OPENING STATEMENT BY HON. DR. HASSAN WARIO, EGH, KENYA S MINISTER OF SPORTS, CULTURE AND THE ARTS KICC, NAIROBI, FRIDAY SEPTEMBER 15,2017

Similar documents
WORLD INTELLECTUAL PROPERTY ORGANIZATION GENEVA WIPO INTERNATIONAL CONFERENCE ON INTELLECTUAL PROPERTY AND THE CREATIVE INDUSTRIES

ACPCultures+ funded project seeks to put Caribbean in the spotlight

Chapter 18: Public investment in film in the UK

Hamilton. Appendix A to Report PED13201 Page 1 of 6. Strategy

Film, governance and society

Film & Media. encouraged, supported and developed, and artists and filmmakers should be empowered to take risks.

Motion Picture, Video and Television Program Production, Post-Production and Distribution Activities

I thought it would be useful to append a list of our main points from Wednesday s meeting on the next page.

Model ASEM October 2014 in Milan, Italy

City of Kingston Report to Council Report Number

European Agenda for Music: AEC, EAS and EMU members Feedback Joint Overview

N E W S R E L E A S E

THE NEED FOR LEGALITY

Model ASEM October 2014 in Milan, Italy

East & Central. Supersport Maximo 2 x x

EUROPEAN COMMISSION. Brussels, 16/07/2008 C (2008) State aid N233/08 Latvia Latvian film support scheme 1. SUMMARY

Venue Coordinator Application Pack 2018

Brand identity guidelines

WIPO NFC NCC National Seminar on Copyright for Film Professionals and Consultation with Audiovisual Industry Stakeholders

WIDER ISSUES FACING THE SOUTH AFRICAN AUDIOVISUAL AND CINEMA INDUSTRY Presented by: Adwoa Ankoma Legal, Policy and Compliance Officer National Film &

THE UK FILM ECONOMY B F I R E S E A R C H A N D S T A T I S T I C S

The social and cultural purposes of television today.

STAATSKOERANT, 17 FEBRUARIE 2012 No GOVERNMENT NOTICE DEPARTMENT OF COMMUNICATIONS ELECTRONIC COMMUNICATIONS ACT, 2005 (ACT NO.

DO NOT MISS THIS OPPORTUNITY!!

FILM, TV & GAMES CONFERENCE 2015

Institutes of Technology: Frequently Asked Questions

Oral Remarks by Canadian Association of Film Distributors and Exporters (CAFDE) Delivered by Richard Rapkowski

SAMPLE COLLECTION DEVELOPMENT POLICY

SKY 2014 AGM. SPEAKING NOTES October 2014 DIRECTOR OF CORPORATE COMMUNICATION

IT WAS ALL GLITZ AND GLAMOUR AT THE 2014 KALASHA GALA EVENT KALASHA AWARDS 2014 SPECIAL BULLETIN

THE AUSTRALIAN FESTIVAL AFRICAN FILM. brisbane. 12 may An Australian community that understands the real Africa through quality film

Data from the Film Commission of Kenya

3. In what capacity are you responding to this consultation? *This question is required.

ECONOMIC COMMISSION FOR AFRICA UNITED NATIONS THE ECA LIBRARY. A BRIEF GUIDE RlR USERS. No_1978

UK LIVE MUSIC ATTENDANCE AND MUSIC TOURISM IN 2017

The Ultimate Career Guide

Australian Broadcasting Corporation. Department of Broadband, Communications and the Digital Economy

SOMEDAY STORIES SERIES THREE Making change with film. Request for Proposals

Catalogue no XIE. Television Broadcasting Industries

Arrangements for: National Progression Award in. Music Business (SCQF level 6) Group Award Code: G9KN 46. Validation date: November 2009

UK TV Exports. A global view in 2016/17

RESULT-BASED ACTION PLAN

Transition from analogue to digital broadcasting

DEVELOPMENT AND PRODUCTION CREATIVE EUROPE. Support for the audiovisual sector. #creativeeurope

Israel Film & Television Industry Facts and Figures at a Glance 2017

FESTIVAL INTERNATIONAL DU FILM PANAFRICAIN RULES & TERMS Please carefully read all the rules

