Two Eggs. A Ten-Minute Play By Stephen Bittrich. Finalist in Actor's Theater of Louisville's Ten Minute Play Contest.

Similar documents
The Movies Written by Annie Lewis

Lexie World (The Three Lost Kids, #1) Chapter 1- Where My Socks Disappear

I HAD TO STAY IN BED. PRINT PAGE 161. Chapter 11

crazy escape film scripts realised seems strange turns into wake up

STUCK. written by. Steve Meredith

Sleeping Beauty By Camille Atebe

THE WEIGHT OF SECRETS. Steve Meredith

************************ CAT S IN THE CRADLE. him"

Look Mom, I Got a Job!

Dominque Silva: I'm Dominique Silva, I am a senior here at Chico State, as well as a tutor in the SLC, I tutor math up to trig, I've been here, this

THE BENCH PRODUCTION HISTORY

AFTER MOM'S FUNERAL. Julio Weigend

Note: Please use the actual date you accessed this material in your citation.

<This human body> <Mary Higgins> Mary Higgins

"Wallflower House" A One Act Play by Grant Sutor Vuille. Copyright 2012 Grant Sutor Vuille.

And all that glitters is gold Only shooting stars break the mold. Gonna Be

Transcript: Reasoning about Exponent Patterns: Growing, Growing, Growing

Song Lyrics. The Dover House Singers invite you to an. Wednesday 28th March pm St. Margaret s Church Hall, Putney Park Lane, SW15 5HU

Section I. Quotations

Um... yes, I know that. (laugh) You don't need to introduce yourself!

Bereavement. Heaven Collins. 5/2/16 Bellows Free Academy Saint Albans 380 Lake Rd, Saint Albans, VT (802)

DOCUMENT NAME/INFORMANT: PETER CHAMBERLAIN #2 INFORMANT'S ADDRESS: INTERVIEW LOCATION: TRIBE/NATION: OOWEKEENO HISTORY PROJECT

FALL/WINTER STUDY # SELF-ADMINISTERED QUESTIONNAIRE 1 CASE #: INTERVIEWER: ID#: (FOR OFFICE USE ONLY) ISR ID#:

Our Dad is in Atlantis

On the eve of the Neil Young and Crazy Horse Australian tour, he spoke with Undercover's Paul Cashmere.

The Ten Minute Tutor Read a long Video A-11. DRINKS Flavoured Milk $1.80 Plain Milk $0.90 Low Fat Milk $0.90

Personality Disorders A conversation with Nina Rhode about her Fantomas at Gallerie Sandra Buergel by Luis Rafael Berríos-Negrón

Famous Quotations from Alice in Wonderland

TAINTED LOVE. by WALTER WYKES CHARACTERS MAN BOY GIRL. SETTING A bare stage

LEITMOTIF (Medley) Being Your Baby There's a Place Only in Dreams Thinking Love is Real Magdalene Wine on the Desert Spring and Fall

WOODLAND GIRL. Written by. Simon K. Parker

Do the preparation task first. Then watch the video and do the exercises. You can also read the transcript.

Candice Bergen Transcript 7/18/06

It's Wonderful to Sing... for Life

Big Life. Paul Calandrino Characters. Brad - 30s Angelina - 30s

Carl Wiser (Songfacts): We got an with some great pictures from the '70s of the Bella Vista.

Night of the Cure. TUCKER, late 20s. ELI, mid-40s. CHRIS, mid-30s

High Frequency Word Sheets Words 1-10 Words Words Words Words 41-50

Cambridge International Examinations Cambridge International Advanced Subsidiary and Advanced Level

Medusa Script. Written By. Collin Cunningham Brendan McLaughlin Ethan Leisie Aiden Fry Erik Schulz. Based on INCEPTION

A very tidy nursery, I must say. Tidier than I was expecting. Who's responsible for that?

Time We Have Left. Episode 6 "First Day Back" Written By. Jason R. Harris

Description: PUP Math Brandon interview Location: Conover Road School Colts Neck, NJ Researcher: Professor Carolyn Maher

TRANSYLVANIA'S GOT TALENT. written by. Dave Troop

Jubilation Mississippi

"An Uneventful Day" Written by JAMES CARLETTE

Marriner thought for a minute. 'Very well, Mr Hewson, let's say this. If your story comes out in The Morning Times, there's five pounds waiting for

Clouded Thoughts by John Cosper

Life without Library Systems?

