MIXING CSOE Owner s Manual Keep This Manual For Future eference. E
WANING: THIS APPAATUS MU E EATHED IMPOTANT THE WIES IN THIS MAINS EAD AE COOUED IN ACCODANCE WITH THE FOOWING CODE: GEEN-AND-YEOW : EATH UE : NEUTA OWN : IVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured GEEN and YEOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GEEN and YEOW. The wire which is coloured UE must be connected to the terminal which is marked with the letter N or coloured ACK. The wire which is coloured OWN must be connected to the terminal which is marked with the letter or coloured ED. * This applies only to products distributed by YAMAHA KEME MUSIC (U.K.) TD.
Precautions Precautions Warnings Do not allow water to enter this unit or allow the unit to become wet. Fire or electrical shock may result. Connect this unit s power cord only to an AC outlet of the type stated in this Owner s Manual or as marked on the unit. Failure to do so is a fire and electrical shock hazard. Do not scratch, bend, twist, pull, or heat the power cord. A damaged power cord is a fire and electrical shock hazard. Do not place heavy objects, including this unit, on top of the power cord. A damaged power cord is a fire and electrical shock hazard. In particular, be careful not to place heavy objects on a power cord covered by a carpet. If you notice any abnormality, such as smoke, odor, or noise, or if a foreign object or liquid gets inside the unit, turn it off immediately. emove the power cord from the AC outlet. Consult your dealer for repair. Using the unit in this condition is a fire and electrical shock hazard. Should this unit be dropped or the cabinet be damaged, turn the power switch off, remove the power plug from the AC outlet, and contact your dealer. If you continue using the unit without heeding this instruction, fire or electrical shock may result. If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your dealer for a replacement. Using the unit with a damaged power cord is a fire and electrical shock hazard. Do not remove the unit s cover. You could receive an electrical shock. If you think internal inspection, maintenance, or repair is necessary, contact your dealer. Do not modify the unit. Doing so is a fire and electrical shock hazard. Cautions This unit has ventilation holes at the top and right side to prevent the internal temperature rising too high. Do not block them. locked ventilation holes are a fire hazard. Hold the power cord plug when disconnecting it from an AC outlet. Never pull the cord. A damaged power cord is a potential fire and electrical shock hazard. Do not touch the power plug with wet hands. Doing so is a potential electrical shock hazard. Operating Notes Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone away from the unit. X-type connectors are wired as follows: pin : ground, pin : hot (+), and pin : cold ( ). Insert TS phone jacks are wired as follows: sleeve: ground, tip: send, and ring: return. The performance of components with moving contacts, such switches, rotary controls, faders, and connectors, deteriorates over time. The rate of deterioration depends on the operating environment and is unavoidable. Consult your dealer about replacing defective components.
Introduction Introduction Thank you for purchasing the Yamaha GF/, GF6/, or GF/ mixing console. These mixers provide an ample twelve outputs, and are suitable for a wide variety of applications ranging from concert sound reinforcement to installed systems. In order to take full advantage of the mixer s functionality and to enjoy years of trouble-free performance, please read this manual carefully. Note: This owner s manual assumes that you are familiar with basic operation of a mixing console and its specialized vocabulary. At points where the specifications of the GF/, GF6/, and GF/ differ, the specifications of the GF6/ and GF/ are given in curly brackets { }. Features of the system In addition to the main stereo outputs, this mixer provides six outputs plus four group outputs (a total of outputs). The /GOUP outputs can be used not only as sends to external effect processors or to a multitrack recorder, but are also ideal for creating separate foldback mixes for each speaker and amp. The MO OUT jack can be controlled independently from the EEO OUT jacks. Since a monaural mix of the main output is sent from this output, it can be used to extend a PA system. All input channels provide a high-pass filter, a three-band EQ, and 6 mm faders. All input channels/ returns provide a PF switch, and /group/stereo output channels provide an AF switch. You can audition input and output sources at the touch of a button. All mono input channels provide balanced X type and TS phone jack connectors that accommodate a range of sources from mics to line level devices. Switchable phantom power is provided. This can supply DC +8 V power from the X type input connectors to condenser mics and direct boxes that require an external power supply. Two stereo input channels allow connection of line-level equipment. /" phone jack and phono jack inputs can be selected by a switch. Two stereo returns are provided. This allows return signals to be sent to an bus or GOUP bus as well as to the bus. These can also be used as spare line level input jacks. An insert I/O jack is provided on each mono input channel and on the bus, allowing you to insert external effect processors as desired. The TAPE IN jacks and EC OUT jacks let you easily connect a master recorder for recording or playback. Contents Front and rear panel... Channel controls...6 Master controls... Connectors...7 Specifications... General specifications... Input specifications... Output specifications... Dimensions... lock/evel Diagram...
