Colorado Music Educators Convention Thursday January 27, 2011 Trombone: The DIFFERENT Wind Instrument Nick Keelan, Lawrence University

Similar documents
Section III: Long Tones & Lip Slurs III - 1

FUNDAMENTALS FOR THE TROMBONE

MARCHING BAND WARMUPS

Challenges in Beginning Trombone Pedagogy

Presented by Michael Pote and Chris Grifa Carmel, Indiana. Saturday, February 4th, :45 p.m. - 3:45 p.m. 4:00 p.m. - 5:00 p.m.

Rehearsal Techniques Log

Marion BANDS STUDENT RESOURCE BOOK

Chris Buckholz University of Northern Iowa

Trombone Troubleshooting

Wind Gap Middle School Instrumental Curriculum. Grades 4-8. Introduction:

Help for Your Horn Players: Guiding Your Young Horn Players to Success! Ideal Beginners or How to Avoid a Lot of Headaches Later Body Position

Sample Teaching Inventory Database:

BEGINNING BAND FUNDAMENTALS THAT WORK THROUGH HIGH SCHOOL

BIG IDEAS. Music is a process that relies on the interplay of the senses. Learning Standards

Section IV: Ensemble Sound Concepts IV - 1

Parent s Guide For The Young Musician s Practice Experience

Grade 5 General Music

Middle School Intermediate/Advanced Band Pacing Guide

Texas Bandmasters Association 2017 Convention/Clinic

2006 MIDWEST CLINIC CONVENTION

Practical Horn Pedagogy! Dr. Abigail Pack ABC 2017!!


COURSE: Instrumental Music (Brass & Woodwind) GRADE(S): Level I (Grade 4-5)

Ensemble Skill Development Young Bands

first year charts Preview Only Legal Use Requires Purchase Pacific Attitude for jazz ensemble JAZZ VINCE GASSI INSTRUMENTATION

A Guide to Using the Asper Pickett Visualizer

by Staff Sergeant Samuel Woodhead

Poway Unified School District Instrumental Music Scope and Sequence Grades 5 through 12

2. ARTICULATION The pupil must be able to able to articulate evenly and clearly at a variety of slow to medium tempos and demonstrate a good posture

Recruiting and Retaining Trombone Players

Course Outcome Summary

Department of Teaching & Learning Parent/Student Course Information. Intermediate Orchestra (MU 9238) One Credit Per Year Grades 9-12

5 th Grade BAND. Artistic Processes Perform Respond. Fairfield s Band Program Ensemble Sequence

Objective 2: Demonstrate technical performance skills.

MHSIB.5 Composing and arranging music within specified guidelines a. Creates music incorporating expressive elements.

2018 White Sabers Brass Warm-up Packet

Adrian Taylor. Just Play. Trombone Treble Clef. Book 1. Teacher Edition

Marching Band at Claudia Taylor Johnson High School

Introduction. Who. Why

Texas Bandmasters Association 2016 Convention/Clinic

Content Area Course: Band Grade Level: Eighth Instrumental Music - Band

Page 4 Lesson Plan Exercises Score Pages 50 63

Texas Bandmasters Association Convention/Clinic. July 24, :15 AM

This question will most likely be the favorite one asked by your prospective switcher to tuba. The answers are fairly simple indeed:

Brass and Woodwind Handbook

Music Essential Learning Outcomes and Learning Targets

Carl Sandburg Middle School

MUSIC. Georgia Standards of Excellence (GSE) Kindergarten Grade 12

Register for your audition at Questions: or

Plainfield Music Department Middle School Instrumental Band Curriculum

Name Grade Date. Rehearsal/Performance/Classroom

Greeley-Evans School District 6 Year One Beginning Orchestra Curriculum Guide Unit: Instrument Care/Assembly

The following standards are embedded throughout the year and are present in all units applicable:

A COMPREHENSIVE STUDY OF ATTRIBUTES FOUND WITHIN ACCOMPLISHED MIDDLE SCHOOL BAND PROGRAMS

Klages Philosophy of Trumpet Pedagogy

MU Class Woodwinds Syllabus Spring 2012

Instrumental Performance Band 7. Fine Arts Curriculum Framework

The Goal of this Session is to help attendees answer the three questions.