Speaker 2: Hi everybody welcome back to out of order my name is Alexa Febreze and with my co host. Speaker 1: Kylie's an hour. Speaker 2: I have you

The Real Prize. Malcolm is rowing old Joe's rowboat into the Sound. Malcolm. never lets me go with him in the boat; I have to watch from the

Dark and Purple and Beautiful

Jacob and Noah. his first stop: Main Street. As he carries his ladder he hums the tune to a song. At

Interviewee: Emile Lacasse, Sr. Interviewer: Carroll McIntire May 12, 1994

a script from by Jenny Craiger

-1- It's Up To You: Choose Your Own Adventure

Jacob listens to his inner wisdom

As Emoji Spread Beyond Texts, Many Remain [Confounded Face] [Interrobang]

Teacher Man by Frank McCourt

Hello! & Welcome to A Twisted Plays/Junior Drama Sample Script! On the following pages you will find a sample of the script that is available for

Video - low carb for doctors (part 8)

Method To The Madness

UNIT 4 MODERN IRISH MUSIC - PART 3 IRISH SONGS

March 12 th, 13 th and 14th 2015

THOUGHTZ 4 TOTZ VERY SILLY SONGS FOR CHILDREN. Written By Ian Rae Russell Hill Road Day Nursery Edition

THE HISTORY OF MOTOWN PAGE 1

Midnight Cowboy. Screenplay by Waldo Salt. Copyrighted material for educational use only. Based on the novel by James Leo Herlihy

The Lion King. Dance Pointe Essex Musical Theatre

TIGHTEN UP YOUR WIG. From the 1968 release "The Second" Words and music by John Kay

S p i r i t o f L a n g u a g e

MR. MCGUIRE: There's a great future in plastics. Think about it. Will you think about it?

Sarah looks outside the window to see Laurien driving her car rather recklessly and parking diagonally. Laurien jumps out of her car and runs inside

A giant stuffed mouse sits buckled in the passenger seat.

Chapter 1 Kirren Island. Blood Ties - Introduction

Dialogue Samples from JUST IN THE NICK OF TIME Copyright 1994 Linda Daugherty All rights reserved. Sample #1

UA12/2/1/2 Our Fears Are All the Same, John Carpenter

THE BENCH. Shawn Martin

10:00:32 Ia is stubborn. We fight about TV and cleaning up. 10:00:39 What annoys me most is that she's so stubborn.

Contemporary Scenes for Young Actors

African Tales: Kalulu and Rumpelstiltskin. by Timothy Mason

- ENGLISH TEST - PRE-INTERMEDIATE 100 QUESTIONS / KEYS

(From outside room) Alysha?! Oh no! It's Ravi! (SFX: Music stops) (Hurriedly) Bax... you've got to go. (Calling from outside room) Alysha!

ABBOTT AND COSTELLO By Jonathan Mayer

PEOPLE WHO LIE. written by. Xavier Gonzalez

SEXUAL PERVERSITY IN AÑO NEUVO Ross Peter Nelson Playwright s Phone Number. A 12-year-old elephant seal. The alpha male. EDDIE EDDIE EDDIE EDDIE EDDIE

CANDI WITH AN I By Macee Binns

After last evening, I didn't think I would hear from you for a few days. I thought you'd still be pouting.

Testimony of Kay Norris

What makes a video go viral?

Romeo and Juliet. a Play and Film Study Guide. Student s Book

Lit Up Sky. No, Jackson, I reply through gritted teeth. I m seriously starting to regret the little promise I made

Wymondham Ukulele Group Elvis & Buddy Holly Songbook

That's OK. I thought it was the horse

Shame from the Autobiography of Dick Gregory

#029: UNDERSTAND PEOPLE WHO SPEAK ENGLISH WITH A STRONG ACCENT

Elementary Podcast 2-7 Transcript

Conjunctions ******* There are several types of conjunctions in English grammar. They are:

"EMBRACING THE STRANGER" Barry Katz

Michael Rosen s Chocolate Cake Schools Activity Pack

ABBOTT AND COSTELLO TEN MINUTE PLAY. By Jonathan Mayer

Transcription:

Two Eggs A Ten-Minute Play By Stephen Bittrich Finalist in Actor's Theater of Louisville's Ten Minute Play Contest. Two Eggs is protected by copyright law and may not be performed without written permission and making a royalty agreement with author, Stephen Bittrich. To contact the author, write to SBittrich@aol.com. Billing requirements: "By Stephen Bittrich" must always follow the name of the show in any programs, posters, or other written material. I do allow taping of shows to be put on YouTube (or other such video posting websites) for free as long as the following is in the description area: "Two Eggs, by Stephen Bittrich, www.stephenbittrich.com" Current contact info always on website: www.stephenbittrich.com Copyright 2000, by Stephen Bittrich

"TWO EGGS" BY STEPHEN BITTRICH SETTING: Living room in the apartment of on the Upper West Side. AT RISE: is tidying up the room when the doorbell rings. Who is it? (O.S.) It's your neighbor, uh, Skip. Skip?

