Music Performamatics: Interdisciplinary Interaction

Similar documents
Teaching Computational Thinking through Musical Live Coding in Scratch

Progressive Music Examples.

EDITORIAL. Gena R. Greher and S. Alex Ruthmann, guest editors University of Massachusetts Lowell Lowell, Massachusetts

Proposal Endorsement Signatures

SAN BERNARDINO VALLEY COLLEGE SUBMITTED FOR BOARD OF TRUSTEE APPROVAL NEW COURSES

Music. Last Updated: May 28, 2015, 11:49 am NORTH CAROLINA ESSENTIAL STANDARDS

Comprehensive Musicianship: An Innovative Approach to the Music Curriculum. John Allemeier, Ph.D. James A. Grymes, Ph.D. Department of Music

Music. Faculty: David Berry Joan Griffing (chair) Ryan Keebaugh Sharon Miller James K. Richardson. Major: Music

Case study WWAY station in a box

Getting started with Mendeley

SYNCHRONOUS LECTURE HALL. i n s t r u c t o r g u i d e

USING ENDNOTE ON A MAC (with APA examples) Version 1

Music Appreciation. Fall 2010 Syllabus Instructor: Leah Purdy

London Examinations IGCSE

I. Introduction Assessment Plan for Ph.D. in Musicology & Ethnomusicology School of Music, College of Fine Arts

Introduction to capella 8

APA Style Page Formatting Instructions Microsoft Word Windows Version. Adjust all margins to 1 inch on each side, page in Portrait orientation

Chapter 117. Texas Essential Knowledge and Skills for Fine Arts Subchapter A. Elementary

Prerequisites: Audition and teacher approval. Basic musicianship and sight-reading ability.

I. Introduction Assessment Plan for M.A. in Musicology School of Music, College of Fine Arts

Chapter 117. Texas Essential Knowledge and Skills for Fine Arts. Subchapter A. Elementary

IEOR 115: Homework 2. Prof. Ken Goldberg, Fall 2014 Due on Oct 17, Student Name: Student ID: Submitted on:

West Windsor-Plainsboro Regional School District String Orchestra Grade 9

When Methods Meet: Visual Methods and Comics

Capstone Project Lesson Materials Submitted by Kate L Knaack Fall 2016

ANNOTATING MUSICAL SCORES IN ENP

Cite While You Write Plug-In for Microsoft Word. The Cite While You Write plug-in creates an EndNote Web tab in Microsoft Word 2007.

Technology Proficient for Creating

Palestrina Pal: A Grammar Checker for Music Compositions in the Style of Palestrina

The. finale. Projects. The New Approach to Learning. finale. Tom Carruth

CALIFORNIA STATE UNIVERSITY, SACRAMENTO DEPARTMENT OF MUSIC ASSESSMENT PLAN. Overview and Mission

Music at Menston Primary School

Grading Scheme: Repeatability: Course Level Information: Repeatable for a maximum of X Undergraduate

Chapter 117. Texas Essential Knowledge and Skills for Fine Arts Subchapter A. Elementary, Adopted 2013

Arts Education Essential Standards Crosswalk: MUSIC A Document to Assist With the Transition From the 2005 Standard Course of Study

V ISUAL ARTS. Visual Arts. see more at: wavisualarts.org

About the CD... Apps Info... About wthe Activities... About the Ensembles... The Outboard Gear... A Little More Advice...

ENGIN 100: Music Signal Processing. PROJECT #1: Tone Synthesizer/Transcriber

GSEP Psychology Division Sample Dissertation

PLEN Motion Editor Operation Procedures Temporary File

Assistant Professor, Department of Philosophy, University of California Los Angeles

Thesis/Dissertation Frequently Asked Questions. Updated Summer 2015

Music Demonstration Schools Project ELEMENTARY SCHOOL MUSIC CHECKLIST

Creative Process. Colorado 21 st Century Skills. Creation. Expression. Theory. Aesthetic Valuation

MUSIC TECHNOLOGY MASTER OF MUSIC PROGRAM (33 CREDITS)

Second Grade Music Course Map

CHAPMAN. CREATIVE SUPPLEMENT INSTRUCTIONS for applicants to: SPRING AND FALL 2018 THEATRE

Minnesota Academic Standards

FINE ARTS STANDARDS FRAMEWORK STATE GOALS 25-27

Teach programming and composition with OpenMusic

Musical Virtuosity and Live Notation

General Terms Design, Human Factors.

Vuzik: Music Visualization and Creation on an Interactive Surface

ADVANCED VOCAL ENSEMBLE (FALL)

Division of Performing Arts

Undergraduate Bulletin

Formatting Dissertations or Theses for UMass Amherst with MacWord 2008

SOUNDLIB: A MUSIC LIBRARY FOR A NOVICE JAVA PROGRAMMER

Theatre Arts Undergraduate Bulletin

Members QUICK REFERENCE GUIDE

Music Standards Grades PK-2. Anchor Standard 1. Generate and conceptualize artistic ideas and work.

