Cass County 4-H. Creative Writing. Project Manual

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Cass County 4-H Creative Writing Project Manual

It is the policy of the Purdue University Cooperative Extension Service that all persons have equal opportunity and access to its educational programs, services, activities, and facilities without regard to race, religion, color, sex, age, national origin or ancestry, marital status, parental status, sexual orientation, disability or status as a veteran. Purdue University is an Affirmative Action institution. This material may be available in alternative formats. March 2013 Sources: Adapted from manuals in Clinton, Sullivan and Washington Counties 1

I. Introduction to 4-H Creative Writing Project Objective: This project is designed to give 4-H members an opportunity to explore or refine their writing skills and to display their creativity. To develop good writing skills, practice is a necessity. This project will help you explore your writing talents. You will write several different pieces before you choose one you wish to submit for 4-H judging. You may choose to try poetry, prose (essays, biographies, novels, short stories, autobiographies), or children s stories. Determine the topic you choose to write about based on your own interest in a subject. Whatever the topic, be sure to write in a tone and style that you are comfortable with. Your topic can be serious and factual, or it can be humorous and light hearted. You can choose to write an inspirational or heart-tugging piece. Just let yourself go and have fun with this project as you express yourself. There will be time later to clean up the details. II. 4-H Creative Writing Project Guidelines State Fair Entries: None Creative Writing Project Categories 1. Prose: Exhibit is a story (fiction or nonfiction), autobiography, biography, essay, journal, short stories or any other prose piece and a record sheet. 2. Poetry: Exhibit is a poem(s) and a record sheet. 3. Children s Story: Exhibit is a story written specifically for young children including illustrations and a record sheet. General Guidelines 1. Members will enroll in this project by the grade level they were in on January 1 of the current year. Beginner- Grades 3-5; Intermediate- Grades 6-8; Advanced- Grades 9-12 2. Only one entry or exhibit is required to complete the Creative Writing project. However, 4-H members may choose to have an entry in each of the following 3 Project Categories: Prose, Poetry, or Children s Story. 3. All entries are to be handwritten neatly in ink or typed. Typed entries should be double-spaced using basic font and at least 12 points. 4. Children s stories must include illustrations. (See manual for suggestions.) Illustrations are not required for Prose and Poetry entries but are permitted to enhance your exhibit. 2

4-H Creative Writing Project Guidelines (continued) 5. All entries must have been written since the previous year s county fair. All entries must be the exclusive work of the 4-H member, NO group projects or collaborations should be submitted for judging. 6. Each entry is to have a title page with the following information: Title, Author, Date, Project Category, Grade in School (just completed), and 4-H Club. See sample in the manual.) 7. Each entry is to be bound to keep it neat and clean during judging and display at the 4- H Fair. Use any type of three-pronged folder or school report cover available at most department stores. You may decorate the cover, or use a report binder with a plastic front so your title page shows through. 8. Neatness counts. Be sure your project is clean, neat, and organized. 9. Use any tools available to you to present your exhibit in the best possible way. However, don t neglect the most important part of this project... Creative Writing. The development of your subject into a poem or story, the creative way you express yourself, and the proper grammatical use of words, are more important to the judge than computer printing and expensive laminating and bindings. Make sure you concentrate on the project, before the presentation of it. 10. Be sure to site sources used in a Works Cited bibliography when quotes, facts, or research information is used in your writing. This follows Copyright Law. An exhibit will be given a lower grade ribbon if a bibliography is not provided and quotes, facts or research is included in their work. 11. Double check the order of the paper in your binder. a. Title Page (required) b. Your writing project (required) c. Bibliography (give credit to sources only if you researched) EXHIBIT: Categories Grades 3-5 Grades 6-8 Grades 9-12 Prose* 100-300 words 300-1,000 words Poem A poem of at least 8 lines or 2 stanzas A collection of 3 or more poems each must consist a minimum of 10 lines or 3 stanzas, no less than 1,000 words A collection of 5 or more poems each must consist a minimum of 12 lines or 5 stanzas, Children s Story 3-8 pages 8-12 pages 12-20 pages *Prose: Exhibit is a story (fiction or nonfiction), autobiography, biography, essay, journal, short stories, or any other prose piece. 3

