ARTICULATIONS FEATURES - COLORS - TECHNIQUES.

Similar documents
ARTICULATIONS FEATURES - COLORS - TECHNIQUES.

ARTICULATIONS FEATURES - COLORS - TECHNIQUES.

ARTICULATIONS FEATURES - COLORS - TECHNIQUES.

ARTICULATIONS FEATURES - COLORS - TECHNIQUES.

ARTICULATIONS FEATURES - COLORS - TECHNIQUES.

ARTICULATIONS FEATURES - COLORS - TECHNIQUES.

ARTICULATIONS FEATURES - COLORS - TECHNIQUES.

METROPOLIS ARK 3 THE BEATING ORCHESTRA

METROPOLIS ARK 4 ELITE ORCHESTRAL FORCES

Articulation Guide. Berlin Brass - Additional Instruments.

Articulation Guide. Berlin Orchestra Inspire.

Articulation Guide. Berlin Orchestra Inspire 2.

Articulation Guide. Nocturne Cello.

Articulation Guide. Berlin Strings.

Articulation Guide. Berlin Brass - French Horn SFX.

Articulation Guide. TIME macro.

Articulation Guide. The Orchestral Grands.

Articulation Guide. Metropolis Ark 1.

Hollywood Orchestral Woodwinds Virtual Instrument

Articulation Guide. Berlin Percussion.

Hollywood Orchestral Woodwinds Virtual Instrument

Articulation Guide. Metropolis Ark 2.

REFERENCE MANUAL SYMPHOBIA

Table Of Contents. Instrument Introduction System Requirements Getting Started Performance Page Mixer Page...

Tobias Escher. Steinberg Media Technologies GmbH, All rights reserved. Iconica

Produced by Impact Soundworks in collaboration with Straight Ahead Samples Version 2.00

Chris Hein. ORCHESTRAL BRASS -Compact-

How to use the Vienna Instrument?

Tobias Escher. Steinberg Media Technologies GmbH, All rights reserved. Iconica

Document authored by: Gero Baier Software version: 1.0 (07/2015)

Click Image To Enter. Kirk Hunter Studios - Concert Brass 2 - TVEC 3

3.8.2 Patterns and the Pattern Chainer Cycle Presets Loop Designer Credits... 42

Document authored by: Gero Baier Software version: 1.0 (07/2015)

Class 1 Instrumentation

MEGA BRASS. An Impact Soundworks Library Designed & Produced by Andrew Aversa Instrument v1.00

SYMPHOBIA COLOURS: ANIMATOR

Poway Unified School District Instrumental Music Scope and Sequence Grades 5 through 12

Orchestration notes on Assignment 2 (woodwinds)

Workshop Friday, June 27th 1:00 PM

SPITFIRE AUDIO. Studio Woodwinds Professional SPITFIRE - STUDIO WOODWINDS PROFESSIONAL USER MANUAL

Assessment Schedule 2016 Music: Demonstrate knowledge of conventions in a range of music scores (91276)

Keyboard Foundation Level 1

TABLE OF CONTENTS CHAPTER 1 PREREQUISITES FOR WRITING AN ARRANGEMENT... 1

Instrumental Music III. Fine Arts Curriculum Framework. Revised 2008

Haydn: Symphony No. 101 second movement, The Clock Listening Exam Section B: Study Pieces

Tenuto 1

Epic World by Eduardo Tarilonte 1

Instrumental Music I. Fine Arts Curriculum Framework. Revised 2008

Teach Your Students to Compose Themselves!

EastWest/Quantum Leap Hollywood Brass Virtual Instrument

!!!!!!!!!!!!!!!!!!!!!!!! GROSSO!