MUSIC (MU) Music (MU) 1

Electronic Music Composition MUS 250

EndNote on Windows: Class Notes. EndNote Training

Grade-Level Academic Standards for General Music

Welcome to the UBC Research Commons Thesis Template User s Guide for Word 2011 (Mac)

Ainthorpe Primary School. Music Long Term Plan (in line with National Curriculum 2014).

Word Tutorial 2: Editing and Formatting a Document

UCSB LIBRARY COLLECTION SPACE PLANNING INITIATIVE: REPORT ON THE UCSB LIBRARY COLLECTIONS SURVEY OUTCOMES AND PLANNING STRATEGIES

Rubato: Towards the Gamification of Music Pedagogy for Learning Outside of the Classroom

Etna Builder - Interactively Building Advanced Graphical Tree Representations of Music

The Bachelor of Arts degree offers a broad-based program of study combining a liberal arts education with a general theatre curriculum.

Theatre Arts THEATRE ARTS BFA, BA, BS AND MINOR Undergraduate Catalog

CIT Thesis and Directed Project Formatting Checklist Last Updated: 4/20/17 10:59:00 AM

Music Years 7 10 Life Skills unit: Australian music

Contents. Resources include performance tracks, accompaniment tracks, and recorder sheet music with graphic and standard notation.

Exploring Choreographers Conceptions of Motion Capture for Full Body Interaction

Sibelius: Tips for Working Effectively

S Board of Regents, State of Iowa REQUEST TO IMPLEMENT A NEW BACCALAUREATE, MASTERS, DOCTORAL OR FIRST PROFESSIONAL DEGREE PROGRAM

On and Off the Stage: A Look at Working with the Kennedy Center American College Theatre Festival

High School Photography 1 Curriculum Essentials Document

THEATRE AND DANCE. Dance

High-Definition Screens for Architecture Studios: Digital Media Pedagogy Integration

Brief Guide to using EndNote X6

GENERAL MUSIC Grade 3

MUSIC/SCHOLARSHIP AUDITION INFORMATION AND APPLICATION

AND GOES THE PROGRAM

Curricular Area: Visual and Performing Arts. semester

The following General Music performance objectives are integrated throughout the entire course: MUSIC SKILLS

Period #: 2. Make sure that you re computer s volume is set at a reasonable level. Test using the keys at the top of the keyboard

Richard J. Ripani, Ph.D.

HEADERS AND FOOTERS. 1. On the Insert tab, in the Header & Footer group, click Header (top of page) or Footer (bottom of page).

THEATRE (TH) Theatre (TH) 1

1. Analysis, through compare and contrast, of music performances and compositions using detailed criteria and vocabulary

Musical Fractions. Learning Targets. Math I can identify fractions as parts of a whole. I can identify fractional parts on a number line.

MUSIC CURRICULM MAP: KEY STAGE THREE:

SCOPE & SEQUENCE Show Choir High School. MUSIC STANDARD 1: Singing

GUIDELINES FOR APA FORMAT Prepared by the Library, 2018 Fall

Duties and Responsibilities Handbook

FINE ARTS EARLY ELEMENTARY. LOCAL GOALS/OUTCOMES/OBJECTIVES 2--Indicates Strong Link LINKING ORGANIZER 1--Indicates Moderate Link 0--Indicates No Link

Transcription:

Music Performamatics: Interdisciplinary Interaction Jesse Heines Gena Greher Sarah Kuhn Depts. of Computer Science, Music, and Regional Economic & Social Development University of Massachusetts Lowell ACM SIGCSE 2009 Chattanooga, TN March 7, 2009 2 connecting Computer Science to Art, Music, and Theatre through interdisciplinary courses that highlight computational thinking originally conceived to attract and retain CS majors by connecting theory to practice but also exposes non-cs majors to computing at a higher level than typically seen in General Education ( GenEd ) computer literacy courses ACM SIGCSE, Chattanooga, TN 1

Performamatics: Interdisciplinary Course Models Synchronized pairings of upper-level courses for majors joint project developed within the two courses courses remain independent Hybrid courses open to all students across the university General Education ( GenEd ) credit integrated, two instructors in the classroom 3 4 Performamatics: Synchronized Courses To Date Graphical User Interface Programming + Web Art and Design artistic & human factors program enhancements Graphical User Interface Programming + General Music Education Methods software for creative music notations Software Engineering + Introduction to Theatrical Design software for theatrical lighting and scenic design ACM SIGCSE, Chattanooga, TN 2

Performamatics: Hybrid Courses To Date Artbotics (predecessor, model) the use of robotics to create new media art Tangible Interaction Design exploring how people interact with designed and computational objects in their daily lives Sound Thinking the art and science of digital audio 5 Performamatics: Focus for Today: CS+Music GUI Programming + Music Methods Sound Thinking 6 ACM SIGCSE, Chattanooga, TN 3

Interdisciplinary Courses Must Benefit Both Disciplines Benefits for Music Ed Students Getting a feel for what s involved in building technology applications for the classroom Gaining insight into students growing up under the influence of media Seeing the interdependence of sound, images, and technology 7 8 Interdisciplinary Courses Must Benefit Both Disciplines Benefits for CS Students Applying CS concepts Working in an interesting application domain Interacting with students who think differently CS view: code-centric Music view: usability Gaining a strong exposure to human factors ACM SIGCSE, Chattanooga, TN 4