4-H Creative Writing Project Guidelines (continued) - Include a creative writing record sheet with your exhibit. - Put the white exhibit card in the lower right hand corner of the display notebook. EXHIBIT DUE AT THE 4-H COMMUNITY CENTER, SATURDAY prior to the 4-H Fair, between 8:00 a.m. and 10:00 a.m. III. To Begin Organize your writing tools. You will need paper pencils/pens eraser spiral notebook dictionary thesaurus supply pouch that zips up tightly, to keep everything together. Use the notebook to write your observations and to list subject ideas. You can practice your observation skills by looking at a very ordinary thing and writing a full description of what you see in your notebook. For example, you may see the swings on an empty school playground. But a writer with good observation skills also notices the rust on the frame, the broken seat and the weeds growing around the legs of the set. Close your eyes and observe with your other senses. Can you hear the creaking of the swing chains as the breeze blows? Practice writing the details you observe. Now take it one more step, did the playground swing give you a different feeling than the shiny new set of swings at a store? Of course! Your descriptions of what you see can help you set a mood for your writing. IV. Choose a Subject In your notebook, along with your written observations, write down subject ideas. When you get an idea of something you would like to write about, include it in your notebook. It could involve your observations, or it could be an event - something that happened to you or to someone else. You may want to write about your feelings on a subject. Later, when you need to choose something to write about, you will have a list of ideas already developed. No matter how you select your subject, be sure that it is a topic that really interests you! 4

V. Choose a Category Decide what type of writing you would like to try. You may want to try a little of everything or just concentrate on one type of writing at a time. Some authors are excited about poetry, but not biographies or stories. Not every person who writes good stories is able to write children s books. If you haven t tried different kinds of writing before, now is a good time to experiment. Once you are done writing, choose your best work for your 4-H exhibit. You only need one poem or story to complete this project. However, you may exhibit up to three (3) pieces, one in each of the three categories described in this manual: poetry, prose, or children s story. VI. Poetry Tips and Guidelines 1. Write down your ideas in your notebook as you experience them. You may want to use these ideas later to write your poetry. 2. Choose your words carefully to express what you want to say in a few words or lines. 3. Keep a dictionary, a thesaurus, and a rhyming dictionary nearby as you write your poetry. 4. You may write any type of poetry. Take advantage of anything you have been taught in school, involving the many different types of poems. Check into reference books available in libraries that describe different forms of poetry and give instructions for writing them. Ask a librarian for assistance in locating these books. 5. All types of poems take thought and planning. Use a style you are familiar with from school, or learn about a new style and try it. Here are two types of poetry with different rhythms: a. Traditional poems have a set meter (the rhythm or beat of the syllables and accents of the words) and a traditional form (stanzas of set length). b. Free verse, another form of poetry, has no particular pattern, but still has a rhythm or a beat. 6. After the poem is finished, go back and correct any misspelled words, and check your punctuation and capitalization. Now is the time to clean up the details! 7. Remember that poetry is meant to be read aloud. Read your poem aloud to yourself, or have someone read it to you aloud. If it doesn t sound right, make changes until it sounds right. 8. REQUIRED: Include a title page with your poetry as described in Section IX. 9. OPTIONAL: You may include a separate page with a description of the poetry form you have chosen for your 4-H exhibit. For example, if you choose to submit a Haiku (a Japanese verse form), you could write a description and brief history of the Haiku. This description is not required, but may enhance the presentation of your work. 5