6d 6d 6d 6d 6d 6d 6d 6d + + + + + + + + 6 6 6 6 6 6 6 6 8 8 8 8 8 8 8 8 + + OW K + PF + + OW K + PF + + OW K + PF + + OW K + PF + + OW K + PF + + OW K + PF + + OW K + PF + + OW K + PF 6d 6d 6d 6d 6d 6d 6d + + + + + + + 6 6 6 6 6 6 6 8 8 8 8 8 8 8 + + OW K + PF + + OW K + PF + K + OW + PF + K + OW + PF + K + OW + PF + K + OW + PF + K + OW + PF A + 8 + + OW A + 8 + + OW A + PF A + PF GOUP PF TO AF AF GOUP PF TO AF AF TO AF AF +8 + + + 7 TO GOUP GOUP GOUP GOUP AF AF AF MO AF AF +8 + + + 7 PHANTOM +8V OFF METE SEECT TAPE IN PHES EVE PHES C- MITO EVE PO EEO PF AF GOUP Front and rear panel Front and rear panel This section explains the names and functions of each section of the GF/, GF6/, and GF/. The functionality of these mixers is grouped into ten sections. These are the two channel control sections, seven master control sections, and the rear panel connectors. Their functions will be explained sequentially. Front panel 6 7 9 POWE 6 7 8 9 7 8 9 / / EEO PF AF/TAPE IN PHANTOM ETUN TAPE IN MIXING CSOE 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 7 8 9 7 8 9 / / EEO Channel controls. Mono input channels (page 6). Stereo input channels (page 8) ear panel Connectors (page 7) 8 Master controls. GOUP section (page ). section (page ). EEO/MO section (page ) 6. ETUN section (page ) 7. TAPE IN section (page ) 8. Other controls/connectors (page ) 9. Meter section (page 6) INSET I/O C- OUT +d INSET I/O d ETUN +d (MO) OUT IN POWE / OFF GOUP OUT +d INPUT INSET I/O d INSET I/O d INSET I/O d 6 OUT +d (AANCE) INPUT INPUT INPUT TAPE IN dv (MO) MO OUT +dv EEO OUT +dv EC OUT dv INPUT A INPUT A INPUT A INPUT A
6 Front and rear panel Channel controls 6 + 6 + 8 6d 6 K + OW + 6 PF 7 8 9 A C Mono input channels Here are the {, 8} mono input channels of the GF/ {GF6/, GF/}. The input channel section processes the signal from the input jacks of the connector section, and sends the result to the GOUP buses, buses, and the bus. Pad switch This attenuates the input signal by 6 d. The pad is on when this switch is pressed in. control This adjusts the input sensitivity. The range of levels that can be accommodated is 6 d to 6 d when the pad switch () is off, and + d to d when the pad switch is on. High pass filter switch This is an on/off switch for the high pass filter that cuts the frequency range below 8 Hz at a slope of d/octave. The high pass filter is on when the switch is pressed in. indicator This is an indicator that detects post-eq clipping. It will light d before clipping, indicating that the signal is near the clipping level. If this ED lights, lower the control (). EQ controls (//OW) This is a three-band equalizer that boosts/cuts each frequency band over a ± d range. The center frequency and equalizer type for each band is shown below. and Center frequency Type khz shelving Hz khz peaking OW Hz shelving The response is flat when the knob is in the position. 6 controls ( 6) These knobs adjust the level at which the input channel signal is sent to the buses 6. controls and are fixed at pre-fader, and controls 6 can be switched between pre/post fader using the switch (7). When a knob is in the position, the level is nominal.
