Spinning Authentic Leadership Living Stories of the Self. By David M. Boje, Catherine A. Helmuth and Rohny Saylors

Similar documents
2015 Arizona Arts Standards. Theatre Standards K - High School

Storytelling Definition Conceptual Overview Non-linear Fragmented

MCCAW, Dick. Bakhtin and Theatre: Dialogues with Stanislavsky, Meyerhold and Grotowski. Abingdon: Routledge, p.

Theatre Standards Grades P-12

Back to Basics: Appreciating Appreciative Inquiry as Not Normal Science

Special Issue Introduction: Coming to Terms in the Muddy Waters of Qualitative Inquiry in Communication Studies

Heideggerian Ontology: A Philosophic Base for Arts and Humanties Education

The Dialogic Validation. Introduction. Peter Musaeus, Ph.D., Aarhus University, Department of Psychology

Autoethnography. IIQM Webinar Series Dr. Sarah Wall July 24, 2014

Narrating the Self: Parergonality, Closure and. by Holly Franking. hermeneutics focus attention on the transactional aspect of the aesthetic

A Metalinguistic Approach to The Color Purple Xia-mei PENG

What most often occurs is an interplay of these modes. This does not necessarily represent a chronological pattern.

Narrative Analysis by David M. Boje. Narrative analysis is the sequencing of events and character identities derived by retrospective

Georg Simmel's Sociology of Individuality

Emerging Questions: Fernando F. Segovia and the Challenges of Cultural Interpretation

Action, Criticism & Theory for Music Education

Chapter 1 INTRODUCTION

A National Look: Epistemology Applied to Postmodernism for the Improvement and Development of Public Education

CHAPTER SEVEN CONCLUSION

Mass Communication Theory

5th TH.1.CR Identify physical qualities that might reveal a character s inner traits in the imagined world of a drama/theatre

Drama and Theatre Art Preschool

In Defense of the Contingently Nonconcrete

PROSE. Commercial (pop) fiction

Pre Ph.D. Course. (To be implemented from the session ) Department of English Faculty of Arts BHU Varanasi

FILM + MUSIC. Despite the fact that music, or sound, was not part of the creation of cinema, it was

The Use of Stories and Narratives in Social Sciences Research

Music Education (MUED)

Goals and Rationales

Pierre Hadot on Philosophy as a Way of Life. Pierre Hadot ( ) was a French philosopher and historian of ancient philosophy,

Misc Fiction Irony Point of view Plot time place social environment

OVERVIEW. Historical, Biographical. Psychological Mimetic. Intertextual. Formalist. Archetypal. Deconstruction. Reader- Response

Writing an Honors Preface

Curriculum Map: Academic English 11 Meadville Area Senior High School English Department

ICOMOS ENAME CHARTER

Spring Board Unit 4. Academic Vocabulary and Literary Terms. Directions: Write out the definition of each word. 1. Justice. 2. Criteria. 3.

The art of answerability: Dialogue, spectatorship and the history of art Haladyn, Julian Jason and Jordan, Miriam

Professor at the Federal University of Paraná UFPR; Curitiba, Paraná, Brazil;

Mixed Methods: In Search of a Paradigm

Action, Criticism & Theory for Music Education

Beautiful, Ugly, and Painful On the Early Plays of Jon Fosse

Master of Arts in Leadership: Modern Music. Master of Arts in Leadership: Music Production

The phenomenological tradition conceptualizes

Pentadic Ratios in Burke s Theory of Dramatism. Dramatism. Kenneth Burke (1945) introduced his theory of dramatism in his book A Grammar of

PETERS TOWNSHIP SCHOOL DISTRICT CORE BODY OF KNOWLEDGE ADVANCED PLACEMENT LITERATURE AND COMPOSITION GRADE 12

Master of Arts in Psychology Program The Faculty of Social and Behavioral Sciences offers the Master of Arts degree in Psychology.

QRBD - QUARTERLY REVIEW OF BUSINESS DISCIPLINES

0 6 /2014. Listening to the material life in discursive practices. Cristina Reis

Strategies for Writing about Literature (from A Short Guide to Writing about Literature, Barnett and Cain)

1. Allusion: making a reference to literature, art, history, or pop culture

A Viewer s Position as an. Roman Floor Mosaics

Community Music Therapy & Performance in Adolescent Mental Health

Houghton Mifflin Reading 2001 Houghton Mifflin Company Grade Two. correlated to Chicago Public Schools Reading/Language Arts

Deconstruction is a way of understanding how something was created and breaking something down into smaller parts.