Poetry Tips and Guidelines (continued) 10. OPTIONAL: You may include illustrations on the page/pages containing your poem(s) to enhance your work. 11. OPTIONAL: You may include an Author s Page as described in Section X. 12. Be sure you have followed the 4-H CREATIVE WRITING PROJECT GUIDELINES listed in Section II of this manual. Poetry is the only category in Creative Writing that allows you to exhibit more than one written piece. Small poems may be exhibited on one page, or separate pages. The poems you write may be all the same type, or different types. Poems must be displayed together in one binder. 13. Do NOT frame your poem for the 4-H Fair, although you are free to do so after the fair is over. 14. The papers for your poetry project need to be in this order. a. Title Page (required) b. Description of poetry form (optional) c. Your writing project (required) d. Author s Page (optional) A Glossary of Poetic Terms A-Z These poetry terms are from the letters A-Z. They are from The Norton Introduction to Literature, sixth edition: Alliteration-the repetition of sounds in nearby words; usually the initial consonant sounds of word and sometimes internal consonants in stressed syllables. Assonance-repetition of vowel sounds in a line or series of lines; can affect pace and the way words included in the pattern seem underscored Allusion-referring to a text or myth, outside of the poem itself, that carries its own history of meaning Ambiguity-meaning more than one thing Analogy-finding a commonality between things that are not alike Blank Verse-unrhymed iambic pentameter Concrete Poetry/Shaped Verse-an attempt to supplement or replace verbal meaning with visual devices from painting and sculpture Connotation-what a word suggests instead of its specific meaning Connote-suggesting, in addition to explicit meaning Controlling Metaphor-a metaphor that dominates or organizes an entire poem Denote-to mean or stand for (note from your host: think of DEnote as the DEfinition of something or what it generally means, CONnote is what is being suggested or CONning you into thinking about instead!) 6

A Glossary of Poetic Terms A-Z (continued) Denotation-a direct meaning, not implied (as in denote/connote, the opposite of connotation) Discursive Structure-organized in the form of a treatise, argument, or essay Extended Metaphor-a complex metaphor that extends through a long segment of the poem Figurative Language-using figures of speech Figures of Speech-using familiar terms to compare something that is pictured or figured in the poem Free Verse-Poetry that avoids meter and has no significant recurrent stress rhythms, although it may use other repetitive patterns Limerick-has been popular for hundreds of years, and is often the very first poem learned and memorized by young children. Limericks can be serious or fun. Metaphor-one thing pictured as if it were something else, suggested a likeness or analogy Narrative Structure-based on a straightforward chronological framework Occasional poem-written for or about a specific public or private occasion Onomatopoeia-a word that sounds like what it describes (note from your host: an example is buzz ) Personification-treating an abstraction as a person Precision-accuracy of language or description Prose Poem-a composition written as prose but having the concentrated, rhythmic, figurative language characteristic of poetry Prose-the ordinary form of spoken or written language, without metrical structure, as distinguished from poetry or verse Referential-using a particular historic event in a poem Reflective/Meditative Structure-pondering a subject, theme, or event, and letting the mind play with it, skipping from one sound to another, or to related thoughts or objects as the mind receives them Setting-time and place of the poem s action Simile-a comparison of one thing to another, usually the words like or as to draw the connection (note from your host: an example is life is like a box of chocolates-you never know what you re gonna get ) Situation-what s happening at the beginning of the poem Spatial Setting-where the poem takes place Sonnets-are poems of 14 lines done in an iambic pentameter style. 7

A Glossary of Poetic Terms A-Z (continued) Speaker-the persona of the poem; whoever is speaking as the voice of the poem (which is often not the poet!) Subject-the topic of the poem; what the poem is about Syllabic Verse-a precise number of syllables to a line, repeated in subsequent stanzas. Symbol-something that stands for something else Symbolic Poem-use of symbols is so pervasive and internally consistent that the larger, referential world is distance or forgotten Syntax-the formal arrangement of words in a sentence Temporal Setting-the time the poem takes place Theme-what the poem is saying about its subject Tone-the attitude the poem displays about the subject or theme Technopaegnia-the construction of poems with visual appeal Traditional Symbols-symbols that, through years of usage, have acquired an agreed-on significance (i.e. a cross) Villanelle-a French poetic style that can be both fun and serious. Villanellas are poems of 19 lines comprising six stanzas with an alternating rhyming scheme. Word Order the positioning of words in relation to one another The Lines in a Poem One of the basic ways to group poetry is by the number of lines in a poem. Couplet-two lines Tercet-three lines Quatrain-four lines Quintet-five lines Sestet-six lines Septet-seven lines Octave-eight lines 8