Channel controls 7 7 switches These switches select whether the pre or post - fader signal will be sent to buses 6. This setting is switched in pairs: / and /6. When the switch is pressed in, the pre-fader signal will be sent to the corresponding pair of buses. When the switch is in the out (up) position, the post-fader signal will be sent. 8 control This adjusts the left/right position at which the input channel signal will be sent to the (stereo) bus, GOUP bus /, and GOUP bus /. 9 switch This switches the input channel on/off. When this switch is turned off, the signal of the input channel will not be sent to the bus, GOUP buses, or buses. However even if this switch is off, you can use the PF switch () to monitor the signal from the C- OUT jacks or the PHES jack. Group select switches These switches send the signal of the input channel to GOUP buses. When the switch is on (pressed in) the signal will be sent to GOUP bus /. When the switch is on, the signal will be sent to GOUP bus /. A (stereo) switch This switch sends the signal of the input channel to the bus. When this switch is on, the signal will be sent to the bus. PF (pre-fader listen) switch This switch sends the pre-fader signal to the PF/ AF bus, allowing you to monitor it through headphones or monitor speakers. When this switch is on, the pre-fader signal of the input channel can be heard from the C- OUT jacks and the PHES jack, even if the switch (9) is off. C Channel fader This fader adjusts the input level of the input channel. The position of the channel fader will affect the level of the signal that is output from the bus, GOUP buses, and buses 6 (except when the switch is on for buses 6). PHANTOM PHANTOM +8V INSET I/O d GOUP PF/AF 6 8 g - - OW g f +8V INPUT A - {-} {-8} PAD HA HPF Stage EQ INPUT 6d g 6 PF Mono input channel signal flow
8 Front and rear panel Stereo input channels A + 8 + + OW + Here are the two stereo input channels provided by the GF/, GF6/, and GF/. The INPUT / and / {/ and /6 on the GF6, and 9/ and / on the GF/} jacks (6 and of the connector section) are pairs of connectors that let you control a stereo signal using one input channel. If a cable is connected only to the INPUT A or jack { or on the GF6/, or 9 or on the GF/}, the source will be controlled as a monaural signal. A/ switch This switch selects input jacks. When the switch is in the upward position ( ) the input signal of the INPUT A jack is selected (page 8, 6 of the connector section). When the switch is in the downward section ( ), the input signal of the INPUT jack is selected ( of the connector section). 6 7 control This adjusts the input sensitivity. The range of levels that can be accommodated is + d to d. High pass filter switch This is an on/off switch for the high pass filter that cuts the frequency range below 8 Hz at a slope of d/octave. The high pass filter is on when the switch is pressed in. 6 A PF 8 9 A C indicator This is an indicator that detects post-eq clipping. It will light d before clipping, indicating that the signal is near the clipping level. If this ED lights, lower the control (). EQ controls (//OW) This is a three-band equalizer that boosts/cuts each frequency band over a ± d range. The center frequency and equalizer type for each band is shown below. and Center frequency Type khz shelving Hz peaking OW Hz shelving The response is flat when the knob is in the position.
