Stained Glass Theatre

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Stained Glass Theatre 1996 W. Evangel Ozark, MO 65721 417 581-9192 www.sgtheatre.com Thank you for your interest in sharing your God-given energy and talent in ministry to HIM. If you are considering being a part of this Stained Glass Theatre production for any other reason than to glorify HIM, please reconsider at this time. Open auditions for In His Steps, written by Charles Sheldon and adapted for stage by Ron Laws, will be held Monday, November 9, at 7 p.m. Scripts and audition packets will be available beginning Tuesday, October 27, during regular Box Office hours (noon 5 p.m., Tuesday through Saturday). There will be a $5 deposit for the scripts, refundable if the script is returned by the time of audition. All auditions are open to the public. We would love to have you join our SGT family! Cast of Characters Reverend Henry Maxwell (pastor of First Church, age 45) Mary Maxwell (Henry s wife, age 40) Rachel Winslow (singer, age 28) Virginia Page (an heiress, age 28) Edward Norman (editor of Raymond Daily News, age 55) Rollin Page (Virginia s brother, age 35) Loreen (young woman from the Rectangle, age 25) Madam Page (Virginia s grandmother, age 70) Narrator (age 35) Chorus Members played by the following characters: Jack Manning (age 30) Clark (an employee at the Daily News, age 25) Mrs. Winslow (Rachel s mother, age 50) Virginia s Friends (ages 20-35) Various Church Members (Several Men, Women, and Children of various ages) Various Rectangle Residents (Several Men, Women, and Children of various ages) Auditions are "cold reads," meaning those who audition will read selected scenes from the script in small groups on stage. Auditions are held in a friendly atmosphere and directors explain all information needed before the readings begin. Those auditioning for Rachel Winslow will have solos in the show, so they need to prepare to sing two verses of Amazing Grace. A keyboard accompanist will be available. You may bring your own accompanist, or you can accompany yourself.

Show Synopsis What would Jesus do? Charles Sheldon asked that question over one hundred years ago in his classic novel, In His Steps. This timeless and challenging story of true discipleship is the most widely read religious novel of all time. The adaptation of Sheldon s book follows some members of the First Church of Raymond as they take a pledge to do everything in their lives after asking the question, What would Jesus do? Performance Information In His Steps will open January 7 and run through February 6. Performance times will be at 7 p.m. on Thursdays and Fridays and 2:30 p.m. on Saturdays. There will also be a Sunday matinee on January 24 at 2:30 p.m. Audition Packet Your Audition Packet includes This cover letter, which includes information about the audition and character requirements. Stained Glass Theatre Code of Ethics Theatrical Code of Ethics Rehearsal & Performance Schedule : Check carefully so you can note conflicts on your application. Audition Application and Personal Profile forms: o You can print out these pages and bring them to the audition. OR o You can complete the online version of the pages. Photo, Video and Sound Recording Release and Consent Form. Complete and turn in at auditions. Applicants under 18 must have this form signed by a parent or legal guardian. Waiver and Release from Liability. Complete and turn in at auditions. Applicants under 18 must have this form signed by a parent or legal guardian. Scripts and audition packets will be available beginning Tuesday, October 27, during regular Box Office hours (Tuesday through Saturday, noon 5 p.m.). A $5 deposit is required, which will be refunded if the script is returned by the time of auditions. Again, thank you for your interest in this production at Stained Glass Theatre. We look forward to seeing you at audition. If you have questions regarding the production or auditions, feel free to contact Joseph or Tom (see contact information below). Joseph Ransom: Cell (417) 773-9191 E-mail rjosephransom@gmail.com Tom Young Cell (417) 761-1047 E-mail tomyoung9415@gmail.com