CUA. National Catholic School of Social Service Washington, DC Fax

PPM Rating Distortion. & Rating Bias Handbook

Phenomenology and Non-Conceptual Content

Second Grade: National Visual Arts Core Standards

Level 4 Level 5 Level 6 x Level 7 Level 8 Mark the box to the right of the appropriate level with an X

Lesson #4. Make The Personal Connection. In this seven part series I am sharing seven Lessons From

DRAFT (July 2018) Government 744 Foundations of Security Studies. Fall 2017 Wednesdays 7:20-10:00 PM Founders Hall 475

Curriculum Map. Unit #3 Reading Fiction: Grades 6-8

TROUBLING QUALITATIVE INQUIRY: ACCOUNTS AS DATA, AND AS PRODUCTS

Thesis and Dissertation Handbook

AP English Literature & Composition

The purpose of this essay is to impart a basic vocabulary that you and your fellow

The Object Oriented Paradigm

Thesis and Dissertation Handbook

Personal Intervention

托福经典阅读练习详解 The Oigins of Theater

Literary Terms Review. AP Literature

(HS)2 General English Grade11 Summer Reading Packet Ms. Kunes

Freeing Silenced Voices: Music Therapy and Guided Imagery and Music with Holocaust Survivors

Curriculum Map. Unit #3 Reading Fiction: Grades 6-8

Significant Differences An Interview with Elizabeth Grosz

The pattern of all patience Adaptations of Shakespeare s King Lear from Nahum Tate to Howard Barker

Black Marxism And American Constitutionalism An Interpretive History From The Colonial Background To The Ascendancy Of Barack Obama


GLOSSARY for National Core Arts: Visual Arts STANDARDS

Indicator 1A: Conceptualize and generate musical ideas for an artistic purpose and context, using

Incommensurability and Partial Reference

Interpreting Literature. Approaching the text Analyzing the text

ICOMOS Ename Charter for the Interpretation of Cultural Heritage Sites

Foucault and the Human Sciences. By Rebecca Norlander. January 1, 2008

In Search of the Authentic Self: Explaining Phenomenology of Authenticity

Philosophical foundations for a zigzag theory structure

Natural Genetic Engineering and Natural Genome Editing, Salzburg, July

SocioBrains THE INTEGRATED APPROACH TO THE STUDY OF ART

Foreword and Conclusion

Qualitative Design and Measurement Objectives 1. Describe five approaches to questions posed in qualitative research 2. Describe the relationship betw

TRANSFORMATIVE LEADERSHIP

Narrative Reading Learning Progression

Art Education for Democratic Life

HATCH: LESSON 7A REDEFINING AESTHETICS

CST/CAHSEE GRADE 9 ENGLISH-LANGUAGE ARTS (Blueprints adopted by the State Board of Education 10/02)

Introduction to The Handbook of Economic Methodology

Why not Conduct a Survey?

Could Hume Save His Account of Personal Identity? On the Role of Contiguity in the Constitution of Our Idea of Personal Identity 1

The Public and Its Problems

Aristotle on the Human Good

Transcription:

1 Spinning Authentic Leadership Living Stories of the Self By David M. Boje, Catherine A. Helmuth and Rohny Saylors (2013, in press). " Spinning Authentic Leadership Living Stories of the Self"Accepted for publication May 16 Ladkin, D. and Spiller, C. (Eds.) (2013?), Authentic Leadership: Clashes, Convergences and Coalescences, Edward Elgar. Introduction We examine authentic leadership through a living story web which recognizes a leader s struggle to reach an authentic whole-self in relation to their inauthentic selves. This is achieved through an ontological lens (Boje, Helmuth and Saylors, 2012) which is derived from Heidegger s (1962) notion of authenticity and inauthenticity and Bakhtin s (1993) concept of once-occurrent events. While Heidegger (1962) and Bakhtin s (1973; 1993) ontologies are central to the philosophical literature, the majority of authentic leadership scholars disregard Bakhtin s (1993) contributions and merely cite Heidegger s (1962) work rather than leveraging both philosopher s ideas to develop a more theoretically grounded approach to authentic leadership. We address this scholarly gap by developing Bakhtin s and Heidegger s ontologies when considering the processes that leaders utilize to spin authentic living stories of their polyphonic selves. First we explore the authentic leadership literature through an ontological lens which allows us to consider the meaning of Being-in-the-world (Heidegger, 1962: #201, p. 245). Following the tradition of Heideggerian translations we use capital letters to express the word s