VII. Prose Tips and Guidelines 1. For this project you may write a story, a play, an essay, an autobiography, a biography or any other prose piece. 2. Prose is generally written in paragraph form, rather than the stanzas that are common to poetry. Look in your observation notebook for ideas, and pick a subject you would like to write about. You will do best with a subject you are excited about. 3. Take advantage of what you have learned in school about writing a story or an essay. Consult reference books available in libraries. 4. Use an outline to plan your story. Write down your ideas on how to begin the story, the major points or events you will include, and your plan for the ending. Pick locations, and name your characters. Remember an outline can be flexible. You may make changes later as alternatives present themselves. 5. Develop the characters. If the characters are a major focus in what you are writing, you may want to develop them further by writing a detailed description of each. Refer to these descriptions as you include them in the story. 6. Do any research you may need to do, and write down your sources. For a nonfiction piece, or some essays, you will be giving information that you received from these sources. Include a list of your sources (a bibliography) with your entry. In addition, if you researched any subject (like an historical era) for a fiction piece to create an authentic setting, be sure to credit your sources. 7. Once you have the outlining and background work done, start writing. At first, write as it comes to you. You can clean up grammatical and spelling errors later. It s more important to capture the flow of ideas at this point. If handwriting, leave a space between the lines. If you are typing, double space your piece. This will allow room for corrections and rewriting. 8. After you have written your piece, review it and make any necessary changes. Something may need to be explained better, or there may be an area that needs to be shortened. Look for and rewrite any parts of your story that contradict each other or are hard to understand. 9. Correct any grammatical errors, punctuation problems, or spelling errors. If you notice you have overused some words, use a dictionary or thesaurus to help you find alternatives. a. Watch for problem areas in grammar. The words, their, there, and they re all sound alike but are used differently. The computer spell check won t catch those mistakes. b. Be sure you have used the correct verb tense for the subject in your sentences. 9

Prose Tips and Guidelines (continued) 10. Try to avoid repeatedly using he said or she said. Instead, use descriptive words, such as stormed, bluffed or exclaimed. For clarity, remember to begin a new paragraph each time the speaker changes. Also, avoid slang words, unless you are purposely trying to capture the flavor of an ethnic group or a character s personality. 11. Refer to observations you have written in your notebook. Include some of these descriptions in your writing to set the mood and add details to your story. 12. Ask your teacher, parent, or other interested adult to read your story. Even professional authors have editors who read their books and suggest improvements and point out mistakes. Remember, you are asking someone to point out mistakes and faults they find in your story. Don t be upset with them or discouraged when you receive a list of suggested revisions. Be sure, however, that no one else actually writes any part of your story for you. The story is yours alone. Comments from your editor are just that... comments... or suggestions for improvement. You are the author; you may take the editor s advice or not. 13. REQUIRED: Include a title page with your poetry as described in Section IX. 14. OPTIONAL: You may include illustrations in your story, either drawn by hand or computer generated. You may use stencils or tracings; colored pencils or ink stamps. Be careful with markers that can bleed through your paper. You don t need to be an artist to use illustrations, just be creative. 15. OPTIONAL: On a separate page, you may write an Author s Page to be placed after the last page of your story. This page may include your picture if you would like to do so. Guidelines for an Author s Page are found in Section X of this manual. 16. Once you have one (1) story or other prose piece picked for your 4-H exhibit, prepare it for the fair following the directions given in this 4-H Creative Writing Project Manual. Pay attention to the 4-H CREATIVE WRITING PROJECT GUIDELINES in Section II. There are also some suggestions for presenting your project in the best possible way and protecting it for display at the fair. Another View On Writing A Prose Being a writer is not as easy as some people might assume it to be. It takes a long time to come up with a story line that has a beginning, a climax, and an end that works together. Also there are characters to write, grammar to be aware of, and the fact that sometimes creativity will make you change your original plan. So, here s what you should do to begin. 1. Get creative! Carry around a notebook with you wherever you go for a week. Write down everything you see, you do, and what other people are doing. For example, maybe you decide to go to a park one day. There s little kids playing on the swings, there s a woman walking her dog, older kids playing basketball, etc. Doing this will help 10