Department of Teaching & Learning Parent/Student Course Information. Band (MU 9252) One Credit One Year Grade 7

Clinic by: Jan Eberle, Professor of Oboe at Michigan State University. Presented: May 12, 2017 at the Iowa Bandmaster s Association Conference

TEST SUMMARY AND FRAMEWORK TEST SUMMARY

Page 2 Lesson Plan Exercises 1 7 Score Pages 24 38

10. Before practicing and learning a difficult passage choose proper fingerings that will ensure technical ease and good intonation rather than

GROSSE POINTE SOUTH HIGH SCHOOL BAND AUDITIONS

Clarinet Basics, by Edward Palanker

Section V: Technique Building V - 1

West Des Moines Elementary Band West Des Moines Community Schools Elementary Band

Tenuto 1

INSTRUMENTAL MUSIC SKILLS

BAND HANDBOOK AND INFORMATION

Independence HS Band

Beginning Band Primer Part 1

Warm Up. 1 2 e= w w. # œ # œ nœ. œ bœ. œ œ œ œ œ j œ œ œ œ bœ. œ j œ œ œ œ. nœ œ j œ œ œ œ nœ. # œ nœ. œ œ nœ. œ nœ. # œ œ œ œ U.

Parent s Guide For The Young Musician s Practice Experience

BAND Grade 7. NOTE: Throughout this document, learning target types are identified as knowledge ( K ), reasoning ( R ), skill ( S ), or product ( P ).

Techniques for the Intermediate Tuba Player A Clinic for the Texas Bandmasters Association By John Canfield and Trevor Culp

Section VI: Chorales VI - 1

TEXAS BANDMASTERS ASSOCIATION

American Band College of Sam Houston State University

5 th GRADE CHOIR. Artistic Processes Perform Respond

PRODUCTIVE PRACTICING

Grade Level 5-12 Subject Area: Vocal and Instrumental Music

Ellefson Warm-up No. 4 Assembled for the 2017 Alessi Seminar

Page 8 Lesson Plan Exercises Score Pages 81 94

Scarsdale Middle School Eighth Grade Band Band Handbook Mr. Lieto

New Brunswick Public Schools

Yamaha Advantage, Accent on Achievement, and Premier Performance method. books, my preferred selection would be the Standard of Excellence, by Bruce

OREGON CRUSADERS BRASS MANUAL

Fairfield Public Schools Music Department Curriculum Choral Skill Levels

1 of 7 12/4/12 11:48 PM

Objective 2: Demonstrate technical performance skills.

This document can be used for Men s and Women s Glee Clubs as well as beginning and intermediate choirs.] Table of Contents

Scarsdale Middle School Sixth Grade Band Band Handbook Mr. Lieto

Edwards 1. The Tenor Trombone Handbook. Buddy Baker

Clarinet Basics, Foundations for Clarinet Players

HOW CAN MY STUDENTS SOUND LIKE PROFESSIONALS?

Harnessing the Power of Pitch to Improve Your Horn Section

Instrumental Music I. Fine Arts Curriculum Framework. Revised 2008

Curriculum Mapping Subject-VOCAL JAZZ (L)4184

Benchmarks: Perform alone on instruments (or with others) a varied repertoire Perform assigned part in an ensemble

Transcription:

Colorado Music Educators Convention Thursday January 27, 2011 Trombone: The DIFFERENT Wind Instrument Nick Keelan, Lawrence University GOALS, TARGET GROUPS, CLINIC STRUCTURE Something for teachers: those teaching beginner, middle, and advanced players Something for players Something for rehearsals: fundamentals checklist BASICS: BEFORE PLAYING Beginner method books Issues with some of the pedagogy Rote to note: learn the horn BEFORE learning reading Instrument assembly Removal from case / replacing in case: allowing time for this Holding the trombone Posture: standing posture to sitting Left hand Right hand Right elbow Maintenance and repair Slide lube o Oil o Trombone slide grease and water Damage and not working (What can happen and how?) BASICS: STARTING TO PLAY First notes High/middle/low notes (Where am I?) Holding first notes (brass versus woodwinds and percussion) Simple tunes by ear Slide positions First positions to teach: 1, 3, 4, 6 All 7 positions: 2, 5, 7 Alternate positions: D and F Aural teaching: Rote-to-Note Issues with beginner method books and when reading is taught before playing Introducing note reading: Building on Rote-to-Note Skills What happens when reading is added to playing One thing at a time Trombone: The DIFFERENT Wind Instrument Page 1

PLAYING FUNDAMENTALS Physiology Face: muscles and embouchure Breathing o Inhale: low and high o Exhale: relaxed release only using relaxation pressure o Tension inhibits inhale o Muscles go 1 way (except fot the tongue) Embouchure o Setup o Mouthpiece placement o Yes it can move depending on range o Lips MUST touch o Jaw position o Horn / head angle Dual function of the tongue o Front does articulation o Rear does range and tone Tone o Dual function of the tongue: BACK of the tongue o Tongue and jaw Air speed o Speeding up air (there are several ways to do this) Breathing o TRANSITION: passive to active breathing (playing compared to running) o Comparing instruments: Air pressure versus air quantity o Air placement o Simple breathing exercises Blowing o Fast and slow air instruments Range o Orbicularis o Lower lip o Chin o Lower lip rip Buzzing o Tube o Covering the end for back pressure Articulation o Dual function of the tongue: FRONT is for articulation o Single tongue basics Marcato (tuh) Legato/tenuto (duh) Articulating slurs to match instruments who can slur Trombone: The DIFFERENT Wind Instrument Page 2

Except for advanced players, have trombones tongue EVERYTHING (no natural slurs) o Staccato: not short but detached o Multiple Double Triple Doodle Double doodle Triple doodle Intonation o Just and Tempered tuning o Drones o Chords o Remington exercise o Making waves o The dangers of a tuner Teaching good tone versus using a tuner Tuners set pitch level while ears and willingness to adjustment make it good in music o 6 th partial on brass o 3 rd of the major chord Developing speed and accuracy o Approximation then Refinement o Arrival notes o Slow slide with fast tongue: the BS factor Repertoire that challenges and motivates o Solos o Chamber music o Honor groups OTHER GEAR AND TROMBONES F attachment Bass trombone o Attachments F (6 positions) D (5 positions) o Remington exercise to learn attachments RECRUITING AND RETAINING STUDENTS Motivating students: upbeats don t cut it Events: honor groups, solo and ensemble Talk: make problem instruments IMPORTANT Feature pieces Student models Guest artists Trombone: The DIFFERENT Wind Instrument Page 3

PLAYING MODELS FOR STUDENTS TO IMITATE Models of classical tenor trombone playing o Joe Alessi o Christian Lindberg o Models of classical bass trombone playing o Charles Vernon o Randall Hawes o John Rojak Models of jazz trombone playing o Carl Fontana o JJ Johnson o Frank Rosolino o John Allred o Wycliffe Gordon YouTube Checklists like flying: trombone checklist Contacting me Nick Keelan, associate professor of trombone Lawrence University Conservatory of Music 711 E. Boldt Way Appleton, WI 54911 Office phone: (920)832-6630 Email: nickkeelan@lawrence.edu Web: www.lawrence.edu/fast/keelann/ Trombone: The DIFFERENT Wind Instrument Page 4

Fundamentals Checklist for Wind Instruments Tone Time Tuning Rhythms Breathing in Blowing out Posture Hand position Articulation Intonation Balance Blend Technique Musical interpretation Models of fine players Motivation Equipment maintenance Variety of music Dynamics Range Trombone: The DIFFERENT Wind Instrument Page 5