Instrumental Music II. Fine Arts Curriculum Framework. Revised 2008

OCR GCSE (9-1) MUSIC TOPIC EXPLORATION PACK - THE CONCERTO THROUGH TIME

Instrumental Music II. Fine Arts Curriculum Framework

AMADEUS SYMPHONIC ORCHESTRA USER GUIDE

About Strezov Sampling

BAND REPORTING SCALES AND CURRICULUM GUIDE 2/9/2016

Page 4 Lesson Plan Exercises Score Pages 50 63

Tyler Lundy Literature Project 2015 Name of group: High School Symphonic Band

SLIDE FLUTE SLIDE FLUTE 8DIO SLIDE FLUTE

Ventus Series: Pan Flutes

Document authored by: Native Instruments GmbH. Software version: 5.6 (08/2016)

SPITFIRE AUDIO SSW SPITFIRE SYMPHONIC WOODWINDS USER MANUAL

The Classical Period-Notes

Nevel. Biblical Harp. From the Cradle of Human Civilization. Sonokinetic 2012

An Impact Soundworks Sample Library

first year charts Preview Only Legal Use Requires Purchase Pacific Attitude for jazz ensemble JAZZ VINCE GASSI INSTRUMENTATION

I ve selected five different CDs for you. Time permitting, listen to each. If your

Information Sheets for Proficiency Levels One through Five NAME: Information Sheets for Written Proficiency Levels One through Five

ORB COMPOSER Documentation 1.0.0

Music 209 Advanced Topics in Computer Music Lecture 1 Introduction

Audition Guidelines & Repertoire Lists Season

ATSSB AUDITION MUSIC BASSOON

R E F E R E N C E M A N U A L

EastWest/Quantum Leap Hollywood Brass Virtual Instrument

Ventus Series: Shakuhachi

JAMAICAN RHUMBA. EXPLORE Dance Inspirations. 15 and 16 March 2017 QSO Studio

QUICK START GUIDE FP-S SPINET DIGITAL PIANO. Designer Series

Page 2 Lesson Plan Exercises 1 7 Score Pages 24 38

An Impact Soundworks Sample Library. Designed by Andrew Aversa Scripting by Nabeel Ansari Artwork by Constructive Stumblings

Cinematic Tension FX 2

Music Curriculum Glossary

Marion BANDS STUDENT RESOURCE BOOK

Bite-Sized Music Lessons

LISTENING GUIDE. p) serve to increase the intensity and drive. The overall effect is one of great power and compression.

œ Æ œ. œ - œ > œ^ ? b b2 4 œ œ œ œ Section 1.9 D Y N A M I C S, A R T I C U L A T I O N S, S L U R S, T E M P O M A R K I N G S

Flint School of Performing Arts Ensemble Audition Requirements

SPITFIRE AUDIO. Studio Brass Professional SPITFIRE - STUDIO BRASS PROFESSIONAL USER MANUAL

8/5/17. Good Morning/Afternoon! AUGUST 21, 2017

Plainfield Music Department Middle School Instrumental Band Curriculum

THE MUSIC ACADEMY AT CCTS.

2. ARTICULATION The pupil must be able to able to articulate evenly and clearly at a variety of slow to medium tempos and demonstrate a good posture

Grade Level 5-12 Subject Area: Vocal and Instrumental Music

OSTINATO BRASS PERPETUUM ORCHESTRAL SAMPLING

Paper Reference. Paper Reference(s) 1426/03 Edexcel GCSE Music Paper 3 Listening and Appraising. Monday 22 May 2006 Afternoon Time: 1 hour 30 minutes

43. Leonard Bernstein On the Waterfront: Symphonic Suite (opening) (For Unit 6: Further Musical Understanding)

The Goal of this Session is to help attendees answer the three questions.

SPITFIRE AUDIO BDT SPITFIRE BRITISH DRAMA TOOLKIT USER MANUAL

A Composition for Clarinet and Real-Time Signal Processing: Using Max on the IRCAM Signal Processing Workstation

Edit Menu. To Change a Parameter Place the cursor below the parameter field. Rotate the Data Entry Control to change the parameter value.

