CAMBRIDGE GREEK AND LATIN CLASSICS

Similar documents
in this web service Cambridge University Press

PLATO AND THE TRADITIONS OF ANCIENT LITERATURE

The Structure and Performance of Euripides Helen

Cambridge University Press Leviathan: Revised Student Edition Thomas Hobbes Frontmatter More information

The First Knowledge Economy

Roman Satire and the Old Comic Tradition

Reading Greek. The Teachers Notes to

The Concept of Nature

An Introduction to Formal Logic

THE PROBLEM OF UNIVERSALS IN CONTEMPORARY PHILOSOPHY

The Rise of Modern Science Explained

POPULAR LITERATURE, AUTHORSHIP AND THE OCCULT IN LATE VICTORIAN BRITAIN

The International Relations of the Persian Gulf

Is Eating People Wrong?

Learning Latin the Ancient Way

Metaphor in Discourse

RHETORIC AND RHYTHM IN BYZANTIUM

Cambridge University Press The Cambridge Introduction to Performance Theory Simon Shepherd Frontmatter More information

in this web service Cambridge University Press

THE LYRIC POEM. in this web service Cambridge University Press.

S H A K E S P E A R E S M E M O R Y T H E A T R E

METAPHYSICAL GROUNDING

Joseph Conrad s Critical Reception

Lucan and the Sublime

DION BOUCICAULT. Cambridge University Press Dion Boucicault: Irish Identity on Stage Deirdre Mcfeely Frontmatter More information

JOHN XIROS COOPER is Professor of English and Associate Dean in the Faculty of Arts at the University of British Columbia, Vancouver.

PROBLEM FATHERS IN SHAKESPEARE AND RENAISSANCE DRAMA

EVOLUTIONARY BIOLOGY

Middle Egyptian Literature

Using Japanese Synonyms

Cambridge University Press The Education of a Christian Prince Erasmus Frontmatter More information

The Legacy of Vico in Modern

CAMBRIDGE GREEK AND LATIN CLASSICS

Richard Wollheim on the Art of Painting

David S. Ferris is Professor of Comparative Literature at the University of Colorado at Boulder.

Form, Program, and Metaphor in the Music of Berlioz

Myth and Philosophy in Plato s Phaedrus

HOW TO PREPARE A SCIENTIFIC DOCTORAL DISSERTATION BASED ON RESEARCH ARTICLES

interpreting figurative meaning

A HISTORY OF SINGING. Cambridge University Press A History of Singing John Potter and Neil Sorrell Frontmatter More information

TOLKIEN: A CRITICAL ASSESSMENT

JULIUS CAESAR. Shakespeare. Cambridge School. Edited by Rob Smith and Vicki Wienand

The Foundation of the Unconscious

The Philosophy of Human Evolution

MODERNISM AND THE AESTHETICS OF VIOLENCE

THE LONG PROCESS OF DEVELOPMENT

NUTS AND BOLTS FOR THE SOCIAL SCIENCES

Cambridge University Press Purcell Studies Edited by Curtis Price Frontmatter More information

Preface to the English Edition

REVIEWING SHAKESPEARE

The Sublime in Modern Philosophy

A Concise Introduction to Econometrics

IRISH POETRY UNDER THE UNION,

The Spirit of Mourning

Cambridge University Press New Essays on Seize the Day Edited by Michael P. Kramer Frontmatter More information

BECKETT AND AESTHETICS

The Handbook of Journal Publishing

OVID AND HESIOD. The Metamorphosis of the Catalogue of Women

"Bronzino. Cambridge University Press Bronzino: Renaissance Painter as Poet Deborah Parker Frontmatter More information

STORIES FROM CHAUCER. Notes and Introduction

PASSIONATE PLAYGOING IN EARLY MODERN ENGLAND

Tinnitus Retraining Therapy

The Reality of Social Construction

Performing Shakespeare s Tragedies Today

THE EARLY TEXTUAL HISTORY OF LUCRETIUS DE RERUM NATURA

A SOCIAL HISTORY OF ENGLAND,

Cambridge University Press The Cambridge Introduction to Herman Melville Kevin J. Hayes Frontmatter More information

Three sad races. Racial identity and national consciousness in Brazilian literature

KNOTS AND BORROMEAN RINGS, REP-TILES, AND EIGHT QUEENS Martin Gardner s Unexpected Hanging

Classics. Aeneidea. Books of enduring scholarly value

William C. Scott. Published by Dartmouth College Press. For additional information about this book

THUCYDIDES AND THE MODERN WORLD

PLATO ON JUSTICE AND POWER

Rhetoric Summer Reading List Ninth Grade Summer Reading Assignment Homer, The Iliad Books I-IX

Enjoy Writing. your Science Thesis or Dissertation!