Another View On Writing A Prose (continued) you come up with the characters you want as well as a setting. Characters and settings are important after all and once you have them, the story follows soon behind. Anyway, describe the people when you re writing about them. Write down what they re wearing, what they look like, and anything else you can come up with. Also write about where you re at. Going back to the park, maybe there s trees, green grass, located in the middle of town, etc. Once you have these two important aspects down, think about how a story could come out of this. 2. Come up with a genre! Now that you have your characters and setting, think about what kind of story you want to write. Do you want to write something that will make people laugh? How about cry? Or maybe just to fall in love again? Also think about whether you want it to be fiction (not real) or nonfiction (real). Either way you look at it, your genre is very important. This is what catches the reader s interest as well as the judge s. 3. Come up with a plot! Now, that you have figured out all of the pre-creating parts, it s time to come up with what your plot will be. This part is probably the hardest of them all. But if you stick with what you have, the plot should just flow out of you onto paper. Here s an outline that will help if you are having a little trouble: Exposition or Beginning: This is the start of your story. This part is where you catch your reader s attention and introduce characters, what s going on, setting, etc. Now, before you start, here s a question to ask yourself; what information should I give to the reader without giving everything away? Rising Action: This is the event that leads to the problem or source of the story. For example, say you re reading a mystery. The rising action is all the clues leading them to finding the villain. Here s a question to ask yourself before going into this part; what would draw the reader in to continue reading the story? 11

Another View On Writing A Prose (continued) Climax: This is the middle territory of your story. This is the ah-hah moment. Now, let s go back to the mystery example. This is where the main character(s) find the villain and something exciting happens like an avalanche or something of those dramatics that helps the villain get away. This is also the part where everything makes sense from the beginning and rising action. Now here s a question to ask yourself before continuing; is this exciting or suspenseful enough for it to be a climax? Falling Action: This part is just the opposite of rising action. This action is leading to the finalization of your story. Going back to the mystery example, this is like the race against time part to catch the villain and find what he has taken. It s also concluding everything up a little before the very end. Here s a question to consider before finishing; in what way is the action different than the first action? Resolution: This is the ending of your story; the finalization of what s happening. In the mystery example, this is where the villain is caught and the mystery is solved. Don t leave anything out in the ending though. The whole story must come to a complete circle but here s a question to think about to closing the story up; does this really conclude what my story was about? Does it make sense to the reader? The papers for your PROSE project need to be in this order. a. Title Page (required) b. Your writing project (required) c. Bibliography (give credit to sources only if you researched) d. Author s Page (optional) NOTE: Remember to write your bibliography on a page of its own. The Author s Page also needs to be written on a separate page of paper. 12

VIII. Children s Story Tips and Guidelines 1. Children s stories are written specifically for young children. They have a simpler vocabulary, and colorful pictures. A good children s book can teach children about something new, can express a child s viewpoint or simply entertain a child. 2. Read Section VII, Prose Tips and Guidelines, in this handbook. The organization and mechanics of writing will be the same for children s stories as in any other prose writing. However, there are some important differences you will want to keep in mind as you write for young children. 3. Choose a subject based on subjects that preschool children are interested in and ones that are appropriate for young children. Avoid complex, heavy subjects such as divorce, death, or abuse. Keep in mind the maturity level of the child for whom the book is written. 4. Use words that preschoolers either can already understand, or are capable of learning. Their vocabularies aren t as big as yours. 5. Young children love a humorous twist to a story, but avoid sarcastic humor since it can be easily misunderstood. 6. Children love to pretend. Their boundaries between fact and fantasy are pretty fuzzy. Animal characters are popular with this age group. 7. Illustrations are a must. Young children follow along with the reader of the story by looking at the pictures. Sometimes the picture tells part of the story without any words at all. Children love bright, bold colors and simple illustrations with lots of action. For example, a detailed picture where you search for a picture clue is fun for preschoolers since it involves them in the story. Remember: good illustrations will not carry a poor story start with a great story. a. Illustrations can be hand drawn and colored, or you may use computer graphics, photos, pictures cut from magazines, stencils or tracings. b. You may use 3D objects, but be sure these are securely fastened to the page so your book is safe for children who may put things in their mouths. c. When using 3D objects, or gluing pictures cut from magazines, illustrate and print your story on cover weight paper. This paper is sturdier than regular notebook paper, and will hold up better than normal weight paper. 13

