E ut an ven if y way, we dear. We'll stay as we are, owe the gro cer 7 on't we have 7 7 fun? 7 Tax col lec tor's get ting clos er Still we have fun! 7 Em m 25 29 There's noth ing sur er, the rich get rich and the poor get poor er m In the mean time in be tween time in't We ot un!

ggravatin' Papa 8 b TRELE 5 9 13 7 I know a trif lin' man, He lives in irm ing ham, 7 oth er night, He had named Man dy plain 7 ly sta ted she was ag 7 a fight with a gal gra va They call him "Trif lin' Sam". 'Way down in l a bam'. ted, n she shout Roy Turk & Russell Robinson 1922 7 ed 7 out to 7 rymm, 7 him: º Now the nd she

ggravatin' Papa b TRELE 9 2 21 25 29 33 37 you try to two time g 7 you "g gra va tin' pa pa, g gra ut 7 7 on't Treat en while I get you step out with a 7 7 me kind or let me told, 41 7 high brown ba by, 7 7 7 I'll do an y thing you be, me, Stop mess in' 'round, sweet I'll smack you down and I say, when you go strut tin', o your strut tin' round my way. Stop Time Play beats 1 & 4 as marked Just treat me 7 pret ty, 7 e nice and 7 sweet, 'ause reak 2 bars I pos sess I said don't two time me. I mean just let me be. gra va tin' pa pa, List jel ly roll. 7 don't mean may be! yes, an y thing you say. 7 So Now Now º 7 va tin' pa pa, pa pa If pa pa, pa, pa, a forty four that don't re peat! º You best be careful, s yon can be, 'ause I can beat you do in' whatyou'redoin to me, Once you weresteady Once you were true, ut papa, nowsweet ma macan't de pend on you, 45 7 g gra va tin' pa pa, on't you try to two time me! 7 7 7 2

10 b TRELE lcoholic lues lbert Von Tilzer 1919 7 6 m 9 13 21 24 Eb7 27 30 m just I Vamp Prohi bi tion, that's the name, pro a bi tion drives me in sane. I'm so thirs ty soon I'll die, I'm sim ply gon na 'vap o rate or run dry. did n't hes i tate I did When Mis ter Hoover said to cut my din n't frown. ner down, I cut my sug ar I cut my coal, but now they've cut deep in side my soul. I've got the

lcoholic lues 11 b TRELE 33 7 blues, I've got the lues, I've got the al co hol ic blues. There's blues, I've got the lues, since they am pu ta ted booze. 37 m no more beer my heart to cheer, good bye whis key ars are closed and night clubs too, lord y lord y 40 used what to make to me fris do, ky. So So long long hi hi ball, ball, good good bye bye gin, gin, 43 Eb7 Solos at "" tell tell me me when when you're you're com com in' in' back back a a gain. gain.

VERSE Irving erlin, 1911 Oh, ma hon Oh, ma hon ey, ey, lexander's Ragtime and Oh,ma hon Oh, ma hon ey, ey, etter There's hur a fid ry dle and let's with notes me that 12 an der, screech es, 5 in't Like a you go chick in', in't en, Like you go a chick in' en, To nd thelead the clar er man, i net 8 rag gedme terman? Oh, ma hon ey, Oh,ma hon ey, Letmetake you to is a col ored pet, ome and lis ten, ome and lis ten, To a class i cal 12 0 l ex an der's grand stand, brass band, band what's peach es, come now, some how, 15 in't you com in' a long? ome on and et ter hur ry a long.

2 21 24 27 29 hear, hear, So land. na ome on and hear, ome on and They can play a bu hear! l ex an tur al that you want der's Rag time It's the gle call like you ne best and. omeon and band in the lexander's Ragtime and b TRELE ver heardbe fore. to go to war. 13 33 37 41 That's 45 long. man. 7 care just the best est band what am, ome on a to hear the long. Up to the man! 7 Swa Let me take you by ho ney lamb. ome on a the hand. Who's the lea der of the band. nee Ri ver played in dim Up to the nd if you rag time. ome on and hear, ome on and hear, l ex ander's Ragtime and,

b Treble Stop Time2 ars:... h = 100 ll The irls o razy 7 14 Kid Ory 1916 Stop Time2 ars:... 6 7 12 22 7 7 7 girls on Solos egin Here go their craz knees y'bout sayin' the way "a thati by," walk The way Sayin' "a thatiwalk 7 by," ll the 26 Hon raz ey'bout the way I y 'bout the way I walk walk. Yes, Yes, all they the girls fall on 7 go their 30 craz knees Hon raz y 'bout pleadin' ey 'bout y 'bout the the the way way way "a I I that by," walk walk walk, 'out Say the in' way "a that I walk, 7 by," They fall On to "" after last solo:

33 horus: 1st Time Soft: The rils go razy "bout the Way I Walk b Treble 15 37 7 7 42 45 7 7 49 limax horus: ad lib: 7 55 7 60 7 7

In my sweet lice lue own (4/4) 7 7 lit tle lice lue own, When I 7 16 Mcarthy/Tierney 1919 5 first 7 º / wan dered down in to town, I was 9 both proud and shy, s I felt ev 'ry eye, ut in 7 13 'ry shop win dow I'd primp, pass ing by; Then in 21 7 7 ev man ner of fash ion I'dfrown, nd the E world seemed to smile all a round. 'Til it 7 7 7 º 7/ 25 E E º / wilt ed I wore it, I'll al ways a dore 9 7 it, My 29 E sweet lit tle lice lue own.

mazing race 3 Twas ma grace zing that Through ma ny 7 grace, taught dang how my ers sweet heart toils the to and sound, fear, snares, That nd we 5 3 saved grace have a my al wretch fears rea like re dy me. lieved. come. I How T'was 9 once pre grace was cious that lost did brought but that us now grace safe am ap thus found, pear, far, was the and 13 Em 3 blind hour grace but I will now first lead I be us see. lieved. home.

