The Love Potion Of Ikey Schoenstein By Robert Frankel greenroompress.com
THE LOVE POTION OF IKEY SCHOENSTEIN By Robert Frankel Copyright MMV by Robert Frankel, All rights reserved. CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-english languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by Green Room Press, INC. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Green Room Press, INC. Questions concerning other rights should be addressed to Green Room Press, INC. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Green Room Press, INC. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged. AUTHOR CREDIT: All groups or individuals receiving permission to produce this play must give the author(s) credit in any and all advertisement and publicity relating to the production of this play. The author s billing must appear directly below the title on a separate line where no other written matter appears. The name of the author(s) must be at least 50% as large as the title of the play. No person or entity may receive larger or more prominent credit than that which is given to the author(s). PUBLISHER CREDIT: Whenever this play is produced, all programs, advertisements, flyers or other printed material must include the following notice: Produced by special arrangement with Green Room Press, INC. COPYING: Any unauthorized copying of this Work or excerpts from this Work is strictly forbidden by law. No part of this Work may be reproduced, stored in a retrieval system, or transmitted in any form, by any means now known or yet to be invented, including photocopying or scanning, without prior permission from Green Room Press, INC. GREEN ROOM PRESS, INC. P.O. BOX 248 CEDAR RAPIDS, IOWA 52406 TOLL FREE (888) 350-5005 FAX (319) 368-8011
2 THE LOVE POTION OF IKEY SCHOENSTEIN THE LOVE POTION OF IKEY SCHOENSTEIN By Robert Frankel SYNOPSIS: A pharmacist, Ikey Schoenstein is desperately in love with his landlord s daughter, Rosy. When Chunk comes in to the pharmacy, asking for a love potion to convince Rosy to elope with him that night, Ikey s world is unexpectedly shattered. He does his best to foil Chunk s plans, with unexpected results. CAST OF CHARACTERS (2 male) IKEY (m)... A pharmacist, in love with a girl named Rosy. (11 lines) CHUNK (m)... IKEY s rival for Rosy s affections. (8 lines) SET The counter of a pharmacy sits CS facing the audience. A mortar and pestle with ground aspirin sit on the counter, along with a telephone. Several shelves of bottles behind the counter suggest the pharmacy and a cash register may sit on the counter. CASTING NOTES O. Henry wrote in the early 1900 s, a time of transition from stereotypical cowboys and hobos to emerging technology. With this transition as a background to many of his stories, they were often male-heavy. Having said that, I am certainly open to any attempts you may wish to make at turning hobos into women and con men into con women! Clearly double-casting of the actors is also possible.
ROBERT FRANKEL 3 Males Females Either The Love Potion of Ikey Schoenstein 2 -- -- Ulysses and the Dogman 2 -- 1 The Caliph, the Cupid and the Clock 2 -- 1 Modern Rural Sports 3 -- -- Ten Thousand Dollars 3 2 -- Proof of the Pudding 2 -- -- From the Author... Like many of you, I grew up on O. Henry short stories. His flair for language No man existed who had money enough to wear so bad a hat as his. his use of malapropisms He hit his head and lost conscientiousness. and his observations on life Life is made up of sobs sniffles, and smiles, with sniffles predominating. were manna to me. And so, with the growth of interest in the ten-minute play, it was natural for me to turn to O. Henry s short stories and look to turn them into short plays. Here then, are six of his classics which, when bound together, should give your audiences (and your actors) a one-hour glimpse into O. Henry s way with a word, penchant with a pen, and authoritative ascendancy with alliteration. Where necessary for understanding, I ve updated his language or varied the circumstances slightly. But where possible, I ve left his characters as they were originally crafted with even the simplest hobo having the utmost in dignity. And the reason I loved reading O. Henry most? His vaunted surprise endings! Enjoy, Rob Frankel This perusal script is for reading purposes only. No performance or photocopy rights are conveyed.
4 THE LOVE POTION OF IKEY SCHOENSTEIN AT RISE: IKEY SCHOENSTEIN, the druggist, is finishing mashing up an aspirin with the mortar and pestle. He carefully slides the powder into a small envelope, seals it, and sets it aside. Then, leaning on the counter, he begins to talk to the audience with some confidence. IKEY: I'm Isaac Schoenstein, "Ikey" to my friends. I don't own this pharmacy, but I am the expert here, the pharmacist. And I'm a good one, if I do say so myself. Should be, nearly broke my parents to send me to school. I am well versed in dosage dissolution, analgesic antagonism, potency potentiation, lactose latency... (He trails off, and when he resumes, is awkward, despairing.) What's the use, right? I can talk about astronomy or the situation in the Middle East, or... and you'd still know this is about a girl, wouldn't you? Her name is Rosy. She's, I mean, I rent this apartment from her folks, the McGowans, and, this was maybe a year ago, but I didn't, and her daughter was just all... (Sighs dreamily.) You know? But I can't... oh, I've talked to her, don't get me wrong. Lots. Lots... about cold medicines and headache cures and, uh, the germs that can cause bad breath. I just can't... but I, Rosy and I were meant for each other, I just know it. I just haven't figured out how, how... But there's no question. No question... The jingle of bells sounds as CHUNK enters the store looking around. IKEY looks at CHUNK, then to audience. IKEY: Except, well, except maybe for Chunk over there. CHUNK, a simple man, moves to the counter with purpose. IKEY: He comes in earlier today and starts talking about... Rosy. CHUNK: Ikey, I need some drugs. Something strong. IKEY: Hello, Chunk. Well, I told you those guys you hang out with would put a knife in your ribs one day. Take off your coat and let's see it. This perusal script is for reading purposes only. No performance or photocopy rights are conveyed.
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