Introduction of digital TV in Bosnia and Herzegovina - Support for Public Broadcasting System

october2012-september2013 annual report first-class facility management

Cinema First Appointment of Chair CANDIDATE INFORMATION BRIEF. Appointment of Chair

The Most Important Findings of the 2015 Music Industry Report

Sheffield Doc/Fest Film Submission Guidelines

PROMOTIONAL AND BUSINESS OPPORTUNITIES TO PROMOTE YOUR COMPANY AND TO BOOK A STAND

EXECUTIVE PRODUCTION SERVICES

Heart of broadcast will beat in Istanbul

Leeds Inspired Light Night Commission 2014

A quality framework for use in music-making sessions working with young people in SEN/D settings.

Post of THEATRE DIRECTOR, Swindon Theatres

GEO-Netcast White Paper Final Draft 9 December Improving access to data, products and services through GEOSS

PUBLIC NOTICE FOR PARTICIPATION IN THE APULIA FILM FORUM 16 th - 18 th November Vieste (Italy)

FY 2010 Results Presentation

The BIGGEST. The 2 nd Saudi International Exhibition & Conference for Internet of Things February 2019

Discover MIP Entertainment Content Markets 2019

ARTISTIC DIRECTOR APPLICATION PACK

THE AFRICAN DIGITAL LIBRARY: CONCEPT AND PRACTICE

FILM POLICY FOR IRELAND S NATIONAL BROADCASTER

Appendix C.4 Assistant Deputy Ministers Project Review Committee Terms of Reference

MTN Group Limited (Incorporated in the Republic of South Africa) Highlights

Snapshot on IDB Volume and distribution of IDB financing Transport Strategy New Commitment to Road Safety Available windows for financing road safety

The ABC and the changing media landscape

WHO WE ARE DOHA FILM INSTITUTE. Mission: About the Institute

The EU Audiovisual Media Services Directive and its transposition into national law a comparative study of the 27 Member States

MIAMI CITY BALLET SCHOOL -- THE OFFICIAL SCHOOL OF MIAMI CITY BALLET -- ANNOUNCES NATIONAL AUDITION TOUR IN 17 U.S. CITIES FOR MCB SUMMER INTENSIVE

Broadcasting and on-demand audiovisual services Regulations (No. 153 of 28 February 1997)

Europe s music education networks: synergies and opportunities. Jeremy Cox - AEC Timo Klemettinen EMU Adri de Vugt - EAS

Bristol marries new technology and creativity with its industrial heritage Watershed reflects the city s reputation as a media capital.

IMAA Analogue Film Gathering The Ecologies of Film Aimée Mitchell

BPI the British recorded music industry BRITISH ARTISTS SCORE HIGHEST RECORDED SHARE OF GLOBAL MUSIC SALES

PUBLIC NOTICE FOR PARTICIPATION IN THE APULIA FILM FORUM 11 th - 13 th October Monopoli (Italy)

COLUMBIA BUSINESS SCHOOL VENTURE FOR ALL CLUB CHAPTER

MPO Patrons Concert Season

Sub-Saharan Africa OTT TV & Video Forecasts. Table of Contents

Modernising the digital terrestrial television (DTT) platform. Work programme

SKYCITY Entertainment Group Limited. Interim results for the six months to 31 December 2017

Discover MIP Entertainment Content Markets. hatman12 / istock / Getty Images Plus

2011 Q1 Results Presentation

Kaelyn Yunci Soh. (Singaporean - born 12 May 2006 in London)

File: /2018- Director, Arts, Culture and Heritage Services Vol 01

KICC, NAIROBI, KENYA. Amalgamating the future of sound, video & light.