THE ROYAL PREROGATIVE AND THE LEARNING OF THE INNS OF COURT

CONRAD AND IMPRESSIONISM JOHN G. PETERS

This page intentionally left blank

SHAKESPEARE S INDIVIDUALISM

Classics. Etymologicum Graecae Linguae Gudianum

British Women Writers and the Short Story,

in this web service Cambridge University Press

Human Rights Violation in Turkey

Modular Narratives in Contemporary Cinema

Women, Authorship and Literary Culture,

Descartes Philosophical Revolution: A Reassessment

The Elegies of Ted Hughes

THE THEORY OF MONEY. The Cambridge Manuals of Science and. Literature

The economic nature of the firm

Vico and the Transformation of Rhetoric in Early Modern Europe

Read the invocation and the first few lines of Book One of The Odyssey below. Follow the instructions below as you annotate:

The Cambridge Manuals of Science and Literature

the cambridge companion to shakespeare s first folio

British Women s Life Writing,

THE HESIODIC CATALOGUE OF WOMEN AND ARCHAIC GREECE

BEN JONSON, VOLPONE AND THE GUNPOWDER PLOT

BRITAIN, AMERICA AND ARMS CONTROL,

Also by Brian Rosebury and from the same publisher ART AND DESIRE: A STUDY IN THE AESTHETICS OF FICTION

THE NAPOLEONIC EMPIRE

SIR WALTER RALEGH AND HIS READERS IN THE SEVENTEENTH CENTURY

Transcription:

CAMBRIDGE GREEK AND LATIN CLASSICS G eneral E ditors P. E. E asterling Regius Professor Emeritus of Greek, University of Cambridge P hilip H ardie Senior Research Fellow, Trinity College, and Honorary Professor of Latin, University of Cambridge R ichard H unter Regius Professor of Greek, University of Cambridge E. J. Kenney Kennedy Professor Emeritus of Latin, University of Cambridge S. P. Oakley Kennedy Professor of Latin, University of Cambridge

HOMER ILIAD BOOK XXII edited by IRENE J. F. DE JONG Professor of Ancient Greek University of Amsterdam

University Printing House, Cambridge cb2 8bs, United Kingdom Cambridge University Press is part of the University of Cambridge. It furthers the University s mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence. Information on this title: /9780521709774 c IreneJ.F.deJong2012 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2012 5th printing 2 015 Printed in the United Kingdom by Clays, St Ives plc A catalogue record for this publication is available from the British Library Library of Congress Cataloguing in Publication data. [Iliad. Book 22] Iliad. Book XXII / ; edited by Irene J. F. de Jong. p. cm. (Cambridge Greek and Latin classics) Text in Greek; introduction and commentary in English. Includes bibliographical references and indexes. isbn 978-0-521-88332-0 (hardback) isbn 978-0-521-70977-4 (paperback) 1. Achilles (Greek mythology) Poetry. 2. Trojan War Poetry. 3.. Iliad. Book 22. I. Jong, Irene J. F. de. II. Title. III. Series. pa4020.p22 2012 883.01 dc23 2011029431 isbn 978-0-521-88332-0 Hardback isbn 978-0-521-70977-4 Paperback Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.

CONTENTS Preface List of abbreviations page vii ix Introduction 1 1., the ic epics, and literary interpretation 1 (a) 1 (b) The ic epics 2 (c) The literary interpretation of an oral text 5 2. Book 22 andthestructureoftheiliad 6 (a) Length and pace 6 (b) The plot of the Iliad: Zeus s will and Achilles anger 7 (c) Parallels between books 6, 22, and24 11 (d) The interrelated deaths of Sarpedon, Patroclus, and Hector 13 (e) Achilles 16 3. Narrative art and oral style 18 (a) Narrator and narratees 18 (b) Comparisons and similes 21 (c) Epithets 25 4. Language, metre, and text 29 (a) Language 29 (b) Metre 33 (c) Text 38 43 Commentary 59 Bibliography 194 Indexes 206 v

PREFACE Some thirty years ago I applied for a grant to write a thesis that would consist of a commentary on Iliad 22. I was not awarded the grant and when a rumour started to spread that a team under the supervision of Geoffrey Kirk was preparing a commentary on the whole Iliad I turned my attention to another topic, the application of narratology to. Given this history, it was with great joy that I accepted the invitation of the series editors Pat Easterling and Richard Hunter to write a Green and Yellow on this very book. I have focused on two aspects in this commentary: s language (especially his oral syntax, the meaning of words, and the function of particles) and narrative style (for instance the structure of scenes, the relationship of narrator and characters, and the directing of the narratees emotional response). Much important work has been done in the field of the language of the ic epics in the last decades. Thus, the invaluable Lexikon des frühgriechischen Epos was finally completed in 2010, and this treasure-trove of information deserves to be introduced more fully into English-speaking ic scholarship. I feel a special attachment to this formidable instrument because I spent a very pleasant and formative year as stipendiary in Hamburg, working on lemmata like and. Our understanding of Greek particles has advanced greatly since the publication of Denniston s standard text, not least, if some chauvinism is allowed, thanks to the work of Dutch scholars on,,,, and. Finally, the insight has dawned that we should approach the oral syntax of somewhat differently from that of later, written texts. It is a flow through time rather than a structure on the space of a page, and keeping this principle in mind can help us to appreciate and better understand the construction of his sentences. Where the literary interpretation of is concerned, a commentator finds herself in a land of plenty: the quantity of excellent scholarship is simply overwhelming. I have tried to summarise what I have read over the last thirty years as clearly and attractively as possible. Of course, I have profited considerably from the work of earlier commentators: Ameis-Hentze, Leaf, Richardson, and the recent Basler Kommentar (though not yet for book 22). The introductory sections are geared to students and offer no more than a state-of-the-art summary of some central aspects of ic scholarship. Bibliographical references should lead the way to more in-depth discussions. Where the commentary is concerned I hope to facilitate and enrich students reading of the ic text, while at the same time proposing new insights and springboards for new interpretations or research to professional classicists. In writing this commentary I have been very fortunate in my readers and advisers. In the first place, Pat Easterling and Richard Hunter offered comments on yearly instalments of my draft quickly, cheerfully, and expertly. Where the minutiae of the ic language and metre were concerned, I was happy to vii