Interdisciplinary Courses Must Benefit Both Disciplines Benefits for both Music Ed and CS Students Addressing creative challenges Finding a common language Getting out of their comfort zones 9 A Synchronized Project Conceived by Prof. Gena Greher, Dept. of Music, & Coordinator, Music Ed 10 ACM SIGCSE, Chattanooga, TN 5

11 Music Methods Assignment Using only household object(s), create a musical instrument that can produce several pitches or timbres. Create a composition for your instrument. Devise a system of creative notation that others will be able to understand well enough to perform your composition without specific instruction from you. Your system must not resemble standard musical notation in any way, shape, or form. Create Instrument Chris (CS), Joe (Music), and Sophanna (CS) playing their found instruments 12 ACM SIGCSE, Chattanooga, TN 6

Create Notation 13 Create Notation Maggie explaining her notation for playing a steam iron 14 ACM SIGCSE, Chattanooga, TN 7

Test Notation Maggie introducing Sophanna to her steam iron instrument and its notation 15 Test Notation Sophanna trying to play the steam iron using Maggie s notation Click picture to to play play video 16 ACM SIGCSE, Chattanooga, TN 8

GUI Programming Assignment Create a computer program to implement one of the music students found instruments. Your program must be designed so that others can understand it well enough to create compositions without specific instruction from you. 17 Create Program Sophanna s computer program for writing Maggie s steam iron notation 18 ACM SIGCSE, Chattanooga, TN 9

Test Program Maggie and Mike trying out Sophanna s program and recommending revisions 19 Mike s Found Instrument Jacket Notation 20 ACM SIGCSE, Chattanooga, TN 10

Mike s Found Instrument Eine Kline Jacket Music 21 Click picture to to play play video Chris s Composing Program Initial Screen 22 ACM SIGCSE, Chattanooga, TN 11

Chris s Composing Program Set Beat and Drag Icons 23 Chris s Composing Program Select Icon & Position Cursor 24 ACM SIGCSE, Chattanooga, TN 12

Chris s Composing Program Delete Icon, Where s Cursor? 25 Chris s Composing Program Insert Icon Keyboard Shortcut 26 ACM SIGCSE, Chattanooga, TN 13

Chris s Composing Program Where Did Icon Get Inserted? 27 28 Performamatics: Music Student Observations I thought that their systems depicted a much more technical view of things than what we had in mind. It s very productive to have them come to class with us to share different ideas. They are in a creative process just as much as we are when we create music I saw a lot of similarities between what they were doing and what we were doing. ACM SIGCSE, Chattanooga, TN 14

29 Performamatics: Music Student Observations I love hearing different perspectives from people in totally different areas of study. It is always just interesting to see the differences but similarities between both of the majors.... somebody else on campus [who] has nothing to do with us [that is, a CS student] has everything to do with us. Click to to play play video 30 Sound Thinking: A Hybrid Course Dual-listed elective with GenEd credit CS students get Arts & Humanities credit Arts students get Technology credit Dual-taught: two professors in the classroom Sustainability issues FTE and, more importantly, P&T credit Scheduling issues in tightly packed curricula difficult for professors as well as students Campus geography issues ACM SIGCSE, Chattanooga, TN 15

Campus Geography 31 32 Sound Thinking: Course Projects Found Instruments Manipulating with Audacity SoundScapes Audio Art: a soundtrack of an image Audio Ethnography: a soundtrack of your life Computer Manipulation Static webpages that incorporate sound Dynamic webpages that can manipulate sounds Final Project Integrating sound & video or complex webpages ACM SIGCSE, Chattanooga, TN 16

Sound Thinking:... and Expanded Thinking 33 Sound Thinking:... and Expanded Thinking Bach to Lachenmann to Sciarrino Demonstration by violinist Ari Streisfeld Click to to play play video 34 ACM SIGCSE, Chattanooga, TN 17

35 Performamatics: Benefits Grounding of theory in real applications Exposure to other ways of thinking through interaction with other majors Attraction of majors with new interests consideration of BA in CS to complement BS Revitalization of faculty as well as students attraction of new faculty in related disciplines New interdisciplinary research opportunities invitations to work with other faculty Performamatics: Future Address issues at University level our co-pis are now on Univ.-level committees Expand successes into pipeline programs develop closer ties with high and middle schools coordinate with NSF-funded CAITE project (Commonwealth Alliance for Information Technology Education) Build on alliances with other institutions refinement and replication of our efforts (Artbotics replication is already underway) 36 ACM SIGCSE, Chattanooga, TN 18

This work is supported by the National Science Foundation CPATH Program under Grant No. 0722161. Jesse Heines, Ed.D. Gena Greher, Ed.D. Sarah Kuhn, Ph.D. http://www.performamatics.org video editing by Grad. Asst. Daniel Gabriel ACM SIGCSE 2009 Chattanooga, TN March 7, 2009 ACM SIGCSE, Chattanooga, TN 19