2 ontological meaning. Then, we offer a narrative therapy approach and conclude with specific recommendations for a practical utilization of these ideas. Authentic leadership The authentic resides in a living story web because of the inherent differences between a narrative and a living story (TwoTrees, 2000; Boje, 2001; 2008; 2011; 2012; Tyler, 2010; 2011). In a retrospective-narrative approach a leader s identity is based on character traits and focuses on sequential plot structures. Narrative often requires linear causal links between the beginning, middle and end plot structures and the problemsolution-problem forms of narrative which emphasize how past storylines are expected to recur in the future (Czarniawska, 1997). In contrast, living stories use a future-oriented approach that focuses on how leaders struggle to reach an authentic potentiality-for- Being-one s-self (Heidegger, 1962: #317, p. 364) instead of the inauthentic they-self (Heidegger, 1962: #128, p. 165; #181, p. 225). Living stories are polyphonic (the involvement of many selves), multi-plotted, non-linear and unfold in-the-middle of the Present without the beginning or end anchors required in a retrospective-narrative approach. Greater theoretical depth, and personal insight, can be achieved when the sequential, retrospective requirements of a narrative are replaced by the dynamic, prospective stance of living stories. Living stories are a dynamic concept of the Self which develops in relation to the inauthentic selves. This occurs in-place, in-time and in-materiality and is answerable

3 [ethics] to a leader s family, friends, co-workers and neighbors (Boje, DuRant, Coppedge, Marcillo-Gomez and Chambers, 2011). Leaders create an authentic living story web when they integrate their past experiences, future expectations and own their potentiality for being a whole-self while deconstructing their inauthentic selves. Comparatively, many leaders construct an inauthentic living story by developing a potentiality towards the they-self (Heidegger, 1962) which is defined as an inauthentic other. For instance, leaders create an inauthentic living story when they allow the opinions of outsiders to override, or subvert, their authentic leadership style. Authenticity requires a deep level change driven by the leader s intrinsic desire to become a whole- Self; whereas inauthenticity represents a surface level change meant to please or pacify the they-self (Heidegger, 1962). However, leaders often struggle to identify whether they are spinning an authentic or inauthentic living story until emergent awareness is gained. Emergent awareness refers to the leader s ability to distinguish between reaching a potentiality for an authentic whole-self or the inauthentic they-self through ontological inquiry. Ontological inquiry, in a Heideggerian sense, is future focused or ahead of itself (Heidegger, 1962: #202, p. 246) which influences the Present and re-historicizes the past. Heidegger (1962: #384, p. 436) argues Fate does not first arise from the lashing together of events and circumstances but is future focused in that Our fates have already been guided in advance, in our Being with one another. For Bakhtin (1993, p.2), ontological inquiry is rooted in the Present and once-occurrent events of Being, which may change future potentialities. Bakhtin (1993, p. 13) believes Once-occurrent uniqueness cannot

4 be thought of, it can only be participatively experienced or lived through which occurs in the Present. In sum, Heideggerian ontology situates the future as arriving into the Present and past, while Bakhtinian ontology focuses on the Present moment of Being. Our stance pulls from Bakhtin by considering how living stories emerge in-the-present and Heidegger by seeing how refracted different pasts occur alongside co-constructed futures in a living story web. In the next section we offer a narrative therapy approach as a means by which these can be integrated? Narrative therapy In narrative therapy (White and Epston, 1990) we deal with a whole system of relationships which unfold in an authentic living story web in relationship to one s inauthentic dominant narrative. Living story webs are without a beginning or end but, develop in the Present moment which is in the middle of many other unfolding stories. This stands in stark contrast to a dominant narrative (Boje, 2008) which has emptied itself of living stories in order to develop a universalistic theme, generalized plot structure and character traits. Narrative therapy can be applied through specific restorying steps (Rosile and Boje, 2002; Boje and Rosile, 2011). We work through the steps using an example from a restorying seminar conducted by David Boje and Grace Ann Rosile in 2011. Prior to Boje and Rosile s presentation, a first year Ph.D. student began interrogating the presenters with the following questions: When do I get my dissertation committee? Who will be the chair? When is the literature