REHEARSAL SCHEDULE FOR In His Steps Nov Mon 9 7:00 10:00 p.m. Auditions Wed 11 Cast List Posted: Scripts available Sat 14 9:00 noon Read Through & Expectations Mon 16 6:30-9:30 p.m. Block Act I, Scenes 1-3 Tue 17 6:30-9:30 p.m. Review Act I, Scenes 1-3 Sat 21 9:00 noon LINES DUE Act I, Scenes 1-3 1:00 4:00 p.m. Block Act I, Scenes 4-6 Mon 23 6:30-9:30 p.m. Review Act I, Scenes 4-6 Tue 24 6:30-9:30 p.m. LINES DUE Act I, Scenes 4-6 Sat 28 9:00 noon Run Act I 6:00 9:00 p.m. Run Act I Mon 30 6:30-9:30 p.m. Block Act II, Scenes 1-3 Dec Tue 1 6:30-9:30 p.m. Review Act II, Scenes 1-3 Sat 5 9:00 noon LINES DUE Act II, Scenes 1-3 6:00 9:00 p.m. Block Act II, Scenes 4-6 Mon 7 6:30-7:30 p.m. First Monday Prayer Meeting 7:30 9:30 p.m. Review Act 2, Scenes 4-6 Tue 8 6:30-9:30 p.m. Lines Due Act 2, Scenes 4-6 Sat 12 9:00 noon Run Act I 6:00 9:00 p.m. Run Act II Mon 14 6:30 9:30 p.m. Run Show Tue 15 6:30 9:30 p.m. Run Show Sat 19 2:30 p.m. Attend From the Harvest Fields (optional) 5:00 -??? p.m. STRIKE (mandatory) Mon 21 6:30-9:30 p.m. Run Show Props Due Tue 22 6:30-9:30 p.m. Run Show Props & Costumes Due Sat 26 TBA Mon 28 6:30-9:30 p.m. Run Show TECH, Props & Costumes Tue 29 6:30-9:30 p.m. Run Show TECH, Props & Costumes Thurs 31 TBA Jan Sat 2 9:00 noon Run Show TECH, Props, Costumes & Makeup 1:00 4:00 p.m. Run Show TECH, Props, Costumes & Makeup Mon 4 6:30 7:30 p.m. First Monday Prayer Meeting 7:30 10 p.m. Run Show Friends & Family Night Tue 5 6: 00 10 p.m. Run Show Friends & Family Night Wed 6 6: 00 10 p.m. TBA Thurs 6 6: 00 10 p.m. OPENING NIGHT BREAK A LEG! Every effort will be made to take rehearsal schedule conflicts into account IF THEY ARE NOTED ON YOUR APPLICATION! Unless you have noted conflicts on your application, you will be expected at ALL REHEARSALS AND PERFORMANCES. If you have an emergency that prevents your being at a rehearsal on time or at all, a phone call is absolutely required. Unexcused absence from rehearsal, or failure to notify the director or assistant director in the event of an emergency absence, will possibly result in re-casting. Joseph Ransom: Cell (417) 773-9191 E-mail rjosephransom@gmail.com Tom Young Cell (417) 761-1047 E-mail tomyoung9415@gmail.com

PERFORMANCE SCHEDULE FOR In His Steps Jan Thurs 7 6:00 10:00 p.m. OPENING NIGHT: BREAK A LEG! Fri 8 6:00 10:00 p.m. Performance Sat 9 1:30 5:30 p.m. Performance Thurs 14 6:00 10:00 p.m. Performance Fri 15 6:00 10:00 p.m. Performance Sat 16 1:30 5:30 p.m. Performance Thurs 21 6:00 10:00 p.m. Performance Fri 22 6:00 10:00 p.m. Performance Sat 23 1:30 5:30 p.m. Performance Sun 24 1:30 5:30 p.m. Performance Thurs 28 6:00 10:00 p.m. Performance Fri 29 6:00 10:00 p.m. Performance Sat 30 1:30 5:30 p.m. Performance Feb Thurs 4 6:00 10:00 p.m. Performance Fri 5 6:00 10:00 p.m. Performance Sat 6 1:30 5:30 p.m. Performance 5:30 -??? p.m. STRIKE

Theatrical Code of Ethics Part of the great tradition of the theatre is a code of ethics which belongs to every worker on the legitimate stage. This code, while tacit, has been observed throughout the centuries and will continue long after us. It is neither superstition, nor dogma, nor a statute enforced by law. It is an attitude toward craftsmanship, a respect for associates and a dedication toward the audience. This code outlines a self-discipline which, far from robbing one of individuality, increases personal esteem and dignity through cooperation and common purpose. The result is perfection which encompasses all that is meant by Good Theatre. The Show Must Go On! I will never miss a performance. I shall play every performance to the best of my ability, regardless of how small my role or large my personal problems. I will respect my audience, regardless of size or station. I shall never miss an entrance or cause a curtain to be late by my failure to be ready. I shall forego all social activities which interfere with rehearsals and will always be on time. I shall never leave the theatre building or stage area until I have completed my performance. I shall remember that my aim is to create illusion; therefore, I will not destroy that illusion by appearing in costume and makeup off stage or outside the theatre. I will not allow the comments of friends, relatives or critics to change any phase of my work without proper authorization. I will not alter lines, business, lights, properties, settings, costumes or any phase of the production without consultation with and permission from the director. I shall accept the director s advice in the spirit in which it is given, for he sees the production as a whole and my role as a portion thereof. I shall look upon the production as collective effort demanding my utmost cooperation; hence, I will forego the gratification of ego for the demands of the play. I will be patient and avoid temperamental outbursts, for they create tension and serve no useful purpose. I shall respect the play and the playwright, remembering that a work of art is not a work of art until it is finished. I shall never blame my co-workers for my own failure. I will never engage in caustic criticism of another artist s work from jealousy or an urge to increase my own prestige. I shall inspire the public to respect me and my craft through graciousness in accepting both praise and constructive criticism. I will use stage properties and costumes with care, knowing they are tools of my craft and a vital part of the production. I will observe backstage courtesy and shall comport myself in strict compliance with rules of the theatre in which I work. I shall never lose my enthusiasm for the theatre because of disappointment or failure, for they are the lessons by which I learn. I shall direct my efforts in such a manner that when I leave the theatre it will stand as a greater institution for my having labored there.