5 9 12 15 20 23 26 29 q = 160 b7 Mando lins, vi omethis way, m o lins, Mu sic sweet, rag to nights 'round Ev'ry body tun in' up,the fun be gins, don't de lay, etterhurry honey dear, or you'll be miss b7 your feet. It's 7 time treat, oes right to you head and trick les a re mind down in old l a bam: see ea like a con Jones when he rat clown, 7 7 er a memo ry find 7 tles them bones, unt Jem i ma who is past 7 7 7 er of You ought to in' Old Par son rown danc in' 7 eighty three Shout in' "I'm full o' pep! Watch yo' step, watch yo' step!" Oneleg ged roundon his toe, Hail, Hail, the gang's min min Threw a way his cane and hol lered, "Let her all here labama Jubilee 18 eorge Obb 1915 for an 7 l abama Jubi lee. Joe danced a go!" 3 Oh Hon ey

5 9 13 7 for the rose, nd they calledit ix ie land. They built a They built a lit tle garden sum mer breeze to keep the snows far a way from ix ie land. They built the fin est place I've known, nd They alled It ixieland 7 When they built my home sweet home, wasforgot teninthe land of cot ton,from the clovertothe honey Raymond Egan & Richard Whiting 1916 7 comb, Nothing 19 nd then they took an an gel from the skies, nd they gave her heart to me. She had a 21 25 29 7 bit fine 7 twice of heav en in her eyes, Just as blue spring chickens in the land, nd taught as nice as Par a dise, as blue can be. They put some my Mammyhow touseafryingpan.they madeit nd they called 7 it ix ie land.

merican Patrol 20.W. Meacham 1891 5 9 7 13 7 21 7 25 º E 29

8 14 20 ny time blue, prove you'refeel ing lone n y time your lovefor me is true. ny Time m ly, n y time youfeeldownheart ed, n y time Herbert Lawson? in 1921 you'refeel ing Thatwill you'rethink ing 3 21 'bout me, That's the time I'll bethink ing of 24 7 you, So an y time you say you 28 want me back a gain, that's the time I'll come back home to 32 1. 2. #0 you. n y you.

pril Showers 22 b TRELE Tho' pril Show ers may come your way, Louis Silvers & ud esylva 1921 They bring the flo wers 7 7 m that bloom in May. So if its rain ing have no re grets, 13 e causeit 7 isn't rain ing rainyou know,it's rain ing vi o lets. nd where you 18 see clouds upon the hills, 7 you soon will see crowds of daffo 24 m dils, So keep on m look ing for a blue bird, and list 'ning for his 29 7 7 song, when ev er pril Sho wers come a long.

t a eorgia camp Meeting 23 b TRELE 2 bars unison w/ larinet trill 7 5 7 7 11 7 7 2 bars unison 7 ine 21 7 7 27 dim 7 7 33 dim 7 ack to "" for solos, after last solo play "" once

t The evil's all 24 b TRELE Irving erlin 1913 I had a dream last night, Thatfilledme full of fright: I dreamt that I was with the 4 ev il be low. In his great big fier y hall, Where the 7 7 10 ev il was giv ing a all. I checked my coatand hat and started gaz ing at the merry crowd that came to witness the show. nd I 13 must con fess to you, There were ma ny there I knew. t the

t The evil's all b TRELE 25 2 evil's all, t the evil's all, I saw the 21 cute Mrs. ev il, so prettyand fat, º º 25 ressed in a lit tle red fire man's hat. Eph reham, the leader man,wha led the band last all, He played the music at the 29 33 Taking the tick ets from folks atthe door, 37 7 I caught a glimpse of mymother in law, ancing with the evil, Oh! the lit tle ev il, 41 evil's all, In theevil's Hall. I saw the funniest dev il that I ever saw, ancingat the evil's all. t the

q = 180 m t The Jazz and all 26 Original ixieland Jazz band 1918 5 7 7 9 m 13 7 7 23 28 dim 7 33 7 38 43 dim 7

+ unt Hagar's lues + 27 W.. HNY 1921 7 Old deacon Splivin, His flock was giv in' the way of liv in' right. 5 b7 m 7 º Said he"no swing in', No ragtime sing in' to night". 9 m7 7 7 bbm 7 Up jumped unt Hagar and shouted out with all hermight: 13 7 "Why all thisrazz in', aboutthe jazz in'? My boys have just come home, b7 7 With latest music, They play it on the sax o phone". 21 b7 7 b7 Oh my, just lis ten!" thedeacon shouted with a moan.

28 b TRELE 25 7 b º 7 7 7 Hear unt Hagar's children harmoniz ing. Hear thatsweet mel o dy, It's 29 m 7 7 7 like a choir from on high broke loose. If the 33 m 7 7 7 devil brought it, the good Lawd sent it right down to me. Let the 37 7 b º 7 7 7 con gre gation join while I sing those lov in' unt Ha gar's lues. 41 Oh, 7 'taint no use you preach in', Oh, 'tain't no use o'teach in' b7 Such jazzapation 46 such modula tion, When myfeetsay dance, I justcan'trefuse, WhenI hear 7 50 7 that mel o dy they call the blues, 7 unt Hagar's hildren lues.

5 I side found my love in va lon, e the valon bay, L Jolson 29 1920 I 9 +7 left my love in va lon, and 13 +7 7 7 sailed a way. I dream of her and va lon from 21 m m6 25 29 dusk so m7 'til I think I'll 7 7 dawn. trav nd el on, to va lon.

7 3 ack To Storyville 7 7 Louis rmstrong 30 o in' back to Sto ryville, that's wherei long to be, 3 7 3 in't notime to ask me why. Ev'rything'bout Sto ryville is 7 3 6 just a part of me, Since 7 I wasjust this high. 7 o in' 9 7 7 7 backto ol' e sire, I know my way 3 3 a round, riends I knowwill shake my hand. 12 7 3 Noth in' changes on e sire, that street of my home town, 7 the 15 street 7 where I'll take 7 my stand. There's a

ack To Storyville b TRELE 31 2 19 7 drop a round most 7 anytime you choose. 7 There's a 21 cafe called "The Pup" that's never shut, so you can la dy tailored up in somethin' cut low, she 23 Ø7 7 7 rolls the ol' pi an o with the"jelly Roll lues". oin' 25 7 7 3 3 7 backtosto ry ville, I'm gon na'take my horn, my nifty suit, my brush and comb. 28 7 Oh I just 3 can'twaitun til I'm backwhere I was born, 31 7 7 My Sto ry ville, my home.