5 review due? What has what you re saying got to do with my dissertation? When it came Boje and Rosile s turn to present, they asked the Ph.D. student if they could use restorying on the problem he was having with his Ph.D. program. Restorying steps: 1. Characterize Describe the problem of the individual s dominant narrative so that the problem is the problem and not the person. (e.g. The Ph.D. student, I really have a problem with this whole program. When are we going to get on with the dissertation? Boje and Rosile asked about the Ph.D student s past experiences and learned he had just returned from a combat zone overseas. He was trying to sort out how to behave now that people were not threatening his life.) 2. Externalize Identify the dominant narrative as a separate entity within the living story web by externalizing it as a sort of character. (e.g. Boje and Rosile asked, Since returning from overseas, if you could give this problem a character what would it be? The student replied, Mr. Military. Mr. Military was the Ph.D. student s way of externalizing his dominant narrative and giving it a separate character.) 3. Sympathize Deconstruct the benefits of the singular dominant narrative. (e.g. Boje and Rosile asked, How is Mr. Military beneficial? The Ph.D. student replied, I get things done. I push through to the core of things.)

6 4. Problematize Isolate the costs of the singular dominant narrative. (e.g. Boje and Rosile asked, How does Mr. Military affect your relationships, work, etc.? The Ph.D. student replied, My wife is ready to bail. My friends find me overbearing.) 5. Strategize Rethink the leader s experiences through an authentic living story web which detaches from the inauthentic dominant narrative. The individual is now able to recover the little wow moments (Boje, 2012, p.4) previously overshadowed by the dominant narrative in order to constitute a new authentic living story in the web. (e.g. Boje and Rosile asked, When did you get positive results without being Mr. Military? The Ph.D. student replied, When I was gentle with others, listened to them, and coached them.) 6. Re-historize Continue to bring more of the individual s little wow moment experiences from the shadows of the dominant narrative. This way the dominant narrative does not regain control over the authentic living story web. (e.g. The Ph.D. student recalls, There was a time, overseas, when I helped a guy in the barracks work through some issues.) 7. Publicize Create a social support network to help the leader sustain the change. This means getting friends, co-workers and family members to write letters reinforcing the new, authentic living story. (e.g. Boje and Rosile asked Mr. Military if it would be okay to have the other first year

7 Ph.D. students in his cohort work with him to reinforce the change. Mr. Military and his fellow Ph.D. students agreed). Step one is to characterize the problem of the leader s dominant narrative by giving it a character with identifiable qualities. The process of characterizing the dominant narrative is critical because it provides the leader with an opportunity to selfreflect and assess the key factors and individuals that influence the dominant narrative. During this process the leader can discuss what a more authentic narrative might look like and what factors hamper this from being achieved. Step two is to externalize the problem by identifying the dominant narrative as a separate character (e.g. Mr. Military) within the leader s living story web. The dominant narrative becomes a separate character which is not associated with the leader individually but unfolds within his or her living story web of expanding selves. By isolating the dominant narrative character we can deconstruct it without threatening the leader s individual traits, attributes or identity. In narrative therapy the problem is the problem instead of the individual being the problem. This is why it is important to maintain the dominant narrative as a separate character from the leader s authentic Self. Step three is to sympathize with the leader and consider the ways the dominant narrative is potentially constructive. This is meant to help the leader explore the positive aspects of the problem. Step four is to problematize and help the leader isolate the negative consequences of perpetuating the dominant narrative. In this step the leader revisits the approach used in step three to further understand the problems associated with the dominant narrative. Step five is to strategize and rethink the

8 leader s little wow moment experiences that were marginalized or expelled by the inauthentic dominant narrative. The little wow moments have a profound impact on how the leader sees or thinks about things and usually provides the leader greater clarity or insight. In our context, the little wow moments refer to events where the leader is able to identify how the dominant narrative can be set in relationship to living stories, so it is not so oppressive. This reconstruction occurs within an authentic living story web. Step six is to continue the progress made in step five by bringing more of those little wow moments out of the shadows through the process of re-historicizing. Finally, step seven is to publicize this personal change to co-workers, family and friends so that it can be sustained. Narrative therapy can be exemplified through the leader s ontologically conceived Self. An ontologically conceived Self encompasses the leader s experiences, little-selves, and a dominant narrative. The little-selves represent a multitude of the leader s experiences which are all brought in line by the dominant narrative of a big-self. The dominant narrative of a leader is inherently inauthentic because it creates a singular voice which silences the multiple voices of the little-selves. There are so many simultaneous little-selves in authentic polyphony that a single voice is essentially inauthentic. For example, imagine that a leader s ontologically conceived Self as a parliament. The leader s experiences elect a little-self to represent them just as the constituents vote for a government official. Then the little-selves select a dominant narrative for representation just as government officials aid in the selection of the prime minister. While the prime minister must serve the interests of the constituents and government officials he also