Channel controls 9 6 controls ( 6) These knobs adjust the level at which the input channel signal is sent to the buses 6. controls and are fixed at pre-fader, and controls 6 can be switched between pre/post fader using the switch (7). When a knob is in the position, the level is nominal. 7 switches These switches select whether the pre or post - fader signal will be sent to buses 6. This setting is switched in pairs: / and /6. When the switch is pressed in, the pre-fader signal will be sent to the corresponding pair of buses. When the switch is in the upward position, the post-fader signal will be sent. 8 A (balance) control This adjusts the left/right balance at which the signal of the stereo input channel will be sent to the (stereo) bus, GOUP bus /, and GOUP bus /. 9 switch This switches the input channel on/off. When this switch is turned off, the signal of the input channel will not be sent to the bus, GOUP buses, or buses. However even if this switch is off, you can use the PF switch () to monitor the signal from the C- OUT jacks or the PHES jack. Group select switches These switches send the signal of the input channel to GOUP buses. When the switch is on (pressed in) the signal will be sent to GOUP bus /. When the switch is on, the signal will be sent to GOUP bus /. A (stereo) switch This switch sends the signal of the input channel to the bus. When this switch is on, the signal will be sent to the bus. PF (pre-fader listen) switch This switch sends the pre-fader signal to the PF/ AF bus, allowing you to monitor it through headphones or monitor speakers. When this switch is on, the pre-fader signal of the input channel can be heard from the C- OUT jacks and the PHES jack, even if the switch (9) is off. C Channel fader This fader adjusts the input level of the stereo input channel. The position of the channel fader will affect the level of the signal that is output from the bus, GOUP buses, and buses 6 (except when the switch is on for buses 6). GOUP PF/AF 6 *,* (MO) A HA HPF Stage EQ INPUT A 8 OW A - *,* *,* HA HPF 8 Stage EQ - INPUT *,* No. * * * * GF/ 9 GF6/ 6 GF/ PF 6 Stereo input channel signal flow
Front and rear panel Master controls GOUP section This section individually controls the output signal of GOUP buses. The signal that passes through the GOUP output channels can be sent individually from the GOUP OUT output jacks (page, D in the connector section), and can also be sent to the bus or PF/ AF bus by using the TO switch (group section ) and AF switch (group section ). TO TO TO TO AF AF AF AF GOUP GOUP GOUP GOUP control This knob adjusts the left/right position when sending the signal of each GOUP bus to the bus. GOUP to Meter TO PF/AF TO switch This switch sends the signal of each GOUP bus to the bus. When the switch is on, the signal that has passed through the control () will be sent to the bus. AF to Meter TO GOUP OUT Group fader This adjusts the output level of each GOUP bus. The position of the group fader will affect all signals that are sent from the GOUP bus to the GOUP OUT jacks, bus, and PF/AF bus. AF GOUP OUT -: Same as GOUP OUT - GOUP OUT AF (after-fader listen) switch This switch sends the signal of the GOUP bus to the PF/AF bus. If this switch is on, the afterfader signal of the GOUP bus can be monitored in the C- OUT jacks or the PHES jack. Group section signal flow
Master controls section This section individually controls the output signals of buses 6. The signal that has passed through the 6 output channels can be sent individually to the OUT jacks 6 (page 7, in the connector section), and can also be sent to the PF/AF bus by using the AF switch ( in the section). AF AF AF AF AF AF 6 fader These faders adjust the output level of buses 6. The position of the faders will affect the signals that are sent from the bus to the OUT jacks and the PF/AF bus. 6 AF OUT PF/AF AF (after-fader listen) switch This switch sends the bus signal to the PF/ AF bus. When the switch is on, the after-fader signal of the bus can be monitored in the C- OUT jacks or the PHES jack. AF OUT -: OUT -6: Same as OUT - OUT section signal flow
Front and rear panel EEO/MO section This section separately controls the EEO OUT jacks (page 7, in the connector section) which are the main output of the mixer, and the MO OUT jack (page 7, in the connector section) which outputs a monaural mix of the EEO OUT output. MO PO EEO AF MO (monaural) control This adjusts the signal level that is sent to the MO OUT jack. The level is nominal when the control is at the position. PO switch This switches the output of the fader between the pre- and post-fader signals. When this switch is pressed in, the signal after passing through the EEO fader (post-fader) will be sent to the MO OUT jack. When this switch is in the upward position, the signal before passing through the EEO fader (pre-fader) will be sent to the MO OUT jack. EEO fader This adjusts the level of the signal that is sent to the EEO OUT jack. The position of the E- EO fader will affect the signals that are sent from the bus to the EEO OUT jacks, the MO OUT jack (if the PO switch is on), and the PF/AF bus. AF (after-fader listen) switch This switch sends the signal of the bus to the PF/AF bus. When the switch is on, the signal following the EEO fader (the same signal as output from the EEO OUT jacks) can be monitored from the C- OUT jacks and the PHES jack. to Meter PF/AF INSET I/O INSET I/O to Meter EEO OUT PAD EC OUT AF PO MO MO OUT EEO/MO section signal flow