Transcription:

ARTICULATIONS FEATURES - COLORS - TECHNIQUES www.orchestraltools.com

BERLIN WOODWINDS REVIVE BWW - Main Collection SPECIFICATIONS Attack Control Adaptive System Agile Runs Patches Trills Orchestrator DIVISI concept with 2nd and up to 3rd instruments CAPSULE Standard Mic Perspectives Baed on CAPSULE for Kontakt 24Bit / 48KHz Patches Works with the free Kontakt Player 5.5.1 or Kontakt 5.5.1 Size BWW Revive 90 GB compressed Size BWW Legacy 67 GB compressed Size BWW Complete 157 GB compressed

BERLIN WOODWINDS REVIVE Berlin Woodwinds is the industry standard when it comes to sampled woodwind collections. The product that started our journey at the Teldex Scoring Stage in 2012, now received a huge update called Berlin Woodwinds Revive. Most instruments have been newly recorded and, best of all, the whole original Berlin Woodwinds from 2012 with additional tweaks is included. This gives you as a composer double the number of instruments for ultimate flexibility and possibilities for doubling. The purchase of Berlin Woodwinds consists of two separate collections that are available together as one big collection: Berlin Woodwinds Revive, containing all-new instruments, as well as Berlin Woodwinds Legacy, featuring the classic Berlin Woodwinds Instruments from 2012. Attack Control The freedom to choose the right attack on sustains in specific musical situations is crucial. With Berlin Woodwinds Revive we deliver Soft, Immediate and Accented Attacks for full flexibility. Woodwind Runs In film music and big orchestral scores, woodwinds and runs belong together. With Berlin Woodwinds Revive we deliver runs patches for almost all instruments to realize realistic and agile runs. In Berlin Woodwinds Legacy, additionally we offer Octave Scale Runs and the Runs Builder for the flute and clarinet ensembles. Trills Orchestrator The Trills Orchestrator script manages the biggest collection of different trills and interval tremolos ever created and it is a huge time-saver. Choose your trill interval by just pressing the starting note and final note. Building Ensembles The Berlin Woodwinds concept of building ensembles or divisi parts offers you the highest value of flexibility. Build your custom ensembles or write polyphonic woodwind chorales in the quality that made Berlin Woodwinds to the standard for film composers around the wold. CAPSULE Standart Microphone Perspectives Like in all our Berlin Series Main Collections, in Berlin Woodwinds Revive we offer a complete mic setup for full blending flexibility.

PICCOLO Sus Imm Without Vib Sus Imm Romantic Vib Sus Acc Without Vib Sus Acc Romantic Vib Staccatissimo...7RRs Staccato... 5RRs Marcato Long...3RRs Marcato Short...3RRs Repetitions 16th Repetitions Triplets TO Trills HT-WT TO Trills Single TO Trills Sfz Playable Runs...5RRs 1st FLUTE Sustains Without Vib Sustains Romantic Vib Sustains Progressive Vib Staccatissimo...7RRs Staccato... 7RRs Portato Long... 3RRs Portato Short...3RRs Sforzando... 2RRs Double Tongue...2RRs Double Tongue Measured...2RRs Triple Tongue... 2RRs Triple Tongue Measured...2RRs TO Trills HT-4th TO Trills Measured HT-5th TO Trills Single...2RRs TO Trills Sfz...2RRs Playable Runs...2RRs 2nd FLUTE Sus Soft Without Vib Sus Soft Romantic Vib Sus Imm Without Vib Sus Imm Romantic Vib Sus Acc Without Vib Sus Acc Romantic Vib Staccatissimo... 7RRs Staccato... 6RRs Marcato Long... 3RRs Marcato Short... 3RRs Portato Long... 3RRs Portato Short... 3RRs Repetitions 16th Repetitions Triplet TO Trills HT-4th TO Trills Measured HT-5th TO Trills Single TO Trills Sfz Sustain - Romantic Vib. Sustain - Without Vib. Sustain - Progressive Vib. 3rd FLUTE Sus Soft Without Vib Sus Soft Romantic Vib Sus Imm Without Vib Sus Imm Romantic Vib Sus Acc Without Vib Sus Acc Romantic Vib Staccatissimo... 7RRs Staccato... 6RRs Marcato Long... 2RRs Marcato Short... 3RRs