Ebº I've got the blues, aby Won't You Please ome Home I feel so lone 7 ly, larence Williams and Harles Warfield 1919 Ebº I'd give the world 32 if 4 9 Icould on 7 ly make Ebº b5 m you under stand. 7 7 E+ m7 Itsurely would be 7 grand. I'm goin'to tel e graph you ba by, s you won't you please come home, "ause 13 20 25 m7 whenyou're gone lone. When a I'm by won't you please 7 7 all Ihave tried you left you broke my for come #º in heart, lorn, #º home, m vain, I m7 wor ry all 'cause day 7 long. 3 m7 your mamma's all b9 never no more to call your name. m7 ecausei neverthoughtwe'd part. 7 a Ev'ry 29 º b7b5 7 hour in the day, you will hear me say, aby won't you please come home.

5 lue, lue, lue (nd roken Hearted) º be cause we're part and bro ken heart ed, ed. 33 Lou Handman 1922 9 There was a time I was jol 7 ly, 13 21 You know the rea son I'm mel an chol y. lue, and oh! so lone ly, º 7 ly. & 25 True, I want you on We made a blun der and lots of time I won der if 29 7 you're blue too.

olks in eor It's being done gia's at allin' The Jack 7 7 34 hris Smith 1913 dance ty 4 º 7 'bout to go in ets, ll so sane Since that new all the ca bar cie down in eorgithecraze, It's the best dance done in modern came; I'm the on ly persowho's to blame, now has got days, 7 7 I'm the par ty intro duced it there, E so! That is why I rave a bout it so! 9 7 7 ive me cre dit to know a thing or two, ive Play some good Rag that will make you prance; Old me crefolks, dit folks, young 12 º 7 for springing something new; I will show this lit 7 tledanceto you, all try to do the dance, Join right in now while you gotthe chance, 15 7 E 7 When I do you'll say that it's a bear! Once a gain the steps to you I'll show:

2 allin' The Jack b TRELE irst you put your two knees close up tight, 35 Then you sway'em to theleft then you 20 sway'em to the right, 7 Step around thefloor kind of nice and light, Then you 23 Twist a round and twist 7 a round with all your might, 25 Stretch lovin' armsstraight out in space, Then you do the Ea gle Rock with sty 28 le and grace Swing your foot way 'round then bring it back, Now 31 that's what I call "all in the Jack". 7 Solos at ""

eale St. lues 36 b TRELE 7 7 7 You'll 3 see see eale pret Hog ty Nose Street ould rowns rest talk, 'rants in and If beau hit eale ti lin ful gowns, a fe's, Street could talk, You'll see You'll see Mar ried 5 m 7 7 tail Jugs or that mades tell and of hand by me gone downs. days. You'll nd meet honest men, plac es, once plac nd es, men_would have_to pack their bags and walk. Ex cept one or two, Who 8 m pick Now just a sham, nev pock ets skilled, er drink booze, You'll find You'll nd that see the bus' ness old en blind man nev er clos balls on e es 'til nough to pave the corner who sings some the these 10 1. 2. 7 7 7 bod New y hets killed. Je ru sa lem. You'll If eale Street lues.. Well I'd

eale St. lues 37 2 b TRELE 12 7 7 rath er be goin' to the here, river, Than an May y place I be bye and know. bye. I I'd saidi'm rath er be there, Than an y place I know I said I'd 16 b bm rath goin' to rath er er be here, the river, be there, Than nd Than an there's an y a y place rea place I son I know. why: know It's e gon cause na the New 7 20 take the ser geant or to make me go. riv er's wet and eale Street's done gone dry. York may be all right,but eale Street's paved with gold. 22 7 b bm 7 íf going back to "" Well I'm I'd

q = 120 7 pp luin' The lues 7 f Henry Ragas 1918 38 5 7 9 7 b7 7 b7 13 7 b7 7 pp f 21 7 b7 7 b7 25 7 7

39 2 29 b TRELE b7 7 pp f Solos 33 7 b7 7 7 b7 37 7 7 7 41 7 45 7 b7 7 b7 49 7 7 53 E 7 7 pp f

h = 100 There are lues My Naughty Sweetie ives To Me 1919 m lues lues lues that that that you you you dim get get get from when from m wor sin sweet There There ry gle ie When are are she 40 m lues lues phones 6 that that to you will an bdim get give th from you er m pain, pain, guy, nd nd nd 7 there there there are are are lues lues lues when when when you're you're your lone lone hon ly ly ey or or spends 11 m your your all one one of and and your on on mon The The ly, ly, ey, nd 7 lues lues lues you you when can can she nev nev tells er er you ex ex a plain; plain; lie; There There There are are are m lues lues lues that that that you you you dim get get get from from when m long long mar ing ing ried ut To Wish the hold ing m blu some that lues est one you on could that your be be knee, free, 24 re ut ut the the the sort kind kind of of of lues lues lues that's that that's on al good my way and mind, stabs, blue, They're ome omes the from from ve ry hi ring hav ing 28 mean tax wine kind, est i for cabs, two, The The The 7 lues lues kind my my of naught naught lues y y my sweet sweet sweet ie ie ie 9 gives gives gives to to to me. me. me. () There There There are are are

41 This page has been intentionally left blank. You have not been ripped off. This had to be done in order to avoid page turns in the middle of a tune. You might think this would be a good to place to make jokes or witty observations such, id you ever notice that Peter O Toole is the only Hollywood actor to have a first and last name with a phallic reference? ut I won t be doing any such thing. So stop reading this. It is a waste of your time. I won t waste your time with other foolish jokes. It is just a blank page. So why are you reading this? I told you earlier to stop. You are wasting your time. Well since you can t just turn the page, then I will take advantage of your reading interest to see if you might be interested in buying my time machine. It is 100% operational and fully functioning. Everything works just fine and it runs very smoothly. The unit has a minor design flaw in that it plugs into the wall to operate. s a result, when the time travel starts the machine immediately loses its power source and you land back in the present. I have been developing this time traveling machine for years and am now too tired to do the work involved in converting it to run off batteries. It should be an easy fix for a home handyman.