Stained Glass Theatre Code of Ethics In addition to the traditional Theatrical Code of Ethics, Stained Glass Theatre has found it advantageous to outline Christian ethics that are expected of those involved with Stained Glass Theatre. These are common Christian ethics that are necessary to ensure that harmony and good reputation are practiced inside and outside Stained Glass Theatre. I will accomplish my work in an attitude of servanthood with humbleness. (Matthew 20:26-28; 22:39) I will encourage an atmosphere of harmony. I will be a peacemaker and discourage gossip. I will keep in mind the old adage, If you don t have anything good to say, don t say anything at all. I will strive to be an encourager. I will avoid establishments that may be questionable to others (bars, X-rated book stores, etc.), knowing that this is not the best witness. I understand that even if I am not involved in actions that are questionable, by presence may lead others to the conclusion that I condone the questionable behavior. (Matthew 18:7) I will not spread rumors or gossip about someone or talk behind their back. Even if I have something against them, I realize that it is better to confront them in a loving way. I will make sure my attitude is correct (one of loving and helpfulness) before doing this. I will remember that in most cases when I have something against someone, there has been a misunderstanding or they may not realize how they are acting or that their actions have hurt or offended me. I will not speak about Stained Glass Theatre, those involved in SGT, or SGT productions in a bitter, condemning or self-seeking way. I will be conscientious in keeping SGT clean and beautiful. If I make a mess, I will clean it up; if I use something, I will put it away, etc. I will respect the leadership of Stained Glass Theatre, understanding that the members of the Executive Board, the basic governing body of SGT, desire that they be led by the precepts set down in the Bible and that the ministry of SGT points to Christ. I will not sow dissension, discord or contention. I will not lie. (Proverbs 6:16-19; Romans 16:17; Titus 3:10-11) I will be actively involved in a church where I may receive encouragement and spiritual food. I realize that Stained Glass Theatre is not a church and that although SGT strives to uplift Christ and minister to others, they do not have the personnel to minister to all the needs of everyone. I will strive to have a personal Bible-reading and prayer time each day, even if it is only for a short time. I understand that although God desires for us to spend much time with Him, He cherishes a little time rather than no time at all. I will strive to follow and live by the precepts set forth in the Bible. Stained Glass Theatre strives to be a jewel among theatres, a place where God the Father is glorified and Jesus Christ is proclaimed as Lord and Savior.

Stained Glass Theatre 1996 W. Evangel Ozark, MO 65721 417 581-9192 www.sgtheatre.com AUDITION APPLICATION PRODUCTION TITLE: Name: Home Phone: Work Phone Cell Phone Home Address E-mail Address Birthdate: Age: Height: Weight: Hair Color: Do you regularly attend church? If so, where? Pastor s Name: Church Phone: How did you hear about Stained Glass Theatre? Do you have any difficulty memorizing lines? Are you willing to grow, cut, shave and/or color hair for a part? Please list your choice of roles (first, second, and third): 1 st 2 nd 3 rd Do you sing? Dance? Play Instrument? What? Please list any other talents related to the theatre Have you seen any SGT shows? Which one(s) Have you read the script for this production? Have you reviewed the rehearsal/performance schedule? Please list any conflicts you might have with the rehearsal or performance schedule: Tell us about any previous drama or acting experience. Describe any previous or current ministry experience. Please explain briefly why you would like to be in this production. My signature below confirms that I have read and agree to abide by the Theatrical Code of Ethics and the Stained Glass Theatre Code of Ethics. Signature: Thank you for auditioning for a Stained Glass Theatre production. God Bless You!