Children s Story Tips and Guidelines (continued) d. Consider illustrating and designing a cover that would be attractive to preschool children. Remember you don t have to draw your illustrations. You may use photos, magazine pictures, computer graphics, stencils, etc. 8. The binder for your children s story should be sturdy enough to support heavier pages and safe for a preschooler to handle. 9. When you are finished with your children s story, try it out. Read the story to a preschool child who knows you. (He/she will be comfortable then, and the reactions will be natural.) Watch the child for his reactions to the story and to your illustrations. You may gain some insight from the child as you watch his reactions or listen to his comments and questions. You may discover something else to include in the story that you hadn t thought of until the child brought it up. 10. Make any changes you think are needed. Then bind the story for 4-H exhibit, using the earlier suggestions. 11. REQUIRED: Include a title page with your poetry as described in Section IX. 12. OPTIONAL: As described in Section X, you may include an Author s Page at the end of your story, written on a separate page. 13. Normally you won t need to prepare a bibliography for a children s story. There usually isn t any research involved while you write. 14. You may exhibit one (1) children s story for your 4-H project. Pay attention to the 4-H CREATIVE WRITING PROJECT GUIDELINES in Section II. 15. The papers for your Children s story need to be in this order. a. Title Page (required) b. Your writing project (required) c. Author s Page (optional) 14

Revising Once you are done with your outline, go back and revise it. Check for grammatical errors such as no commas, no parenthesis, misspelled words, etc. You have to make sure that it s ready to be read before saying, I m done. So, here are a few lessons on how to revise certain parts. 1. Dialogue Fix this sentence: I want to go shopping. Said Becky. Answer: I want to go shopping, said Becky. In dialogue, it is important to get the punctuation right. If it is like the sentence above, you always use a comma before saying said so-and-so. But, if you are not saying who is talking, then you end with a period. Here are some more examples of correct dialogue: Can I go? asked Reid. I can t be late! yelled Mom. Luis cried, But I forgot my homework for today. Becky is flying to Hong Kong today. 2. Misspelled Words What s wrong with this sentence? I went to the orcard today to pick apples. Answer: I went to the orchard today to pick apples. Sometimes, misspelled words are hard to catch but it helps when you do catch them. Make sure when typing to use spell check on the computer or, if you re hand writing your piece, use a dictionary. 3. Commas and Apostrophes What s wrong with this sentence? If I can find my watch then I can tell the time. Answer: If I can find my watch, then I can tell the time. Commas are commonly misplaced or just not used at all. But, like the sentence above, it s confusing without the correct grammaticism. What will help is if you read the sentence out loud. When you say the sentence, if there is a slight pause, then a comma needs to be used. Also, here are some words at a beginning of a sentence that hint at needing a comma: When If But Also Anyway So 15

What s wrong with this sentence? Its my house and Ill keep it. Answer: It s my house and I ll keep it. Revising (continued) Apostrophes are really confusing at times. If it s used correctly, it helps the reader understand what is going on, but if used incorrectly, it can confuse the reader. Here s an easy way to really tell if you re using it right or not. If it s two words put together, then it needs an apostrophe before the s. Here are some examples: It s (It is) We re (We are) You re (You are) Here s (Here is) There are many more but if you just keep it in mind, then it s easy to remember. Another way to use an apostrophe is if something belongs to someone. Here s an example: This is Becky s house and car. It seems silly now but it s easy to forget to add these in when your creativity is flowing. Have Fun! Lastly, just have fun with what you re writing. If you re too serious and think about it too much, writing becomes boring and it seems like a chore to get your thoughts on paper. The best advice is to just relax and let the story comes as it comes. Sometimes, the best ideas come when you re not thinking about it so have fun and enjoy what you re writing. 16

IX. Sample Title Page: The top half of the page should contain the title of your piece, your name as the author, and the date the writing was completed. Near the bottom of the page, list the project category, your grade (just completed), and the name of your 4-H club. The title page identifies your project and is required. 4-H Creative Writing by Ima Talented Kidd June 15, 2013 Category: Poetry Grade: 6th 4-H Club: Jolly Ranchers 17

X. Author s Page Personal information about an author may be included on the jacket cover or somewhere in the back of a book. You may include an Author s Page at the end of your project, but it is NOT required. This page may include any of the things listed below: 1. A recent photograph, or copy of one, and your name 2. Your age, grade in school, and name of your school 3. The name and township of your 4-H club 4. Number of years you have been a 4-H member 5. Your favorite 4-H experiences or projects 6. Offices or jobs you have held as a 4-H member 7. Why you enjoy creative writing 8. Why you wrote the piece you submitted for 4-H 9. Your plans for the future, college or career Things you may NOT include on an Author s page: 1. Your address and phone number 2. Your e-mail address 3. Personal descriptions (height, weight, etc.) You will not be given an opportunity to talk to the 4-H Creative Writing judge. This is the way it is with most writing contests. Judging written works is a time consuming process, but the judge will be given enough time so that he or she can write down comments and suggestions for you on the score sheet. Because the judge won t meet you, an Author s Page can be a way for you to let the judge know a little bit about yourself. 18