9 honors his personal and political agendas. Likewise, the dominant narrative attempts to embody all of the leader s experiences and little-selves; however, such representation is impossible because the dominant narrative is singular and true to only the leader s big- Self. Narrative therapy helps the forgotten little-selves find their voice which creates a new balance of power in the parliament. This new balance of power changes the dominant narrative and creates a more authentic living story web. In conclusion, spinning an authentic story of the Self requires that the leader struggles with an inauthentic dominant narrative and, through narrative therapy, creates an authentic living story web. Once the leader acknowledges that the dominant narrative is inauthentic we expect this may initially present some challenges. For instance, when the silenced voices of the little-selves start having a say we believe this will affect how the followers perceive the leader. In the final step of narrative therapy the leader publicizes the change to his or her social network. The leader s followers will undoubtedly be an integral part of this process and we suggest the leader use a dramaturgical approach (see Rosile and Boje, 2002 for an example) to help the followers find their place within the newly constructed authentic living story web. Additionally, leaders are likely to face some challenges when trying to integrate their multiple selves into their new leader role. The leader should be especially careful that during the restorying process special consideration is given to how the followers co-constructed living story webs may evolve and change.

10 References Bakhtin, M. M. (eds.) (1973), Problems of Dostoevsky s Poetics, Translated by R. W. Rotsel from the 1929 Russian text, Ann Arbor, MI: Ardis Press. Bakhtin, M. M. (eds.) (1993), Toward a Philosophy of the Act, Translated by Vadim Lianpov, Edited by M. Holquist, Austin, TX: University of Texas Press. Boje, D. M. (eds.) (2001), Narrative Methods for Organization and Communication Research, London: Sage. Boje, D. M. (eds.) (2008), Storytelling Organizations, London: Sage. Boje, D. M. (eds.) (2011), Storytelling and the Future of Organizations: An Antenarrative Handbook, London: Routledge. Boje, D. M. (2012), Reflections: What does quantum physics of storytelling mean for change management?, Journal of Change Management, 12 (3), 253-271. Boje, D. M., C.A. Helmuth and R. Saylors (2012), The heart of care: An exploration of corporeal and ontological approaches to authentic leadership, Unpublished manuscript. Boje, D. M. and G. A. Rosile (2011), Restorying the authentic and inauthentic self, Seminar at Benedictine University, Saint Louis, Missouri. Boje, D. M., I. DuRant, K. Coppedge, M. Marcillo-Gomez and T. Chambers (2011), Social materiality: A new direction in change management and action research, in David Boje, Bernard Burnes and John Hassard (Eds.), The Routledge Companion to Organizational Change, London: Routledge, pp. 580-587.

11 Czarniawska, B. (eds.) (1997), Narrating the Organization: Dramas of Institutional Identity, Chicago: University of Chicago Press. Heidegger, M. (eds.) (1962), Being and Time, Translated by John Macquarrie and Edward Robinson, New York: Harper Row. Rosile, G. A. and D. M. Boje (2002), Restorying and postmodern organizational theater: Consultation to the storytelling organization, in Ron Sims (Ed.), Changing the Way we Manage Change, Westport, CT: Quorum Books, pp. 271-289. Twotrees, K. (2000). Seven directions practice: A practice for the crossroads, The Fourth R (Vol. 92, August, Sept, October) published by CRENet (Conflict Resolution in Education Network). Tyler, J. (2010), Story aliveness, in David Boje and Ken Baskin (Eds.), Dance to the Music of Story: Understanding Human Behavior through Intervention of Storytelling and Complexity Thinking, Litchfield Park, AZ: Emergence Publications, pp. 61-81. Tyler, J. (2011), Living story and antenarrative in organizational accidents, in David Boje (Ed.), Storytelling and the Future of Organizations: An Antenarrative Handbook, New York/London: Routledge, pp. 137-147. White, M. and D. Epston, D. (Eds.) (1990), Narrative Means to Therapeutic Ends, New York: Norton.