dim y the Light of the Silvery Moon dim us Edwards & Edward Madden 1909 Emin 42 Place ct park two, scene scene dark, new, Sil Ros v'ry moon es bloom is shin ing thru ing all a round thetrees, theplace. 5 Emin 7 7 Emin Em7 Em7 ast two, me, you, Sound of kiss es float ing on the breeze. ast three, you, me Preach er with a sol emn look ing face. 9 dim m6 ct hoir one, sings, be bell gun i rings Preach a er, logue, "You "where are woud wed you for like e to ver spoon?" more." 13 m m m7 My ct cue, two, with all you, through, Un Ev der neath the r'y night the sil v'ry moon. same en core. y the

y the Light of the Silvery Moon b TRELE 43 2 7 Light of the sil ve ry Moon, I want to 21 spoon, to my ho ney I'll croon #0 love's tune; Ho ney 25 moon, Keep a shin in' in June, 7 Em 7 Your sil Em v'ry 29 beams will bring m love's m dreams, we'll be cud dl ing 31 7 7 soon, y the sil ve ry Moon.

6 11 24 29 33 40 45 Love, oh thru my head love like wine. m ma ny a gal, If bad Now I were I'd build I wear boys oh care less love. and you near a little bird, could my my a pron high, Now I 7 nest You've broke ly broke this heart of I'd fly way up not both er me. areless Love 7 wear my Now a You fly 7 the heart mine. from tree to m in the air tree. right of where the I wear my a pron high, m pron high, 44 and he nev er, nev er pass es by.

hicago 45 b TRELE 5 9 13 21 7 hi hi ca º ca go, hi ca go, 7 go, hi ca go, 7 7 I'll show 7 town that 7 ly 7 et your bottom dol lar you lose the blues in hi ca il Sun º State Street, that great street, E 7(b5) 25 29 do things they don't They have thetimethetime 7 ca go 7 hi 7 7 day could not I do of their life, 7 7 tod 7 dl' in' town, 7 you a round, I love shut 7 just want to say, 7 ca go my down! it, That tod dl'in' town, go, hi ca go, The / º/ 7 7 on road way, 7 7 justwant to say, Say, º 7 On They I saw a man, he danced with his wife, In hi home º 7 7 town! red isher 1922

hinatown, My hinatown 46 Jean Schwartz & William Jerome 1906 When the town is fast a sleep, 5 nd it's mid night in the sky, 9 That's the time the fes tive hink, 13 E 7 Starts to wink his oth er eye. E Starts to wink his dream y eye, 21 La zi ly you'll hear him sigh: &7

2 25 &7 hinatown, My hinatown b TRELE 47 29 33 37 41 45 49 Where the lights are low, 7 &7 hi na town, my hi na town, Hearts that know no oth er land rift ing to and fro. ream y, dream y, hi na town, &7 6 &7 7/ E Hearts seem light and lifeseems bright, In 6/ 7 53 l mond eyes of brown, dream y hi na town. º E 7

5 9 q = 160 13 21 25 29 hi lose Sand m While ud b b Moon b while hi na boy go sleep, your 7 eyes 7 don't peep, man soon will come, I soft ly hum. 7 dha smiles 7 man loves 7 their watch na boy hina oy Winfree/outelje 1922 go on you they b you, b too. b keep, sleep. 7 So, 48

The urse of n ching Heart b TRELE º 7 49 l Piantadosi 1913 5 9 13 hope 7 made dragged 21 25 soul me you're º what I is am me down and down fied. 7 with in me died. tered º each 7 and un shat ev 7 to sat 'ry 7 7 day, til º dream, / You I You the You You 29 fooled me from the start. nd º / 33 though you're not true I still love you, That's the curse of an ach ing heart. 7

leopatra Had Jazz and 50 Jack oogan & Jimmy Morgan 19 His 7 7 5 to ry re peats it self, So the wise men say. I be lieve they're right be cause last night I heard pe cu liar mus ic play. 7 Eº E& 9 In 7 7 a dream it takes me back two thou sand years a go. Which º º 13 6 7 6 7 6 on ly goes to prove that E gyp tians were not slow. le o patra had a 7

leopatra Had Jazz and b TRELE 51 2 21 7 jazz jazz 7 band, dance, In her cas tle on the Nile. In her queer E gyp tian style. Ev 'ry night She she gave & won 7 Marc a 25 7 6 7 / / 7 n to ny, With her syn co pa ted har mo ny. nd while they 29 33 played, 7 pyr a º She mids, 7/ swayed. 7 She knew she had him all the while. 'Neath the old E gyp tian moon, º Sphinx was 37 7 7(b5) In the sha dow of the looking on and said: "There'll be a wed ding soon". º 7 ut 7 the 41 7 7 real his tor ic scan dal, was le o lost her san dal as she 45 6 danced 6 to the strains of the E gyp tian jazz band tune.

52 b TRELE reole elles 1900 5 #7 9 13 7 7 7 7 22 7. 26 1. 7 2. 7 31

2 Interlude 35 39 7 º 7 7 reole elles b TRELE 7 N My re When 53 ole stars 46 51 elle shine 7 I love her well I'll call her mine, My cre ole belle When stars shine My my lit dar I I'll dar tle lin' love call ba her her lin' my by my well mine, re re elle ole ole my my elle. dar lit lin' tle 55 ba dar by my lin' my re re ole elle. ole elle. 7 7 7 7 61 66. 7 Solos at ""; Out horus use Melody from "."