GCSE Teacher Guidance on the Music Industry Music

Running head: NEW HORIZONS 1. New Horizons: Graduate Music Therapy Studies in Québec, Canada. Sandra L. Curtis, PhD, MT-BC, MTA. Concordia University

Before the FEDERAL COMMUNICATIONS COMMISSION Washington, DC ) ) ) ) ) ) REPLY COMMENTS OF THE NATIONAL ASSOCIATION OF BROADCASTERS

KANZ BROADBAND SUMMIT DIGITAL MEDIA OPPORTUNITIES DIGITAL CONTENT INITIATIVES Kim Dalton Director of Television ABC 3 November 2009

In accordance with the Trust s Syndication Policy for BBC on-demand content. 2

AUDIOVISUAL TREATY COPRODUCTIONS GOVERNED BY CANADIAN TREATIES THAT HAVE ENTERED INTO FORCE AS OF JULY 1, 2014

FALL IN LIKE WITH US

The Telecommunications Act Chap. 47:31

Partnership Opportunities

Window of Creative Competition for Television BBC Trust review

THE RIGHT HONOURABLE PRIME MINISTER OF THE REPUBLIC OF ZIMBABWE, DR MORGAN R

SUBMISSION BY THE NATIONAL ASSOCIATION OF BROADCASTERS IN RESPONSE TO THE NOTICE IN RESPECT OF THE DRAFT LOCAL AND DIGITAL CONTENT STRATEGY

Transcription:

OPENING STATEMENT BY HON. DR. HASSAN WARIO, EGH, KENYA S MINISTER OF SPORTS, CULTURE AND THE ARTS KICC, NAIROBI, FRIDAY SEPTEMBER 15,2017 -Your Excellency Mrs. Amira Elfadil, AU Commissioner for Social Services; -Your Excellency Prof. Sarah Anyang Agbor, AU Commissioner for Human Resources, Science and the Youth -Government Ministers and other Heads of Country Delegations -My Principal Secretary Mr. Joe Okudo -Members of The Diplomatic Corps -All Delegates Ladies and Gentlemen: AS THE HOST- CHAIR OF THIS FORUM(STC-YCS2) MAY I TAKE THIS FOREMOST OPPORTUNITY TO APPRECIATE AND WELCOME ALL DELEGATES FROM ACROSS THE CONTINENT. KARIBUNI KENYA! FROM NORTH AND SOUTH, FROM EAST TO WEST, WE GATHER HERE IN NAIROBI FOR A NOBLE CAUSE: TO GIVE OUR NIHIL OBSTAT (no objection), OUR SEAL OF APPROVAL, BY ADOPTING THE PROTOCOL/STATUTE FOR ESTABLISHING THE AFRICAN AUDIOVISUAL AND CINEMA COMMISSION. WHEN I CAST MY EYES ACROSS THE EXPANSE OF THIS ROOM I DO SEE FACES BEAMING WITH VIGOUR AND ANTICIPATION FOR THE COMMENCEMENT OF THIS SPECIAL AGENCY OF THE AFRICAN UNION WHICH WILL OVERSEE THE DEVELOPMENT OF A VIBRANT AUDIOVISUAL AND FILM SECTOR OVER THE NEXT 50 YEARS. Page 1 of 6

IN SHORT WE ARE HERE TO HERALD THE COMING-TO-BEING OF AN AUDACIOUS PLAN TO ENABLE AFRICA TELL ITS STORY THROUGH OWN MEDIA AND SIMILARLY CORRECT AN IMAGE IMPAIRED OVER THE DECADES BY IMPASSIONATE THIRD-PARTIES. THE AU COUNCIL OF MINISTERS WILL SHORTLY BE CONSIDERING THE REPORT OF THE EXPERTS MEETING REGARDING THE AGENDA OF THIS EXTRAORDINARY SESSION BUT ALLOW ME TO NOTE AND RECALL THE BIRTH OF AACC WHICH HAS BEEN LONG IN COMING. AS MANY OF US SHOULD BE AWARE, THE AACC WAS CONCEIVED BY THE AFRICAN UNION COUNCIL OF MINISTERS IN MAPUTO, MOZAMBIQUE IN THE YEAR 2003. SUBSEQUENTLY THE AU COMMISSION TOGETHER WITH THE PAN-AFRICAN COMMISSION OF FILM MAKERS(FEPACI)UNDERTOOK A JOINT STUDY ON THE STATE OF AUDIOVISUAL AND CINEMA SECTOR IN AU MEMBER STATES. THE RESULT WAS THE 2015 REPORT ON THE STATUS OF THE AFRICAN FILM INDUSTRY AND WHICH RECOMMENDED THAT AACC TO HAVE THE FOLLOWING BROAD MANDATES: (1) AWAKEN INTEREST IN THE CREATIVE ECONOMY (2) PROMOTE FILM AS AN EXPORT PRODUCT TO ENHANCE ECONOMIC IMPACT OF THE FILM INDUSTRY (3) ENHANCE PROPORTION OF LOCAL CONTENT (4) EASTABLISH DISTRIBUTION PLATFORMS/NETWORKS (5) CREATE A FUND FOR THE FILM INDUSTRY LADIES &GENTLEMEN: ALLOW ME TO TENDER MY HUMBLE APPRECIATION TO FEPACI, WHICH FOR 45 YEARS HAS BEEN STEADFAST AND FAITHFUL TO ITS CALLING OF FACILITATION AND STRENGTHENING OF THE AFRICAN VOICE IN THE FILM INDUSTRY. Page 2 of 6