viii PREFACE be able to consult my former colleague Frits Waanders. Three colleagues and friends read the entire draft: Rutger Allan, Marietje van Erp Taalman Kip, and Sebastiaan van der Mije. They saved me from many errors, and their perceptive questions and constructive remarks helped me to rethink my text at innumerable places. I would also like to thank Elizabeth Upper for polishing my English. I take full responsibility for all remaining infelicities of expression. The cross-references were checked by David van Eijndhoven and (again) Marietje van Erp Taalman Kip. I also owe much gratitude to Dr. Andrew Dyck for his exemplary copyediting. A grant of the Loeb Classical Library Foundation allowed me to finish the MS in a term without teaching obligations. A special word of thanks is due to one of my readers. The thesis on Iliad 22 that I referred to earlier was designed as a two-person project for Sebastiaan van der Mije and myself. Although that project was never realised and we have never officially worked together, he has read and commented upon draft versions of much of my work in the past thirty years. I have no hesitation in claiming that his acute eye, literary sensibility, and unfailing generosity in sharing his time and ideas with me have greatly contributed to its quality. It is therefore with the greatest pleasure and gratitude that I dedicate this book to him. Amsterdam August 2011 I.J.F.d.J.

ABBREVIATIONS BK DELG GH GP KG LfgrE LIMC scholia Bierl, A., Latacz, J., eds. s Ilias Gesamtkommentar (Basler Kommentar) Latacz, J., Nünlist, R., Stoevesandt, M. 2000. Band 1. Erster Gesang, München-Leipzig Brügger, C., Stoevesandt, M., Visser, E. 2003. Band II. Zweiter Gesang,München-Leipzig Krieter-Spiro, M. 2009. Band III. Dritter Gesang, Berlin-New York Stoevesandt, M. 2008. Band IV. Sechster Gesang, Berlin-New York Coray, M. 2009. Band VI. Neunzehnter Gesang, Berlin-New York Brügger, C. 2009. Band VIII. Vierundzwanzigster Gesang, Berlin-New York Chantraine, P. 1968. Dictionnaire étymologique de la langue Grecque, Paris Chantraine, P. 1958 1963. Grammaire Homérique, I-II, 3rd edn, Paris Denniston, J. P. 1959. The Greek Particles, 2nd edn, Oxford Kühner, R., Gerth, B. 1898 1904. Ausführliche Grammatik der griechischen Sprache. Zweiter Teil: Satzlehre, I-II, 3rd edn, Hannover-Leipzig 1955 2010. Lexikon des frühgriechischen Epos,Göttingen Ackermann, H. C., Gisler, J. R., eds. 1981 1999. Lexicon Iconographicum Mythologiae Classicae,Zürich Erbse, H. 1969 88. Scholia Graeca in i Iliadem, Berlin, New York The following editions of and commentaries on the Iliad or Odyssey are referred to by name of author(s) only Ameis-Hentze Ameis, K. F., Hentze, C. 1922. s Ilias für den Schulgebrauch erklärt, Gesang 22 24, 5th edn, Leipzig-Berlin Edwards Edwards, M. W. 1991. The Iliad. A Commentary. Vol. V: Books 17 20, Cambridge Janko Janko, R. 1992. The Iliad. A Commentary, Vol. IV: Books 13 16, de Jong Cambridge de Jong, I. J. F. 2001. A Narratological Commentary on the Odyssey, Cambridge Kirk Kirk, G. S. 1985. The Iliad. A Commentary, Vol. I: Books 1 4, Cambridge 1990. The Iliad. A Commentary, Vol. II: Books 5 8, Cambridge Leaf Macleod Leaf, W. 1900 1902. The Iliad I-II, 2nd edn, London Macleod,C.W.1982. : Iliad Book xxiv, Cambridge ix

x Pulleyn Richardson West LIST OF ABBREVIATIONS Pulleyn, S. 2000., Iliad Book One, Oxford Richardson, N. J. 1993. The Iliad. A Commentary, Vol. VI: Books 21 24, Cambridge West, M. L. 1998, 2000. us Ilias, 1 2, Stuttgart-Leipzig