Troological Iteractios ad Exressive Iterretatio i Stravisky s Neoclassical Works Scott C. Schuma Cetral Michiga Uiversity Scott.Schuma1@gmail.com The Society for Music Theory 0 th Aual Coferece Thursday, November, 017 Arligto, VA Figure 1: Iteractios of Hatte s four troological axes (aotatios are my o) Dimesios alog hich a imorted toic ad its otetial troological iteractio may be marked ith resect to its e eviromet. Degree to hich a articular toic s stylistic features easily bled ith other toics or stylistic features ith hich it is combied Degree to hich oe toic is heard more or less romietly i a give arragemet Frequecy ith hich a certai toic or troe has bee used i a articular style Frequecy ith hich a toic or troe is used over the course of a ork Examle 1: Séréade e la, Mvt. I, mm. 1 6 Maestoso qd = 5 Declamatory 6 6 5 f be articolato b Chorale texture b Active rhythmic cotet b b Œ. Œ. Dissoat B 9 Sace added for emhasis. b Œ. b b b b b b b 9 Œ.
Examle : Séréade e la, Mvt. I, mm. 7 1 Examle 3: Comariso of left had gestures i mm. 1 ad 7 i Séréade e la, Mvt. I
Examle : Séréade e la, Mvt. I, mm. 77 1 Vl. I,II Vcl. I,II (trs.) Vl. I,II Vcl. I,II (trs.) Drum rhythm Œ #! #.... # #... Examle 5: Aollo musagète, R... R # # Frech overture theme..... #.... #. # #..... #.... #. #.#.. ma marc. sub. sim. E: I (V 7 /IV) (IV) (toic edal throughout) sim.. #.. #. E: (IV) (V 7 /IV) C: I 6 (toic edal throughout)
Vl. I Vcl. I Vl. II Vcl. II (trs.) Static rhythm q = 5... Frech overture theme 99 Examle 6: Aollo musagète, R. 99......... - W - - -........ W.. #.... #... D: I (V 7 /IV) (IV) (V 7 /IV) (toic edal throughout) #
Vl. I Vcl. I Vl. II Ombra chromatic tremblig Vcl. II (trs.) Vl. I Vcl. I Vl. II Vcl. II (trs.) 101 q = 5 More active accomaimet (rhythmic ad harmoic) Examle 7: Aollo musagète, R. 101.... # # oco sf oco sf etc. simile.. Frech overture theme (modified).. # # 3 5 6 (6) 7.. # # #........ # # U W uw U W W u.. # U #. # # Rhythmic augmetatio begis i Accomaimet
Examle : Frech overture theme comarisos at R., 15, 99, ad 101 # 15 99 #. R. Comlete triad (E maor at R. ) (C maor at R. 15) (D maor at R. 99). R. 101 icomlete b mior triad ^ b6 ever ^ resolves to 5 ( ) Examle 9: Frech overture theme accomaimet atters at R., 15, 99, ad 101 15. # Ó ma marc. (trasosed u m6 to C maor).. sare drum rhythm #! 99 - - static rhythm marcato (R. /15) vs. legato (R. 99) articulatio
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