(O.S.) Yes, I live right below you. Oh, right. ( opens the door. Standing in the doorway are KISS ASS SKIP and. THEY are both dressed exactly the same except for the color of their turtlenecks. KISS ASS SKIP has a bright yellow turtleneck, and has a blue turtleneck. THEY move as if they are one. KISS ASS SKIP is in front while is glued, body to body, just behind and to the left. is lively and energetic, while DEPRESSED SKIP seems to be asleep or dormant. 'S head rests on the left shoulder of. Jane doesn't notice anything particularly out of order about SKIP's appearance) (cont'd) Hi, how are you. I've seen you in the lobby. Skip, right? (speaking in a sort of saccharine staccato) Yes, Skip...or Skippy. Call me whatever you want, really. Skippy is fine...or Skipper. Or maybe you just like Skip. I'm not picky. I just like Skip, actually. I'm Jane. ( sticks out her hand to shake. When extends his hand, DEPRESSED SKIP'S arm goes out as well, but the hand remains limp)

Jane, oh, Jane, how nice. What a lovely, terrific name! Jane! Well, you know, pretty basic. Plain Jane. Plain. Oh never! Beautiful, tremendous Jane. Great Jane! If--you don't mind me saying. What a super-duper place you have, Jane. So clean. Thank you. I--I--I work in a laboratory, Jane. What do you do? Well, I'm back in school actually. Rethinking careers...after many years of working as a-- Jane, you are so brave. So courageous! Such a trouper! Was there something I could do for you...skip? Or Skippy, Skipper. Yes, actually, Jane, there is. I was making a cake, you see--right in the middle of mixing it. A tremendous, super-duper recipe actually. I'd love to invite you over for a--a cakefest after it's done, but, well, this is embarrassing, I've run out of a crucial ingredient. I need two eggs. Two eggs. Well, that's easy enough. I just went shopping this morning. Did you? Oh Jane, you are so nice. So fabulous. Such a good neighbor. Well, Skip Skip Skipper. It's not a problem at all. ( turns to get the eggs from the kitchen area. KISS ASS

SKIP goes instantly to sleep, while wakes up) You're making fun of me, aren't you? Hmmm? (stopping and turning back to him) "Skip Skip Skipper. Skip Skip Skipper." I try my best to give people, you know, options. Everybody's different. You may not like Skip. You may have dated a--a "psycho Skip" at one time. So I say, have a choice. How about "Skippy" or "Skipper"? I mean the chances of somebody having rotten associations with a "Skip," "Skippy," and a "Skipper" are-- are infinitesimal. Skip, I was just...don't take it that way. Oh, who am I kidding? It's my pathetic need to get people to like me which makes me an object of ridicule. I wasn't ridicul-- Do you have any Valium? Valium? No. Vicadin? No. Any...any drugs of any kind? No, sorry.

I have to sit down. I don't feel well. Oh...well...are you sick? (The TWO SKIPS make their way to the couch to sit down) I have a pain...in my head. I just need, need a little compassion. I didn't name myself. That lofty task was left to my parents. Two bunglers who should never have mated. It wasn't easy growing up with a name like Skippy. I was beaten up on a regular basis. I tried "Skipper" on for size for a while, you know, like I was the "skipper of my own ship--the captain--the guy in charge." But I had such trouble with my "S's" as a kid that I couldn't pull it off. "Sthkipper." Not very manly. (placating him) Skip, I'm sorry. I wasn't really making fun. I was being...enthusiastic. When you walked in the door you were so happy-go-lucky, and, you know, I caught the Skippy fever. And Skip really is a happy sort of name, if you think about it. (simultaneously, going to sleep)...stho sthleepy... (simultaneously, waking up) That's okay, Jane. I knew you were a fantastic person the minute I laid eyes on you. Thank you. (a little confused) Don't mention it! You're okay then? I am, if you're okay.