INDEED, SINCE FEPACI MOVED ITS HEADQUARTER TO NAIROBI IN THE YEAR 2013, THE GOVERNMENT OF KENYA HAS OFFERED TECHNICAL AND FUNDING SUPPORT TO THIS CONTINENTAL FILM VOICE. THIS IN TURN ENABLED IT TO, AMONG OTHERS, SPEARHEAD THE OPERATIONALISATION OF AACC, CAPACITY BUILDING IN NATIONAL FILM ASSOCIATIONS AND ENHANCED DISTRIBUTION OF AFRICAN CONTENT. IN SIMILAR MANNER KENYA REMAINS READY TO CONTINUE LENDING ITS SUPPORT, INCLUDING HOSTING OF THE AACC HEAD OFFICE. OUR EFFORTS HERE TODAY WILL CASCADE INTO A SERIES OF FORMAL PROCESSES, CULMINATING INTO RATIFICATION OF THE AACC STATUTE BY THE AU ASSEMBLY OF HEADS OF STATE AND GOVERNMENT IN ADDIS ABBABA, ETHIOPIA, EARLY NEXT YEAR (THAT IS,2018) THUS VERY SOON, AACC WILL TAKE A PLACE OF PRIDE ALONGSIDE OTHER AU SPECIAL AGENCIES SUCH AS THE INTELLECTUAL PROPERTIES COMMISSION, AFRICAN ACADEMY OF LANGUAGES, CENTRE FOR HISTORY AND ORAL LANGUAGES, AND THE AFRICAN INSTITUTE OF RENNAISSANCE WHICH ENCOURAGES FUND REMITTANCES BY DIASPORA AFRICANS. THE FRAME-WORK AND ETHOS OF AACC IS STRONGLY HINGED ON THE ASPIRATIONS OF AFRICA S YOUTH IN THE NEXT 50 YEARS. THIS IS REFLECTED, FOR EXAMPLE, IN THE AU AGENDA 2063, ASPIRATION#5, WHICH RECOGNIZES FILM AND CULTURE AS BEARING IMMENSE CONTRIBUTION TO THE ECONOMY OF AFRICA, AND THE ATTENDANT NEEED TO EMPOWER WOMEN AND YOUTH WITH REQUISITE ENTREPRENEURAL SKILLS. PERHAPHS YOU ARE WONDERING AFRICA S RESURGENT INTEREST IN THE FILM INDUSTRY. A COMPREHENSIVE STUDY BY THE UNITED NATIONS CONFERENCE ON TRADE AND DEVELOPMENT(UNCTAD) IN 2011 ESTABLISHED THAT GOODS AND SERVICES FROM THE CREATIVE INDUSTRY ACCOUNT FOR 7%(SEVEN PER CENT) OF THE WORLD S GROSS DOMESTIC PRODUCT(GDP). Page 3 of 6