54 ardanella elix ernard & Johnny lack 1919 5 own beside the arda nel la ay, Where Or i en tal breezes 9 play, Therelives alonesome maid r me 3 nian 13 y the ar danelles with glowing eyes, She looksa crossthe seas and 3 sighs, nd weaves herlove spell so si re ni an. 21 7(b5) Soon I shall return to Turke stan. 7 25 I will 7(b5) ask for her heart and hand. reak ass

ardanella b TRELE 55 2 29 Oh, sweet arda nel la, I love your harem eyes. 33 I'm a lucky fellow To capturesuch a prize. Oh llah 37 knowsmy lovefor you, ndhe tells you to be true, 7 41 45 arda nel la, oh hear my sigh, My Or i en tal, Oh, sweet ar da nella, Preparethe wedding wine, There'll be reak 1 bar 49 one girl in my ha rem when you're mine. 7 7 º 7/ We'll build a 53 7 tent just like the children of the Or i ent. º 57 Oh, sweet ardanella, Mystarof love di vine.

Eb TRELE º I've got some We'll meet our arktown Strutter's all 7 good news hon high toned neigh ey, bors, n in n ex vi hi Sheldon rooks 19 º ta bi tion tion 56 to the of the 4 ark "ba town by all. olls", It's a nd each ver one y swell will do af their fair, best, 7 7 ll Just the to 7 E "high out browns" will be there. I'll wear my high silk hat and a frock tail coat, class all therest. nd there'llbe dancersfrom ev'ry for eign land, º You The 11 7 wear your Par is gown clas sic, buck and wing, and your and the E new silk shawl, There ain't no doubt a wood en clog. We'll win that fif &7 ty 14 E bout it babe, We'll be the best dressed in the hall. I'll be dol lar prize When we step out and "Walk the og".

2 arktown Strutters' all Eb TRELE down to get you in a taxi hon ey, You'd bet terberead 57 y a bouthalf past eight. 21 / Now dear ie don't be late I want to be º m7 there when the band starts play ing, Re 25 member when we get there hon ey, The two steps I'm goin'to have'em all. oin' to 29 º danceout both my shoes, When they play the"jel ly Roll lues" To 7 33 mor row night at the ar town Strut ter's all. dim m7 I'll be

ear Old Southland 58 b TRELE I want & to stray / / to the town I was born, Henry reamer & Turner Layton 1921 & My home town, / / My lit tle home town. 5 E 7 I want to play in the cot ton and corn, & To feel it, / / I used to steal it. 9 13 I want ing & to hear º "o long, / go long, dear old 7 7 go long, each go E Eº morn, long to school". Tuba & º ear, ear Old Sputh land, I 21 25 29 ear, ear Old long, how I long long just to see º land, / ing to me. nd I is yearn ing. nd I to my old Ken tuck y home. Mother say South hear you callheart you my & º for to roam back once more the 7 land I love that Swan ee shore.

q = 200 6 11 16 22 28 ixieland Jazz and one Step 7 7 7 7 7 7 7 7 m7 m7 m m #dim 7 7 59 33 b b 7 7 39 45 7 b m m 7 7 49 b b 7 7 55 7 Eb Edim 3 59 b 7 7 b b

own own mong The Sheltering Palms 7 7 a mong the shelter 7 ing palms, be Olman 1914 60 Oh hon ey 5 wait for me; Oh hon ey wait for me; 9 13 7 Meet me down by the old old en ate, Out where the sun goes down a bout eight. 9 7 7 How my love is burn ing, burn ing, burn ing, 21 How my heart 7 º is yearning, yearn ing, yearning to be 25 29 own 9 wait 9 for 7 me. 7 mong the Shel ter 7 ing Palms, Oh hon ey

q = 180 own y The Riverside 61 5 on na lay down my sword and shield down by the riv er side, 9 down by the riv er side, own by the riv er side. on na 14 19 24 lay riv down my sword er side. and stu dy war no more shield down by the riv er side down in't gon na stu dy war no more I ain't gon na stu dy that war no more by I ain't gon the na I ain't gon na stu dy war no more I ain't gon na stu dy war no 28 more you know I'll stu dy war no more. 2. onna stick my sword in the golden sand 3. onna put on my long white robe 4. onna put on my starry crown 5. onna shake hands around the world

5 9 13 21 25 Jun 7 gle, Jun gle, Jun Jun In 7 ar own In orneo Isle a way in Jun gle land, gle land, Where they play up on the sand, 7 gle 7 sand. the eve ning when the day Tuba & Toms is cool er 'ry bod y does the oo la oo la. nd they say that mon key band, Herny reamer & J. Turner Layton 19 Tuba Toms etc. Tuba Toms etc 62 29 7 7 gle, Jun gle, Jun ev Tum bles, Stum bles, s they bun gle thru the jun gle.

own In orneo Isle b TRELE 63 33 2 7 own in or ne o, own in or ne o, 37 º own in or ne o Isle. I love to 41 7/ 7/E º 7/ 7 45 see those wild men danc ing a round, nd those real wild wo men in swim min'! 49 56 7 own in or ne o, Where I want to go, nd ev'ry evening when the lights are low, ll they wear is a smile, º Oh, Oh, 62 67 Oh, Oh, Oh, Oh, Oh, Oh, Oh, Oh! To the mus ic slow, 7 7 7 own in or ne o How they toad al o, 7 Isle.

7 7 own Home Rag 64 Wilbur. Sweatman 1911 5 7 / 6/ 7 7 7 9 13 7 / 6/ 7 7 7 6 7 7 6 18 21 7 7 7 7 7 7 E6 º 7 7 7 25 29 33 7 E E 7 7 7 E E 7 E 7 7 E E 7 7 37 E E 7 7 Play "" Once and end

Verse own in Jungle Town m 7 7b5 65 Edward Madden and Theodore Morse 1908 9 7 25 31 E 7 E 7 7 7+ own horus in jungle town, 7 hon ey moon is com ing º 7 37 soon. 7 Then you'll hear a ser en ade, To a º 7 41 pret ty mon key maid, 7 46 When 7 m7 that chim pan zee up in the tree, 51 Sings that mel mon o dy. I'll key doo dle doo way own In Jun 7 gle Town. be true to my

own in HonkyTonk Town 66 ill Johnson said one day, hris Smith & harles Mcarron 1915 Tohis E liza May, 5 9 If you sug gest to me, some oth er novel ty, 13 Weboth will go and do the thing up brown!" His sweettie said, "My ear, there is this placei hear, 21 I got it straight from Mose, who bringsthe clothes. 25 It's Hon ky Ton ky Town, down where the gals are brown. 29 (b5) "We've been to nearly ev' ry place in town. That's where the mu sic grows.