Master controls ETUN section This section controls the two stereo returns. y using the and jacks of ETUN / (page 9, A in the connector section) in pairs, you can input stereo signals. If only the jack of ETUN / is connected, this can be used as a monaural return. The input signal from ETUN jack can also be sent to GOUP bus / and bus /, and the input signal from ETUN jack can be sent to GOUP bus / and bus /. GOUP PF GOUP PF ETUN GOUP /, / mix controls These controls adjust the level at which signals from the ETUN jacks are sent to GOUP bus / and bus /. When a stereo signal is input, the signals of the and channels will be sent to GOUP buses / and buses / respectively. When a monaural signal is input, the same signal will be sent to GOUP buses and, and to buses and. GOUP /, / mix controls These controls adjust the level at which signals from the ETUN jacks are sent to GOUP bus / and bus /. When a stereo signal is input, the signals of the and channels will be sent to GOUP buses / and buses / respectively. When a monaural signal is input, the same signal will be sent to GOUP buses and, and to buses and. (stereo) controls These adjust the level at which the input signals from the ETUN / jacks are sent to the bus. The position of the stereo control knobs does not affect the GOUP and mix controls ( and ). PF (pre-fader listen) switch These switches send the input signal from the ETUN / jacks to the PF/AF bus. When this switch is on, the input signal from the ETUN / jacks can be monitored directly from the C- OUT jacks or the PHES jack. (MO) ETUN GOUP GOUP GOUP 6 PF/AF PF (MO) ETUN GOUP GOUP PF ETUN section signal flow
Front and rear panel TAPE IN section This section controls the signal that is input from the TAPE IN jacks (page 7, in the connector section). The input signal from the TAPE IN jacks can be sent directly from the bus, and can also be monitored from the C- OUT jacks or PHES jack. TAPE IN (stereo) control This adjusts the level at which the input signal from the TAPE IN jacks is output to the bus. switch This is an on/off switch for the signal that is sent from the TAPE IN jacks to the bus. Even when this switch is off, the TAPE IN switch (page, in the other controls/connector section) can be turned on to allow monitoring of the TAPE IN input signal from the C- OUT jacks or the PHES jack. PHANTOM +8V OFF METE SEECT TAPE IN C- MITO EVE PHES EVE PHES EEO PF AF GOUP 6 Other controls/connectors PHANTOM +8 V (phantom power supply) switch This is the on/off switch for the +8 V phantom power supply. When this switch is on, the PHAN- TOM indicator (page 6, in the meter bridge section) will light, and DC +8 V phantom power will be supplied to the INPUT A jacks (page 8, 7 in the connector section) of each mono input channel. Caution: When phantom power is on, connecting an unbalanced device or a device whose transformer is center-grounded may cause hum, noise, or malfunctions. If you do not require phantom power, be sure to turn this switch off. METE SEECT switch This selects the signal source whose level will be shown by the level meters. When the switch is down ( ) The level meters will show the output level of the GOUP buses. When the switch is up ( ) The two level meters at the left will show the output level of the bus, and the two level meters at the right will show the output level of either the PF/AF bus or the TAPE IN jacks (page 7, in the connector section), depending on the setting of the TAPE IN switch ().
Master controls TAPE IN switch This selects the signal that will be monitored by the C- OUT jacks and PHES jack: either the PF/AF bus, or the TAPE IN jacks. C- MITO EVE (control room monitor level) control This adjusts the level of the signal that is sent to the C- OUT jacks. It does not affect the output signal of the PHES jack. PHES EVE (headphone) jack This adjusts the level of the signal that is sent to the PHES jack. It does not affect the output signal of the C- OUT jacks. 6 PHES (headphone) jack A set of stereo headphones can be connected to this jack for monitoring. This jack will output the same signal as the C- OUT jacks. The wiring of this jack is as shown in the following diagram. /" TS phone plug Tip (hot) ing (cold) Sleeve (ground) from EEO OUT from GOUP OUT PF/AF from EEO OUT from GOUP OUT from GOUP OUT from GOUP OUT METE SEECT TAPE IN C- MITO EVE A C- OUT A TAPE IN PHES EVE A A PHES Tape input and monitor output signal flow
6 Front and rear panel Meter section This is a peak level meter that shows (according to the setting of the METE SEECT switch, page ) the output levels of GOUP buses, the bus, and the PF/AF bus, and the input level of the TAPE IN jacks. The status of the mixer s power supply and phantom power is also shown here. POWE +8 + + + 7 EEO PF AF/TAPE IN +8 + + + 7 PHANTOM evel meters When the METE SEECT switch (page ) is pressed inward ( ), the four level meters will show the output levels of GOUP buses. When the METE SEECT switch is in the upward position ( ), the two level meters at left will show the output level of the bus, and the two level meters at right will show either the output level of the PF/AF bus or the input level of the TAPE IN jacks (page 7, of the connector section), depending on the setting of the TAPE IN switch (page, of other controls/connectors). POWE indicator This indicator shows the on/off status of the mixer s power supply. When the POWE switch (page, E in the connector section) has been pressed to turn on the power, this indicator will light. PHANTOM (phantom power supply) indicator This indicator shows the on/off status of the phantom power supply. When the PHANTOM +8 V switch (page, in other controls/connectors) has been slid to turn on the phantom power, this indicator will light.