Portato Long...3RRs Portato Short... 3RRs Repetitions 16th Repetitions Triplets TO Trills HT-4th TO Trills Single TO Trills Sfz Playable Runs... 2RRs ALTO FLUTE Sus Soft Without Vib Sus Soft Romantic Vib Sus Imm Without Vib Sus Imm Romantic Vib Staccatissimo...7RRs Portato Long...3RRs Portato Short... 3RRs Playable Runs... 3RRs 1st OBOE Sus Soft Without Vib Sus Soft Romantic Vib Sus Imm Without Vib Sus Imm Romantic Vib Sus Acc Without Vib Sus Acc Romantic Vib Staccatissimo...7RRs Staccato... 5RRs Marcato Long... 2RRs Marcato Short...3RRs Portato Long...2RRs Portato Short...3RRs Repetitions 16th Repetitions Triplets TO Trills HT-4th TO Trills Measured HT-5th TO Trills Single TO Trills Sfz Playable Runs... 5RRs 2nd OBOE Sus Soft Without Vib Sus Soft Romantic Vib Sus Imm Without Vib Sus Imm Romantic Vib Sus Acc Without Vib Sus Acc Romantic Vib Staccatissimo... 7RRs Staccato... 5RRs Marcato Long... 2RRs Marcato Short... 3RRs Portato Long... 2RRs Portato Short... 3RRs Repetitions 16th Repetitions Triplets TO Trills HT-WT TO Trills Single TO Trills Sfz Playable Runs... 5RRs ENGLISH HORN Sus Soft Without Vib Sus Soft Romantic Vib Sus Imm Without Vib Sus Imm Romantic Vib Sus Acc Without Vib Sus Acc Romantic Vib Staccatissimo... 5RRs Staccato... 5RRs Marcato Long... 3RRs Marcato Short... 3RRs Portato Long... 3RRs

Portato Short...3RRs TO Trills HT-WT TO Trills Measured HT-5th TO Trills Single TO Trills Sfz Playable Runs...2RRs 1st CLARINET Sus Imm Sus Soft Sus Acc Staccatissimo... 7RRs Staccato... 5RRs Marcato Long...2RRs Marcato Short... 3RRs Portato Long... 2RRs Portato Short...3RRs Repetitions 16th Repetitions Triplets TO Trills HT-4th TO Trills Single TO Trills Sfz Playable Runs... 5RRs 2nd CLARINET Sustains Staccatissimo...4RRs Staccato... 7RRs Marcato Long... 4RRs Marcato Short...4RRs Double Tongue... 2RRs Double Tongue Measured... 2RRs Triple Tongue...2RRs Triple Tongue Measured...2RRs TO Trills HT-5th TO Trills Measured HT-5th TO Trills Sfz... 2RRs TO Trills Single... 2RRs Playable Runs... 2RRs 1st BASSOON Sustains Without Vib Sustains Romantic Vib Staccatissimo... 9RRs Staccato... 8RRs Portato Long... 3RRs Portato Short... 3RRs Sforzando... 2RRs Fortepiano Double Tongue... 2RRs Double Tongue Measured... 2RRs Triple Tongue... 2RRs Triple Tongue Measured... 2RRs TO Trills HT-WT 2nd BASSOON Sustains Without Vib Sustains Romantic Vib Staccatissimo... 7RRs Staccato... 7RRs Portato Long... 3RRs Portato Short... 3RRs Sforzando... 2RRs Double Tongue... 2RRs Double Tongue Measured... 2RRs Triple Tongue... 2RRs Triple Tongue Measured... 2RRs TO Trills HT-WT

SINGLE Articulations Capsule adjusts to your way of working, regardless whether you want a dedicated track for each articulation or if you wish to have as many articulations as possible on a single MIDI track. It s your choice with our single and multi patch design. Almost all features of our single patches are available, too, via the wrench button in our multi patches. Here are the features of Capsule; our new engine within Kontakt. Intelligent Mixer with Auto-Gain (Volume Compensation), Audio Out Routing and Grouping Options Deactivate specific Dynamic Layers Define your own Round Robin rules Add pre-defined dynamic filters for smoother dynamic blending Purge specific Round Robins out of RAM Controller Table: Add your own interpeter envelope curves to any MIDI CC Switch between XFade dynamics or Velocity control