own in HonkyTonk Town b TRELE 67 2 33 ome, Honey, let's go down to Honky Tonky Town, 37 41 45 49 53 57 61 it's un derneath the ground, where all the fun is found. There'l! be sing ing wait ers, sing ing syn co pa ters, danc cin' to pi a no played by Mis ter rown. ev own Heplays pi a no queer, You want to staya year, He on ly playsby ear, The music thatyou hear, would en start a mon key, danc ing with a don key, in Hon key Ton ky Town.

road train, 7 own Yonder road train, 7 Rail Rail Hur ry some more. 68 L. Wolfe ilbert 1921 5 7 Put 7 fore. 9 7 a lit tle steam on just like nev er be Hus tle on, us tle on, I've got the blues. 7 13 7 ing for my Swan ee shore, 7 Yearn roth er if you on ly knew, 21 7 You'd want to hur ry up too. 7

2 25 own yonder some one beckons to me, own Yonder b TRELE 7 7 69 31 own yonder some one reckons on me. I seemto see a race in mem o ry, 7 º 7/ 37 7 7 43 7 Reak 2 ars more and more, Ev 'ry day, my mam my land, You're sim ply grand. 49 7 7 7 etween the Natchez andthe Robert E. Lee. Swanee shore I miss you own Yonderwhenthe folksgetthe news, on't wonderat the Hul la ba loos. 56 There's dad dy and mam my, There's Eph raim and Sam 60 7 my, Wait in' down yon der or me. 7 7

q = 120 7 I Easy Rider's one wonder where my Easy Ri der'sgone to day He 70 Shelton rooks 5 7 ne ver told me he was goin' a way. If 9 7 m he was here he'd win the race If not first he'd get a place. ash 13 7 in our tick ets for a jol ly joy ride right a way I'm 21 7 los ing all my money that is why I'm blue. To 7 win a race he knows just what to do. I'd 25 7 put all my junk in pawn to bet on an y horse that Jock ey's on, min Oh I 29 7 1. 2. wonder where my Ea sy Rider's gone. I gone

b Eh Las as º 7 7 71 Traditional 7 b Eh la bas, Eh la as, Eh la (band sings echo) b bas, Eh la bas, º 13 7 Tra la la Sis oom ah Eh la b bas, Solos here after Vocal Eh la bas Well I 21 sounds on b 7 can't Or real ly speak y good, a rench, sang like I jun not that knew I in a it can a jun pinch rench would, say is in like Lais so a I fine 7 down sez don't ol' in les New bon know Or what temps re it means. ole leans, rou way, lez!. b ut but it the I So 25 7 29 love let to the hear good that times clari net burn roll my friends, 7 and and hear let them the trom mus bone ic gliss play, es I'd b To like mor to row sing may rench nev when I er take my come to turn be, but that so let's ain't the kinda love it band up that this is to day Eh Eh la la Vocal ack to Top

º 7 Eccentric J. Russell Robinson 1921 72 5 3 9 7 7 13 3 7 7 7 7 21 25 7 7 7 7 7 29 33 Solos: 7 7 7

Eccentric b TRELE 73 2 37 Solos egin Here first time 3 41 7 7 45 3 49 53 7 7 7 º 7 fter last solo play "" as written then on to "" 57 º 7 61 65 69 º 7 Tag º pp f 7

74 b TRELE 7 idgety eet The Original ixieland Jazz and 1918 5 7 º 7 9 7 13 7 º 22 º 2 ar break 7 1. 2. 7 Stop time 4 bars 7 3 28 7 7 3 33 7 7 7 7

2 38 idgety eet b TRELE 7 75 42 7 7 46 E E 7 50 7 7 54 7 7 58 E E 7 62 E 7 66 7 7 1. 2.

loatin' own That Old reen River 76 oncert pitch 5 9 13 I've been good wad there 7 float in' down that 7 7 old 7 reen Riv er on the ship "Rock and Rye," ut I ed too far, I got stuck on a bar I was all a lone, Wish in' that I was home. ooper 1915 21 25 29 had get The ship got wrecked with the cap nd there was on ly one thing to drink that whole back home to you! tain and crew, I could do; 7 7 7 reen Riv I er dry to No Repeat irst Time On To Vocal Solos at ""

2 Verse Interlude: 33 37 41 #º #º Verse Vocal: Half #º past loatin' own That Old reen River four, b TRELE an #º Mc raw, 77 45 He came a' creep in' to his wif 7 ey's door. 7 7 49 She had been waitin' up half the night or 53 an to come home and go to bed. #º #º 57 61 65 an this ny smiled, like ut then his wife's eyes grew ve "Where have you been all night?" is what an ny re plied: a ry wild! she cried, child, nd.s. to "" I've been ack to "" for Vocal and Solos

5 9 7 E º I just dropped in to see you all and say, I leave to day, I'm on my way. loatin' own To otton Town & 7 78. Henri Klickman 1919 E º º 13 / That's why I came to shake you by the hand. 7 & 21 25 29 7 E º I'm go in' back to sun ny ix ie land, The min ute when I cross that ix ie Line, No & º more I'll pine, won't that be fine? Mis ter ap tain, don't fail me, just hur ry and sail me, / Ø7/ To that gal of mine: 7 E º 7 E º

loatin' own To otton Town b TRELE 79 2 33 loat ey, in' down, 37 7 º / 7/ 41 45 º in' down, my hon float loat in' on the riv er down to ot ton Town. Just hear that whis º 7 reak 2 bars 49 53 57 tle toot! toot! toot in' a way, nd those dark ies sing in', ban jos ringin''til the break of day. Hon ey lamb, my lit tle hon ey lamb, 7 º / 7/ 7 I'll come back to you and l a bam; While fields of sug ar cane seem to wel come me a gain, 7 61 7 7 loat in' own To ot ton Town. 7

E lee s ird 7 lee as a bird to your moun tain, Thou who art wea ry of sin. E 7 80 Mary S.. ana 1857 7 7 He will protect thee for ev er, Wipe ev 'ry fall ing tear. 5 E 7 o to the clear flow ing foun tain, Where you may wash and be clean. E 7 E He will for sake thee oh er. so nev Shel tered ten der ly there. 9 6 E 7 ly for the aven ger is near thee, all and the Sav iour will hear thee. Haste then, The hours are fly ing, Spend not the ment in mo sigh ing. 13 E 7 He on his bosom will bear thee, Thou who art wea ry of sin. Oh E 7 E ease from your sor row and cry ing, The Sav iour will wipe ev 'ry tear, The E thou who art 7 wea Sav iour will wipeev'ry ryof E 7 E 7 E 7 E sin. tear.