THIS TRANSLATES INTO AN ANNUAL TURNOVER OF 624BILLION US DOLLARS, WITH THE FILM/CINEMA SEGMENT REGISTERING A 39% GROWTH BETWEEN YEAR 2005-2011. FACED BY THIS PHENOMENAL GROWTH, ALLOW ME TO DISTORT A CLICHÉ, BY STATING THAT FOR THE CREATIVE ECONOMY THE LIMIT IS BEYOND THE SKY IN THE LONG TERM, INVESTMENT IN THE FILM INDUSTRY WILL AID AFRICAN COUNTRIES IN THEIR QUEST OF THE SUSTAINABLE DEVELOPMENT GOALS. IN A LARGER SENSE, WE MAY BE TREADING A BEATEN PATH. IN DECADES GONE BY, DRIVES BY AFRICAN STATES TO CONSOLIDATE EFFORTS ON SPECIFIC AGENDA GAVE RISE TO SUCH PAN-AFRICAN INITIATIVES AS THE ORGANISATION OF AFRICAN UNITY (OAU), AN OSTENSIBLE EFFORT TO ASSIST AFRICAN COUNTRIES REGAIN INDEPENDENCE FROM COLONIALISTS. IT IS NOTEWORTHY THAT MANY AFRICAN FILMS OF THAT ERA WERE THEMED ON OPPRESSION AND CLAMOUR FOR SELF-RULE. WITH THE AFRICAN BLOCK NOW VIRTUALLY FREE, THE FOCUS FOR COLLABORATION HAS SHIFTED TO CULTURAL AND SOCIO-ECONOMIC ISSUES AND HENCE THE RENAMING OF THE CONTINETAL BODY TO AFRICAN UNION(AU) THE DECADES FROM EARLY 1960s, SAW THE FLOURISHING AFRICAN WRITERS SERIES, ESSENTIALLY A PUBLISHING ASSOCIATION OR SUPPORT GROUP OF LITERARY PRODIGIES SUCH AS SEMBENE OUSMANE, TABAN LO LIYONG, AUSTIN BUKENYA AND KENYA S OWN NGUGI WA THIONGO. SOME OF THEM DABBLED IN FILM AS WELL. IN THE FIELD OF MEDIA, THE CONTINENT HAD THE UNION OF RADIO AND TELEVISION NETWORKS OF AFRICA(URTNA), WHICH PROMOTED THE EXCHANGE OF HOME-GROWN RADIO AND TV DOCUMENTARIES. OUR FOCUS TODAY IS THE CONTINENTAL FILM PROFILE. BUT AS HOSTS OF THIS CONFERENCE, I WISH TO ASSURE YOU THAT THE GOVERNMENT OF KENYA HAS MADE GREAT EFFORTS TO TRANSFORM CINEMA/FILM INTO A PROSPEROUS INDUSTRY. Page 4 of 6

THUS WE HAVE FACILITATIVE BODIES SUCH AS THE KENYA FILM COMMISSION(KFC), KENYA FILM CLASSIFICATION BOARD(KFCB), DEPARTMENT OF FILM SERVICE(DFS) AND THE KENYA COPYRIGHT BOARD(KECOBO). THE NEWEST IN THE STABLE IS THE GOVERNMENT-SPONSORED KENYA FILM SCHOOL INAUGURATED LAST YEAR, AND WHICH SAW OFF ITS INAUGURAL 60 GRADUANDS A FEW MONTHS BACK. ALL THESE EFFORTS WILL, AT ONCE, RENDER KENYA A LEADING FILMING DESTINATION AND HOME OF RENOWNED FILM MAKERS. BUT EVEN AS WE CHEST-THUMP, WE REMAIN READY TO LEARN AND COLLABORATE WITH THE OTHER BUBBLING FILM PRACTITIONERS IN NIGERIA, SENEGAL, BURKINA FASO, MOROCCO, EGYPT. INDEED, ALL OF YOU BRING SOMETHING UNIQUE TO THE FILM AGENDA. I HAVE WOWED YOU ENOUGH WITH MY STORY AND I WOULD RATHER NOW OFFER DELEGATES THE CHANCE TO ALSO TELL YOUR OWN STORY AS WE SHORTLY SIFT THROUGH THE DOCUMENTS SO ABLY PREPARED BY VARIOUS TEAMS OF EXPERTS. IT IS NOW MY HUMBLE DUTY TO DECLARE THIS SESSION OF STC-YCS OFFICIALLY OPENED. THANK YOU! AHSANTENI SANA! DR. HASSAN WARIO, (PhD), EGH, Page 5 of 6

Cabinet Secretary, Ministry of Sports, Culture and The Arts KENYA. Friday September 15,2017 Page 6 of 6