MULTI Articulations Apply True to any long articulation! Transform a trills or a tremolo articulation into a True patch. Build your own combinations with up to 3 assignable legato speed slots per articulation, which will be triggered and will adapt to your playing speed. (e.g. at slow playing: Slurred, on very fast performances fast runs). Polyphonic Keyswitch Concept Play up to 4 articulations simultaneously and choose in realtime between xfading, switching, 2D morphing via MIDI CC or velocity. You don t have to setup complicated sample maps and rules in advance. Just perform. 2D Morphing of articulations for sfx and sound design applications

The Room TELDEX SCORING STAGE Our carefully recorded collections of the Berlin Series were captured in one of the best acoustic spaces for orchestral productions. When it comes down to hundreds of notes played in parallel, the acoustic properties of the sampled material turn out to be one of the most crucial elements in terms of realistic and convincing mock-ups, where all individual instruments and sections need to merge together to create a full orchestral soundscape. The acoustic characteristics of the Teldex Scoring Stage are simply paramount: Instruments and sections blend together in a way never heard before; all these captured details will be there, even if the full orchestra is playing. Most orchestral libraries tend to be too wet to preserve details and flexibility, some are too dry to recreate a whole orchestral body. With the Berlin Series we present you the perfect balance between these two worlds. Teldex looks back on a long tradition of many well-known and Grammy Award-winning productions. Recordings were done for famous Orchestras like the Berlin Philharmonic Orchestra, London Symphony Orchestra or the Chicago Symphony Orchestra. A lot of film scores composed by Danny Elfman, Howard Shore, Alan Silvestri or David Newman were recorded in this unique sounding space.

"Berlin Woodwinds was more than just a recording; it was done in one of the best places you can get..." Wolfgang Fraissinet, President of NEUMANN Microphones "When it comes to orchestral sampling, you ve to care about three things: The concept, the musicians, and the acoustic space." Hendrik Schwarzer, composer, co-founder of Orchestral Tools

NEW BALANCED With our newest version of the Berlin Series, all instruments, dynamic ranges, articulations and microphone positions are balanced to keep the natural dynamics of a real orchestra within our Berlin Series. Articulations: All articulations fit each other perfectly. Switching between articulations within the multi patches feels natural and fluid. Instruments: The dynamic ranges of each instrument in our Berlin Series are modeled after reference recordings we did with a real orchestra. Also the volume relations between all instruments are preserved. Release Samples: All release samples were re-edited to preserve the natural room acoustics within the samples. Mic Positions: The mic positions are balanced to each other. This way you re able to use our new auto gain feature to blend through the microphone mix without loosing the instrument volume relations.

THE MOST FLUID LEGATO Over years of development Orchestral Tools finally built the most fluid legato concept in the industry which adjusts to any tempo and rhythmic situation. Our Adaptive Engine detects your playing speed in real time and perfectly adjusts all variables within the engine to your performance. Agile lines as well as slow soaring melodies are now possible within a single patch. And with different True speeds as captured in Berlin Strings the Adaptive Engine reveals its true potential.

HD BACKUP SERVICE To avoid long download times with slow internet providers or as a backup solution to save your Orchestral Tools collections, we recommend our HD backup service on a super fast SSD. Add this product to your shopping cart before checking out to get all libraries in the current order on a SSD storage device. The drive will be shipped within 2-3 weeks after placement of order (if the library is already released). Delivery time depends on target country and customs.

Orchestraltools.com by Schwarzer & Mantik GmbH Am Untergrün 6 79232 March Germany info@orchestraltools.com support@orchestraltools.com Managing Director: Hendrik Schwarzer HRB710781 Amtsgericht Freiburg UST. ID Nr.: DE-815473873 Orchestral Tools is a project driven by the Schwarzer & Mantik GmbH. Our general Terms and Conditions shall apply and are recognized by your order on our website at orchestraltools.com. Photos by: Robin Lambrecht, Sascha Knorr, Florian Döhring 2017 by Schwarzer & Mantik GmbH