Personal Profile The following information will be used for writing your personal profile for the SGT website and the patron program. Name: Address: City/State/Zip: Age: Grade in School: School Attending: Where do you work? What do you do? Tell us about your family: Tell us about other productions you have been in (at SGT and other theatres): What hobbies and other special interests do you have? Tell us about an exciting event or special occasion in your life lately:

STAINED GLASS THEATRE 1996 W. EVANGEL OZARK, MO 65721 PHOTO, VIDEO AND SOUND RECORDING RELEASE AND CONSENT FORM By signing this Photo, Video and Sound Recording Release and Consent Form, I understand that I am irrevocably giving permission to the Stained Glass Players, dba Stained Glass Theatre (hereinafter SGT) and SGT s officers, agents, employees, successors, licensees, and assigns to take and use photographs, video or sound recordings of myself for: IN HIS STEPS (hereinafter referred to as the project ). I consent to the use of the photographs, video and sound recordings and my image, likeness, appearance, and voice for forever. I understand that I will not receive compensation for the use of my image, likeness, appearance, and voice now or in the future. SGT may use the photographs, video and sound recordings containing my image, likeness, appearance and voice in any manner or media, including, but not limited to, printed materials such as brochures and newsletters, videos, audio recordings, podcasting, vodcasting, and digital images. The photographs, video and sound recordings may be used in whole or in part, alone or with other recordings. SGT has the right and may allow others outside SGT to copy, edit, alter, retouch, revise and otherwise change the photographs, video and sound recordings at SGT s discretion. All right, title, and interest in the photographs, video and sound recordings belong solely to SGT. (Initials. Parent/guardian initials required if participant is younger than 18.) I further give permission to SGT to use my name, biography, and any other personal data, events, or other material in or in connection with any such uses of the photographs, video and sound recordings. (Initials. Parent/guardian initials required if participant is younger than 18.) I hereby waive any right to inspect or approve the finished project or any written copy that may be used in connection with this project. (Initials. Parent/guardian initials required if participant is younger than 18.) I understand and agree to the conditions outlined in this photograph, video and sound recording release and consent form. I irrevocably give consent to SGT and SGT s officers, agents, employees, successors, licensees, and assigns forever to make use of my image, likeness, appearance, and voice in photographs, video and sound recordings as described above. (Initials. Parent/guardian initials required if participant is younger than 18.) I hereby hold harmless and release and forever discharge SGT and all of SGT s agents, employees and representatives, and their successors, from all claims, demands and causes of action which I, my heirs, representatives, executors, administrators or any other persons acting on my behalf or on behalf of my estate have or may have by reason of this authorization. (Initials. Parent/guardian initials required if participant is younger than 18.) I am 18 years of age or older and I am competent to contract in my own name. I am under no disability, duress, or undue influence at the time of my signing of this instrument. I have read this release before signing below, and I fully understand the contents, meaning and impact of this release. I understand that I am free to address any specific questions regarding this release by submitting those questions in writing prior to signing, and I agree that my failure to do so will be interpreted as a free and knowledgeable acceptance of the terms of this release. (Initials. Parent/guardian initials required if participant is younger than 18.) Printed Name of Participant Signature of Participant Date If this release is obtained from a person under the age of 18, then the signature of that person s parent or legal guardian is also required below. Signature of Parent/Guardian Date

WAIVER AND RELEASE FROM LIABILITY Covering the Season of Armor Effective August 1, 2015 and Ending August 31, 2016 By this Waiver, I assume any risk, and take full responsibility and waive any claims of personal injury, death or damage to personal property associated with volunteering at Stained Glass Theatre (SGT) including, but not limited to, set design and building or teardown (strike) activities, pre-show performances and all aspects of stage productions, such as acting, rehearsing, stage management, theatrical technician, choreographer, costuming, lighting, director, props master, and kid wrangler as well as assisting in box office, concessions, chapel/worship services, ushering, cleaning, lifting, carrying, transporting or operating machinery, etc. I understand and confirm that by signing this WAIVER AND RELEASE I have given up considerable future legal rights. I have signed this Agreement freely, voluntarily, under no duress. My signature is proof of my intention to execute a complete and unconditional WAIVER AND RELEASE of all liability to the full extent of the law. I am 18 year of age or older and mentally competent to enter into this waiver. This WAIVER AND RELEASE is applicable whether on theatre property or off-site at any event sponsored by SGT to include, among other things, cast parties, award ceremonies, auditions, and script readings. Printed Name of Participant or Parent/Guardian Signature of Participant or Parent/Guardian Date If a parent/guardian s name appears above, please list every person under the age of 18 that this waiver is applicable to: NOTE: The role of Stained Glass Theatre (SGT) is to help build character in each and every participant, to the glory of our Lord and Savior, Jesus Christ and to help participants learn about the ways they can serve Christ through the arts. However, SGT is not responsible for the actions of specific groups or individual members of such groups. At any time, when children are on theatre property on their own, or with families and friends, everyone should take safety precautions and be mindful of risks.