Connectors 7 Connectors D C A C- OUT +d INSET I/O d ETUN +d (MO) INSET I/O OUT IN E POWE / OFF 6 GOUP OUT +d OUT +d (AANCE) INPUT TAPE IN dv INSET I/O d INPUT INSET I/O d INPUT INSET I/O d INPUT 9 8 (MO) 7 MO OUT +dv EEO OUT +dv EC OUT dv INPUT A INPUT A INPUT A INPUT A 6 OUT jacks 6 These are TS phone output jacks (balanced) that individually output the signals of buses 6. Nominal level is + d. These jacks can be connected to your foldback system or to the inputs of external effect processors. The pin wiring is shown in the following diagram. EEO OUT jacks These are X-- type connectors (balanced) which output the main stereo signal that has passed through the EEO fader. Nominal output level is + d. The pin wiring is shown in the following diagram. /" TS phone plug Tip (hot) ing (cold) Female X connector (hot) (cold) Sleeve (ground) (ground) MO OUT jack This is a X-- type connector (balanced) which outputs a monaural mix of the main stereo output. Nominal output level is + d. The pin wiring is shown in the following diagram. TAPE IN connector These are phono inputs jacks (unbalanced) for connecting external line level devices. Nominal level is dv. The pin wiring is shown in the following diagram. Female X connector (hot) (cold) Phono plug Tip (ground) Sleeve
8 Front and rear panel EC OUT jacks These are phono jacks (unbalanced) that output the signal from the bus, with a nominal level of dv. This output signal is not affected by external effect processors connected to the INSET I/O jacks () or by the position of the EEO fader (page, in the EEO/ MO control section). The pin wiring is shown in the following diagram. Phono plug Tip 7 INPUT A jacks { on the GF6/, 8 on the GF/} These are X-- type input connectors (balanced) for the monaural input channels. Nominal input level is 6 d to 6 d when the pad switch (page 6, of the monaural input channel section) is off, and + d to d when the pad switch is on. When the PHANTOM +8 V switch (page, of other controls/connectors) is on, DC +8 V phantom power is supplied to pins /. The pin wiring is shown in the following diagram. Sleeve Male X connector (ground) (cold) 6 INPUT A jacks { 6 on the GF6/, 9 on the GF/} These are /" phone input jacks (unbalanced) for the stereo input channels, with nominal level of + d to d. When using these as mono channels, insert a plug only into the / jacks {/ on the GF6/, or 9/ on the GF/}. The pin wiring is shown in the following diagram. /" phone plug Tip (send) (hot) 8 INPUT jacks { on the GF6/, 8 on the GF/} These are TS phone input jacks (balanced) for the monaural input channels. Nominal input level is the same as for the INPUT A jacks (7). e aware that it is not possible to simultaneously use both the INPUT A and INPUT jacks of the same channel. Phantom power is not supplied to the INPUT jacks. The pin wiring is shown in the following diagram. Sleeve (ground) /" TS phone plug Tip (hot) ing (cold) Sleeve (ground)
Connectors 9 9 INSET I/O jacks { on the GF6/, 8 on the GF/} These are TS phone input/output jacks for inserting external effect processors between the EQ and channel fader of a monaural input channel. Nominal level is d. The pin wiring is shown in the following diagram. Tip (send) /" phone plug Tip (send) ing (return) /" TS phone plug To processor s input Sleeve (ground) Sleeve (ground) Connect to INSET I/O jack /" phone plug Tip (return) From processor s output Sleeve (ground) INPUT jacks { 6 on the GF6/, 9 on the GF/} These are phono input jacks (unbalanced) for the stereo input channels. Nominal level is