5 rankie wentdown rankie and John niewere sworeto said to be true the fat to the to each a buck bar rankie nd Johnnie lovers. 7 oth er, ten der, Just Just "Has as corner, Oh, Lordy how for theycould love! as et of º in est man thestars my lovtrue beer. a Traditional 81 7 They She bove. been here? 8 7 7 He washer man, ut he doneher wrong. He was my man, uthe'sdone me wrong".

5 9 7 E º I just dropped in to see you all and say, I leave to day, I'm on my way. loatin' own To otton Town & 7 82. Henri Klickman 1919 E º º 13 / That's why I came to shake you by the hand. 7 & 21 25 29 7 E º I'm go in' back to sun ny ix ie land, The min ute when I cross that ix ie Line, No & º more I'll pine, won't that be fine? Mis ter ap tain, don't fail me, just hur ry and sail me, / Ø7/ To that gal of mine: 7 E º 7 E º

loatin' own To otton Town b TRELE 83 2 33 loat ey, in' down, 37 7 º / 7/ 41 45 º in' down, my hon float loat in' on the riv er down to ot ton Town. Just hear that whis º 7 reak 2 bars 49 53 57 tle toot! toot! toot in' a way, nd those dark ies sing in', ban jos ringin''til the break of day. Hon ey lamb, my lit tle hon ey lamb, 7 º / 7/ 7 I'll come back to you and l a bam; While fields of sug ar cane seem to wel come me a gain, 7 61 7 7 loat in' own To ot ton Town. 7

q = 152 b TRELE oolish Questions 84 Now 1915 you've Now Now let's 5 all heard fool then say the there's that per ele ish ques vator per tions son son and who's should you no doubt won der why al for ways hanging 'around the place nd get to close the door, nd Some 9 one he will watch ask es you you a take fool ish ques tion but your shav ing brush and ex pect a sen si ble re ply Like start to lath er up your face. nd you should hap pen to tumble down let's say for ty se ven floors. nd 13 when you take your girl some as you give your can ra dy zor Say just its prelim when you hit the bot tom and you're lying there in in af ar ter y tea The wave You ert Some first thing she'll do is wrin kle up her nose and ask "Is it for me?" know that fool will come up to you and ask "re you gonna shave? fool will stick his stick his down the shaft and ask, "re you hurt?"

2 21 26 30 35 40 Ma pared he'd an see ing oo or for have aw it brush lish ques tion no your shav the ful gi nal he nd and Pa ing fu ne hurry now or I ral and paint I'll my it's just now this for love and ele your I hope You the then vator's would have want ed it that of time com ing down this 1.2. 3. take self it up a this doubt reply that utter your some taste die just oth of la too you is you dy er ter re I re ing guy soap. on. slow. ply hope ply moan I I Ned It just like was usual No No No, No, it's I'm he I want way. no ther fool ish ques way. way. way. to al ly for not just was ed take ways saves tion you my so a your pre though hear E them ev' ry day. oolish Questions b TRELE E Then there's this fel low who meets 7 in to shav ori lot You'll you on your 85 44 47 way, E just E Ned re nd he asks you why you're all dressed up and this turn ing from the fu ner ral of dear nd as you're ring ing out your hank ie he'll ask "Is 7 is what you say. You're old bro ther Ned dead?" ack To ""

ass 5 rizzly ear Rag eorge otsford 1910 86 9 13 reak 21 25 29 33 º ine

rizzly ear Rag b TRELE 87 2 37 41 45 49 53 7 57 7 º 7 reak 61 7 7 65 Stop time as Marked 7 1. 7 2. reak ack to "" Play to ine

He May e Your Man (ut HE omes To See Me Sometimes) 7 7 b7 7 88 Lemuel owler 1922 Miss Miss 5 Min Lu nie dy º Lee reen from was 7 Tennes see some l'il queen, was and known to jeal ous be as quite could 7 rough. be. 9 b n y time and When her man went an y where out at night 7 She They would would al waysstrut al ways dis her a stuff. gree. 7 Now own 13 º 7 7 Sa at die the Snow, ball, she at had Moon a shine beau Hall, she loved where ev him 'ry night bod and y'd day. go, 7 Un til Min Was Miss Min nie nie, 7 shook drink a shim in' plen and my ty and 7 stole his heart a hug gin' Lu dy's 7 way. beau. 21 7 7 º 7 Poor Lu Sa dy die was near mad ly dies, as well, but Min Min nie nie on ly said"i will sighed, then tell you I now heardher so you'll say: know" He

2 He May e Your Man b TRELE 89 25 29 b 7 may be your man but he comes to see me b7 7 7 some times. b7 7 nd when he's with you he's al ways got me on his mind. I 33 m ain't no vampire that is ture, ut I can cert' nly take you man from you. 37 7 7 My wicked smile, My wicked walk, I've gotthe kind ofeyesthat seem to talk, It's 41 no need of cry 7 in' and it's 7 no use to weep and mourn. 7 45 b I love you man and I'm gonna take him for my own, my own. 49 7 + 53 I don't mean, in't no need may to be ofget 7 so bold, tin' rough, be your man but he comes to see me but 'cause 7 I just I'mjust some times. want, right toget to do you my b7 7 told, He stuff