I'm okay. You certainly are! Great Jane! (beat) Would you go out with me? Let me get your eggs...two eggs...then you can get back to your cake. ( goes down, while wakes up) You want me to leave, don't you? You're trying to get rid of me. I've out-stayed my welcome... Uh...no, no, that's not it at all. Not that I blame you. I'm dirt, I'm scum. Skip! I fart all the time, constantly. Little too much info there, neighbor. I can't help it. I have bad digestion, but I'm labeled a freak because of it. See there. I just did it. Silent killer. Between the farting and the name thing-- Skip, I'm going to go get your two eggs. You've got a cake waiting! ( exits to the kitchen. conks out, while wakes up) You're okay, Jane! Jane?

(smelling the fart) Oh my God...Jane. (HE gets up from the couch with the dormant attached, of course, and moves around to the back of the couch, fanning the air and looking around the room) What a super-terrific apartment, Jane! You're a woman of singular taste, I can tell. Thanks, Skip. (from the kitchen) ( goes out, while wakes up) Me, there's nothing singular about me. Your eggs. Now, I hate to be rude, but I'm really going have to scoot you on out of here. You hate me, don't you? (starting to get frustrated) Skip, uh, you know, I don't even know you. I just need you to leave, so I can get ready... You're going out! Yes, I have a date coming over. Sorry I can't be more neighborly right now. What about us? Us? (there is a sort of violent vomiting sound that emits from the SKIPS, but it doesn't come

from the mouths of either KISS ASS or. KISS ASS SKIP wakes up, and they speak simultaneously as if in slow motion) NOOOOOO! NOOOOOO! (simultaneously) (simultaneously) (THEY squirm and wriggle, fighting to keep the vomit down) Uh, Yeeees. Skip, I'm not joking around. Time to leave. (there is another vomiting sound from the SKIPS) STAY DOWN! (simultaneously) (simultaneously) DON'T COME UP! (As THEY are standing behind the couch, the head of MISOGYNIST CAVE MAN SKIP pops up between the two SKIP HEADS. They try to push him down, but HE fights his way back up, snapping with his teeth at their fingers. HE wins the battle to stay. HE wears a red turtleneck) MISOGYNIST CAVE MAN SKIP You two timing, bitch! What?

Jane! I didn't mean that! I'm sorry! That was an accident! NOT! MISOGYNIST CAVE MAN SKIP ( tries again to push MISOGYNIST CAVE MAN SKIP down, but runs out of energy and falls asleep) Skip, it's been real, it's been fun. There's the door. Got any cocaine? MISOGYNIST CAVE MAN SKIP Ha, ha, not that I use that stuff. MISOGYNIST CAVE MAN SKIP I hunger, I thirst. More eeeegggzzz! More eeeegggzzz! (MISOGYNIST CAVE MAN SKIP moves forcefully towards the kitchen, while struggles toward the door) Skip, you are starting to freak me out. Oh, it's no problem, Jane, I'm just leaving now to make my cake. It was so super meeting you. You'll have to come up for cake later...after your date...or anytime really. It doesn't have to be on the same night as your date. Tomorrow night is good...or the next night... MISOGYNIST CAVE MAN SKIP (breathing heavily) Show me your tits! Ha, ha, just a little joke. Don't--don't--don't show them. Not that they aren't tremendous. No, I don't mean tremendous, I mean super-duper...oh darn... (MISOGYNIST CAVE MAN SKIP laughs cruelly at the plight of KISS

ASS SKIP. finally does a backhanded kung fu blow to the face of MISOGYNIST CAVE MAN SKIP, and his head falls unconscious)...thanks so much, neighbor. I'm leaving now. Yes, I think it's best. I hope we can still be friends. Sure, sure, Skip. ( wakes up. The SKIPS have made their way in front of the door by now) (tearfully) Oh, who am kidding? It's over between us. ( opens the door for him) (sarcastically) No, I think we've still got a chance, Skip. Good-bye. We do? We've got a chance? (BARRY WHITE type music starts up. Like the parting of the Red Sea, the other SKIPS roll into the background, while BARRY WHITE SKIP, in a white turtleneck, slides to the front. HE is smooth like silk) Baby! BARRY WHITE SKIP (singing or talk singing in that deep, rich Barry White-esque voice) OTHER SKIPS (the background singers)

Baby! BARRY WHITE SKIP I know we've had our ups and downs. I said, "Baby!" Baby! OTHER SKIPS BARRY WHITE SKIP My love expands for you by leaps and bounds. Oh, yeah, Baby! THE PLAY CONTINUES FOR ONE MORE PAGE. FOR THE LAST PAGE OF THE PLAY, WHICH YOU CAN READ FOR FREE, EMAIL STEPHEN BITTRICH AT SBITTRICH@AOL.COM