the same as the INPUT A jacks (6). On the stereo input channels, you can make connections both to the INPUT A jacks (6) and the INPUT jacks (), and use the A/ switch (page 8, in the stereo input channel section) to select whether INPUT jack A or will be used. e aware that in the case of the INPUT jacks, the channel cannot be used as a mono input channel by inserting a plug only into and. (If only or are connected, the signal will be sent only to the left channel.) The pin wiring is shown in the following diagram. A ETUN jacks / These are /" phone input jacks (unbalanced) for connecting the stereo output of external effect processors, etc. The nominal level is + d. If inputting a monaural signal, connect a plug only to the or jack. The pin wiring is shown in the following diagram. /" phone plug Tip (send) Sleeve (ground) Phono plug Tip Sleeve
Front and rear panel INSET I/O jacks These are TS phone input/output jacks for inserting external effect processors between the bus and the EEO fader. The nominal input/output level is d. The pin wiring is shown in the following diagram. /" phone plug Tip (send) Tip (send) ing (return) /" TS phone plug To processor s input Sleeve (ground) Sleeve (ground) Connect to INSET I/O jack /" phone plug Tip (return) From processor s output Sleeve (ground) C C- OUT (control room monitor out) jacks These are /" phone output jacks (unbalanced) for monitoring the PF/AF bus or the input signal from the TAPE IN jacks (). The nominal output level is + d. The pin wiring is shown in the following diagram. /" phone plug Tip (send) Sleeve (ground) D GOUP OUT jacks These are /" phone jacks (unbalanced) which individually output the signals of GOUP buses. The nominal output level is + d. /" phone plug Tip (send) Sleeve (ground) E POWE switch This switch turns the power of the mixer on or off.
Specifications Specifications General specifications Frequency response Total harmonic distortion Hum & noise (Average, s=ω with Hz khz PF) Maximum voltage gain Crosstalk (at khz) CH input gain control CH input PAD CH input HPF CH input equalization input equalization Hz khz + d, d @+ d into 6Ω (GOUP OUT, OUT, OUT, MO OUT) ess than.%, @ Hz khz, + d into 6Ω (GOUP OUT, OUT, OUT, MO OUT) Input gain control: minimum 8 d equivalent input noise 9 d residual output noise (GOUP OUT, OUT, OUT, MO OUT) 86 d (GOUP OUT, OUT, MO OUT) 8 d ( OUT) 6 d (68 d S/N) (GOUP OUT, OUT, OUT) 8 d CH IN to OUT 8 d CH IN to GOUP OUT 8 d IN to OUT 8 d IN to GOUP OUT 7 d adjacent input 7 d input to output d variable d/6 d 8 Hz d/oct Master fader: nominal level All channel faders: minimum All channel assign switches: off Master fader: nominal level All channel faders, all level controls: minimum Master fader, one channel fader, level control: nominal level, Assign switch: on One channel gain control: maximum ± d maximum khz shelving* Hz khz peaking OW Hz shelving* * Turn over/roll off frequency of shelving: d below maximum variable level. ± d maximum khz shelving*. khz peaking OW Hz shelving* * Turn over/roll off frequency of shelving: d below maximum variable level. Meters points ED meters x (GOUP /, PF AF TAPE IN ) CH peak indicators Phantom power ed ED on each channel turns on when Post EQ signal reaches the level d below clipping. +8 V is supplied to electrically balanced inputs. Power requirement USA and Canada: Other: V AC 6 Hz V AC Hz Power consumption Dimensions (WxHxD) Weight GF/: 7 W, GF6/: 7 W, GF/: 7 W GF/: 98 7 87 mm GF6/: 7 7 87 mm GF/: 87 7 87 mm GF/: kg, GF6/: 6 kg, GF/: kg d is referenced to.77 Vrms.