Hel Sun If º lo day I en tral what's night was Hesitating lues my whis beau key, the pro and º mat posed you ter with to were this a line? me. cup,i'd 90 W.. Handy 1915 3 º / #º Em I want to talk to that High rown mine. Tell me how long Said she'd be hap py if his wif ie I'd be Said he, "How long dive to the bot tom and nev er come up, Oh, How long 6 will I have to wait? Please give me will I have to wait? ome be my do I have to wait? an I 9 2 wife get 9 8 my it Kate, now, or do Why do Why do I have you you to hes hes hes i i i tate? tate? tate? 7 7 13 What you say can't talk to my rown? storm last night blowed the I de clined him just for a stall, He left that night on the I had wo man, She was tall. She make me think 'bout my

2 16 21 25 / wires an par tell come get #º all non a down. all. sol. Em Tell Hon me how ey me back it now, now, now, how Oh, How do Why do or I will have long long long you he to hes hes hes will will do i i i Ihave Ihave Ihave tate? tate? tate? to to to wait? wait? wait? 7 7 Hesitating lues b TRELE Pickup to horus 7 Oh, won't WIll an Pro cras ti 91 you he I 30 33 37 42 45 na tion is the thief of time, So all the wise owls say, 7 put I'd be 7 may save nine", off, To mor row's not to day. Some bod y's bound to lose. his, He'd be mine, nd I'dbe feel ing gay. 7 "one stitch 7 Left in time nd if you a lone to grieve and pine, My best friend's gone a way, He's gone and 7 7 left me The Hes i ta ting lues.

7 High Society 92 1901 5 11 7 7 m m 16 21 m m 7 7 7 29 7 dim 7 35 7 3 41 49 Solos Here b 7 7 7 +7 58 65 7 b 7 b dim 7 7

High Society 2 b TRELE 93 73 m m Tuba 80 m m b7 87 3 7 E 94 b 7 7 102 7 +7 7 110 b 7 b dim 115 7 7

121 125 b larinet Solo as played y lphonse Picou High Society b TRELE 3 3 3 3 94 3 129 3 133 3 138 142 146 º 3 3 149

q = 185 5 9 + Hin stopped du stan, Hindustan to rest our tir ed car a van, Oliver Wallace & Harold Weeks 1918 where dim 7 7 7 7 7 7 95 we Hin du stan, where the 13 7 7 +7 7 paint ed pea cock proud ly spreads + his fan Hin du stan, where the 21 25 29 7 pur Hin ple sun bird flahsed 7 a cross the sand, 9 9 m m du stan where 7 I met her and the world be gan.

q = 180 Hot Lips Eb7 96 1922 There's a boy that's in our band, nd how he blows that horn, 5 in est since you're born, When he starts you're gone. Eb7 º 9 They all call him Hot lips for He blows real red hot notes, nd 7 13 +7 ev' ry bo dy on the floor just floats that's what they say: He's gothot b Eº 7 lips, when he plays jazz, He draws out 21 7 +7 b +7 steps, like no one has. You're on your

2 25 Hot Lips b TRELE b bm6 + 7 º 97 toes and shakes your shoes, oy how he 29 Solo reak 7 +7 7 +7 goes, WHen he plays lues. I watch the 33 b Eº 7 crowd, un til he's through, He can be 7 +7 b7 +7 37 41 45 proud, rare THey're cu ckoo too. his mus ic's Stop Time Time: b b m m Eº 7 boy you must de clare is there, with two hot lips. you know the Solos at "" b +7

I in't onna ive Nobody None of My Jelly Roll º 7 larence Williams & Spencer Williams 1919 7 98 Lit tle Wil ly reen from New Or leans, a greed y boy was he. His sister Til ly reen was real ly mean, and ver y stin gy, too. 5 E º He al ways want ed lots of kids just to keep him com pan y. One She al ways want ed some of what you had but gave she noth ing to you. 9 7 º 7 day his mom bought him a Toot sie Roll, the best can dy that was made. When her mom bought her a jel ly roll, to hide it she would try. 13 E º / 7(b5)/ 7 When the kids be gan to hang a round, lit tle Wil ly said: I When the kids would ask her for a bite, you'd hear Til ly cry: I ain't gon na' give no bod y none of my Toot sie Roll, (Toot sic Rol!) I ain't gon na' give no bod y none of my jel ly roll. (jel ly roll) I 21 7 would n't give you a piece of my sweet, not to save your soul! (save your soul!)

I in't onna ive Nobody None of My Jelly Roll 99 b TRELE 2 25 ad dy told me to day, Just be fore he went a way, If I'd 29 33 Mom ma told be a know good If I'd be me boy, to He'd a day, there ain't no need bring good me lit a tle in your Just toy; girl, be fore she 7 Two ar reak nd She I'm might my went a ad put my way; dy's pride hair and joy! in curls! just hang You You in' a round, (hang in' a round) I 37 7 know you want it, but I'm a gon na' turn you down. My 41 º Toot sic Roll is sweet! nd you know it can't be beat! I 45 jel know ly roll º you want is sweet! / it, but you can't have it! I ain't 7 a gon na' give you none! ack TO "" 49 Interlude to Second Verse E º 7 7 E º 7 7

100 b TRELE I an't Let 'Em Suffer I 7 love to see the 7 Henry reamer & Turner Layton 1918 & while. 5 Love to see them smile. 7 º 7/ fellows hap py all the That shows they're jol ly and ev 'ry thing. 9 7 7 I love to see the fellows hap py all the while. & 13 It's cru el, So cru el, To let them plead. Oh, I º / 7

2 7 can't let'em suffer I an't Let 'Em Suffer b TRELE for the want of love. 7 It's a shame to let'em plead. 101 No I 21 7 shan't let'em suffer for the want of love, 7 When I know just what theyneed. Now there's 25 7 7 no use tryin'to stall, I just can't save them all! ut when they 29 7 cry: "Oh, ome and kiss me, Sweet ie", I'mbound to fall. Then I've 7 / E 7 7/E 33 7 just got totake'em 7 in my lov in' arms, ot to keep'em out of harm. Then I've 37 7 7 just got to make'em be my turtle dove, My honey love. 41 / / 7/ Lov in' kiss es I'll pro vide, Un til they're sat is fied. 'ause I / 7 45 7 7 can't let 'em suffer, or the want of love!