XI. Special Notes Most 4-H members don t need these reminders, but to avoid any misunderstandings, here are two special notes. Vulgarities and Obscenities. Some more modern pieces of literature that are written for young adults use vulgarities and obscenities (bad words, cuss words, and gross subjects or actions). Do not use these words or subjects in your writing. If your parent, 4-H Leader, or school teacher wouldn t like it on a paper you write, you can be sure that the 4-H judge won t like it either. Please make the writing you turn in for your exhibit reflect your good manners and the high quality of the 4-H program in our county. Plagiarism. What is it? Plagiarism is taking the thoughts or writings of another person and using them as your own. It is stealing. It is actually against the law when a piece is copyrighted. You cannot copy the work of another author, classmate, or 4-H member. Be sure that the thoughts and words you write down are your own. If you use an editor, you may make the corrections the editor suggests. Sometimes an editor may suggest you change the order of the words in an awkward sentence. An editor may suggest a word to substitute for one that is overused. Sometimes an editor recommends that you develop one part of your story deeper, while cutting out another part of the story. If you decide that the editor s advice is a good idea, make the changes. This is NOT plagiarism because the original ideas, thoughts and words are yours. 19

XII. FAQ s How many pages should my project be? There are no minimum number of pages you need to write, but there are a minimum and maximum number of word requirements for each category. See exhibit guidelines. The amount of work that goes into your exhibit should reflect your age and grade level. Use your own judgment about the length of your exhibit. The judge is looking for quality. Concentrate on writing. If you submit your very best work for your 4-H project, you probably won t have to worry about it not being enough. Can I use a paper I wrote for school? Yes, you may rework essays or stories you have done for school and turn them in for your exhibit. You can use your teacher s comments and corrections as you edit your work. You may also use poems you have written for a school class. Do not turn in papers with grades or teacher s comments written on them for your exhibit. Do not turn in group projects. Remember your writing must have been done since the previous year s county fair. What kind of writings are not recommended for 4-H exhibit? Many paragraph style writings will fall under the category PROSE, where it says any other prose piece. If your piece is written in stanzas it will most likely qualify as POETRY. (Verses for greeting cards, or lyrics for a song qualify; be sure to explain the purpose of your poem for the judge.) However, some forms of creative writing don t fit very well into 4-H Creative Writing categories. Some examples of those forms you will want to avoid include comic strips, advertising slogans, and letters (unless they are incorporated into a short story). If you have any doubts, ask before you do the writing. I m confused, who do I call? Contact the County Extension Office. If they don t know the answer to your question, they will either find it out for you or direct you to someone who does know the answer. Your questions are welcome. 20

-SAMPLE- 4-H Creative Writing Project Score Sheet Placing: Member s Name: Club/Township: Grade: 3 4 5 6 7 8 9 10 11 12 Category: Poetry Prose Children s Story Level: Beginner (Grade 3-5) Intermediate (Grade 6-8) Advanced (Grade 9-12) WRITING: (60%) imagination, creativity, expression, ability MECHANICS: (30%) grammar, spelling, punctuation, capitalization PRESENTATION: (10%) ink/typing, neatness, binder, meets requirements EXCELLENT GOOD NEEDS IMPROVEMENT Title page included? Yes No Judge s comments: 21

4-H Creative Writing Project Record Sheet NOTE: Complete this record sheet and turn it in at project check-in time at the 4-H Fair. Name: Club Name: Township: Grade: Year in 4-H: Did you practice writing observations in a notebook? YES NO What kind of writing did you practice for this project? (circle all that apply) Poetry Prose Children s Story What other kind of writing are you interested in? (circle all that apply) Newspaper Articles Lyrics for Music Comic Strips Others: Why did you enroll in the 4-H Creative Writing Project? What are your favorite subjects to write about? Leader s signature: 22