Specifications Input specifications Input terminals Gain trim Actual load impedance For use with nominal Input level Sensitivity Nominal Max. before clip Connector INPUT A, (,, 8) INPUT A, (, 6, 9 ) MAX 6Ω Mics 86 d (8.8 µv) 6 d (.77 mv) d (7.7 mv) kω & MIN 6Ω ines d (6.6 mv) 6 d ( mv) + d (. V) MAX 6 d (.77 mv) d (. mv) d ( mv) MIN 6 d ( mv) + d (. V) + d (. V) A: X-- type : Phone jack A: Phono jack : Phone jack TN IN (, ) d (9 mv) + d (. V) + d (7.7 V) Phone jack kω 6Ω ines TAPE IN (, ) 6 dv (. mv) dv (6 mv) +8 dv (. V) Phono jack CH INSET IN (,, 8) INSET IN (, ) 6 d (8.8 mv) d ( mv) d (77 mv) + d (7.7 V) Phone jack (I/O). Sensitivity is the lowest level that will produce an output of + d (. V) or the nominal output level when the unit is set at maximum gain. (All faders and level controls are at maximum positions.). alanced.. Unbalanced. When d represents a specific voltage, d is referenced to.77 Vrms, dv is referenced to Vrms. Output specifications Output terminals Actual source impedance For use with nominal Nominal Output level Max. before clip Connector OUT (, ) MO OUT Ω + d (. V) X-- type GOUP OUT ( ) 7Ω 6Ω ines + d (. V) + d (7.7 V) Phone jack OUT ( 6) Ω + d (. V) Phone jack C- OUT (, ) 7Ω + d (7.7 V) Phone jack EC OUT (, ) dv (6 mv) + dv (.6 V) Phono jack CH INSET OUT (,, 8) 6Ω kω ines d (77 mv) + d (7.7 V) Phone jack (I/O) INSET OUT (, ) PHES OUT Ω Ω Phones mw mw phone jack. alanced.. Unbalanced. When d represents a specific voltage, d is referenced to.77 Vrms, dv is referenced Vrms. Specifications are subject to change without prior notice. For European Model Purchaser/User Information specified in EN- and EN-. Inrush Current: A Conformed Environment: E, E, E and E
Dimensions Dimensions 9 9 9 GF/ 9 6 9 GF6/ 9 9 9 GF/ H: 7 D: 87 9 W: GF/: 98 GF6/: 7 GF/: 87 Unit: mm
Specifications lock/evel Diagram PHANTOM PHANTOM +8V INSET I/O d to GOUP 6 8 g - - OW g f +8V INPUT A - {-} {-8} PAD HA HPF Stage EQ INPUT 6d g to Meter PF to PF/AF 6 TO GOUP OUT to AF to PF/AF *,* (MO) A HA HPF Stage EQ GOUP OUT -: Same as GOUP OUT INPUT A 8 OW A - *,* *,* HA HPF 8 Stage EQ - INPUT *,* No. * * * * GF/ 9 GF6/ 6 GF/ PF (MO) ETUN to PF/AF GOUP GOUP 6 AF to PF/AF OUT OUT -6: Same as OUT to PF to PF/AF (MO) ETUN GOUP GOUP to PF to PF/AF + d + d d PAD 6 d Min (+ d) INPUT Min (+ d) INSET I/O ( d) ETUN (+ d) ( 6 d) GOUP OUT, OUT (+ d) d PAD d Min ( 6 d) Ch Fader GOUP, d d d PAD 6 d Max ( d) INPUT Max ( d) d 6 d PAD d Max ( 6 d)
PF/AF from GOUP OUT INSET I/O INSET I/O PAD EC OUT AF EEO OUT from GOUP OUT from GOUP OUT from GOUP OUT METE SEECT from - Ch Input {-} {-8} Ch Input *,* Ch Input *,* () () PO MO MO OUT ETUN, - Ch Input {-} {-8} Ch Input *,* Ch Input *,* from ETUN, GOUP OUT OUT TAPE IN C- MITO EVE A C- OUT A TAPE IN PHES EVE A A PHES + d INSET I/O ( d) EEO OUT, MO OUT (+ d) C- OUT (+ d) + d d TAPE IN ( dv) EC OUT ( dv) MO PHES ( mw, *) d d d d d 6 d
YAMAHA COPOATI V96 IP Pro Audio Division, #8/ P.O. ox, Hamamatsu, -86, Japan NP Printed in Taiwan